Provides information on the use of myki on Melbourne public transport, actual costs (2022), types of myki, free travel zone for trains in the Melbourne CBD, myki explorer for visitors and touching on and off.Yields information about the myki card for 2022.Pamphlet - 4 fold DL on recycled paper.public transport, tramways, myki, fares, tickets

Provides information on the use of myki on Melbourne public transport, actual costs (2024), types of myki, free travel zone for trains in the Melbourne CBD, myki explorer for visitors and touching on and off, including registrying your myki.Yields information about the myki card for 2024.Pamphlet - 5 fold DL on recycled paper.public transport, tramways, myki, fares, tickets

Provides information on the use of concession cards for travelling on Victorian public transport, including senior and other concession cards. Shows images of the various cards allowed including students, seniors, and other concessions and free travel passes. Issued 2024.Yields information about the concession cards in use 2023/2024Pamphlet - 3 fold DL on recycled paper.public transport, tramways, myki, fares, tickets, concession fares

White plastic with green printing of logo and 'Recycle, City of Nunawading'. Location of Vermont South Recycle and Waste Transfer Centre and its telephone number given.domestic items, ornaments / decorative

Recycled paper shopping bags and wrappings on cardboard construction

Card shows W5 817 at the Elizabeth St terminus, route 50, North Melbourne 1953. The conductress is walking around the front of the tram to rejoin it. In the background is the Flinders St Station and Hosies Hotel. The hotel was redeveloped during the mid-1950s. See Reference.Demonstrates the use of a historic photo on a note card by Pixie Moon Cards.Folded card, blank inside, printed on recycled paper - No. PMR623tramways, elizabeth st, flinders st station, hosies hotel, w5 class, tram 817, trams, mmtb

Card shows W3 667 in Flinders St on its way to Flinders St station, for its part of the filming of The Pacific, Feb. 2008. Demonstrates the use of a historic photo on a note card by Pixie Moon Cards.Folded card, blank inside, printed on recycled paper - No. PMR622tramways, tramcars, flinders st station, tram 667, w3 class, flinders st, trams

Produced by Yarra Trams with diagrams, maps and instructions for the use by drivers at Clarendon St junction, following the introduction of an additional loop track for the Tramcar Restaurant tram. Demonstrates a set of Yarra Trams instructions for a complex junction.Booklet - 20 A5 pages, centre stapled full colour on recycled paper.tramways, clarendon st, clarendon st junction, instructions, yarra trams, colonial tramcar restaurant

This tea tin is part of the Uebergang Collection. The collection is the property of the 'Ray & Joyce Uebergang Foundation' and was held in store for several years before being transferred to the care of Warrnambool Cheese and Butter Factory Company Ltd's Cheese World Museum. The Uebergang family came from Silesia in 1848 and were early settlers in the Allansford area. The Uebergangs purchased Tooram Park in 1912 and lived there until it was sold following the death of the last member of the family in 1994. The family often re-used, recycled and repaired items. The tea tin is an example of re-use. Moran & Cato was Dark blue cylindrical tin with push-on lid decorated with a bronze ring around the top and bottom for retail tea sales. The tin was sold by retail firm Moran & Cato and is decorated with their name in large white lettering on the front, and the address in scrolls at the bottom. The firm's logo/trade mark is featured in a circle at the top with a flower design each side. The logo/trade mark has the letters M & C intertwined and the company motto in a scroll below. The tin was designed to be used for storage once empty and is marked on the back with the word 'Cakes' in a cream scroll across the centre. The top half of this side is light blue and the bottom half dark blue.Trade mark: We Keep Troth Moran & Cato's Pure Tea/Branches in all suburbs of Melbourne and throughout Victoria, Hobart (Tas). At base: Moran & Cato Pty Ltd/277 Brunswick St/Fitzroy. Distributors for NSW. Moran & Cato Ltd Sydney. Reverse: Cakes On bottom: A24uebergang, tins, tea, moran & cato, recycling

