An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2020 as the date is on the badge. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular teal Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath, the word Legacy and the date 2020. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week

This run-sheet and map were used for the opening of Booran Reserve at the corner of Booran and Glenhuntly Roads on Tuesday 11 April 2017. The Reserve was officially opened by the Mayor, Cr. Mary Delahunty and The Hon. Philip Dalidakis, MP, Minister for Innovation. The run-sheet contains information about the Order of Proceedings of the opening ceremony. The map notes the locations of reserved parking, the route taken by Mayor Mary Delahunty and Minister Philip Dalidakis through the Reserve, and the speech and smoking ceremony site. The site of the Reserve was previously the Caulfield Service Reservoir.Black and white printed run-sheet, and green, teal, red, yellow, blue and khaki colour printed map

Gift to Alex Gillespie from H. L. (Harry) Richardson. Nec Tamen Consumebatur translates to "Not Yet Spent".Silver and teal blue pair of Presbyterian Church of Australia cuff links, G144.1 & G144.2 in a mustard coloured velvet box G144.3"NEC TAMEN CONSUMEBATUR"presbyterian church of australia, gillespie, alex

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Teal knitted skirt shaped with darts and with a back vent. Skirt has a silky lining in slightly darker green with an elastic waistband. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Used for decorative purposes on magnetic surfaces, such as on a fridge door. Likely an advertisement for the Public Transport Corporation.A marketing material associated with a now-superceded transit agency (since the 1990s).White rectangular sheet magnet with the text "Public Transport Corporation" printed in teal serif font between 4 black lines.public transport, public transport corporation, ptc

Has a strong association with the Geelong tramway system as being identified as being used on the system and for which trip on a specific date.Set of two SEC 6d teal colour tickets, Nos. H806802 and H806992 and a hand written note advising that they were used on tram No. 7 in Geelong from Little Ryrie St to Belmont and back on Sunday 1 January 1956 and that Alan and Ian travelled. Both tickets have been printed with a teal cross hatching on the rear.trams, tramways, tickets, secv, geelong, belmont

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with three remaining tickets - teal ink on off white paper, denomination 6c 7d, numbered A266397 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - teal ink on off white paper, denomination 6d, numbered A551998 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Two menus: 1. 'Teal' Menu, picture of Captain Cook's cottage Melbourne on LH side. Chilled fruit juice, crumbed cutlet, tomato sauce, green peas, croquette potatoes, preserved fruit, fresh cream bread rolls, butter, tea, coffee. 2. Liquors and cigarette menu. On front 'Australia, New Zealand, Teal Buffet List.new zealand airlines, captain cook

Rare Historic....Rare ...Completeness.Woollen teal blue outer , grey cotton lining leather binding with cord.no.57 insideberet,...Russian Star Badge centre front of Beret.Number 57 inside Beret.

Dark blue and teal tin-plate container, enameled on outside. Lid with hexagonal knob. Both lid and body decorated with coloured magnolia motif.Sticker on base 'Boy Blue association of ….. (part missing) Net Weight: 16 ozs. (including wrapp…) made in England by George W. Horner & Co. Ltd., Chester - Le - Street. County of Durham'. Printed underneath sticker 'Made in England'.containers, domestic, tin, container, storage, biscuits? magnolia

Soft cover book with pale blue & teal cover with photos of fish, ship, eggs, blueberries, meat, lab equipment & apples 186 pages

Was found in an above ground rubbish pile at Days Mill and Farm.Four fragments of what may have been a jug or vase. The object was tall with straight ridged sides and a teal blue floral pattern on a white ground.yeswilliam day, ann day, joseph day, robert day

Forty page colour knitting pattern book. The cover features a woman dressed entirely in teal clothing, including a knitted jumper, pants, socks and beret.front: [printed] Australia 30 cents Canada & U.S.A. 60 cents South Africa 25 cents New Zealand 25 cents No 429 / stitchcraft / SEPTEMBER 1969 / 2'6 / COLOUR / BRIGHT / FOR / AUTUMNfashion, design, knitwear, home made, wool, pattern book, stitchcraft, patons and baldwins

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A teal green felt woman’s hat in three layers of felt surmounted by a felt bow. Green sequins set in inverted triangular shapes surround the top of the second layer.Nilwomen's clothing -- hats, headwear

Circular sew-on cloth badge. Teal background with gold embroidered emu and the words: HEALESVILLE SANCTUARY VICTORIA AUSTRALIA around the outer edge. Red stitched border; grey backing. emu, embroidered patch

This hat belonged to Mrs Moyra Rasmussen, who lived at 389 St Kilda Street, Brighton for over 50 years with her husband Rae Rasmussen, a bank manager with the State Bank of Victoria. The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s. Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.Label, woven black on white: MISSES MOONEY / OF MELBOURNEhat, turban, rae rasmussen, brighton, misses mooney, millinery, melbourne designers, moyra rasmussen

Soft cover book partly teal cover with photos of seafood, fruit, cattle, wheat & laboratory assistant. Slightly larger than A5 size 159 pages 2 copies of this edition

An example of a badge issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $100. It is possibly a modern issue. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The pin was donated back to Legacy from the family of Marjorie and Jacobina (Jackie) Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. Jacobina later became Jackie Wood and passed away in April 2020. Marjorie became Marjorie Bachmann and passed away in 1986. Also donated were a photo of the girls at calisthenics classes, a green tunic uniform, a junior legatee certificate, a souvenir handkerchief from the 90th anniversary celebrations and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.An example of Legacy badges that were sold to raise money for Legacy's work.Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath. It is a small rectangular shape. Badge has a post and a separate butterfly clutch.Embossed '$100' on reverse.legacy appeal, fundraising, badge week

Certificate, cream colour, teal colour banner, 4 badges in each corner of certificate, B&W parachute surrounded by cloud in centre, black thin borderline 2.5cm from edge5th Special Forces Group (Airborne) 1st Special Forces / Vietnam Certifies - Cpl John A Jewell appointed Honorary Parachutist Signed by - Francis J Kelly Commanding Officer5th special forces group (airborne), 1st special forces, jewell, john a, kelly, francis j, certificate

The decorative elements of this carpet/rug symbolises Australia's commitment to Operation Catalyst - a post-invasion operation dedicated to the stabilization, rehabilitation and reconstruction of Iraq CATALYST began on the 20th of March 2003 and defined the role of the Australian Defence Force in assisting multinational forces in the stabilization and security of Iraq. It also involved ADF support in the implementation of the country’s recovery programs. The 31st of July 2009 marked the end of Operation CATALYSTTeal green, grey and gold carpet with two small flags of Australia and Iraq at top, cross swords above a circle above a kangaroo and a camel. Carpet attached to timber at either endOperation Catalyst 2006 IRAQ 2006operation catalyst, iraq, 2006