Built from stone unused in the construction of the Tower. The Caretaker would tend the gardens and maintain the Tower entrance key. (Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower, caretaker cottage

Depicts the entrance to camp 14, part of the Loveday Internment Camp Group. The bamboo and wood arch was built by the Japanese internees. Photograph copied from the AWM (accession number 122983).Black and white copy of photograph. Depicting the entrance to Camp 14. Entrance in foreground, with hut to the left behind the entrance. To the right inside the entrance is a garden bed with a stone on which is mounted a round circle with a V in it. On the ground in front of that is CAMP 14 C D. Photograph is on corfu.camp 14, loveday internment camp group, japanese internees, barmera sa, awm, accession number 122983

Glunkler was interned in Camp 3Water colour of two rows of huts. Each row has eight huts with the windows open. There is a single gum tree in the centre between the two rows and some tree in the background beyond a fence. Small gardens with stone edging are around the huts.Glunkler 1943

Some of the H S K Kormoran crew were house in camp 13. The German cross is a memorial to their fallen comrades.Black and white photograph of 10 men standing and 10 men seated in front of a hut. Between the hut and the men is a large German cross on a stone plymth. A sign is being held by the 5th and 6th men from the left.Sign: Lager Hortebeker 1942 H S A Kormoranh s k kormoran, camp 13, german memorial, erich falk

Camp 1 TaturaBlack and White photo of Camp 1 Parade Ground with Guard Room on left with the number 24 on the side of one of the huts. Guards lined up outside on each side of ground. Personnel Hub on right. A stone walled garden is on the right. Two poles in the middle of the picture. camp 1, tatura, army guards internment camps, camp 1 garrison parade, huts, guards, garrison

Black and white photograph of administration staff quarters. Road in front bordered by bushes. Centre hut of 3 large stone chimney and electric power pole.camp 13

Photograph depicts the garden at the AWAS quarters at Camp 13 Murchison.Black and white photograph of a garden. Stone wall at bottom of the picture, flowers and lawn behind. Huts to the right. Left of centre is a flag pole with a hedge behind. Trees in distance.awas quarters, camp 13, murchison pow camp, camp gardens

This was the original camp 13 hospital hut which was bought at Auction by Bill & Joyce Baker and Ian & Ethel Stone. Joyce and Ethel were twin sisters. The 2 families purchased the hut in 1948, the hut was brought to their allotment in Ross Street, and converted into a residence.2 small black and white photographs. 1 depicts a hut on the back of a truck and the other of same hut in situ before being moved.camp 13 hospital hut, baker, bill & joyce, photograph, people

Mafalda Fortuna's recollections of her families arrest in Palestine, transportation on the "Queen Elizabeth", and internment in Camp 3. Four pages.|Photo of Fortuna siblings seated on stone entrance to mess/school hut in Compound a, Camp 3.

The Budj Bim National Heritage Landscape - Tyrendarra Area on the Australian National Heritage List lies on the Tyrendarra lava flow between the Fitzroy River and Darlot Creek close to the township. These photographs were taken during a guided tour with Gunditjmara guide Dennis Rose. Remains of stone shelters built and used by the Gunditj Mirring people.rock shelter, aboriginal, aborigines, tyrendarra, winda mara, dennis rose, budj bim national heritage landscape, gunditjmara

The Budj Bim National Heritage Landscape - Tyrendarra Area on the Australian National Heritage List lies on the Tyrendarra lava flow between the Fitzroy River and Darlot Creek close to the township. The Budj Bim Cultural Landscape was ascribed on the UNESCO World Heritage List on 06 July 2019 (AEST). These photographs were taken during a guided tour with Gunditjmara guide Dennis Rose.Remains of stone shelters built and used by the Gunditj Mirring people.rock shelter, aboriginal, aborigines, tyrendarra, winda mara, rock hut, gunditjmara, unesco world heritage

Army Hut that was used at the Tatura Racecourse after the war. The gumtree plantation was plated by Tatura Primary School students.Long Grey corrugated iron hut with corrugated iron roof. Six wood framed windows painted white and one black framed possibly aluminium window in centre of the hut. Four wooden doors with stone steps. A row of gumtree behind the hut. Lawn and gravel road around the hut.racecourse, hut, army, war, tatura primary school, plantation

