Clothing. Women's black satin skirt - unfinished. Calf length with raw edges at waist and hem. side opening with five metal hooks and cotton loops.costume, female, women's black satin skirt

Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson

Decorative prayer surrounded by angels, oakleaf decorated cross, setting sun, Abraham. Painted dark timber frame with overhanging corners, glass front. Raw timber backing with wire hanging.

The convention was held in the Methodist Church, Brunswick Street, Fitzroy on Friday, June 3 through until Tuesday, June 7, 1932. The convention was arranged by the Methodist Local Preachers' Association Melbourne Branch. Small, twelve page book-shaped program. The program has coloured covers and is made of raw umber light card and has black text. The program is held together by two staples.Front cover: "HIS SWEET WILL" "IN HIS WILL IS OUR PEACE" Back cover: "THY WILL BE DONE"methodist local preachers' association melbourne branch

Matilda was a Merino ewe who went missing for over 5 years on cattle country just outside of Hamilton. When she was found she had over 30 kgs of fleece that needed to be shorn. She was shorn in Melbourne's Federation Square in 2005. Her fleece was then processed into fabric by CSIRO. The fleece made enough fabric for six jackets. The jackets were auctioned at Crown Palladium Ballroom in March of that year. The winners had their jacket tailored to their measurements by Blazzer. All profits from the auction went to Celebration of Life, a fund established to support Victoria's Royal Children’s Hospital neonatal unitFour samples of wool in the different stages of process. The first two are of the raw fleece from the sheep, the second has been washed and combed, the third a fabric sample created from the wool.wool, sheep, merino wool, missing sheep, maltilda, fleece, csiro

Demonstration panel for explaining how tennis balls are manufactured. Shows raw materials and components of tennis balls in downward sequence to a complete ball. No text. Materials: Felt, Rubber, Metal, Woodtennis

Clothing. Blue silk full silk petticoat.U shaped neckline at front and back. 1.5 cm fabric shoulders straps. Unshaped at bustline. Raw edge at hem finished with zig zag stitching.costume, female underwear, blue silk full petticoat

Grey gentleman's Bowler Hat. Has black band around hat. Inside hat - Melbourne - Hats Manufactured by Melbourne Hats Australia from quality imported raw materials size 56 cmsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long black fine silk velvet evening dress featuring a high rounded collar fastened at the rear of the neck with a number of black fabric covered buttons. The ends of the wide sleeves and the hem are raw and unsewnwomen's clothing, evening dresses, australian fashion

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Tailored pink raw silk jacket and dress. The long sleeve jacket has a peaked collar and double pockets at front. The jacket is fastened with buttons of the same fabric and colour. The buttoned skirt has soft pleats.women's clothing, fashion -- 1960s, suits

Standard pattern WW2 steel helmet as worn by Australian forces from 1940 until 1950s. Replaced by US Pattern M1 steel helmet.Completely original WW2 Australian helmet Australian MkII raw edge steel helmet with MkII linseed oil fabric liner. Webbing chinstrap with steel springs. Moulded rubber crown pad. MkIII chinstrap securing lugs. Exterior painted chocolate brown.Lugs dated 1942steel helmet

