Black and white photograph of group of forty three men outside a building. Men are dressed in suits, and many wear overcoats. Building is brick with ornamented arches. Inscriptions: Studio Hornby's, Ballarat.Hornby's (?) Ballaratperson, group, males

A colour print, from an original tinted black and white photograph, of a woman in a green overcoat, white dress and hat, holding a tennis racquet. Materials: Paper, Ink, Cardboard, Glass, Metaltennis

Laura Wright-Ritchie was gifted on the viola and was a music teacher. She was the sister of Frank Wright, who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Black and white photograph of a woman standing on the driveway in front of a house. Behind her is a flowering bush. She is dressed in a dress and overcoat. The woman is Laura Wright-Ritchie and the house is situated in Gregory Street, Wendouree.Printed - Selo; written in pencil on back - 694Blaura wright-ritchie, laura wright, viola, music teacher, frank wright, gregory street,

Black and white photo of tram taken front on with 2 tramways employees in overcoats and peaked caps, snow covered trees in background. Stamp on back reads 'Metropolitan Press Agency AMP CHAMBERS BALLARAT'.person, individual, basil miller

Hardcover book, 192 pages. Front cover of book has a colour image of a man and a woman at a door. The man is wearing a brown hat and overcoat. The woman has blonde hair and is wearing a green skirt and jacket.fictionRomance novel.mairi o'nair, romance, fiction

Overcoat - double breasted, navy blue colour, polyester fabric with gold coloured plastic buttons. Emblazoned with the Queen's Crown and Eagle in Flight. Lining - Navy blue cotton fabric. Grey/white chevrons on sleeves - rank.Maker's label - black print of white cotton "RETI CLOTHING PTY LTD/ 1970/ A V F/Size 3/ 8405-018-6602"uniform, raaf

Coventry Eagle motorcycles, registration numbers 29722, 29712, 29715, 29707. Each motorcycle has a driver and some have pillion passengers in side cars. Drivers are dressed in heavy leather overcoats and hats. Circa 1928police vehicles; wireless patrol; motor transport branch; motor transport section; police motorcycles; coventry eagle motorcycles

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. Alex his brother, who's stage name was 'Navarre', also known as The Prince of Mimic, was killed in an air-raid in the Hippodrome Birmingham in 1940. Their father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in an overcoat and hat and carrying a briefcase. He is standing on the street corner. A row of shops with large overhanging awnings slope upwards behind him. The man is possibly 'Navarre', Alex Wright.alex wright, navarre, the prince of mimic, frank wright

Photograph of Don Raitt as a baby in a cane & seagrass chair, born 1903. Don is the son of Jim & Mary Jane Raitt Stawell. Don in his working career worked as a blacksmith for Bert and Edgar Heal, Upper Main St. He later worked at North Western Woollen Mills Pty. Ltd. Playford St Stawell.Sepia photograph of Don Raitt seated on a floral cushion in a cane & seagrass chair in studio setting. Dressed in a winter overcoat with large buttons on front. Cape like collar with a lace trimmed bib over the top. c1904Stawell Photographic Co., Main Street. Close Railway. C. Hewitt, Manager. Hand written on back is Don Raitt cousin of B Biggs. Also Stawell Photographic stamp.stawell portrait

160 p. : red cover, section of original dust jacket pasted to front, with image of a woman dressed in evening wear looking behind her to a man wearing a suit and carrying a hat and overcoat, who has just entered the room.fictionmelody chase, fiction, romance

In 1884 J.A. Petterson built the first Orbost Club Hotel with the licence in the name of Thomas Maguire (his stepson). This hotel was the first in the area and cost 1,400 pounds to build (ref. In Times Gone By - Deborah Hall) and was actually built before Orbost was proclaimed a township - April 17 1885. T.a. Marshall was the proprietor about the time the photograph was taken. This is the bottom pub in Orbost known as the Club Hotel.The Orbost Club Hotel was the first hotel built in the Orbost district and was an important hub for the township with many whole town meetings held there.A black / white photograph on a brown buff card with embossed decorations. It is of the Orbost Club Hotel, a large two-storeyed building with verandahs on both levels. In the foreground are two motor vehicles and a group of men dressed in suits, hats and overcoats facing the camera.on back - "Mrs Mustard"orbost-club-hotel