6034.1 - Recycled envelope used as the cover for Regal phonograph record, reference number: 6034.- SEC of Victoria

Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs. The clear polypropylene pack is printed in yellow and a clear varnish. The original (1997) works are offset printed in black and silver, the overprint (2000) works are in full, four process colour. CD Rom printed two colours (yellow and very dark teal) single sided. Refer item 29168.1 for screen captures from this CD Rom. Third year, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating class promotional pack. Students responded to the concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs. "Re-designed" (2000) overprinted works by Belinda Janetski, Ben Sanders, Angelina Teo, Selina Shillito, Justin Weyers, Andrew Strack, Debbie Ferris, Yuri Tanabe, Nandor Rakosi, Jason Grace, Wes Prendergast, Michael Fennelly, Brett van Lieshout, Derek Fong, Abby Vanstan, Vince Luc, Lynette Heenan, Van Sanders, Sam Harmer. Original (1997) "Silver Screen" works created by Ben Mangan, Russell Kerr, Luke Keys, Travis Prices, Karen Grinter, Rosie Busuttil, Peter Horvat, Felix Lee, Karl Chandler, Matt Bowman, Adam Laszczuk, Narelle Pietsch, Natasha Pietsch, Jenny Tyquin. Back cover lists sponsors. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer

During the 1930s Depression with money and goods in short supply, many people had to learn to adapt and improvise with whatever they could find. This tin mug is an example of the resourcefulness and creativity that emerges in times of adversity. This item is a good example of the self-reliance of early families before the availability of mass produced domestic items.A tin mug with a tin handle. It is made from a recycled tin container and the handle has been soldered on to the side.tin-mug handmade container tin

Rec Art is a public art project that utilised only materials discovered at the Resource Recovery Centre.5 metre long x 1.8 metre high collage made of cut & assembled recycled metal signage.

The Shire of Eltham was a Local Government Area located about 25 kilometres northeast of Melbourne. The shire covered an area of 277.13 square kilometres and existed from 1856 until 1994.Guide to services provided by Shire of Eltham in 1993.40 pages, illus. Front cover is a montage depicting various elements of the Eltham community. Handbook printed on recycled paper.eltham, shire of eltham, handbooks

Toolbox, made by Salvation Army Brigadier Warren Trestrail (1895-1971), during the Great Depression from recycled kerosene tins and packing boxes. It proved to be a useful piece of furniture as the family moved around Australia during various postings within the Australian States and Territories. In World War II, Warren Trestrail embarked with the first convoy of soldiers from Australia to the Middle East and served as Salvation Army welfare officer through the Libyan campaign, at Tobruk, and in Greece. In 1942, it was announced that Salvation Army war services at Darwin would be placed under his direction. He had previously been in charge of South Australian war activities. The item was donated to the Society in 2001 by Sadie Trestrail, who had been a teacher at Kew East Primary School for many years. It is a fine example of vernacular furniture made of recycled materials .Depression-era toolbox constructed from recycled kerosene tins and parts of wooden packing boxes. The five tin drawers are made of sections of kerosene tins with handles soldered to the centre of each new drawer. A number of drawers have separators constructed of tin or aluminium. The wooden planks encasing the the drawers are covered with a degraded shellac coating. An analysis of the interior indicates that the brand names of the original parts are largely extant. furniture - recycled - depession era - 1930s, great depression - 1930s - australia, warren trestrail, salvation army, vernacular furniture

Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean

Icon, likely painted by a seamen, possibly depicting an archangel, was given to the mission in 1985 by Polish seamen.IsographyMission to Seafarers Victoria CollectionThick panel of recycled wood with acrylic painted image of an archangel on one side and painted black on verso with blue painted inscriptionupper left : (indecipherable) Golden HERH; upper centre: WITH COMPLIMENTS / FROM POLISH SEAMEN; lwr right corner date: 1985 . 09. 21 [sic]icon painting, isography, polish, seafarer gifts, hobbies, orthodox, byzantine, archangel, saint, seamen, seafarers

