Showing 128 items matching publishing - newspapers

Ringwood and District Historical Society
Newsletter, J.N. Webster, Town Clerk, City of Ringwood News Sheet - February 1970, 1970

Newspaper-style 1970 community information newsletter for Ringwood residents covering local council news, activities, and outline of funds received and expended in 1968-69.rinx
Warrnambool and District Historical Society Inc.
Book, John Ploughman's Pictures, 1892

This book was written by Charles Haddon Spurgeon (1834-1892), a famous and influential English Protestant preacher who attracted a great following in the 19th century, not only in England, but throughout the British Empire and U.S.A. He reached the masses by producing many religious tracts, costing one penny, and publishing his sermons and his John Ploughman books with their simple homilies. These books were sub-titled ‘Plain Talk for Plain People’ with the copy we have being the second in the series labelled ‘140th thousand’ and published in 1892, the year of Spurgeon’s death. It appears that Spurgeon’s books were in many a home in Warrnambool in the 19th century. This book is of great interest as one which was familiar to many residents of Warrnambool and district in the 19th century. Charles Spurgeon was apparently widely known to Warrnambool residents in the 19th century. The Warrnambool Examiner newspaper frequently carried news items about Spurgeon’s eloquent preaching and the crowds he was drawing. It also published some of his sermons from time to time and reported at length his final illness and death. One of the unidentified photograph albums in the collection of the Warrnambool and District Historical Society contains a photograph of Charles Spurgeon and his wife. This is a book of 158 pages with some of the pages missing at the end. The book is coverless and held together with string and a piece of glued paper. The text has 38 short instructional articles with many black and white illustrations. The first and last pages are torn and almost detached. history of warrnambool
Warrnambool and District Historical Society Inc.
Book, Spurgeon the people's teacher, Late 19th century

This is the biography of Charles Haddon Spurgeon (1834-1892), a famous and influential English Protestant preacher who attracted a great following throughout the British Empire and U.S.A. He reached the masses by producing many religious tracts costing one penny and publishing his sermons and his John Ploughman books with their simple homilies. It appears that many of his books were in Warrnambool homes in the 19th century.This book is of interest as it details the life of Charles Spurgeon, a person whose sermons and writings were familiar to many people in Warrnambool in the 19th century. The Warrnambool Examiner newspaper frequently carried news items about Spurgeon’s eloquent preaching and the crowds he was drawing. It also published some of his sermons and reported at length his final illness and death. One of the photograph albums in the collection of the Warrnambool and District Historical Society includes a photograph of Charles Spurgeon and his wife, thus appearing to indicate his popularity and influence extended as far as Warrnambool and district. This is a hard cover book of 330 pages. The cover has a mauve background with gold lettering on the front cover and spine. The front cover has an image in gold of the Spurgeon’s home and an image in black and grey of the Metropolitan Tabernacle. The spine has an image in gold, black and grey of Charles Spurgeon. The book has 19 chapters and 20 black and white illustrations. There are several pages at the back of the book advertising books by the publisher (Walter Scott Press). charles spurgeon, history of warrnambool
Warrnambool and District Historical Society Inc.
Book, Convict Days, 1960

This book contains selections of the convict stories written by Price Warung, 1864-1911(real name William Astley). He was a journalist and writer who worked for a great number of newspapers throughout Australia and began an important association with the Sydney ‘Bulletin’ in 1890. In this period he write the powerful works for which he is best known, ‘Convict Days’, a series of four volumes of stories about Australia’s convict system. The major theme of these writings is the sordid nature of the convict system. Astley became heavily involved in the Federation campaign, firstly as the Secretary of the Bathurst Federal League and then as the organizing Secretary of the 1896 Bathurst Convention. This Convention is considered by historians to have given the Federation campaign a new and vigorous vitality. In 1898 Astley wrote most of the official articles publishing the ‘Yes’ case for the Federation referendum. In 1883 Astley was in Warrnambool, working as a journalist for the Warrnambool Standard newspaper and examples of his journalism can be found in the papers of this time. He wrote lengthy reports in a free-flowing and attractive but verbose style. His two articles on the well-known horse stud and hop farm called ‘Bryan O’Lynn’ appeared in the Standard in October 1884. This book is of considerable interest as it was written by Price Warung (William Astley). Not only is he of importance in Australia’ history but also he has his place in Warrnambool’s history as a journalist for the Warrnambool Standard in the 1880s. This is a hard cover book of 206 pages. The cover is grey with pink lettering on the spine. The dust cover is white with a black, white and red sketch of a convict on the front and a black and white photograph of the author and his biography on the back cover. The book contains an Introduction and thirteen stories by Price Warung. The dust cover is a little stained and torn. price warung (william astley), warrnambool standard, history of warrnambool
Warrnambool and District Historical Society Inc.
Newspaper, Warrnambool Examiner 1/10/1867-31/3/68, 1867,1868

