No known provenanceOmega spirit iron with cast base and semi-circular airholes at the edge. The metal bottom is polished. A hooked clip holds the top plate in place and the wooden handle is D-shaped. The silvered supply tank has a jet control.OMEGA Ω (Greek symbol on opposite side of top plate)allansford, irons, ironing, laundry equipment, spirit irons

J. Treloar & Co Grocers and Wine Spirit Merchants Main Street from P.C. News Supplement 1888stawell businesses

This book collates the memories and stories behind the needlepoint kneelers from St Margaret's Anglican Church, Eltham and St Faith's Anglican Church, Montmorency. Contents include: The building of the two churches- how the kneelers were made - the stories of the kneeler makers - the kneelers (photographs and descriptions). The names of the creators of the kneelers include: Marjorie Taylor, Barbara Talbot, Molly Hennessey, Margaret and Ivy Reynolds, Jacquie Weekes and Ivian GilbertThis book is significant for the culmination of research on the contribution of women in particular to the life of the Anglican Church communities of Eltham and Montmorency in the 1980s.SoftcoverISBN 978066911076 [printed on sticker on title page] Presented on 30 March 2014 to: Eltham District Historical Society by the Creating Spirit group from St Margaret's Church Elthamst faiths anglican church, st margarets anglican church, kneelers, needlework, women, marjorie taylor, barbara talbot, molly hennessey, margaret reynolds, ivy reynolds, jacquie weekes, ivian gilbert

Mount Waverley, Vic. : Victortian Sub-District Cricket Association, 2008 iv, 124 p. : ill. (some col.), ports. ; 30 cm. non-fictioncricket - kew - victoria, victorian sub-district cricket association -- anniversaries, victorian sub-district cricket association -- history., cricket -- victoria -- history.

Marley SMITH A Gundijtmara woman, Marley Smith has lived in Ballarat all of her life and has strong ties with family. Marley Smith completed the Ballarat Schoo of Mines Koori Art Course in 1995. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This painting depicts the spirit of the Australian INdigenous education Conference held at the university in 2004. The central circle represents a meeting place. "It's all about ... coming together and to understand and educate one another on everyone's culture - if you have no understanding, then there's no way of learning. [Marley Smith]art, artwork, marley smith, smith, indigenous, aboriginal, alumni

Bibliography, index, notes, ill (b/w). maps, p.463non-fictionA summary of the experiences of Australian soldiers in conflicts from Gallipoli to todayaustralia - military history, australia - social interaction

Items relating to the Anzac Commemoration Ceremony for Students in 1994 and 1996. 1994 was the 64th time Legacy had held a ceremony for students at the Shrine in the lead up to Anzac day. 01178.1 "News Release: Legacy shares the spirit of the Anzacs with students" 01178.2 "Legacy Annual Anzac Commemoration Ceremony for Students - 1994 - Brief for President" 01178.3 Geoff Swan's address (Geoff Swan was the president of Legacy in 1994) 01178.4 News release from 1996: "Legacy shares the spirit of the Anzacs with students"A record of a ceremony at the Shrine for school students.A media release, brief for the President, President Geoff Swan's address from 1994 and a media release from 1996 for the Annual Anzac Commemoration Service for Students.anzac commemoration for students, wreath laying ceremony

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square. This is the second of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Square floor mosaic. Black and white chequered border. Multicoloured coiled snake intercepted with six multicoloured peaks. Made up of small mosaic tiles and hand painted. Hand painted artist signature bottom right hand side. 'Deborah D. Halpern '01'eltham, halpern, mosaic, snake, square, laurence, painted, tiles, spirit, nillumbik

This book was compiled to mark a three day journey along the Snowy River in 2002. It was part of the International Year of the Mountain. Graeme Enders is Manager South West regional operations at N.S.W. Office of Environment & Heritage.A spiral bound book with a plastic cover. It is titled Spirit of the Snowy and is a collection of short stories written to mark a Snowy River journey from 1st to 3rd November in 2002. The book was edited by Graeme Enders of the Snowy River Recovery Project and published by the New South Wales Premier's Dept. It contains poetry, stories and recollections.2002 International Year of Mountainssnowy-river