The sketch of the Pig & Whistle would be pre1968 as the gate was remodeled with two white half gates at this time and the ivy removed. The building was purchased in 1968 by the Benash family and renovated inside and out with a white, Tudor style outer facade. It was renamed Tatra Hut. The restaurant was sold again c1975 and became a Reception Centre. This information was provided by Victor Grotaers who was the resident solo-accordionist in 1968 when the new Tatra Hut opened. He recalls the opening night as being a large affair reported by Channel 9 at the time.Copy of a pencil sketch of 'The Pig & Whistle' restaurant at Mt Dandenong. The building still stands but became the Tatra Hut c1968. The sketch is signed H.R. Ham. The sketch shows the front of the restaurant with gate and stone pillars.On front of card: The Pig & Whistle, Mount Dandenongpig & whistle, tatra hut, restaurant, mt dandenong, mount dandenong, sketch, h.r.ham

Wallace's Hut is the oldest surviving cattlemen's hut on the High Plains, built in 1889 by the three Wallace brothers - Arthur, William and Stewart. Their father David bought land at Kergunyah as well as grazing land on the banks of the Kiewa River, North East Victoria. Once the boys were old enough, the family followed the local squatters’ custom of taking their cattle up to the mountains for the spring and summer to fatten the mob, at the same time resting their home pastures. They decided to build a hut where they could shelter from the extreme mountain weather. The timber was cut from the forest about four hundred metres east of the hut, and the hearth stone was dragged in from Pretty Valley. The chimney had a base of rubble and above this iron sheeting on a timber frame. The slab walls were lined with hessian and later with tar-paper, and inside there was a bush table, sleeping platform and a rustic fire-side settle. The hut nestled among snow gums sheltered by a rocky outcrop. The names of the Wallace brothers were burnt into the tie-beams of the roof and at the back of the mantelpiece. The Wallace family’s lease expired in the late 1930s and the hut was bought by the State Electricity Commission to house staff on the High Plains and it became the first home of Toni and Skippy St. Elmo. The SEC covered the old shingles with iron, and later on the walls and chimney as well, and they added a lean-to. Wallace’s Hut is now owned by the Crown and maintained by Parks Victoria. It is on the Historic Buildings Register and is classified by the National Trust.This image is significant because it depicts an important heritage-listed structure and refuge for cattlemen and other travellers in Victoria's High Country.A black and white photograph of a skier outside of Wallace's Hut. Several sets of skis and poles are standing around and other skiers are in the background.wallace's hut, toni and skippy st. elmo, high country huts

Dry stone construction as a technique is used for much more than paddock walls. Across the volcanic plains of western Victoriaare marvelous sheep dips, stock loading ramps, huts, dams, retaining walls, and the rich and largely undiscovered heritage of indigenous dry stone structures. Dry stone walls indicate many aspects of our rural environment; the geological beginnings of the way the landscape was created, the patterns of early settlement by pastoralists and squatters, the types of stock that grazed the land and the methods of cattle and sheep management, of the efforts to thwart the spread of rabbits .... "For the casual but interested observer dry stone walls are good to look at, to photograph, to get up alongside and see the way they are constructed, to appreciate the varying shapes and sizes of stones and learn of the techniques of keeping often quite rounded stones in place. Apart from walls and other dry stone structures on grazing land we can also see dry stone techniques used in other places and in other phases of our history. Indigenous Australians have built, and continue to build, structures for shelter or hunting or trapping eels and fish in rivers and estuaries around the country. At spots around our coast line there is evidence of simple stone structures built by early maritime explorers. Prospectors in early mining encampments used dry stone construction to build retaining walls or the low walls of rudimentary shelters. If the future of dry stone walls in the Australian landscape is to be assured. wall owners and local governments have to accept and embrace their custodial role in assuring the preservation and celebration of walls. This is not an easy task, but, along with putting the necessary statutory mechanisms to ensure their retention, it is a task that must be pursued. The Dry Stone Walls Association of Australia has as its primary goal the increase in awareness of wall owners and local governments of the importance of dry stone walls. It also seeks to increase the level of training of skilled and semi skilled wallers, and the gaining of rudimentary skills by farmers so that they can maintain their own walls". Melton Star Weekly article about the Stone Wallslandscapes of significance

