Book. Things That Have Wings. Child's book titled 'Things That Have Wings'. Part of The Little Lamb Series of Books. Printed by William Clowes and Sons Limited, Stamford Street and Charing Cross, London. Published by The Religious Tract Society, 56 Paternoster Row and 65 St Paul's Churchyard, London. Book has a lithograph on inside title page of foliage and insects drawn by T Sulman. Book contains stories on varying winged animals and insects and contains six lithograph drawings by varying artists. Pages 29 and 30 are missing. Book is a buff colour with a red torn spine binding. Front cover has a coloured picture of a bear swatting a fly away from a sleeping man. Stories contain a religious tone. To Jessie from Florrie (in pencil on inside front cover.)book, story, things that have wings, childrens book

The Living and the Dead reveals the Vietnam War as it has never been seen before - through the prism of the crucial, tangled decisions made by one man, US secretary of defense Robert McNamara. It illuminates those decisionby revealing the man; by turns cold and emotionally trumultuous; the numbers-worshipper who came to believe that the war tearing America apart was wrong, but continued to support its escalation.vietnam war, 1961-1975 - united states

Strewn with wonderful character sketches and hilarious anecdotes, Captain Bullen's War is more than just one man's insightful account of the absurdity of war.australia. army. australian task force (vietnam), 1st, australia. army. royal australian survey corps., captain john bullen

The Living and the Dead reveals the Vietnam War as it has never been seen before - through the prism of the crucial, tangled decisions made by one man, US secretary of defense Robert McNamara. It illuminates those decisionby revealing the man; by turns cold and emotionally tumultruous; the numbers-worshipper who came to believe that the war tearing America apart was wrong, but continued to support its escalation. vietnam war, 1961-1975 - united states

The Living and the Dead reveals the Vietnam War as it has never been seen before - through the prism of the crucial, tangled decisions made by one man, US secretary of defense Robert McNamara. It illuminates those decisionby revealing the man; by turns cold and emotionally trumultuous; the numbers-worshipper who came to believe that the war tearing America apart was wrong, but continued to support its escalation. vietnam war, 1961-1975 - united states

Picture represents some of the German internees interned at Loveday Camp SA. AWM accession number 130191/11 Back row (left to right): Martin Koerner, Karl Straube, Heinz Baumann, Wilhelm Abineri, Edgar Abineri, Wilhelm Notholt, Franz Binder. Front row: Fritz Otto, Oskar Jakob, Ludwig Staisch, Anton Wehr and Heinrich Paul. AWM accession number 030191/11Black and white photograph copy of 12 German Internees with camp hut behind and a group of men to the far right. Man, second from left in front has a sign with 11 on it. Photograph is on corfu.martin koerner, karl straube, heinz baumann, wilhelm abineri, edgar abineri, wilhelm notholt, franz binder, fritz otto, oskar jakob, ludwig staisch, anton wehr, heinrich paul, awm, accession number 030191/11

Confirmation group of Camp 3 internee children taken in 1946. Back row (left to right): Werner Blaich, Norbert Sawatsky, Bruno Fast, Ernst Ruff, Herbert Schnerring, Paul Hoffmann, senior teacher Wilhelm Eppinger, Hans Werner Dyck, Bruno Krockenberger, Edmund Beilharz, Gunther Scheerle, Theo Graze, Heinz Bulach. Front row: Berta Kraft, Anni Steller, Helga Baldenhofer, Lore Decker, Renate Steller, Lotte Blaich.Sepia photograph of a group of boys and girls with a man in suit, in middle. Hut and trees in the background. Boys are standing and the girls are sitting.camp 3 internment camp, camp 3 confirmation class, werner blaich, borbert sawatsky, bruno fast, ernst ruff, herbert schnerring, paul hoffmann, wilhelm eppinger, hans werner dyck, bruno krockenberger, edmund beilharz, gunther scheerle, theo graze, heinz bulach, berta kraft, anni steller, helga baldenhofer, lore decker, renate steller, lotte blaich

Four similar but larger brackets were on the facade of Pindar's house. this is on display at the Victoria and Albert Museum, London. This smaller example was most likely part of a chimney piece from a grand room on the first floor. The crouching minter has a man's head, the chest of a woman and the legs of a goat or horse.Wooden carved bracket at Sir Paul Pindar's Housepaul pindar's house, bracket, timber, victoria and albert museum, london, sculpture

