Index, bibliography, ill, maps, p.424.non-fictionThe first book in 90 years dedicated to the daring and courage of the airmen and mechanics of the Australian Flying Corps - a tale of a war fought thousands of feet above the trenches from which only one in two emerged unscathed.world war 1914-1918 - australian flying corps, world war 1914-1918 - aerial operations - australia

Index, ill, maps, p.205.Detailed descriptions of ten crucial battles of World War IIworld war 1939-1945 - aerial operations, air warfare - history

Index, ill, p.175.The Luftwaffe's winged assault on Europe and the Battle of Britain. An illustrated history of air power in the Second World Warworld war 1939-1945 - aerial operarions - britain, battle of britain

Index, ill, p.190.non-fictionDouglas Bader tells the inspiring story of the Battle of Britain from the viewpoint of 'The Few'. Using superb illustrations he traces the development of the Spitfire and Hurricane and describes the nail-biting actions of those who flew them against far superior numbers of enemy aircraft. As an added bonus, other well-known fighter aces including Johnnie Johnson, 'Laddie' Lucas and Max Aikten contribute to Douglas's book, no doubt out of affe.world war 1939-1945 - aerial operarions - britain, spitfire, hurricane

Purchased through the Horsham Art Gallery Trust Fund, 1978

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Hardcover w/Dust Jacketastronomy, walsh st library

Hardcover w/ Dust JacketStamped: Kenmore State High School; Patricia Davies' signature; Note from Samantha Cousinswalsh st library

Softcover w/ Ripped Dust Jacket (Placed inside book)Newspaper clipping of a review of the book from Arguswalsh st library

Hardcover w/ Dust Jacketchildren's fiction, castaway, survival of airplane crash, walsh st library

‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene at sunrise featuring a colout palette of soft pastel blues and pinks, and vibrant reds and oranges.june brown, landscape, textile

Stormy skies can be memorable with dark and contrasting colours. They often appear menacing and producing apprehension in the air because of the oncoming weather. Fabrics used in this piece are all commercial. I have endeavoured to make the sky angry with stitches. The mesa has some very dark and ominous craggy rifts. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a storm featuring a colour palette of blues and browns.june brown, textile

When in the desert it is frightening to see a distant fire, even though you may not see the actual flames. As evening approaches the sky reflects anger and colour. The mesa is also reflecting some of the glow . I imagined it had been burnt already and some embers are still aglow in the evening light All fabrics used in this work are cotton commercial fabrics. My stitching has been done to accentuate the red reflection in the sky. Black rayon thread gives a certain sheen to the mesa with a dried grassy foreground. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a fire featuring a colour palette of pinks, purples, and browns.june brown, textile, landscape

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

Romanticism

Hard cover (with jacket) - 623 pages of text with black and white prints. Author - Dan Hampton