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until October 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when these papers were printed. William Fairfax was a member of the Fairfax family that were, and still are, associated with the publication of many Australian newspapers and Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance to historians today as some parts of these newspapers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists.These are the original Warrnambool Examiner newspapers from 1st October 1867 to 31st March 1868. They are bound with a tattered cardboard cover, dark blue binding and string. These broadsheet papers are of two pages printed back to back and were published on Tuesdays and Fridays. They are unmarked and generally in good condition but there are some torn pages. There is one loose page. warrnambool examiner, richard osburne, william fairfax, henry laurie, warrnambool
Warrnambool and District Historical Society Inc.
News Sheet, Warrnambool Examiner 1/10/67 - 31/12/67 : 3/1/68 - 31/3/1868, 1867-8

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication In October 1853 and continued until October 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1870 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when these papers were printed. William Fairfax was a member of the Fairfax family that were, and still are, associated with the publication of many Australian newspapers and Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance today as some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists.These are two sets of original Warrnambool Examiner newspapers (1st October 1867 to 31st December 1867 and 3rd January 1868 to 31st March 1868), bound with cardboard, dark blue binding and string. There are six loose pages in front of the first bound set. These are broadsheets of two pages printed back and front. The papers are heavily marked with red and blue pencil and are marked, ‘private copy, F.& L.’ indicating that they are the copies the proprietors, Henry Laurie and William Fairfax, used to annotate the papers for the next edition. The pages are in good condition with some ragged edges. ‘F & L’ ‘Private copy’ warrnambool examiner, henry laurie, william fairfax, richard osburne
Warrnambool and District Historical Society Inc.
News Sheet, Warrnambool Examiner 12/11/1867 - 28/1/1868, 1867, 1868

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History Of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers herein described were printed. William Fairfax was a member of the Fairfax family that was , and still are, associated with the publication of many Australian newspapers and Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available in microfilm. These papers were in a Warrnanmbool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 12th November 1867 to 28th January 1868. They are broadsheets printed twice a week with two pages containing four pages of printing for each edition. They are unbound and contained in two pieces of plain cardboard. They are unmarked and in good condition.warrnambool examiner, richard osburne, henry laurie, william fairfax
Warrnambool and District Historical Society Inc.
News Sheet, Warrnambool Examiner 3/4/1868 - 29/9/1868, 1868

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with the history. Fairfax and Laurie were the proprietors when the papers describe herein were printed. William Fairfax was a member of the Fairfax family which were, and still are, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 3rd April 1868 to 29th September 1868 inclusive (two copies of each). They are broadsheets of two pages per newspaper printed on the four sides. Both sets are bound with plain cardboard folders, green binding and string. One set cover is broken and this set is unmarked and a bit crumpled. The other set is marked with the editor’s red and blue pencil marks but otherwise the papers are in good condition.warrnambool examiner, richard osburne, henry laurie
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Warrnambool Examiner, 1868,1869

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from October 2nd 1868 to 30th March 1869. They are in two bound volumes (October 2nd 1868 to December 29th 1868 and January 1st 1869 to March 30th 1869). The volumes are contained in plain cardboard with green binding and string. The newspapers are broadsheets of two pages with printing on four sides. The papers are marked with the blue and red pencil markings used by the editor. warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
News Sheet, Newspapers Warrnambool Examiner, 1869

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers have come from the old Warrnambool Museum which no longer exists.These are original copies of the Warrnambool Examiner from 5th January 1869 to 31st December 1869. They are bound and have a mottled brown/blue cover with brown binding glued together. Some of the pages have torn edges but otherwise are in good condition. The pages are unmarked. The paper of 6th August 1869 has an insert advertisement for Wilkie, Webster and Allan Pianofortes with Mr Fanner the Warrnambool representative. The newspapers are broadsheet, two pages to one edition printed on both sides and published twice weekly. Inside front cover (handwritten): ‘Fairfax and Laurie’warrnambool examiner, richard osburne, william fairfax
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Warrnambool Examiner, 1869