Poor video quality (noise and interference), edited raw footage with music and some commentary by Merv Hanna. A video documenting the demolition of the Shire of Eltham offices at 895 Main Road Eltham under the direction of the Commissioners appointed for the new Shire of Nillumbik and some of the communities activities surrounding the event. The building was demolished exactly 25 years after the southern wing housing Engineering and Planning on the upper level and the Eltham Library on the ground level was opened in celebration of the Shire of Eltham's centenary. Video has lots of distortion and noise, and sections of clips dubbed over. Immediate initial footage of Jenni Mitchell talking about asbestos claims in the Shire Offices (Sigmund Jorgensen standing behind her) advising Council did a review of the building several years previously and had been cleared of health problems. Cuts to group of people standing outside front door of offices but possibly voice dub over not related ? Then the date 27 Jul 1996 on a scene flashes on screen immediately followed by an edited clip intro of title and credits with classical music track. It then opens with Jenni Mitchell driving to the Shire Offices on Saturday 27 July 1996 at 11.00am. Footage of Main Road past Pitt Street, Alistair Knox Park then entering Shire Office driveway which is fenced off and contractor signs hanging up. Scenes at rear of building showing some internal demolition has commenced. View of the Administration wing. More clips of road driving, Alistair Knox Park, Eltham Library and visitor car park for Shire Offices. Cuts to a group of people standing in access to visitor carpark with new Eltham Library in background, one being immediate former Shire of Eltham President, John Graves. Scenes of people looking through chain link fence and security guard checking front door. John Graves being filmed that someone informed him the Shire was offering the building to the Community Health Centre for $2.3 million and that if they had been offered a price of $1.1 for what it apparently was sold for they would have snapped it up. View of truck loaded with brick rubble literally struggling to ascend the hill of Library Place to exit into Main Road. Cuts to a scene looking at Eltham War memorial Hall through the Memorial Gate, then the Shillinglaw trees and large banner sign ‘Delta Demolitions’ hanging on office façade. Views of front door, old library and bluestone wall. Scene (31 Jul 1996) filmed at night of several white crosses with “RIP Community” and “RIP Democracy”. Scene (1 August 1996) again driving along Main Road towards the Shire Offices then scenes of the offices showing substantially more demolition to exterior, groups of people standing on footpath outside watching, Delta heavy demolition machines, woman holding sign “Democracy where have you gone …”, the odd person in full protection gear and breathing apparatus hand carrying materials out to place on rubbish pile in front of people standing on footpath watching (with no protection) and then stamping on it to break it creating dust, security person in hard hat (no other protection) wandering around, many groups standing around watching, news film crew, person standing on roadside edge holding signs facing traffic stating “Pirate Planning” and “ Grant us your ears” also sign on back of parked car “Elthams High Jacks”, another sign “Community Democracy”, views of crosses in Main Road median strip “RIP Community”, groups of people on footpaths and reporters conducting interviews, footage of unknown person standing with Jenni Mitchell and Sigmund Jorgensen advising people have the right to protest, Jenni Mitchell urging people to ask questions of local MP and Council and Sigmund Jorgensen referring to the three historic Shillinglaw trees with demolition machinery operating in background, Jenni Mitchell and others installing more crosses in median strip; demolition machines operating inside and outside the building, more views of onlookers including Sigmund Jorgensen then Police approaching on footpath, workers and machinery continuing to operate, views of the old library being demolished, the former Community Services department, security personnel. Scene (2 August 1996) more heavy demolition machinery in operation smashing building up, people standing around southern wing watching, view overlooking Eltham Library of train pulling in to Eltham station. Scene (7 August 1996) more heavy demolition and people wandering around with only hard hat protection, no dust protection, comments from one operator dumping a bin of material stating “wait till there’s a Hungry Jack’s here, you’ll be laughing, fuel, videos, hamburgers. You’ll be up with the rest of the world soon, you’ll have electricity and everything here, ha ha ha ha”, more heavy machinery demolition and breaking up of materials, view of Hitachi train going by and Administration wing, view inside the front door opening of the staircase leading to upper level, person walking around operating heavy machinery with a hose spraying rubble (no protective gear other than hard hat interspersed with edit cuts of meeting of Commissioners and independent observers on panel as well as members of the community in public gallery. Nillumbik Shire CEO Barry Rochford addressing the meeting., Chief Commissioner Don Cordell directly addressing Jenni Mitchell with respect to permission to take photographs, Barry Rochford continues to address the question asked of Council about the valuation of the former Shire of Eltham Office building/site, public gallery calling out asking why was building demolished, what was the urgency. Scene (14 August 1996) views of southern wing, previous single demolition operator again mocking people filming, operators working in and around building, Shillinglaw trees and largely demolished front, heavy demolition equipment at work, piles of building rubble, hose spraying water over rubble, large trucks arriving for rubble removal and loading of truck. Scene (21 August) more of the same, building virtually down, Shillinglaw trees standing tall and alone, water spraying on rubble and wattle in bloom. Cuts to Council meeting with public onlookers. Barry Rochford walks out, Wayne Phillips addresses meeting explaining one or two people shouting, members of the community challenging Council (Commissioners) about why due process appear to have been subverted. Former Shire President Robert Marshall in public audience, cuts back to Shire office carpark entrance site and sign hung on fence in front of library “Think Again!” and people standing around observing awaiting a protest demonstration erecting a large sign on stilts stating “Shell No!”, people singing a revised version of God Save the Queen (God Save Us All), Sigmund Jorgensen in attendance, Jenni Mitchell, Sigmund Jorgenson and others address the protest crowd, followed by people mingling, music being played then people standing around the cleared site circumference all with arms linked (video very broken up with noise) then chants “Save the Gateway” and “No Shell for Eltham” and more music and singing “Put up a parking lot”. The crowd then proceeds to walk along the footpath of Main Road. Scene (15 Sep 1996) meeting at Montsalvat in Great Hall addressed by Sigmund Jorgensen discussing a recently published list of the Commissioner’s to senior Council Officers of banned Nillumbik people, others encouraging people to view proposed plans for the site and lodge objections. Specific issues regarding asbestos claims are also addressed. Harry Gilham addresses the meeting on the subject of the Eltham War Memorial and Memorial Gardens and how Council believe a roundabout in the vicinity is of greater importance. Views of various artworks on display (for auction) and music performance in the Barn Gallery. Meeting addressed by Sigmund Jorgensen discussing an appeal against Council granting a permit to Dallas Howgate to develop the site and that the Minister has called the matter in to be decided by the governing council. This is followed by an auction of paintings.Hi-Tech Ultra High Grade Video Cassette E-180 VHS dubbing of (poor quality) edited raw footage with some music from Star Wars and commentary by Merv Hannan Converted to MP4 file format 0:30:26, 2.6GBOn label " Merv's Demolition tape No. 2 Copy"video recording, 895 main road, alistair knox park, artworks, auction, barn gallery, barry rochford, community health centre, dallas howgate, delta demolitions, demolition, don cordell, eltham, eltham library, eltham shire office, eltham war memorial, eltham war memorial gate, eltham war memorial hall, great hall, harry gilham, jenni mitchell, john graves, library place, main road, memorial gardens, mervyn hannan, montsalvat, pitt street, protest, robert marshall, roundabout, shell oil, shillinglaw trees, sigmund jorgensen, sign, wayne phillips

