Item souvenired by Edwin James Jones No 3511 AIF. Refer Cat No 1367.5 for his service history.Badge, Brass, pressed metal, deers head over crown , scroll and flowers each side, 2 X lugs on rear for uniform attachment" By Dand"numismatic - badges, metalcraft - brassware, jones.

The Royal Australian Infantry Corps (RA Inf) is the parent corps for all infantry regiments of the Australian Army. It was established on 14 December 1948, with its Royal Corps status being conferred by His Majesty King George VI. At her coronation in 1953, Queen Elizabeth II became Colonel-in-Chief of the corps. Major components of the RA Inf include the various battalions of the Royal Australian Regiment and the six state-based Reserve infantry regiments, such as the Royal New South Wales Regiment. The various Regional Force Surveillance and Special Forces units of the Army are also part of the corps. The Infantry School is located at Singleton, New South Wales.Pressed metal cap badge for the Royal Australian Infantry Corp. This badge is brass alloy with two pins at rear for securing to the cap when worn."Royal Australian Infantry Corps"

Pressed metal cap badge for the Royal Australian Army Service Corp. This badge is brass alloy with two pins at rear for securing to the cap when worn.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Round pressed metal fundraising badge with the featuring the words ‘Peace and Goodwill’ in red on a white background. A wreath and a pale green border surround the white background."Peace And Goodwill"patriotic buttons, badges, first world war 1914-1918

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges

This carriage forms part of a matching set of the W classification which were built to match each other around 1914Second class railway carriage red in colour with a white clerestory roof. It has 7 compartments each with two green vinyl bench seats. Pressed metal ceilings with a light in the centre and racks above the seats. There is a men's toilet at one end of the carriage and a ladies toilet at the other end, with a double seat outside both toilets as a waiting area. In these areas there are several Art Nouveau pressed metal panels. The outside of the carriage has the numbers 2 BW painted on the side.

Items in collection relating to the Jackson Family..1) Badge, Rising Sun, Brass pressed metal, blackened, rear has two lugs on for hat attachment. .2) Badge, same as .1) smaller for uniform collar.On all, "Australian Commonwealth Military Forces".badges, rising sun, uniform, collar, lapel

Accordion; wooden frame with black leather bellows, maker's name Regal Melodeon, Made in Germany. Has pressed metal corners with pictures of a bugle with the word sport in the centre.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day for Children’ badge, which appropriates national symbols of fauna and flora: a kookaburra and wattle. The circular pressed metal fundraising badge was produced to support the war effort."Wattle Day for Children"wattle day for children, wattle day, francis rigg, badge

Bell with pressed sheet metal body and turned wooden handle.No visible markingsbells, bell, kitchen, meal time.

Raglan Street is located within the heritage precinct of central Ballarat. This house was built around the turn of the century, with sewerage being added in 1908. The hallway is lined with pressed metal, the remainder of the metal being used at Talbot Hall. The building was occupied by Dr Pern.Postcard size colour photo of a weatherboard house in Raglan St Ballarat.raglan street, ballarat, house, garden, architecture

items in collection relating to the JACKSON Family..1) - .3) Three buttons, two silver one brown all Australian. .4) One Officers rank badge pressed metal. .5) Button gold coloured with American Eagle on..1) - .3) Brown button on rear, "P.J.King PTY LTD". Silver button, "Stokes and Son Melbourne" .5) On rear, "VAM"badges, buttons

Sunshine biscuits were made in Ballarat from 1921. During WW11 Sunshine biscuits devoted 80 percent of its output to army services. The company was twice devastated by fire. In 1923 the factory was completely destroyed and was rebuilt as a more modern factory on the same site. In 1939, a deliberately lit fire demolished the workshop. Sunshine biscuits continued to be sold until 1991. Biscuits were sold by weight from a large tin in the grocer's shop.This tin seems to be a commercial tin used in a grocery shop. It would have been used in an Orbost grocery store e.g. Dicken's, Baughhaust's or Herbert's.Biscuits were once sold by weight from a large tin in the grocer's shop.This tin seems to be a commercial tin used in a grocery shop. It would have been used in an Orbost grocery store e.g. Dicken's, Baughhaust's or Herbert's.Large rectangular commercial biscuit tin, made from pressed metal, with a lid. There is a paper label on the front which details the contents, and manufacturer details. It has a colourful label which is in poor condition. On label - in a dark blue banner SUNSHINE. Left hand side vertically BALLARAT PRODUCTS LIMITED. Below the SUNSHINE banner - Sweet Assorted, Superior biscuitssunshine-biscuits food biscuits container tin

Item in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details.Belt buckle German, brass pressed metal, front has two circles, inside has raised lettering and floral arrangement, centre has a crown depiction, on rear attachments for belt fastening.On face, "GOTT MIT UNS" Meaning, "God with us".uniform, belts, german

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A small circular pressed metal badge with a white outline of Australia against a dark blue background. Flags of Australia’s World War I allies are depicted within the Australian outline, including that of Imperial Russia."Allies For Freedom and Life"patriotic buttons, first world war (1914-18)

This item has not yet been identfied as to use, origin, etc. Any information to assist identification would be appreciated.Olive green cylindrical fluted pressed metal tube. Sealled one end, with twist top lid attached by short chain at other end. Evidence of removed carrying sling mounting brackets (??) both ends.

Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details..1) Badge, metal, gold colour, elephant, snake, scrolls, latin writing. .2) Badge, pressed metal, gold colour, lion, scroll "British South Africa Police". .3) Badge, metal, gold colour, circular with springback "Union is Strength". .4) Badge, pressed metal, silver colour, crown, lamp, winged goddess. .5) Badge, metal, gold colour, ostrich, scroll, latin writing. .6) Badge, metal, gold colour, crown, crossed rifle and shovel "Pioneers Regt".badges, collection

Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details..1) Badge, pressed metal, gold colour, flame over coat of arms. .2) Badge, pressed metal, brass colour, 8 star shaped with cross in centre .3) Badge, metal, gold colour, sphinx over castle, "Eygpt The Essex Regt" .4) Badge, metal, gold colour, lion,m 3 plaques, letters E.M.E .5) Badge, metal, gold colour, lion over coast of arms .6) Badge, metal blackened, ship over scroll, "2nd Punjab Regt"badges, collection

Trove contains one newspaper reference to a firm called Ballard & Bowsers. This is in a report on the International Exhibition of 1862. So the company predates the English firm of Callard & Bowsers. Perhaps it is a late Victorian example of piracy of trade names. Old lolly tin with an art nouveau design in a darker metal on the lid. The interior contains a floral spray of lily of the valley made from pressed metal. The title is definitely Ballard & Bowsers rather than Callard and Bowsers. tin, international exhibition 1862

A chronicle of officials of the G.C.C. during 1909. This honour board has an important place in the history of the Geelong Cycling Club and signifies the high esteem in which the community held cycling in the early part of the 20th century. Decorative wooden frame around individual photographs on oval ceramic plates and mounted on a wooden background. These are surrounded by pressed metal floral decorations. Inscriptions are in cursive script and painted in blue and white against the wood. There is a gold trim to the wooden frame. "Geelong Cycling Club/R McGann/T. Jenkins/H.H. Barclay/C. Hobbs/A. Beaming, Club Trainer/C. Hudgell/G.A. Martin, Vice Capt/H.G. Cartriss, Captain/E.Kitchen, ICCA Delegn/W.C McEwan/C. Bartlett/B. Freedman,Auditor/Eli Phillips, President/H. Groves, Handicapper/A. Hyatt/H.W. Heath/J. MacPhee/J.McMahon/C. Farrell/C.A.Betts, Hon. Secretary/O. Rowlands/M. O Donnell, Com/J.Kilmartin/C.E.Hewitt, Treasurer/E.Walsh, Com/N.James, Com/G. Martin/H.Mills/L.Redman/A.Palmer/W. Loone/H.L. Kelly/W. Shields/R.Hobbs/Presented/Mr. Charles A. Betts/A token of esteem for valuable services rendered as secretary/Nov 9, 1909” geelong cycling club; r mcgann; t. jenkins; h.h. barclay; c. hobbs; a. beaming; c. hudgell; g.a. martin; h.g. cartriss; e.kitchen; w.c mcewan; c. bartlett; b. freedman; eli phillips; h. groves; a. hyatt; h.w. heath; j. macphee; j.mcmahon; c. farrell; c.a.betts; o. rowlands; m. o donnell; j.kilmartin; c.e.hewitt; e.walsh; n.james; g. martin; h.mills; l.redman; a.palmer; w. loone; h.l. kelly; w. shields; r.hobbs; mr. charles a. betts;

A pressed metal spectacle case with brass hinges and clasp and lined with blue moire taffeta. The lid is decorated with an inlaid floral motif and inside each section is a 1/2 pocket . Both top and bottom expand by 1cm with concertina folded materialfloral design inlaid on lidspectacles, optomotrists, moorabbin, cheltenham, bentleigh, early settlers

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed metal fundraising button that was produced at the beginning of World War 1. ‘Wattle Day’ was celebrated before, during and after the War. For each Wattle Day different designs were chosen. This design features sprigs of wattle on a brown background."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