October Meeting (Newsletter No. 242, Oct. 2018) At our Society meeting at 8.00pm on Wednesday 10th October 2018 we will explore ideas about what is considered to be the ‘Spirit of Eltham’. We will view a video produced for the Shire of Eltham in response to the 1985 Victorian Local Government Commission Report titled ‘The Restructure of Local Government in Victoria – Principles and Program’ (the Morris review). The recommendation was to amalgamate the Shires of Eltham and Diamond Valley, something that Eltham Council did not support as being appropriate for the shire or compatible with the ‘Spirit of Eltham’. We will also be fortunate to have a presentation on this theme by Lynnsay Prunotto, a local architect, who is also involved in community planning activities, as well as some insights from Hamish Knox on his experience of growing up and working for many years in the region.1:29:41 duration Digital MP3 File 32 MB audio recording, eltham district historical society, hamish knox, lynnsay prunotto, meeting, society meeting, spirit of eltham

The University of Melbourne badged clothing itemNavy blue hooded windcheater. Size L. Style No. FL09. Sales labels still attached. Mad in China.The University of Melbourne and Logo front. Science on reverseclothing, university of melbourne badged, student apparel

Song titles refer to train journeys of the late 1970s - early 1980s.45 rpm vinyl recording in a paper sleeve. The paper sleeve has the names "Fable" and "Bootleg" printed on the top corners. Record has a pink and orange label with the word "Fable" in white across the centre. Side A: "The Rutherglen Red | (Peter Best) (CPA) 3.10 (Control) | Blaze | Produced by Best Results" Side B: "The Swan Hill Spirit | (Peter Best) (CPA) 2.35 (Control) | Blaze | Produced by Best Results"rutherglen, swan hill, song, peter best, music recording

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

This item was given to the Historical Society in 1972, with the donor indicating that the spirit level belonged to the Henty family. The Hentys of Portland are regarded as the first permanent settlers in the State of Victoria (1834). Stephen Henty, with his brother Edward, was involved in the whaling industry in Portland. He also had shipping interests, operating a regular Western District shipping service (‘Champion’, ‘Lady Bird’, ‘Western’, ‘Edina’ etc) and a property ‘Cadnook’, near Harrow. Stephen Henty had close connections with Warrnambool not only because of his shipping interests but also because he was the brother-in-law of an early Warrnambool Harbour Master, Captain Frank Helpman. A spirit level was an essential tool for early settlers as they often built their own homes and constructed the roads nearby, needing to ascertain if what was being constructed was on level ground.It does not seem possible to establish whether this item belonged to the Henty family or to a Henty property. But in the Historical Society collection we have a piece of sheet music which includes the handwriting ‘Mrs Smalpaige, Cadnook’, ‘S. J. Henty’ and the date ‘8th August 1859’. Also the Warrnambool Art Gallery has an authentic Henty piano dating from 1837 and Stephen Henty’s wife died in Hamilton in 1906 so it is possible that the spirit level came to us from a Henty family descendant living nearby via Mr N. Kelly. If the Henty provenance can be proved then this item is of high significance.This is an unvarnished wooden spirit level, apparently home made, with a bubble in the centre. The top has been attached with eight screws, now much rusted. There appears to be some letters in the bubble area but they have not been deciphered “Hentys spirit level, oldest in Australia” is written in ink on the back of the objectspirit level, henty brothers portland, warrnambool, henty family

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos

Laminated A3 sheet featuring photograph and newspaper clippings. 1 - an Article written by Erica Cervini titled "Melbourne's Trams - the spirit that saved our icon", about Major General Sir Robert Risson and his influence on keeping Melbourne's trams which have since become an icon. Quotes John McPherson of the PTUA and Marc Fiddian, author of "Clang Clang clang" refers to a carton by Frith, The Herald 1955 about the opening of Bourke St. See Reg Item 5814i2. 2 - Photo of Risson on the top of a tram showing how to handle a trolley pole - 1963 newspaper clipping. 3 - Cartoon by Frith about the opening of Bourke St, featuring Risson.trams, tramways, robert risson, bourke st, opening, trolley poles, accidents, melbourne, mmtb