Pages feature student works, contacts and artist statements. Introduction by Alexandra Twaddle, President of the Art Society, 2019. "Featured Artists" / Students: Paul Justin Butler, Jessica Condemi, Veronica Drum, Marian Fox, Suzanne Hilton, Shaye Leathan, Ebony Leslie, Shelly May, Tess O'Keefe, Maggie Parkes, Chandler Pearce, Rachel Power, Stephany Renfrew, Lizzie Tonway, Kirsty Tonkin, Alexandra Twaddle. Inside last page thanks: Elke Varga, Jimmy Pasakos, Peter Pilven, Roberta Crisci-Richardson, Peter Gaulke, Phil Berry, Debbie Hill and Claire Blake. Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2019. 36pp + 4pp cover perfect/burst bound book. Single colour black print on raw card cover, full colour inside pages.federation university, visual arts, arts academy, camp street campus, exhibition, eye, end of year, end of year exhibition, paul justin butler, jessica condemi, veronica drum, marian fox, suzanne hilton, shaye leathan, ebony leslie, shelly may, tess o'keefe, maggie parkes, chandler pearce, rachel power, stephany renfrew, lizzie tonway, kirsty tonkin, alexandra twaddle.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Turquoise coloured raw silk coat dress. The dress includes a belt of the same fabric and colour. Renny Pty Ltd was a major fashion house in Melbourne in the 1960s winning awards for innovation in design, particularly those awarded by the wool industry.Label: Rennyrenny, women's clothing, australian fashion - 1960s, mcintyre collection