Type of coat used to travel on Public Transport in the winter.Overcoat, Tweed, - shades of grey/brown. Rayon lining - brown - fawn. Five brown 1 inch buttons down the fly front. Sleeve decorated with band decorated with 2 brown buttons on each raglan sleeve. Two side pockets.costume, female

Photo of foot-bridge over the Wannon crossing. c1920-Photo shows 2 women one seated, one standing on a wooden foot-bridge; both are wearing overcoats, one is wearing a hat. The bridge has post & wire fence on one side. Bush in background is thick so too reeds & rushes.structures, bridges

Sepia Photograph. A full length portrait of Henry Hopwood aged 35-40 years. He is wearing a dark halflength overcoat, waist coat, cravat and large top hat. Taken inside against a wall with a curtain. Brass Mount. Wooden frame. Inscription on mount under the photograph. Echuca. Henry Hopwood/ FOUNDER OF ECHUCA/ORIGINAL PHOTOGRAPH/PRESENTED TO ECHUCA/MECHANICS INSTITUTE/BY Mrs H McKENZIE. 1915

Tender document - single foolscap sheet - titled "Manufacture and Delivery of Uniform Overcoats - Specification - Contract No. 94". Tender was for 850 items, to be delivered within one month of the order. Badges and buttons supplied by the Board. Sample to be provided with the tender. No drawings provided. 2 copies held.Handwritten notation along the top "Tenders close Monday 26th April at 2pm". Has stamp "Copy Acting Chief Manager"trams, tramways, uniforms, tenders, contracts, gripmen, motormen, conductors, mmtb

Black and white photograph depicting a women dressed in white shorts, and a man in an overcoat. They are Ballarat School of Mines Student Marg Troon and Ballarat School of Mines Caretaker Harry Brew. They are most probably standing on the White Flat Oval which was used for Ballarat School of Mines sport. ballarat school of mines, brew, troon, sport, white flat, margaret troon, harry brew

Invoices (2) issued by Geo Meakin, Tailor, Outfitter & c., High Street, Bendigo. 1. August 1917 to Const. Johnston. Items purchased: trousers 1/7/6; ready made overcoat 2/15/-; Sac suit 3/7/6. 2. Blank invoicebendigo, business, geo meakin tailor

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

Two police officers standing in front of a Ford Falcon Q car, registration number JYE-369. The man on the left is wearing jodphurs, riding boots, coat and hat. The man on the right is wearing boots. leggings, overcoat and hat. The car is parked on a sealed road with a large tree and parkland in the background. Circa 1967police vehicles; motor transport branch; motor transport section; wireless patrol; ford falcon q car; camera car

Note by T.H. Kneen 24 June 1992, "At that time the School maintained a dwarf orchard of several hundred varieties of apples."Black and white photograph. Students and Staff preparing a fruit and flower display inside a timber building.On reverse, "K.T. Gardner Mt. Evelyn Garden at Worth's Olympia 1930 (Cultural Centre now on site.)" and in different handwriting, "Mr. Russ, Hilary Watson ( Hetherington), (arranging something), Marjorie Bishop (outside, holding plant), Kath Gardner (next benches), Polly Woodard (in overcoat.)"students, staff, fruit display, flower display, k.t. gardner, mt. evelyn garden, worth's olympia, 1930, mr. russ, hilary watson ( hetherington), marjorie bishop, kath gardner, polly woodard, alice j. tucker (née glascodine), dwarf orchard

A small black and white photograph of Arthur Northover. A relative of Elma Winslade Wells. Arthur is showing looking right, in a white shirt, tie, breast jacket and an overcoat. Arthur is a middle age man, with receding hair line and moustache. At the bottom Henry Wayland, Blackheath. On the back the logo of Henry Wayland photographer Rembrandt House, Blackheath.person, individual, arthur northover

