Souvenir Teaspoon – Stawell High School stawell

Souvenir Teaspoon, Stawell Victoria Runner stawell

This teaspoon comes from the Hotel Mansions in Warrnambool. The Hotel Mansions was opened in 1890 as the Grand Ozone Coffee Palace (a temperance hotel) and was at the corner of Kepler and Koroit Streets in Warrnambool. It was built by a company of local businessmen and leased out. In 1891 the Coffee Palace was granted a wine licence. In 1895 Thomas Randall was the proprietor of the building and it was re-named the Ozone Hotel. The building was closed in 1915 and re-opened in 1920 as the Hotel Mansions. In 1923 the Hotel Mansions became a fully-licensed hotel. In 1929 it was destroyed by fire and the present-day Hotel Warrnambool was built on the site. This teaspoon is of considerable significance as it is one of the few items we have from the Hotel Mansions in Warrnambool. The Grand Ozone Coffee Palace/Ozone Hotel/Hotel Mansions was the grandest building ever erected in Warrnambool. Its destruction by fire was a great loss to the city. This is an electro-plated nickel silver teaspoon. The spoon section is of an oval shape and the handle broadens to a curved end. The spoon is much tarnished. The maker’s symbols are on the back of the handle and the hotel name is on the front. ‘H M Warrnambool’grand ozone coffee palace warrnambool, ozone hotel warrnambool, hotel mansions warrnambool, history of warrnambool

This electroplated teaspoon made by Walker & Hall of Sheffield. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. Walker & Hall’s Marks on this teaspoon, the SHIELD and the FLAG, date the spoon between 1910 and before 1920. The letters, possibly N S, within a shield may stand for Nickel Silver. The first Sheffield licence to make electroplated pieces of work was granted to John Harrison in 1843. One of his employees, George Walker, had been sent to learn electroplating skills at Elkington’s in Birmingham, who had patented the process discovered by Dr John Wright. Walker left Harrison in 1845 and started up his own company with Samuel Coulson and William Robson, to become George Walker & Co., electro-platers and gilders, taking out a licence with Elkington’s. In 1848 Robson retired and Henry Hall joined the partnership, operating at Electro Works at 11 Howard Street Sheffield, with a showroom in at 45 Holborn Viaduct, London. The firm had changes in the partnership and by 1853 it was called Walker & Hall. Over the years the company grew, with branches in the UK and overseas in Australia and South Africa. Then John Bingham, and later his brother Charles Bingham, became involved in the business, increasing profits. In 1861 the firm registered its first Trademark, a stamped ‘Flag’ with a banner with letters ‘W & H’. In 1884 Walker & Hall were one of the largest manufacturers and the second to introduce a voluntary system of using dating marks for silver plate, based on the alphabet and styles of shields or figures. The firm grew and prospered. It was described as ‘comprehensive … touching almost every department of Social life’, selling all manner of silverware and other goods. In 1920 the firm became Walker & Hall Limited and continued to expand in the goods produced and the member employed. Then the effects of war brought economic depression and fewer people able to afford the quality luxury goods. Eventually, in 1963, the company amalgamated with Mappin & Webb and Elkington & Co., becoming British Silverware Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, perhaps part of a passenger’s luggage or imported for use in Victoria in the early 20th century. This spoon is significant for its association with makers Walker & Hall, famous for silverware and silver plate in the mid-19th to early-20th century. It is the only example in Flagstaff Hill’s shipwreck artefact collection. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield.Embossed individual stamps “W”, “&”, “H”, “S” Embossed shape [SHIELD] with letters within, possibly “N S” Embossed shape of [FLAG] with letters with “W & H” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, 20th century silverware, walker & hall, george walker, henry hall, john wright, elkington

This piece of functional Trench Art was made by Stewart Noble during World War 2 (circa 1940) while serving on a Mine Sweeper among the Pacific Islands. It is believed that the bullet spoon was chrome plated after the war, while he worked at the Government Aircraft Factory. Trench art is described as any decorative item made by soldiers, prisoners of war, or civilians where the manufacture is directly linked to a war. The making of trench art was a popular past time during leisure hours at the front, where skilled military personnel created the items. Common examples of trench art are decorated shell and bullet casings, and items carved from wood and bone. Trench art has been in existence since the Napoleonic wars however it was most common during World War 1, and to a lesser extent during World War 2. This bullet spoon has historic significance because it is an example of the type of functional or artistic small items, that were made from war scrap during spare time by soldiers or other personnel associated with a war. This particular item indicates that a reasonably high degree of skill was required to make the bullet spoon.Chrome plated teaspoon with a discharged .303 bullet for the handle.trench art, bullet spoon, .303 bullet, stewart noble, war souvenier, chrome teaspoon

First World War ship -USS VermontTeaspoon with the handle in the shape of sailor and an etching of a ship in bowl.U.S.S. Vermontuss vermont

Souvenir Teaspoon, Stawell Easter Gift with Koala on handlestawell

Souvenir Teaspoon – Stawell High School - Ex Studentsstawell

Silver teaspoon, L 130mm. Hallmark on back - see photo.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spoon

Teaspoon 5" long. Spoon has been cleaned and treated.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spoon, teaspoon