A hard covered copy of 'Encyclopaedia of Agriculture.' Compiled by J. C. Loudon. 4th edition. London. Longman, Orme, Brown, Green and Longmans. Pasternoster-Raw, 1839. 1378 p. (ill.) Various items have been pasted in on the inside page.J.C. Loudonbooks, technical, agriculture, books, agriculture, reference, encyclopaedias, horticulture, animals, farming

Typical of many small four wheel skips constructed to transport raw bricks from the moulding press to the kilns for firing.Historic - Industrial Narrow gauge railway - Fritsch, Holzer & Company Brick works, Hawthorn, Victoria, Australiatwo Wooden skips with steel wheels "JF 12" & "SB 34"puffing billy, fritsch, holzer & company, brick skip, fritsch, holzer & company brickworks, pressed red brick

This dress belonged to Brighton woman Mariam Issa, an author, public speaker and co-founder with Katharina Kons of the nonprofit organisation Resilient Aspiring Women (RAW). Born in Somalia, Mariam and her family arrived in Australia as refugees in 1998. Seeking to bring women together and foster connections, in 2012 Mariam opened her Brighton backyard to the community. The RAW community garden unites women from all cultures through gardening, food and storytelling.Long loose kaftan-style dress, turquoise cotton with black, brown and cream embroidery around neck and shoulders, depicting large brown flowers surrounded by swirling cream border. Round neck and short, loose sleeves.mariam issa, migration, somalia, resilient aspiring women

Raw wool sample from Ian and Janet Harrison's Camden Park, N.S.W. direct descendant flock, shorn 2nd Nov, 1987. (Tom Crocker)sheep breeding, camden park estate, nsw

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A small vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a white enamel coated funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'Loveload London 1'domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'2 UNIVERSAL' is stamped on the front of the mincer. Stamped on the front side of the handle - ' L. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATENT 12 1897. PAT.MAY 15.1909. 4.18. 1899. D.R.ENG 10'...... and several other numbers which are hard to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.'Beatrice' brand vintage cast iron mincer with a red wooden handle with two attachments. It can be screwed to a table or bench, secured tightly by a two pronged claw. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is slightly shaped near the main body of the mincer.'No. 318' 'Beatrice'meat mincers, domestic objects, kitchen equipment, cooking equipment

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a brown wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'No 3 Scandia'domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A vintage cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.British Made National. 25domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved. There are three mincing attachments tied with string.'UNIVERSAL' is stamped on the top of the mincer. Stamped on the front side of the handle - ' L.P. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATENT 10.2.1897. PATENT.MAY 15.1900. 4.18. 1890...... and several other numbers which are difficult to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers

Three Queensland Industrial Institute for the Blind workers holding raw millet (name unknown), millet brooms (possibly Snowy Willis) and working a loom (Manix O'Reagan).3 x B/W photographs of people with millet or weavingE18302-2622 F26922-1564 E18300-2622queensland industrial institute for the blind, manix o'reagan, snowy willis, employment

A colour photo shows the verandah being constructed at the Original St Martins Church & Hall, Belgrave Heights, in 1995 after their relocation from Belgrave South School. The photo shows the ironbark decking and the base boards in place, plus the partially completed balustrade, all of these components in their raw state.

Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf

Framed collage of Australian raw wool by wool artist Pauline Osborn. Titled "Jimba on Manooka" (Sheep on Hill). Work specially made for the National Wool Museum after a visit by the artist in 1991.Wool collage of pastoral scene entitled "Jimba on Manooka" (English translation - Sheep on Hill). Framed and glazed.handicrafts