This memorial commemorates the historic siege of Tobruk. The memorial is based on the one in the Tobruk War Cemetery, built by Royal Australian Engineers during the siege. That memorial has since been destroyed. The original marble inscription stone was brought back to Australia after the war and is incorporated in the obelisk in Canberra. The memorial was unveiled on 13 April 1983 by the Governor-General of Australia, Sir Ninian StephenThis item is part of a collection of items owned by Arthur lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A group of 3 coasters produced to commemorate the unveiling of the Tobruk Memorial in Canberra on 13 April 1983. In top left "CANBERRA TOBRUK/MEMORIAL/UNVEILED 13 APRIL 1983"world war 11, rats of tobruk, tobruk

A cabochon is a gemstone that has been cut, shaped and polished. The resulting gem has a convex (rounded) obverse with a flat reverse. This method is usually applied to opaque gems such as this pair of agates. Cabochons are most commonly used in the design of pendants or rings. These cabochons are part of the jewellery collection of Mrs. Jean Raper.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 cabochons or polished stones. One is in shades of brown and the other a lighter beige in colour.jewellery, cabochon, fashion accessory

A publication of 128 pages includes 230 full colour photos, 42 illustrations and 19 colour route maps. A touring guide of the Murray RIver, Australia from its source in the mountains following its journey to the sea. The first sections cover information about the area of the Upper Murray, including Lake Hume and the Albury-Wodonga area.murray river, australia - tourism

This item is representative of grinding stones used throughout Australia to enable people to maintain farm and domestic utensils.A large circular grinding stone with metal handle. It was used on a stand and also with water to shapen blades such as knives, axes and hand shears. The wheel is a large cirle of sandstone. These were common in the late 19th and early 20th Century. It would have been used on a wooden frame.domestic tools, household utensils

The Former Clyde Cameron College was constructed in 1976-7 as a residential training college for trade unions. The college was commissioned and operated by the Trade Union Training Authority (TUTA) from 1977 until its closure in 1996. The design team was the Architects Group and the Commonwealth Department of Construction was responsible for site supervision and contract administration. The building was constructed jointly by Costain Australia Ltd and M.A. & A.W. Chick of Albury. The foundation stone was unveiled by Clyde Cameron in 1976. He was the serving Federal Minister for Labour from 1972 to 1974, Minister for Labour and Immigration 1974 - 1975 and Minister for Science and Consumer Affairs in 1975. The building was completed at a cost of $6.5 million in 1977. It was one of the most controversial of the 1970s due to its Brutalist architecture. The complex consists of a series of wings of one and two storeys linked by pre-cast concrete pipe walkways. Inside the wiring and pipes were left exposed and painted in primary colours to show off the workmanship. The accommodation, most of them single rooms, were able to house 70 students at a time with 1200 students to go through each year. The training college was closed in 1996 and was taken over by the Murray Valley Private Hospital and Murray Valley Radiation Oncology. In July 2008, the Royal Australian Institute of Architects awarded its “25 Year Award for Enduring Architecture” to Clyde Cameron College. The building was again sold in February 2023, although its future is yet to be determined.The former Clyde Cameron College is of architectural significance as an example of the late twentieth century Brutalist style and the work of Victorian architect and lecturer Kevin Borland. It also has historical significance for its association with the Trade Union movement, and the Whitlam government, including its role as Australia’s first residential trade union training facility. It is a physical reminder of the influence of the union movement in the 1970sA collection of colour photographs documenting the buildings at the former Clyde Cameron College, Wodonga.clyde cameron, trade union training, clyde cameron college

St Luke’s Anglican Church officially opened on 15 March 1863 and originally operated as a branch of the Albury church. The first minister to conduct a service there was Rev. Robert Potter, followed by Rev. B. Brownrigg , Rev. J. H. May, Rev. D. E. Jones and Rev. J. K. Tucker. The first resident minister at Wodonga was Rev. J. H. White who came in 1879. The Church was constructed from locally hewn stone. After serving the congregation for more than a century, the Church was closed by the Health Commission due to its deteriorated condition which was judged to be beyond repair. It was demolished by voluntary labour on the 10 – 11 August 1968. A collection of 4 black and white photos depicting St. Luke's Church Wodonga at different times in its development.st luke's church wodonga, churches wodonga, early churches wodonga

