Black and white photographWritten on back of photograph: "Cool Stores - Repair after fire 1925".

Incl Guests, Billy Gyatts, David Wang, Discount City Super StoreCatalogue card reads, "Ringwood, 1982. Shops and stores on Whitehorse Rd. ." 4 views

Black and white photographTyped on backing sheet, "Beilby's General Stores- Main St, 1925. (Now Dimmeys)

Black and white photographTyped below photograph: "Ringwood Cool Stores being demolished. Formerly on present clocktower site".

Pietro Lucini owned the building on the right in the attached photograph. He operated a general store here prior to building a new building opposite this site. He was involved in gold mining activities in the early settlement of Spring Creek, now known as Hepburn Springs. Dr Francesco operated a store in building on left. A document and photograph glued on cardboard. 01451.1 Miner's Right, No. 7351. Glued on cardboard. 01451.2 A separate photograph of two early stores at early Jim Crow diggings, now Hepburn Springs. Text at bottom of photograph, " First hotel and store built at Jim Crow Diggins Daylesford. Now known as Hepburn Springs. These buildings are still standing at rear of "Golf Club Hotel. Photo Miner's Right donated by Mr J Bramwell Officer in charge of Kew Fire Station. Sept 1936". Back of cardboard has the following writing; "Donated by Mr J Bramwell Officer in Charge of Fire Station, Walton St. Kew. Sept 1936", "Donated by Beryl Jean Frame (per Mrs.R.Bland Ferntree Gully) 1987", "Box 4", WINGRAM 47 Victoria Road Auburn Melb 1- JAN 1940, Daylesford & District Historical Society.gold mining, lucini, buildings, hotel, spring creek, golf club hotel

An advertisement for Hannam's Discount Stores, 26 Main Street Greensborough.Newspaper clipping, black and white text.main street greensborough, hannams discount stores

non-fictionOne A4 page of Blackburn Cool Stores tool inventory 31/12/1958blackburn cool store, tools

Black and white photograph (2 copies)Image shows 2 businesses- A.C. Beilby Stores Men & Boys Department, and Millward Bros, Authorised Newsagents, Stationers, Confectioners & Tobacconists.

Black and white photograph (2 copies)Typed below photograph, "Ringwood Cool Stores. Packed with thousands of cases of Rosy Apples - that make the Rosy Cheeks.".. Date 1924 handwritten on back.

Charles Wood MM, staff member of Beehive Stores, Bendigo volunteered for the Great War. Regt No 2453 enlisted 7.7.1915 in 5th reinforcements 24th BN AIF, awarded Military Medal 20.9.1917 at Westhoeck, awarded Bar to the Military Medal 14.6.1918 at TREUX near Albert, both times as a Signaller repairing telephone lines under fire. Refer Cat No 4978P for the restored Beehive Bendigo Honour Roll.Three photographs - black and white, portrait photos of WW1 soldier, photographic paper, photocopy of original photo.beehive staff, ww1.

Used by the committee of the Ringwood Co-operative Cool Stores Society Ltd. Started at the 81st meeting and ended with the 200th meeting on 6-Feb-1934.Brown watermarked covered book with suede spine and suede corners. 'Minute Book' is printed on red leather on spine. There are 286 pages all used.

Foolscap duplicated sheet with two punch holes in the left hand side, providing a timetable for the Freight tram, dated 24/5/1976, notes normally uses tram No. 17. Gives details of the times and the depots served, meal breaks and servicing at South Melbourne depot on a Wednesday. Also provides route to be taken, precautions and that the Batman Ave turnout is not to be used. See Reg Item 6496 for March 1963 version.In top right corner in ink "ON loan from JRP" and in top left hand corner "Acquired per Mr. Solly Stores Controller, Freight Tram made about 60 point changes"trams, tramways, freight tram, depot, stores department

View overlookng Hurstbridge with the Cool Stores complex in the middle of the view (opened in March 1915) surrounded by an orchard of fruit trees. Local orchardists housed their fruits in cold storage here before despatch by rail to domestic and international markets, sometimes out of season.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, hurstbridge, cool stores, orchards, cool store

