Showing 57 items
matching pot cover
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Mont De Lancey
Artwork, other - Pot
An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics -
Mont De Lancey
Functional object - Inkwell, Unknown
Owned by Mr Franz Streizel circa 1895.A travellers small brass inkwell in a square brown leather covered case or box. There is a brass inkwell under the lid with a tiny lever to open it.'Ink' is written in elaborate gold lettering on the lid of the leather case. The brass lid inside has a pattern embossed onto it.writing equipment, inkwells, ink pots -
Ringwood RSL Sub-Branch
Book Anzacs, Anzacs The pain and the glory of Gallipoli, 1999
Soft cover book by Peter Bowers. 50 printed pages with black and white photos. -
Whitehorse Historical Society Inc.
Book, Pens, pots and pallets, 2002
A history of the Mitcham Arts Association.A history of the Mitcham Arts Association. A revision of the earlier 'The Pen, brush and potter's wheel'. The history covers the period from 1962 to the move to Silver Grove in 2002 and notes the change of name to Whitehorse Arts Association.A history of the Mitcham Arts Association. mitcham arts association, whitehorse arts association, mitcham writers group, humphreys avenue, nunawading, no 16, silver grove, nunawading -
Whitehorse Historical Society Inc.
Domestic object - Tea Pot
Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery -
Whitehorse Historical Society Inc.
Book - Cook book, 1976
The book of recipes was compiled by Don Dunstan who apart from politics was also active in the fields of art, drama, poetry. This is evident in the history of the dishes he describes. Their origin,the herbs used and the method of preparation,and presentationThe drawings and illustrations are by Robert Ingpen a well known artistIllustrated cook book by Don Dunstan.The book is 25 cm by 19 cm and has a fixture on the cover of Don Dunstan using a wok.There is a red tea pot,a ladle,a fork & spoon hanging on hooks attached to a red brick wallfood technology, bakery -
Circa Vintage Archive
1930s cotton feedsack dress, Blue cotton daisy print feedsack dress 1930s, 1930s
Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None -
Flagstaff Hill Maritime Museum and Village
Domestic object - Teapot, Unknown
In the 1650s, the newest exciting development had arrived on Britain’s shores, this time it was tea from China. As it was brought back from overseas, tea was incredibly scarce and as such its price was very high; in 1664, the cost of tea was already 40s per pound, although this is not as high as what it would become when taxed in the 18th century. This resulted in only the social elite enjoying a cup of tea, and most commonly tea was enjoyed in coffee houses, and teapots were therefore not yet a household item. As the East India Company imported larger quantities of tea, it became more widely available and a larger section of the British population were able to enjoy it meaning that, by 1669, tea was available nearly everywhere. Likely due to the fact that tea was first enjoyed in coffee houses, the first known teapot resembles a coffee pot, with a tapering cylindrical shape and standing much taller than what we now know as a teapot at 13.5 inches tall. Into the 1680s, these teapots were given a conical cover for the spout that was fixed to the pot via a chain. As Queen Anne took the throne in 1702, teapots had become much more widely used and had formed two common groups. The first style of teapot was the pear shaped style which began to appear in 1705. The pear shaped pot usually had a domed lid and sometimes featured a finial. This form was generally supplied with a heater and stand as well as having a baluster shaped handle on one side. This iteration would disappear by 1725 but does make a reappearance in the 1740s, only this time as an inverted pear shape. The second group was the more spherical, or globular, shape which appeared in 1710. The globular teapot had a flush, hinged lid as well as a narrow moulded rim foot and a straight sided, tapering spout. Both generalised groups of teapots have polygonal examples – that is, teapots that are made up of straight sided segments – but six or seven sided teapots are incredibly rare. There is one known example of a seven sided globular teapot, made by Isaac Ribouleau in 1724. This is so unique because polygonal teapots are much more technically difficult and time consuming to make. Other than the occasional band of engraving round the shoulder of the teapot, they remain quite plain until c.1740 when scrollwork and chased shells begin to be applied for decoration. ‘Chasing’ is the process of decorating the front of a piece of metal by indenting the back, without cutting or engraving. From 1755 until 1770, silver teapots became incredibly uncommon and it is likely that this either reflects a change in drinking habits or changing trends producing a favour for porcelain. This dip in popularity could also be in response to the outrageous taxes placed on tea, up to 119%! In 1765, the Leeds creamware globular teapot seemed to kickstart a resurgence and this, combined with the Commutation Act of 1784 – which reduced tax on tea from 119% to 12.5% – saw teapots return in all their forms. It’s around this time, in 1780, that a form of teapot with a detachable, openwork stand appeared; however, the plain, oval teapot remained the most popular in the 1780s and 90s. In the later years of George III’s tenure on the throne, during the last decade of the 18th century, there was a revival of chasing and embossing teapots with flower and foliage designs. At the turn of the