W. Thorne architect of Albury designed the library building and the plan was approved in June 1915 The building contractor was J. W. Cochrane of Albury. The land was purchased from Mr. Walter Huon. On the 28th July 1915 the Shire President, Councillor Beardmore, laid the foundation stone for the building that would become the Wodonga Public Library. Almost 12 months later, on the 8th March 1916, the library was officially opened. It was the pride of Wodonga. The Shire Council closed their doors for a brief period so that all staff could attend the opening and the teachers and children of the local schools also attended. Councillor Beardmore declared that “it was an asset that would return a profit- not in pounds and shillings and pence but in the development and furnishing of the minds and lives of our young people”. It was known as the Beardmore Library. The Wodonga Athenaeum, in an out of the way location, had closed in 1914 after continuing reports of a lack of funds and the proceeds of the sale of the building went towards the building of the new library. In 1915 the library building committee started to put together a building fund for a new library. The library, situated at 78 High Street, was funded almost exclusively by the public. The books from the Athenaeum were presented to the library committee at the opening in 1916. The new library was both a place for education and recreation, a communal space to socialise, which also boasted a billiards room downstairs. In March 1970 construction of a new Civic Centre which included a library began in Wodonga. WIth its completion the following year, the original library was closed down. The building was vacant for some time and deteriorated badly. It was later purchased by Peter Middleton, who extensively restored the building. It is now the home of Middleton's Carpets.These images have local significance as they document an important building in Wodonga.2 photos - one black and white and one in colour of the same brick building. The first photo is of the building when it served as the Wodonga Public Library. The colour photo was taken approximately 60 years later.Photo 1 - In Brickwork above the door: PUBLIC LIBRARY Photo 2 - Above door: MIDDLETONS CARPETSwodonga public library, wodonga buildings

Stonleigh is one of Wodonga’s earliest buildings and stands on land granted to Daniel Rhodes in 1854, in one of the first land sales conducted in Wodonga. The building commenced soon after with the stone walls being 18 inches (46cm) thick. It was a four-room granite rubble stone building with central door and a window on either side, with a separate kitchen, as was typical of the worker's cottage of the day. The original roof would have been shingles but it was replaced with corrugated iron. It passed through several owners including Paul Huon in 1858. Peter Tenner, a farmer and vigneron took over in 1866 when it was described as “built of stone and having a cellar and a detached kitchen plus outside toilet, and a shed or two.” In the late 1880’s it was owned by William Smith who had come to Wodonga as a missionary for the Presbyterian Church and who, together with John Whan, storekeeper, was instrumental in building the Presbyterian Church nearby. Between 1890 and 1910 further buildings were added, consisting of double brick walls, two bedrooms, kitchen, laundry with brick and copper, bathroom and side verandah. William Smith established Wodonga Cordage Works in the Stonleigh buildings. The front room of the house was the display room for the business which manufactured and sold fishing lines, various types of cordage and water bags, the latter being of hand-sewn canvas. After 1954 Stonleigh became a bottle depot and bottle museum under ownership of Ramon Porta. At one stage he had over 50,000 bottles on display. In 1991 it was purchased by Mark Fraser, a cabinet maker, who made extensive renovations at the rear of the premises and internally, but left the façade untouched. Over recent times, Stonleigh was the home of several business including a florist, a patchwork maker and a café. Stonleigh was sold in 2021 and is now a private residence.These images capture one of Wodonga's oldest buildings.A series of photos, both colour and black and white, showing the building "Stonleigh' at different periodsstonleigh wodonga, old buildings wodonga, wodonga businesses, wodonga pioneers

non-fictionHistorical handbook, includes brief section on Kiewa Valley tribes (Ya-itma-thang, Whroo, Kiewa, Unurring & Murramurrangbong), territory, shelters, fire, foods, including bogong moth, weapons, containers for water, fibre making for nets, stone tools, biographical details on Billy Elengeist & Queen Emily of the Murramurrangbong tribe.history kiewa valley, victorian pioneers, kiewa valley tribes