Probably came in packet of cocoaTwo metal teaspoons with Empire Cocoa engraved in cup of spoonEmpire Cocoatoys, general

Teaspoon Souvenir. Agricultural Society 30 years 1962-1992stawell

The current city was originally named Wodonga, but its name was changed to Belvoir then later back to Wodonga, its indigenous name. The original post office opened on June 1, 1856. Wodonga Shire was created in 1876 when the colonial government agreed to ratepayers' petitions to have their part severed from the Yackandandah Shire and form a new municipality. On 30th March 1973, the Wodonga Shire was granted rural city status and was officially named the Rural City of Wodonga by the Governor of Victoria, Sir Rohan Delacombe. The date this logo first came into use is unsure, but it was used prior to the granting of rural city status. In 1994, the name was retained in a new local government authority and so the Wodonga Rural City Council was born. In 1995 it was decided to give the city a fresh image, so the term 'rural' was be dropped from use except where there was a legal requirement. In December 2003, it was decided to rename the council removing the term "rural" and it is now legally Wodonga City Council.On 30th March 1973, the Wodonga Shire was granted rural city status and was officially named the Rural City of Wodonga by the Governor of Victoria, Sir Rohan Delacombe. The badge on the spoon was used to represent the Council in all letters, communication and souvenirs at that time. The term "Rural City" was dropped from usage in 1994.2 silver souvenir teaspoons including the badge of the Rural City of Wodonga in gold and blue enamel on the top. The teaspoon is presented in a clear plastic rectangular presentation case lined with blue card. .In circle on top of spoon "FIDES ET JUSTITIA/ RURAL CITY OF WODONGA"memorabilia, rural city of wodonga, local government, victoria

The family would have used this cutlery on a daily basis as it is not the 'best' cutlery used for special occasions. Assorted very worn kitchen cutlery for every day use by the family. Most of it has a wide end at the handle with a small scalloped pattern: Forks, one large and one small, seven very rusted knives with bone handles, spoons, two larger serving, six dessert, ten teaspoons, two very small round sugar spoons, one patterned butter knife and two decorative servers.Various makers which are indecipherable. Two knife have 'G R Joseph Rodgers & Sons Cutlers to His Majesty (with a lined star shape and a cross underneath)'. Another knife has 'C J on a flag outline, with C Johnson & Co Sheffield England'. A smaller knife has a 'round symbol shape with a crown on the top - inside is Viner & Hall Sheffield Made Stainless Deluxe' One of the non matching servers has 'Grovesnor Delphic EPNS A1'cutlery, kitchenware, kitchen knives, table spoons, teaspoons, tableware, servers

Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The leaf shaped motif of this particular spoon appears to be stylised in a simple form of decorative arts and craft or even Art Nouveau style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards. According to Christine Erratt, due to the goldrush in the 1850's, there was increased wealth in the colony and an influx of immigrants from Europe to Australia who brought with them silversmithing skills which began ‘the golden age’ of Australian silver', Erratt says that 'Australia's unique flora has been portrayed in the decorative arts since the early colonial times of the last decade of the 18th century. The use of Australian flora to decorate silverware is of particular interest and diversity'. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. There are no discerning maker hallmarks to place where it was produced or ascertain the material accurately.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. A tarnished small silver teaspoon with leaf-shaped head and slim handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen

A tourist souvenir.Relates to a time period in style which is confirmed by the presence of the Warrnambool Surf Club rooms in the picture on the spoon.Gold metal teaspoon with embossed handle and enamelled picture of Warrnambool foreshore in spoon. Warrnambool. warrnambool, warrnambool souvenir 1960

Used by Councillors and Mayors of City of Nunawading as giftsSilver coated teaspoon with 'City of Nunawading' and Coat of Arms on top of handle (in box)civic mementoes, souvenirs

silver teaspoon with Perspex inlay, training logo in plastic case with blue bottom1st Recruit Training/ Battalion/ Home Of The Soldiertraining battalion, kapooka, teaspoon

Unopened cream and tan jug depicting the 87 Tpt PL Shepperton Reunion Aug 89Teaspoons 87 Tpt PL Vietnam 1966-67 Shepperton Reunion August 1989commemorative jug, 87 transport platoon

Attributed to have been used in the Melbourne office in John Flynn's early days.G080.1 Silver teaspoon with engraving on the handle. G080.2 Silver fruit fork with a decorative handle. .G080.1 "AIM"australian inland mission

3 glass ink bottles: 1. Regular-shaped ink bottle containing red powder (1/2 teaspoon) with label and damaged cork stopper. 2. Regular-shaped ink bottle containing blue powder (1 teaspoon) with label and metal screw-on lid. 3. 9-faceted ink bottle, containing red powder (1/2 teaspoon) with label and cork stopper.1. On label: "Red V.A.N.A - Vic. Auth. News. Acts. Ink" 2. On label: " "Swan" Ink for fountain and steel pens. A blue black ink of the finest quality. Contains 2 1/2 fluid ozs. Mabie, Todd & Co. London Sydney. Makers of "SWAN" pens, gold pens and ink" "Triple Filtered" on metal lid. 3. On label: "Caldwell Red Ink".bottles, containers, writing equipment