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner papers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy ProfessorThese original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 8th January 1869 to 31st December 1869. They are broadsheet pages, two per newspaper, printed on the four pages and bound together and published twice weekly. The cover is a mottled brown and green colour and it has brown binding glued together. The pages are unmarked and the papers are in good condition but the last few pages are heavily foxed. warrnambool examiner, richard osburne, william fairfax
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Examiner, 1869

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists.These are original copies of the Warrnambool Examiner from 2nd April 1869 to 28th September 1869. The papers are two pages of broadsheet, printed on the four sides, published twice a week and occasionally containing a Supplement sheet. The cover is plain cardboard with grey binding held together by glue. The cover is torn and the pages have many torn edges and are tattered in places. The pages (advertisements and public notices) have been marked in blue and red pencil by an editor.Inside front cover: ‘1869 April to September’warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Examiner Warrnambool, 1869, 1870

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family which was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original papers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 1st October 1869 to 29th March 1870. They are broadsheets with each copy having two pages printed on the four sides. These are two sets from October to November and from January to March bound together with plain cardboard, beige binding and glue. The front cover is tattered and the papers have crumpled and torn edges. The advertisements and public notices have been marked by the editor with red and blue pencil.Set one cover: ‘1869 October, November, December’ Set two cover: ‘1870 January to March inclusive’ warrnambool examiner, richard osburne, william fairfax
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Warrnambool Examiner, 1870

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family which was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 1st April 1870 to 28th June 1870 and from 1st July 1870 to 30th September 1870.The two sets of papers are bound together with plain cardboard, grey binding and glue. The front cover of the first set is missing. The papers are broadsheets of two pages per copy with printing on both sides. The first page of the copy for 1st April is missing. The pages are tattered on the edges. The advertisements and public notices of both sets have been marked by an editor in red and blue pencil. warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Warrnambool Examiner and Almanac, 1870

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap pf a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family which was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnanbool City Council storage area and it is surmised that they may have come from the old Warrnambool Museum which no longer exists. These are original Warrnambool Examiner newspapers from 4th January 1870 to 30th September 1870. There are two complete sets, one bound with a green/yellow/brown cardboard cover, with brown binding and the pages glued together and the other with a brown and blue cover with the same brown binding and glued pages. The papers are broadsheets of two pages printed back to back. Both sets contain an Almanac for 1870 and all pages are unmarked and in good condition.warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
News Sheet, Newspaper Warrnambool Examiner, 1871

The Warrnambool Examiner was founded in 1851 by John Wilkinson and Richard Osburne. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also important because some parts of these papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original Warrnambool Examiner newspapers from 4th July 1871 to 29th September 1871. They are broadsheets with each copy containing two pages printed both sides. The papers are bound with a plain cardboard cover which is torn with parts missing. The pages are bound with a brown binding and glue. The advertisements and public notices in the newspapers have been marked with red and blue pencil by an editor. Some of the pages are torn at the edges.warrnambool examiner, richard osburne, william fairfax
Warrnambool and District Historical Society Inc.
Newspaper - Warrnambool Examiner 1871, 1871

The Warrnambool Examiner was founded in 1851 by John Wilkinson and Richard Osburne. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie late became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source of information for historians. These papers are also important because some parts of these original papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original Warrnambool Examiner newspapers from 3th October 1871 to 29th December 1871. They are bound together with a plain cardboard cover and brown side binding with the pages glued together. The individual copies are broadsheets of two pages printed on both sides. The edges of many pages are tattered. The advertisements and public notices have been heavily marked by an editor with red and blue pencil.warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
Newspaper - Warrnambool Examiner 1871, 1871

The Warrnambool Examiner was founded in 1851 by John Wilkinson and Richard Osburne. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source of information for historians. These papers are also of importance because some parts of the original papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum that no longer exists. These are two sets bound together of original Warrnambool Examiner newspapers from 3rd January 1871 to 31st March 1871 and from 4th April 1871 to 27th June 1871. The individual copies are broadsheets of two pages printed on the four sides. The original cover of Set One has been replaced with plain grey cardboard and Set Two has a plain cardboard cover. The advertisements and public notices have been heavily marked by an editor with blue and red pencil. Some of the page edges are a little tattered. warrnambool examiner, richard osburne, william fairfax, henry laurie
Warrnambool and District Historical Society Inc.
Newspaper - Warrnambool Examiner 1872, 1872