century, the spherical, partly fluted teapot with classical decoration was superseded by a more oblong shaped pot that sat on four spherical feet. This was then changed again when teapots became more melon shaped. It was at this time that the capacity of a teapot greatly increased and the previously wooden or ivory handles were replaced by silver handles with ivory washers for insulation. As Britain entered into the Victorian era, the design quality often suffered as there was a tendency to over-decorate the silver. In the early 19th century, the last major addition to the shape of the teapot, a raised collar was added between the cover and body. Whilst this seems to just be for decoration, there is some speculation that it could also be to prevent overspills. https://www.marklittler.com/silver-teapots-history/ This item shows that silver and silver plated teapots were used for tea making.Plain sliver teapot. Heavy oxidation. Dented.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, silver, siver plate, tea -
Mont De Lancey
Book, Wells Gardner, Darton, & Co, Ltd, The Prize for Girls and Boys, 1918
A collection of varied stories and poems for young children - 1918 ed. There are practical articles as well, such as some on gardening.A yellow hardcover fiction book for children with a coloured picture of children playing a game of red indians outside a decorated teepee. The girl is cooking with a pot over an outdoor fire and the boys are firing a bow and arrow and painting a pot. The title, The Prize is printed at the at the top of the cover in red lettering surrounded by a boy and girl each side. Publisher details are at the bottom. The spine is brown tape. The back cover has a faded red advertisement for Pears Soap.There are advertisements on the endpapers at both front and back. There is foxing and tanning noted on the edges of the pages. There are stories and poems written by various authors and black and white illustrations and coloured plates throughout. The title page is very ornately decorated with a black and white floral design and covered by a tissue paper page. The coloured frontispiece is of three boys playing soldiers with one sitting on a rocking horse. There are Contents, Poetry and List of Illustrations pages. 164p.fictionA collection of varied stories and poems for young children - 1918 ed. There are practical articles as well, such as some on gardening.children's fiction, poetry -
Federation University Historical Collection
Book - Book - Scrapbook, University of Ballarat: Scrapbook of Newspaper cutting; Book 1, January 1998 to April 1998
Newspaper cuttings relating to the University of Ballarat, SMB Campus. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 1 January 1998 to 4 April 1998. . `Book with yellow cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, university of ballarat, smb campus, ub, new university opens, secretaries conference, h h smith, artist's legacy, amalie colquhom, anne beggs sunter, director of tafe, peter morey, work skills olympics, peter bailey gold medallist, meat industry workers, joint venture, tafe prepares to deliver courses, jobs pathway program, professor geoffrey blainey, professor david caro, chancellor, michael aldermann, centrelink first call for jobless, colour and great music, marion's pots, marion popplewell, doug sarah - community service identity, michael adermann, neville french - potter, exhibition in new york, farm field day, ballarat demonstration farm, vocational training critical, powerful drama at the courthouse, $1.5m ararat campus opened, combined talents forge forest course, apprenticeship program begins -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 77, January 1997 to April 1997
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age and other region papers over the period of 18 January 1997 to 3 April 1997. Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, more adults attending courses, brace upgrades, $40000, smb the brewery complex, john howard - prime minister, visits ballarat, opens brewery complex, bill prior and fr martin hislop, jeanette lowe - laurinda scholton - josephine birch, sherryl anderson - robin boyd - peter morey, $1.5m tafe campus start, deb's fun approach to fitness, richard de fegely, overseas students, papua new guinea, western samoa, phillippines, thailand, "dante's peak" director roger donaldson, school's back - officially, farming apprentices help fire victims, karl britt and ian miller, smb women's course 21 years on, ballarat faces higher cost for water, australian college of education awards, smb $500000 debt paid by government, video link with sister city, melting pot of cultures at smb, concert will aid academy, pianist roger woodward, roger donaldson - smb to hollywood, bruce widdop lecturer bapa, farm machinery repairs course, asian student drive -
Ballarat Tramway Museum
Ephemera - Christmas Card, Earl Ewers, 1982
Christmas Card - with a number of wrapped gifts and decorations around a pot belly stove on the front cover, a Christmas and happy new year message on the inside and a colour photograph of BTM tram No. 18 at the Gardens Loop with Graham Jordan and Warren Doubleday "testing the suspension" on 12/12/1982. Card sent by Earl Ewers, alias the "Canberra Kid". Card printed on heavy paper and folded in the middle vertically.Under photograph in blue ink "Messrs Jordan and Doubleday testing the suspension on No. 18 at Gardens Loop 12/12/1982!" and in message "To all the BTPS Ltd. members and workers from ye olde "Canberra Kidd"!"tramways, trams, christmas cards, gardens loop, btps -
St Kilda Historical Society