Used as a small poster/flyer as there are remnants of sticky dots on the back. Unknown location. Laminated cream paper. Black ink. water mark on page stating 'conservation' and the recycled sign below.fundraising, historical site

The Shire of Eltham was a Local Government Area located about 25 kilometres northeast of Melbourne. The shire covered an area of 277.13 square kilometres and existed from 1856 until 1994.Annual guide to services in Shire of Eltham72 pages, illus. Front cover has a copy of a sketch "Frogmouths" by Margo Kroyer Pederson on dark green cover. Printed on recycled paper.eltham, shire of eltham, handbooks

Developed in the Research and Development Department of VISY Board by Alex Ong and Richard Pratt, this manufactured version of 'making do' philosophy began with a humanitarian outlook. Less than 100 were made in the pilot program and these were distributed to the homeless through welfare agencies around Melbourne. They were designed to provide some protection from the weather and to be portable and disposable. Unfortunately, the project was short lived, as some safety issues were unable to be resolved: ie, someone inside the bag would not be able to escape should the bag be set alight. It was found that people sleeping on the streets preferred sheets of cardboard or paper to avoid this possibility. Lois Densham heard a story on the radio about these sleeping bags and contacted VISY to see if she could acquire one for the Running Stitch collection. She approached the Collingwood office and it is now believed to be one of the last remaining items from this program.Recycled paper sleeping bag made from brown paper and sealed at the 'mouth' with paper tape (masking tape). Approximately six feet long, it would accommodate an adult.visy board running stitch group, running stitch collection, homeless, sleeping bag, pilot program, richard pratt

Recipient of the Local Prize, Nillumbik Prize for Contemporary Art 2019. The imprints of eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta and casuarina verticillata onto woollen blankets. They tell a story of home and comfort, of legacy and place, of connection and continuity. Large wall hanging comprised of strips of recycled woollen blankets stitched together. Each strip has been printed (eco dyed) with organic matter local to the Shire of NillumbikN/Aeco dying, wool, blanket, wall hanging, environment, botanical printing, nillumbik prize, local prize recipient, eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta, casuarina verticillata, nillumbik, karena goldfinch

Photograph taken in 1972 showing an open fire place built of recycled brick in a worker's cottage. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Open fire place in workers cottage built of bricks from house built for John William Richardson 1897. Chimney built for Rowses by J. Lundy-Clarke May 1938. Picture taken 18-11-72 Richardsons house was pulled down by Rowse Bros. 1937-8. fireplace, richardson, rowse, john lundy-clarke

Photo and article mounted on black laminated card. Photo is of Golden Square's Anastasia Knight with her robot made from recycled products. The article gives the conditions for making the robots.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, anastasia knight, judi greenslade

The Axis Kettle was developed through the EcoRedesign project funded by the Federal Government and based at RMIT in the 1980s and 1990s. The project involved the expertise of significant Victorian designers such as Paul Taylor, Gerry Mussett, Liam Fennessy and Michael Grima, as well as prominent sustainability experts such as academics John Gertsakis, Chris Ryan and Alan Pears. Axis changed the way kettles were used, guiding users to save resources through their behaviour. It is regarded globally by academics from prominent design institutions such as Loughborough and Delft as one of the first successful eco-design projects. The drawing is part of the Centre for Design collection, RMIT University. Simon Lockrey, 2017 The drawing is historically significant as an early eco-design project. Design drawing of KambrookKettle by Paul Taylor for Form Australia as part of the Centre for Design at RMIT University, featuring electric kettle drawn in black pen + ink with blue ink where kettle lid is. Written design descriptions appear along side the image and title below.LID / SANHOPRENE / GRIP / RECYCLED SKIN / ELECTRIC KETTLE. c 12TH FEB. '93household appliances, industrial design, sustainability, rmit university