The Warrnambool Examiner was founded in 1851 by John Wilkson and Richard Osburne. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source of information for historians. These papers are also important because some parts of the original papers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they came from the old Warrnambool Museum which no longer exists. These are original Warrnambool Examiner newspapers from 2nd January 1872 to 29th March 1872. They are bound together using glue with a plain cardboard cover which is blotched and stained. The individual papers are broadsheets of two pages printed on the four sides. The edges of the pages are crumpled and torn. The advertisements and public notices have been marked by an editor in red and blue. warrnambool examiner, richard osburne, william fairfax, henry laurie
Eltham District Historical Society Inc
Document - Folder, Mitchell, Jenni

Jenni Mitchell, daughter of Grace and Arthur Mitchell, is a painter. Contents Newspaper article: "Back to the drawing board", Diamond Valley News, 19 May 1981. Jenni Mitchell's early life. Newspaper article: "Jenni captures the cast and rugged desert", Diamond Valley News, 13 March 1984. Jenni Mitchell's exhibition of Wimmera paintings, 16-25 March 1984. Exhibition list: Jenni Mitchell studio exhibition, ?1984 ?1986. Newspaper article: "Jenni mingles with greats of art world", Diamond Valle News, 29 July 1986. Jenni Mitchell exhibitor in Melbourne Spoleto Festival exhibition, Ross House Gallery, Kew. Newspaper article: "Poet, painter a formidable duo", Diamond Valley News, 28 October 1986. A poem from Cornelis Vieeskens's book and story of connection to Grace Mitchell's art works. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's "Survey Exhibition 1975-1995", at Dempsters Fine Art Gallery, Canterbury, opened by poet Judith Rodriguez on 2 June 1995 . Election flier: Jenni Mitchell, candidate for Eltham Council, 1989. Newspaper article: "Aiming to keep history alive", Diamond Valley News, 22 August 1989. Newly elected Eltham Councillor Jenni Mitchell's objectives. Newspaper article: "Poetry in paint", Diamond Valley News, 23 November 1992. Jenni Mitchell's exhibition of Australian contemporary writers at the National Poetry Festival at Montsalvat, December 1992. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's exhibition, "Survey Exhibition 1995-1985" at Dempsters Fine Art Gallery, Canterbury, opened 2 June 1995. Newspaper article :Keen to get focus on art again", Diamond Valley News, 6 November 1996. Jenni Mitchell exhibiting in Nillumbik Festival's Artists Open Studios program 1996. Newspaper article: "Rocky mountain high", ?1997. Jenni Mitchell's exhibition of Flinders Ranges work in Mains Restaurant, Eltham ?1997. Newspaper article: "Inspired works", ?1999. Jenni Mitchell's exhibition of works from artist-in-residence at Bundanon and Riversdale, Adam Galleries, Melbourne until 8 September ?1999. Newspaper article: "Gone bush, in search of the still place", The Age, 2 May 2000. Jenni Mitchell's exhibition Portraits of Extraordinary People, Queens Hall, Parliament House until 12 May 2000. Booklet: "Sharing a History, an essay by JHenni Mitchell", produced in association with exhibition Captured at the Eltham Library Community Gallery, 22 February to 3 March 2002 Flier: "Artists Open Studio 2001-2002. Exhibition of artists participating in the Nillumbik Artists Open Studio Program at Eltham Wiregrass Gallery, 21 February to 7 March 2002. Newspaper article: "Not just white in sight", Diamond Valley Leader 3 September 2003. Jenni Mitchell's exhibition "To the Ice, Images from the Antarctic at Montsalvat until 7 October 2003. Newspaper article: "Works are poetry on canvas", Diamond Valley News, 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "In love with a world of ice", Herald Sun, 25 October 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "Display honours artist, wife", Diamond Valley Leader 28 July 2004. Jenni Mitchell had been student of Alan Martin, retrospective exhibition of Martin's work at Eltham Community Centre 31 July to 1 August 2004. Newspaper article: "Portrait due get to the heart of the matter", Diamond Valley Leader, 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Brothers impress artist", Diamond Valley Voice 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Poles apart but online", Diamond Valley Leader 2005. Jenni Mitchell's journey to the North Pole will have a website set up by Hugh Stubley and Stephen Pearce, Tribity Digital Solutions. Newspaper article: "Going to extremes for ideas", Diamond Valley Leader, 1 June 2005. Jenni Mitchell's exhibition "Images of the Antarctic" at Dickerson Gallery 7 June to 3 July 2005. Newspaper article: "Works are poetry on