Document - Advertisement, G Brunning & Son St Kilda Nurseries, Pre - 1901 (original)
... with Flowers and Shrubs, upwards of two acres being covered with pot... and Shrubs, upwards of two acres being covered with pot grown plants ...George Brunning was born in Suffolk, England, on 2 October 1830 and settled in St Kilda in June, 1852. He was a gardener and became part-proprietor and manager of Rule's Nursery in Richmond before establishing the first nursery of his own in 1861. Following his death on 5 June 1893, his sons continued the business. An article published in Punch in 1907 observed 'Nearly all the flowers grown in and around Melbourne, indeed, throughout Victoria, which are not native to Australia, had their origins in the nurseries of George Brunning and Sons. The statement is a large one to make, but it is literally true.'Single page black and white photocopy of advertisement from an unidentified publication for G Brunning & SonG Brunning & Son, St Kilda Nurseries, Near Melbourne, Beg to announce they have the Largest and Most Extensive Nursery Stock in the Australian Colonies. Ten acres of our ground are under cultivation with Flowers and Shrubs, upwards of two acres being covered with pot grown plants. We are the biggest Importers of new florists flowers in the Southern Hemisphere, always adding to our Stock all the Novelties as they appear in Europe. Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. In addition, we cultivate extensively the best and most popular kinds of fruit trees, of sorts suitable for private gardens, or for market purposes. Priced Catalogues are published annually in May, and will be forwarded gratis on application to G Brunning & Son, St Kilda Nurseries, Near Melbourne. Visitors to Melbourne are respectfully invited to inspect our Nurseries.g brunning and son, plant nurseries victoria, st kilda, 19th century -
Federation University Historical Collection
Book - Booklet, Ballarat School of Mines Annual Report and Inskill Report, 1981
... Rural Studies Peter Magee Mudbrick Potting Shed Brown soft ...Brown soft covered Ballarat School of Mines Annual Report ballarat school of mines, annual report, inskill annual report, peter shiells, bill gribble, kerry cross, brian mclennan, lindsay hillman, ken flecknoe, e.j. barker, m.b. john, e.j. tippett, neil leckie, barkly street campus, ballarat east free library, recreation building, learning resource centre, e.j. tippett library, former supreme courthouse, electrical studies, land laboratory, rural studies, peter magee, mudbrick potting shed -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Madonna and Child, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Bookends, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), bookends, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Tambo Shire, 1994 c
Also second copy identicalColour photograph of Post Office, shows a brick building, slate covered, gable roof, decorative brickwork around windows, tall chimneys with chimney pots, decorative tiles on roof ridges. Commonwealth Savings Bank sign under window. Bruthen Victoriaretail trade, buildings -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1922
Series of Black & White Images depicting life for the Hill Family and Friends During 1922 Post War Boom. Total 5 Photos. Ladies Day Out: Alma, Kitty, Lorna Claire & Eileen, all the ladies are dressed in white, lady at front wears dark stockings others are wearing white stockings and shoes, first two are standing on the steps and the others are on the verandah, two stone pillars with garden pots on them, Window of house to the left and curtains hanging inside, 'The Ranche' March 1922. (Aunt Mabel) Sister M. Alphonsus, dressed in dark habit with rosary hanging from her waist, arms crossed, standing in archway covered with vine, to right a spire can be seen. Uncle Percy in South America with Fox Terrier, holding a gun in his left hand, garden setting with palm trees. Frank, dressed in black suit white shirt and dark tie with his hands around a Hound Dog enjoying some R&R. Ken with his tennis racquet, in his dark coloured uniform white shirt and dark tie, standing between two chairs holding a tennis racquet and ball, both chairs have a white cloth backing, left chair with object on seat and large vase on the ground, trellis to the right, weatherboard to the left and shrub.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1917-1923
Hilda Hill Collection. Black & White Photos Depicting Family Life Total 8. Dora dressed all in white and wearing a small hat standing within the branches of a tree, 'the lawns' 1917. Hilda & Rose S.H.L.C. 1917, Hilda wears a white hat and lightly coloured outfit, Rose is wearing a dark hat and dark outfit, both seated on a lawn area. Three boys (unnamed), wearing swimming outfits in the surf at Brighton 1918. Hilda & Dora both dressed in light coloured blouses and dark coats with decorative collars and similar style hats, at Hanging Rock July 1923. Frank at 'The Ranch' Easter Tuesday 1918, Dressed in dark suit and white shirt with bow tie, verandah post on left and weatherboard house in the background. Unknown female dressed in dark dress with white collar, large flower pot on verandah, house window in background, plant trellis to right. Jack, dressed in dark coat over light coloured shirt and lighter coloured trousers sitting on snow bank at 'Buffalo' 1923. Photo of the 'Chalet' at Mt Buffalo, covered in snow and the snow covered gardens in foreground, farm type post and wire fence also enclosing the garden.Hilda Hill Personal Collectionaustralia, history, family life -
Bendigo Historical Society Inc.