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

The Spirit of Tasmania I & II commenced service between Melbourne and Devonport on 1 Sep 2002. In 2004 the Spirit of Tasmania III commenced service between Sydney and Devonport. It is probable that these photos were taken when the Spirit of Tasmania III stopped over in Port Melbourne prior to commencing service from Sydney, The Sydney - Devonport service ceased in 2006.Two colour photos of Spirit of Tasmania II and Spirit of Tasmania III at Station Pier on 6 Jan 2004. The first shows both ferries berthed at the pier. Spirit of Tasmania II at Inner East berth (IESP) and Spirit of Tasmania III at the Outer East berth (OESP). The second photo shows the Spirit of Tasmania III perpendicular to the pier (probably leaving having reversed out of OESP). The stern of the Spirit of Tasmania II can be seen still berthed at IESP.spirit of tasmania, transport - ferries

This type of kit was used by the Regiment for vehicular cross country navigation. The crew commander would stand in front of the vehicle with a prismatic compass and guide the driver to align the vehicle on the back bearing of the required direction of travel. The discs were set for time of day and the required bearing and the driver would watch the compass and steer so that the shadow of the gnome was on the arrow. The compass would be re-set about every half hour to adjust for rotation of the Earth. In featureless country navigation was by dead reckoning by direction travelled by compass and distance travelled from the vehicle odometer. Armoured vehicles are now equipped with GPS navigation aids rendering the sun compass obsolete Type of equipment used by the Regiment on exercisesMetal construction. One fixed and one rotatable aluminium disc with a vertical steel gnome at the centre. The lower disc is marked with bearings in mils, the upper with time of day. There is a rotatable aluminium arrow under the 2 discs. A 33 mm dia spirit level is fixed to the top disc.On spirit level "GENERAL #847"daytime use only, navigation aid

Items in collection re Captain Alan COOKE VX124263, 148 General Transport Company. Enlisted 13.3.1943.Motor Spirit Ration Tickets x 4 consecutively, blue print on cream paper.Printed on tickets: “Victoria Motor Spirit Ration Tickets. Series B. Valid in all states.Two gallons 2”accessory, ration, petrol, tickets

This lamp has no known history. Lamps such as this one were for indoor use and were essential items in households in the 19th century and the first three decades of the 20th century until electric lighting became common in most households. This item has no known local provenance and will be useful for display as an example of a common household item of the past.This is a lamp with a glass base which is fluted and mostly coloured green. The bowl is clear glass with a concave raised pattern on the base of the bowl. The bowl contains a discoloured white wick. The lighting mechanism is brass with an external knob for controlling the use of the wick. The lamp mantle is bulbous-shaped. social history, history of warrnambool, kerosene lamp

This a booklet of six pages which included a calendar (now missing) and other printed material. The front cover has a sketch of a woman and a dog which appears to have been pasted on at a later date. The pages are stapled.non-fictionBusiness calendar and additional information warrnambool, wine and spirit merchants, duirs and worrell

Stories of courage, inspiration and healing in the wake of the North East Victorian bush fires. Photographer Viv Mehés spent more than 3 years taking photographs and talking with local people about the 2009 firestorm and its legacy. Includes first-hand experiences of people affected by these fires — the stories here are their stories. - https://www.blacksaturdaymuseum.com/SpiritOfTheSpine.htm Includes map of area covered. black saturday, bushfire, victorian bushfires - 2009, viv mehes

Presented to Lara R.S. L. by Lara Football club with donation of takings for the day.Lara Memorial Players sleeveless Jumper framed by the names of the 24 men that did no return from action or to Lara. Presentation Plaque. Donated to Lara R.S.L.We honour the memories of Lara and Districts 24 sons who made the ultimate sacrifice for their country in World War 1. Lest we forget.lara football club, spirit of anzac game

Book produced from Research Project by Alan Jackson (2419) in 2007-2008. The book published in 2015 for Centenary of the Duckboard RSL. History of the Duckboard RSL, Melbourne.Khaki coloured, hard cover with grey dust jacket, full width photographs across front & back. RHS has 4 uniformed soldiers walking along a duckboard walkway across a desolate battleground. Cover photograph is sepia. Dust jacket photograph is coloured. Acknowledgement card (16.5 x 14.7). 218 pp. Author, Alan Jackson.Inside: “To Pearl, Alan Jackson (signed) 10.8.2015” books-military-history, duckboard

Soft cover, cardboard book, gold, white & black colour print on cover. 324 cut plain pages, illustrated black & white photographs & maps.Front fly leaf hand written in black ink: Donated by Robyn Schultzbooks, military, history

MEDIUM: Acrylic on DESCRIPTION: Painting with white figures on black base No frame Signed and titled on reverse of framedansie resident, spirit acrylic