Newspaper clipping Bendigo Advertiser Saturday August 2 2014.Articles of friends who enlisted for WWI together. Private George Every, son of W. H. Every enlisted in July 1915, and sailed for Egypt in January 1916, and his imminent return home wounded. Private S. H. R. Elliott No. 782, K.I.A. April 25 1915, aged 28 years. Son of the late Mr. & Mrs George Elliott of Peg leg Road Eaglehawk, enlisted in August 1914 and embarked from Melbourne. N. S. Draper enlisted at the same time. Sydney Elliott was a member of the Eaglehawk Fire Brigade, Rifle club and was chosen to do sniping duty. G. Of the Loyal Catherine lodge, M.U., Odd fellows band , Comrade's class connected with the Eaglehawk West Methodist Sunday School, Church Choir ,Lawn party , and the swastika club, esteem of the Eaglehawk mechanics institute, Foundry man at the Austral Drill foundry at Eaglehawk. He had one sister, Mrs W. Graham, of Peg leg Road and five brothers - Messrs George & Abe, Bootmakers of Eaglehawk, Fred of Vine Street Bendigo, William of Farnsworth Street Eaglehawk,Stanley of Eaglehawk, and well know in musical circles and as choirmaster at St. Pauls Church Bendigo.military, world war 1, bendigo soldiers

Coloured photograph of the Maple Street Primary School Grade 3-4 W 1999 class and the teachers. Their names are: 3rd Row L-R: Jessica Clarkson, Sathvik Kumar, Paul Carroll, Talan Sinclair, Jenna Maree Brannagan, Kerrie McDowell, Alan Clark, Lauren Hooper, Sam Rofe, Bridget Casey, Holly Fern. 2nd Row L-R: Tyson Cope, Glenn Wyatt, David Ross, Joel Hilson, Elise Watts, Thomas Goodridge, Jeremiah Oibo, Rhett Parry, Curtis Brown. Front Row L-R: Matthew Ferrari, Thomas Woodward-Hunt, Seann Fordham, Sam Vickers, Kristen Mapperson, Travis Kennedy, Nathan Green, Kin Tho, Davy Man. Teachers: G Wood, V Schavoni. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - grade 3-4 w 1999, jessica clarkson, sathvik kumar, paul carroll, talan sinclair, jenna maree brannagan, kerrie mcdowell, alan clark, lauren hooper, sam rofe, bridget casey, holly fern, tyson cope, glenn wyatt, david ross, joel hilson, elise watts, thomas goodridge, jeremiah oibo, rhett parry, curtis brown, matthew ferrari, thomas woodward-hunt, seann fordham, sam vickers, kristen mapperson, travis kennedy, nathan green, kin tho, davy man, g wood, v schavoni, mr david robins, arthur reed photos

Colour photograph. People seated behind man and piper. Cake on table. Date stamped 30 3 '96. Back of photograph reads: Peter's 50th Paul Robinson - Piper (owner of Sedgwick Camel Farm)photo, group, mixed group

Stella Dunn played Nanny, a senile old woman, in 'Gamma Rays' in April 1976 when she was a sprightly 82 year old.1. - Program - Jade coloured card with dark blue typeface, 2. - Photos -photographic paper. 3. - Review - photocopy paper. 4. - Roneod duplicate on foolscap paper.2. - Typed information on Stella Dunn glued onto the back of the photo, reverse side of photo has typed paper glued on as well as remnants of masking tape 3. - Photocopy of a review of The Effects of Gamma Rays on Man-in-the-Moon Marigolds on page 6 of the VDL (Victorian Drama League) newsletter 'Theatrecraft' April 1976. Includes photo of Sue Lukis as Tillie. 4. - Prompts Newsletter No 2 19th March, 1976. – Typed. Includes information on next production, reminders of happenings and forthcoming events and the Moomba Drama Festival results 1976, 170, bill cherrey - director, fred merryweather - set construction, michael bond - lighting, george bugge - sound, max brooks - photography, cast - stella dunn

Stanley Couzens, a Gunditjmara man and long-time Geelong resident, painted this story upon commission from the Geelong Wool Combing Company. It depicts hunting in the You Yangs, the distinctive granite peaks that overlook the region. In 1993, Couzens’ painting was translated into a pattern by textile designer Jenifer McMahon. It was then turned into a jumper using wool sourced entirely from the region. It was fully processed, from fleece to fabric, in Geelong. The jumper was given to attendees at the opening of the Geelong Wool Combing company on 10 December 1993. Among the many guests, was the Prime Minister Paul Keating. The painting was acquired with the permission of the Couzens family.Framed acrylic painting on board, showcasing the You Yangs mountain range, people, and local flora and fauna in warm earth tones. The painting is signed 'S. Couzens 93' in the bottom right hand corner. The painting is framed in a dark wooden frame.Bottom right corner - 'S. Couzens 93'you yangs, gunditjmara, aboriginal art, jenifer mcmahon, design, geelong wool combing company, jumper