This is a large army overcoat. Made from wool. It has 3 Officer's pips on each epaulette. It has 8 Aust Mil Forces brass buttons on chest. It has 3 AMF brass buttons on rear waist band. It has 3 pockets, two large ones with flaps. It has a small slot pocket near left arm pit.Inside at neck area is a small label. Printed is M TX. Written amongst it are two letters CS.aust army uniform, greatcoat, passchendaele barracks trust

Framed photo of 114th Howitzer Battery, Australian Field Artillery, on the way to the front 1918. The photo shows teams of horses towing 4 wheeled devices. Sic horse teams. Each pair has a driver mounted. The soldiers have overcoats on, and a mixture of helmets and slouch hats. The teams are on a gravel road with grass verges. Frame is a simple wooden design.Label on front "114 Howitzer etc" as abovephotography-photographs, arms-ordnance, frame accessories, artillery, howitzer

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.1). A black and white photograph of a man dressed in a suit, overcoat and hat, standing on a wooden pier over a stretch of water which is Loch Lomond. There are mountains to be seen in the distance. The man is Frank Wright. 2). Black and white photograph of a lake. In the foreground is a grassed area with four trees. a small boat is at anchor just offshore. The place is Loch Lomond.Written in pencil on the reverse side of the photograph is 1). "Frank Wright at Loch Lomond 1933" 2). Loch Lomond 1933frank wright, loch lomond, musician, composer

Taken at Macleay Park, Balwyn. The team are identified as: Back row - LtoR: AV Webb, Bill Smyth, ... , Noel White, Alan Rash, ... , Ken Wright, ... , Ian Miles, Keith Turner, Ron Page, Ian Howden, Peter Cavanagh, ... Front row - LtoR: Ian Cox, Jack Power, ... , Ralph Rae, (child), Don Frost, Ron Page, Russell Smyth, Bob Turner, ... , ...Black and white photo of the Benson Street Methodist Church Football Team in 1942. It shows 20 men in football uniform, with on the left a man in an overcoat and another in a suit; one in a suit on the RHS; one male umpire and in the centre one small child in uniform being supported by a player. There is a large mature tree on the left and buildings can be seen in the far background. macleay park, benson street methodist church football team, benson street methodist church, sport and recreations, football, mr a v webb, bill smyth, noel white, alan rash, ken wright, ian miles, keith turner, ron page, ian howden, peter cavanagh, ian cox, jack power, ralph rae, don frost, ron page, russell smyth, bob turner

coloured photo: family group ? 3 adult females in cloche hats and overcoats, two small females on scenic walk. Path through bush and trees with white post and rail fence. On front board, handwritten ' Lovers Walk, Cowes' Won by Mr. L. Batchelder ( Bendigo Photographer's family ? ) ' Gents Rope Quoits/Bay View Cowes, Feb. 1933 'A.J. Murray, Ciommercial Photographer, Photo Shop, Cosesplace

A small photograph of Edgar Shapland. A relative of Elma Winslade Wells. Edgar is shown looking right. He is wearing a dark overcoat over a white shirt and tie. He has short, fair hair. On the back the logo of J. C. Turner & Company photographers to their Royal Highness the Prince & Princess of Wales, Duke of Edinburgh and Duke of Cambridge. 10 Burnsbury Park, London.J. C. Turner & Companyperson, individual, edgar shapland

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

Black and white photograph mounted on bege frame with red ornaments. Seems to be taken very early in the 20th century, before WWI. 3 Gentlemen stand on room, facing each other and not the camera. On the left, men is relatively more simple dressed, with small hat. In the middle, men with tall hat and pocket watch on fancy suit. And on the right, older man with hat, walking stick and overcoat.Handwritten: (top left) 55 P99(crossed out) (top right) AP 78 (bottom left) 81 (centre) (stick) FOYLE // PHOTOGRAPHER // WARRNAMBOOLvictoria police museum, police officers, police force, foyle photographer, warrnambool