canvas", Diamond Valley News, ~2005. Jenni Mitchell's exhibition "Desert, Ice and Poetry" at Montsalvat until 12 December 2005. Newspaper article: "Places for painting", Diamond Valley Leader, 2 November 2005. Jenni Mitchell organising plein air painting workshops around Eltham for students. Newspaper article: "Spirit of past inspires artist", Diamond Valley Leader, 1 November 2006. Jenni Mitchell and Mervyn Hannan have opened a studio at Montsalvat, appealing for more volunteers. Newspaper article: "Art in Action", Heidelberg and Valley Weekly, 31 October 2006. Jenni Mitchell and Mervyn Hannan's Working Studio Gallery at Montsalvat. Newspaper article: "Honey lures art taste to sport", Diamond Valley Leader 11 July 2007. Jenni Mitchell's portrait of Gary Honey entered for Basil Sellers Art Prize., on show at Gateway Galleries Eltham as part of her Extra-Ordinary People series. Newspaper article: "Celebrate history and her story", Diamond Valley Leader, 20 February 2008. Jenni Mitchell and Grace Mitchell already nominated for a Nillumbik Women's Network publication. Newspaper article: "Aura of northern lights draws Eltham artist", Diamond Valley Leader, 13 January 2010. NewspaperJenni Mitchel will travel o a Norwegian cruise ship for six weeks. Newspaper article: "Brush with fame", Banyule and Nillumbik Weekly, 28 September 2010. Jenni Mitchell's house and studio, and her exhibition "From the Edge" at Montsalvat until 30 September 2010. Talk flier: "A visual presentation and floor talk" by Jenni Mitchell for her exhibition "From the Edge" 16 September 2010. Exhibtion flier: "From the Edge" exhibition of painting and photography by Jenni Mitchell, Montsalvat 3-30 September 2010. Newspaper article: "Home is where the art is", Diamond Valley Leader, 16 November 2011. Jenni Mitchell's early life with Grace Mitchell, and exhibition as part of Artists Open Studios. Newspaper article: "Artists visit Mongolia", Diamond Valley Leader, 25 April 2012. Jenni Mitchell and Mervyn Hannan will spend seven weeks in Mongolia, exhibiting at the National Museum of Mongolia. Flier: Open Studio, Jenni Mitchell, Mervyn Hannan, Grace Mitchell, 5-6 May 2012. Newspaper article: "Shared love fires artists", Diamond Valley Leader, 4 July 2012. Exhibition of works by Mongolian artist Tugsoyun Sodnom, Jenni Mitchell and Mervyn Hannan at Montsalvat. Newspaper article: "Tribute to an art legend", Diamond Valley Leader, 26 September 2012. Exhibition "Grace Mitchell" A selected Retrospective" to open at South Fine Art Studios and Gallery on 7 October 2012. Newsletter article: "Jenni Mitchell - My mother Grace", Eltham District Historical Society No.207 November 2012. Exhibition notes: "The Retro Eltham Show", Eltham South Fine Art Studios and Gallery, 14 April to 9 June 2013. Newspaper article: "Jenni salutes Mongolia", Diamond Valley Leader, 12 November 2013. Jenni Mitchell's exhibition "Two Mongolian Journeys" at Eltham South Fine Art Gallery until 24 December 2013. Flier: Eltham South Fine Art Studios and Gallery, 6 Mount Pleasant Road, undated. Newspaper article: "Moving on is not without a shockwave", Diamond Valley Leader, 26 October 2016. Jenni Mitchell and Mervyn Hannan are moving to Hamilton, selling their Mt Pleasant Road property and gallery Newspaper article: "Great Grampians, It's Jenni Mitchell and Mervyn Hannan!", Jenni Mitchell and Mervyn Hannan's exhibtion at Streamline Publishing's Gallery, opened by Vicki Ward, 7-28 September 2022.Newspaper clippings, A4 photocopies, etcjenni mitchell, grace mitchell, cornelis vieeskens, dempsters fine art gallery, judith rodriguez, montsalvat eltham, professor a d hope, judith wright, geoffrey eggleston, shelton lea, montsalvat poetry festival, artists open studios, mervyn hannan, south fine art studios and gallery, jennifer mitchell, ken taylor, nic taylor, ross house gallery kew, melbourne spoleto festival, brian pearce, robert wilson, bundanon, adam galleries, eltham wiregrass gallery, alan martin, eltham community gallery, eltham cemetery, cemeteries and crematoria bill, isla heddle, st katherin's anglican church at st helena, nillumbik cemetery trust, michael dobson, tpmy raimoc, belinda clarkson, friends of nillumbik, catherine dale, allstair royse, archibald prize, dickerson galley, hugh stubley, stephen pearce, trinity digital solutions, gateway galleries eltham, gary honey, basil sellers art prize, nillumbik women's network, warwick leeson, national museum of mongolia, tugsoyun sodnom, michelle morgan, zanzy community choir, eltham south fine art gallery, streamline publishing's gallery, vicki ward, sonia skipper, joe hannan, robert marshall, hamilton regional gallery, petschel house hamilton, colin rouse
Glen Eira Historical Society
Article - Cromarty School For Girls