One name in the photo “A Owens” does not appear on the actual Beehive Honour Roll. Refer Cat No. 4978P for the Beehive Bendigo Honour roll.Photograph - Photocopy on paper all print in black showing seven men in suits."Volunteers for the War from R.O. Henderson's Beehive Stores Bendigo" Back Row - R-L. Messrs P. Buddle, H. Cadwallader, C. Wood, F. Marriott. Front Row: R. Jenkins, J.A. Williams, A. Owens.beehive staff, r.o. henderson

A shoehorn or shoe horn is a tool that lets the user put on a shoe more easily. It does so by keeping the shoe open and by providing a smooth surface for the foot and the heel to move, without crushing the shoe's counter (the vertical portion of the shoe that wraps around the back of the foot), in this way acting as a first class lever. (ref Wikipedia). This shoehorn was an advertising item for Jenkin Shoe Stores of Sydney, New South Wales.Shoehorns were commonly used in the 1930's- 1950's. A silver coloured metal spoon shaped shoe horn with a hole in the handle. It advertises Jenkin Shoe Stores, Sydney. Two leaves on either side of some small flowers are engraved on it.JENKIN SHOE STORES SYDNEYjenkin-shoe-store shoehorn advertising commerce

Black and white photograph. Typed below photograph: "1924 Whitehorse Road shops. Entrance to Ringwood Hall on left. Post Office on right.". Image shows shops on north side of road including Beilby Stores and McAlpin's estate agency. Motor vehicle and horse and cart out front of shops. Sign on McAlpin's store advertising Ringwood Heights Estate to be sold 1st March, 1924.

Photo depicts the Committee who organised the First Annual Picnic of the Employes of the Wool brokers Association Stores held at Schnapper Point, 23 March 1896Committee - First Annual Picnic of the Employes of the Wool brokers Association Stores held at Schnapper Point, 23 March 1896Committee - First Annual Picnic of the Employes of the Wool brokers Association Stores held at Schnapper Point, 23 March 1896wool stores - staff, woolbrokers association stores

1. H. Cadwallader. 2. C.P. Fisk. 3. T. Henderson MM. 4. W. Trebilcock. 5. E. Buddle. 6. T. Marriott. 7. N. Veale. 8. P. Buddle. 9. T. Holl. Refer Cat 4978P for the restored Beehive Bendigo Honour Roll.Nine (9) photographs - black and white copies, of the originals on the Beehive Honour Roll.ww1, beehive store

1. "T. HENDERSON MM" 2. "C.P. FISK" 3. "H. CADWALLADER" 4. "P. BUDDLE" 5. "E. BUDDLE" 6. "W. TREBILCOCK" 7. "N. MEAGHER" 8. "F. MARRIOTT" 9. "N. VEALE" 10 "T. HOLL" . Refer Cat No. 4978P for the restored Beehive Bendigo Honour Roll.Ten (10) original Sepia Portraits - photographs from the original Beehive Honour Roll.ww1, beehive store

Part of the Reverend Chaplain Major Thomas Bruce Williams No 556101 Collection.Plain black Christian religious stole with two embroidered crests consisting of a Maltese cross under a central circle with the motto 'In This Sign Conquer'. The cross is ringed by a floral wreath and topped with a queen's crown. Three folds are sewn into the mid section of the stole.Inside the middle section - supplier's name in gold lettering on a black tag.army chaplains, personal equipment, major thomas bruce williams

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized Checked blanket, lemon, tan and greenMyrall/Pure Wool/Myer's Own Brand/Made in Australiawool, blanket, blanket fever, myer

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized checked blanket , khaki, cream and green Royal Slumber/Woolmark Emblem/Pure New Woolwool, blanket, blanket fever, royal slumber

Large hardcover book with picture of children playing in the snow on cover. Contains many coloured plates and line drawings.fictionBoys annual containing many short stories by different authors. children's books, fiction, annuals

Grey mens hat, size 6 3/4, with grey ribbon hatband.The Strand, Pockerweighthats