Souvenir - A SOUVENIR OF THE GLAMOUR GIRLS REVUE THEN AND NOW, 1944
Object, A Souvenir of ''The Glamour Girls'' Revue ''Then and Now'' 1944, To Ted from Mr. & Mrs. C.Clark on the front cover which is and including the rear cover , of Red and Black tied with an Orange ribbon.There are 17 pages inside . First page Includes; Bendigo presents The Glamour Girls in Their Hit Revue Then and Now a Pot pouri of Dances and Fun Produced and Created by the Team Spirit of: Peggy Hinsley, Elaine O'Shea, Joan Albert, Gladys Jordan, Amba Harrington, Moira Knowles, Doris Clow, Betty Angel, Cath McQueenie, Thelma Cochrane, Mona Roberts. Under direction of C.Clark. Included are photos of The Glamour Girls.program, theatre, concert -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''ISABELLA OR THE POT OF BASIL'' BY JOHN KEATS
Book. ALEC H CHISHOLM COLLECTION. 40 page hardcover book of a 63 verse poem by John Keats. With 5 colour illustrations plus one on front cover. An Envelope Book series published about 1900 by , Edinburgh and London. Printed by Neill & Co. Ltd, Edinburgh. This poem is based on Philemon's story in Boccaccio's 'Decameron', written when Keats was 24 years of age, 2 years before his death. Catalogue sticker ''2126 KEA'' on spine.John Keatsbooks, collections, poetry, alec h chisholm collection, john keats, poetry -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION:HERITAGE TRADE & SERVICES DIRECTORY
Copy of a Heritage Trade & Services Directory Edition 1, dated April 2001. Compiled by City of Greater Bendigo Heritage Advisory Committee. Front cover has an oval picture of part of a building with scaffolding in front of it. Listed are: Architectural Hardware; Architects; Blacksmiths; Brickwork - General; Builders; Castings - Iron and Non Ferrous Metals; Cement Decoration and Rendering; Chimney Pots; Chimney Restoration; Chimney Sweeps; Colour Consultant; Concrete - Pre-cast; Damp Control; Drafting Service; Fabric; Fencing; Fire Mantels and Inserts; Floor Coverings; Furniture Restoration and French Polishing; Garden Renovations; Glass - Etching; Glass - Leadlighting; Guttering, Galvanised Iron and Sheet Metal Work; Interior Decorating; Joinery and Carpentry; Light Fittings; Masonry Cleaning; Paint; Painters and Decorators; Paint Stripping; Plasters and Associated Products; Resurfacing - Enameling; Resurfacing - Powder Coating; Restumping and Underpinning; Roof Restoration - Iron; Roof Restoration - Slate; Roof Restoration - Terracotta; Second Hand Materials; Stone - Quarries and Cutting; Stonemasons; Tile Layers; Tiles; Turning and Verandah Roofing.bendigo, history, long gully history group, the long gully history group - heritage trade & services directory, heritage advisory committee, city of greater bendigo -
Bendigo Historical Society Inc.
Book - TIN POT GULLY COSTERFIELD
... unmarked cover. Book TIN POT GULLY COSTERFIELD ...150 year anniversary Tin Pot Gully Costerfield 1861 - 2011, a short history of Costerfield 35 pages with black and white photographs & a map. Red unmarked cover.N L Harrishistory, australian, costerfield