Newspaper article from The Age dated 26/04/1972 on the publishing of book Cromarty School For Girls 1897-1923 by B. Milne and D. McKellar. Article includes brief details about Misses Day’s personalities and school location.cromarty, schools, cromarty school for girls, cromarty old girls association, orrong road, elsternwick, day annie, day louisa, day jane, sterel elisabeth, day edwin rev., milne barbara, mckellar doris, day christina
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Asakusa 12-Story Tower with its Upper Floors Destroyed, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: burnt remains of Asakusa Kannon Temple, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Fire in the middle of rain - National Sumo Stadium on fire, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: The situation is miserable, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Keizen's after-disaster earthquake Daiichi Hamaki - overall view of Yokohama City, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Bank in Chidoricho Hungama - Disastrous scene of Yokohama Honmachi Town. No. 1 Bank Building, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Refugee evacuation, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Azuma Bridge, Tokyo, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Mitsukoshi Department Store, Tokyo, 1923

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Search Victorian Collections

Showing 128 items matching publishing - newspapers

Newsletter, J.N. Webster, Town Clerk, City of Ringwood News Sheet - February 1970, 1970

Book, John Ploughman's Pictures, 1892

Book, Spurgeon the people's teacher, Late 19th century

Book, Convict Days, 1960

Newspaper, Warrnambool Examiner 1/10/1867-31/3/68, 1867,1868

News Sheet, Warrnambool Examiner 1/10/67 - 31/12/67 : 3/1/68 - 31/3/1868, 1867-8

News Sheet, Warrnambool Examiner 12/11/1867 - 28/1/1868, 1867, 1868

News Sheet, Warrnambool Examiner 3/4/1868 - 29/9/1868, 1868

News Sheet, Newspaper Warrnambool Examiner, 1868,1869

News Sheet, Newspapers Warrnambool Examiner, 1869

News Sheet, Newspaper Warrnambool Examiner, 1869

News Sheet, Newspaper Examiner, 1869

News Sheet, Newspaper Examiner Warrnambool, 1869, 1870

News Sheet, Newspaper Warrnambool Examiner, 1870

News Sheet, Newspaper Warrnambool Examiner and Almanac, 1870

News Sheet, Newspaper Warrnambool Examiner, 1871

Newspaper - Warrnambool Examiner 1871, 1871

Newspaper - Warrnambool Examiner 1871, 1871

Newspaper - Warrnambool Examiner 1872, 1872

Document - Folder, Mitchell, Jenni

Article - Cromarty School For Girls

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Asakusa 12-Story Tower with its Upper Floors Destroyed, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: burnt remains of Asakusa Kannon Temple, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Fire in the middle of rain - National Sumo Stadium on fire, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: The situation is miserable, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Keizen's after-disaster earthquake Daiichi Hamaki - overall view of Yokohama City, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Bank in Chidoricho Hungama - Disastrous scene of Yokohama Honmachi Town. No. 1 Bank Building, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Refugee evacuation, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Azuma Bridge, Tokyo, 1923

Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Mitsukoshi Department Store, Tokyo, 1923