Mr Webb King was an Air Raid Warden during World War 2. These badges were found when his workshop was being cleared out, and so were donated to our society. The badges in our possession do not have the word WARDEN printed on them, like the image of the badge shown on the Darebin Heritage 'Air Raid Protection Services (ARP)' publication, or the image of a badge offered for sale on ebay. At this stage we are uncertain of why this is so. If anybody knows the answer then please leave a message on this site. During World War 2 Australian municipalities were expected to take precautions against air raids, with the Government campaigning to recruit men over 45 to be volunteer Air Raid Wardens. It was also common for women to become wardens. Wardens carried gas masks, helmets, and rattles or whistles. The wardens received 7 to 8 one hour sessions of training, and their chief duty was to advise people of precautions to take, and to ensure those precautions were taken. Air Raid Precautions included air raid drills, shelters (usually trenches), first aid, fire fighting, rescue of 'gassed' persons, evacuation drills, demolition and repair squads, monitoring of blackouts. Melbourne was deemed vulnerable to aerial attack because of its centralised port and industrial facilities and so Anti-aircraft guns were installed in Maribyrnong. By early 1942 more than 60,000 people voluntarily carried out Air Raid Precautions duties according to the Autobiography of Robert V. J. Padula OAM. As the threat diminished during 1943 and 1944 the need for air raid precautions was slowly reduced, and some shelters (trenches) were filled. The two photos showing Air Raid Wardens are out of copyright and have been sourced from the 'Argus Newspaper Collection of Photographs, State Library of Victoria.' The image showing one warden on Swanston Street Melbourne has been cropped to remove extras not connected with the photo. Other sources of information for this report are: (1) http://bpadula.tripod.com/autobiography/id100.html, (2) https://www.awm.gov.au/exhibitions/underattack/mobilise/precautions.asp, (3) http://heritage.darebinlibraries.vic.gov.au/article/57. The ARP badges are a historic reminder of the precautions that were taken in Victoria during the early years of World War 2. The precautions were an effort to minimise the harmful effects of a theoretical air raid. The war started to turn and so an air raid never came, however many people received valuable training in what precautions needed to be taken.Pressed metal round badges with pins. Main feature of badges is the large whitish lettering ARP on a red background. A black outlined crown and the word VICTORIA in red on whitish background is also on the badges. At the bottom of the badges in black are the letters DC plus the numbers of the badges.Serial Numbers of the badges are: DC 361, DC 362, DC 364, DC 368, DC 370, DC 374, DC 375, DC 376, DC 377, DC 379, DC 388, DC 389.arp. arp badge, air raid precautions, air raid precautions warden, warden, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A round pressed metal button in red, white and blue. The pale border is designed to look like a belt. The button was initially sold on the 24 March 1916, the day set aside as ‘Button Day For Our Fighting Men’ to raise funds for the servicemen fighting overseas."For Our Fighting Men"patriotic buttons, first world war (1914-18), badges

.1) Badge metal 6 sided crown at top, centre has Coat of Arms, one lug on the rear and numbered. .2) Badge pressed brass squarish shape scroll at top and bottom, centre has a figure "8", two lugs on rear. .3) Badge pressed metal gold colour crown at top, centre has letters "ER" surrounded by circles and a wreath, two lugs on rear. .4) Badge pressed metal blackened with Rising Sun depiction crown at top. .5) Badge round silver colour, one side is map of Australia with person over, rear has map depiction of the world..1) On front, "Reserve Occupation", on rear, "A17936", "Issued by the Commonwealth Govt". .2) On front, "8th Aust Inf Regt, cede Nullis". .3) On front, "Royal Australian Army Service Corp". .4) "Australian Commonwealth Military Forces". .5) On one side, "1945", on other, "Victory Medal".badges, uniform, headwear

Salada biscuits were produced by Brockhoff Biscuits. The name is said to be a bastardisation of "See-ya-layta". Biscuits were sold by weight from a large tin in the grocer's shop.Biscuits were once sold by weight from a large tin in the grocer's shop.This tin seems to be a commercial tin used in a grocery shop. It would have been used in an Orbost grocery store e.g. Dicken's, Baughhaust's or Herbert's.Large rectangular commercial biscuit tin, made from pressed metal, with a hinged lid. There is a paper label on the top and the front which details the contents, and manufacturer details are stamped into the base. The label is a dark blue/black colour with yellow print and a picture of two Salada biscuits.Brockhoff, vitamin enriched, oven crisp, salada, the American Cracker, Burwood, Victoria Willow tin (made in Aust)brockhoff salada-biscuits food container biscuit-tin

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button made of pressed metal. The design is of branches of wattle on a dark green background. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide in 1910. Public support for Wattle Day peaked during the First World War, when it was a potent symbol of Australia."Our Own For / Our Own"wattle day, first world war (1914-18), badges, fundraising buttons

.Run Number pressed metal plate with corners trimmed and rounded, two slotted holes, painted with a yellow background and the letter "K" and number "80" painted in black, to give a Run Number Plate for Kew Depot. Painted with the same detail on either side of the plate. Appears to be unused.trams, tramways, mmtb, kew depot, timetables