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer

Ill, maps, p.328.This book describes the life of a man, the late Commander J. H. Walker, and of his ship. HMAS Parramatta; both used to represent their service. Parramatta was one of the 'little ships' which made the great sacrifice in keeping the hard pressed garrison of Tobruk supplied. She went down fighting gallantly and in doing so added a glorious page to the naval history of our Empire. world war 1939-1945 - naval operations - australia, royal australian navy - history

Family history and biography of Edward Emmet Dillon, the son of Edward Dillon, whose family immigrated to Australia in 1857 and lived in Camberwell.boroondara, camberwell

Index, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography

Newspaper clipping - titled "Ticket to Ride", looking at the Connies or tram conductors and the forthcoming exhibition at the State Library Feb. to March 1998. Has a number of photographs featured in the associated book "Connies" - see Reg Item 2190. From The Age Good Weekend 23/1/1999.trams, tramways, conductors, mta, ptc, one man trams

Newspaper clipping - from the News Extra section of The Age, 7/8/1999 containing two separate items: 1 - "The man who loved trams" - about Roberto D'Andrea about his work on the Melbourne trams, and his involvement with Calcutta tramways, written by Paul Bateman. 2 - "The ancient art of tram catching" - discussing catching a tram in Melbourne from a travellers viewpoint and comparison with India and Calcutta. The author Keith Butler lived in India for a while.trams, tramways, trams, melbourne, passengers, tram stops, calcutta

Book - 16 pages printed on gloss paper + green card cover centre stapled, titled ""Connies", featuring photographs of Melbourne tram conductors prior to their finish in 1998. Photographs by Neale Duckworth and text by Paul Bateman, published by the State Library of Victoria 1999. See 2706 for an associated newspaper clipping.trams, tramways, conductors, mta, ptc, one man trams

Newspaper clipping titled: “Smash – right in the middle” The Sun, Thursday, March 21, 1968 The Herald, The Age Photos and text Flinders and Swanston Streets 25 people taken to hospital, St Vincent's, Royal Melbourne, Prince Henry's Accident happened about 12:30 pm when west-bound Flinders St tram crashed into north-bound city tram in Swanston St “Driver out before crash” The Age, Thursday, March 21, 1968 Photos and text Flinders and Swanston Sts Driver, Mr John Middlemo, was knocked semi-conscious two blocks before the collision. He struck his head when a car pulled out in front of him at Exhibition Street. Risson said it was worst accident he had seen in 40 years. Appoints 5 man inquiry committee Tram W2 304 (City Route 6) was crossing Flinders Street when it was hit by tram W2 559 (Spencer St route 28) which failed to stop at the red light. Tram 304 was subsequently scrapped.trams, tramways, collision, accidents, flinders st, swanston st, tram 304, w2 class, tram 559, mmtb

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.With a card (for exhibition??) entitled '' The only known photograph of the enigmatical De Lacy Evans who for many years impersonated a man and was by occupation a gold miner''. Date 1877 (1880 crossed out). On the reverse side is the name N. White photographer Mitchell St Sandhurst, Opposite St. Paul's Tower.N W White, Mitchell St, Sandhurstperson, individual, male impersonater., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy

Part of photograph album donated by Mrs Faull. Taken during St Paul's Sunday School picnic at Lake Wendouree, Ballarat.Sepia photograph of a man wearing suit and hat standing with arms by his sides, next to a woman wearing long sleeved, knee length outfit and hat, with arms clasped in front, and young girl wearing short dress and hat in front of the man, posed in front of a large expanse of water.faull collection, st paul's sunday school, sunday school picnics, lake wendouree

Black and white photograph of a high roofed church building set inside a picket fence with trees at the front, and man in clerical garments standing between front gates."St Pauls Church" .st paul's church of england linton, buildings

The Reverend Horner was vicar at St Paul's Church, Linton, between 1922 and 1926.Sepia postcard photograph of a woman wearing two-piece mid-calf-length costume and hat. Dress has large lace collar and belt at waist. Woman is standing with right arm around handbag, left arm by her side, next to a taller man wearing long overcoat, clerical collar and hat standing with left hand in coat pocket, right arm by his side."Rev. and Mrs Horner Vicar of St Pauls Linton June 1922 - October 1926". st paul's church of england linton, rev. albert george horner, mrs horner