Utility Pouch was a rectangular web case that was designed to carry three Bren 30 round magazines, or two Anti-tank Rifle Magazines, or Small Arms Ammunition, or a number of Grenades, or a Water Bottle. They were secured with a flap at the top, hinged at the rear, which was fastened with a brass stud fastener on a short web tab.The object is representative of utility pouch/pouch for carrying magazine/ammunition and other items of equipment from the mid to late 20th century. The original design is the 1937 pattern web equipment.Utility Pouch of rectangular web case. Of rectangular parallelepipped shape made of thick and sturdy fabric (canvas). The colour is of a pale shade of green. Front view - Rectangular shape with overlapping closing flap with a press-stud fastener to maintain closed. Left and right views - Both sides are identical. Made of a one piece of fabric forming the base as well ("U" shape) Back view - Rectangular with metal hooks on the middle part for attachment to a belt. There is a Twigg buckle on the top part of the pouch mounted on another piece of canvass ending in a triangular shape. . Bottom view - ‘the fabric forming the base is also forming the sides of the pouch. Top view - closing flap overlapping on 3 sides and forming part of the back of the pouch. Inside view - There is excess fabric from the back panel that forms an additional layer at the base of the pouch.. Handwritten on the back: 3/750133. DELVE S.J.E. On the inside of the closing flap: presence of very faded markings (unreadable)

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Coringa Close., Vermont South Although drawn for sale in 1992, this property is listed as having sold for $98,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. To the left is a driveway leading to a gated carport, connected to the house. In the foreground is a front lawn either side of the driveway, with garden beds in front of the house. There are two hole punch holes just below centre of the upper edge3 Coringa Close., Vermont South Margaret Picken - 92 Woodards - Kewwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 27 Stringybark Close., Forest Hill. This property is listed as having sold for $430,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house, with sweeping steps up to the porch and front door. set back from a horseshoe shaped driveway, and greenery. There are two hole punch holes near the centre of the upper edge.27 Stringybark Close., Forest Hill Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

Photograph. Guildford primary School. Close up of school and closeness of shrubbery to building.

black & white photograph, unmounted good conditionBoer War Memorial, close-up

Copies of black and white photographs mounted on board. Includes names identifying staff in photographs.See close-ups for identification of staff.williamstown high school, 1970s, staff

Boomerangs of this sort were used for up close hunting with short throws and clubbing. This contemporary piece illustrates some fine art work. This piece was commissioned by Uncle Brien Nelson, Jaara Elder to preserve and pass on Jaara culture.This boomerang is in the form usually used for clubbing prey up close rather than long flight or returning. It has a gentle arc about 3 cm deep over its 49 cm length.This piece is beautifully decorated with a traditional Jaara design incorporating a blue tongue lizard motive.boomerang, decorated, jaara, close up hunting, blue tongue lizard

Article from Nunawading Gazette, 1993, concerning the selling of so many schools in Nunawading and the impact of the increase of population from the extra houses being built. The concern is whether sufficient public facilities will be available. Council would oppose any moves to close more schools.Article from Nunawading Gazette, 1993, concerning the selling of so many schools in Nunawading and the impact of the increase of population from the extra houses being built. land subdivision, school buildings, glickman, ray, abbott, kevin, dollis, dimitri, maclellan, robert, middlefield primary school, blackburn technical school, city of nunawading, blackburn south primary school, no. 4035, narmara primary school, burwood east, blackburn east primary school, no. 4800, forest hill secondary college, nunawading campus, heatherdale primary school, warrawong primary school

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show

View showing seals on rocks lying about and in the background swimming in the sea.Close up of Seal RocksSeal Rocks, Cowes, Phillip Island, Vic. Murray Views No. 26. Seal Rocks, Cowes, Phillip Island, Vic.local history, photographs, seal rocks, phillip island, coastline, black & white photograph, mona condrick

Australian Infantry close upphoto, afghanistan, army

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows a view of the entire display and record # 457 shows a different close-up view of the display.The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. Brown cloth covered by wooden trellis can be seen covering the front of the display. A sign in the centre reads "1937 Wildflower and Nature Show".events, wildflower show

SoftcoverThe crime accounted in this book happened close by Boyd's housewalsh st library

It appears to have been taken from an old photo probably black and white. Photo is of a close-up of a spray of thryptomene. natural history, flora

Photo of close up of carton box.Kodakbusiness, retail, gas and fuel

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series showcases the wide variety of activities that occurred on the precinct.Photograph of a group of people gathered closely.Catalogue number written on reverse in pencil churchill island, photograph

Part of the PeopleScape Federation Celebration An initiative of the National Council for the Centenary of Federation, celebrating the contribution of Australians to their community and country. The final event of the year long celebrations, held in Canberra, the city that Federation created. The public art installation told the individual stories of Australians from all walks of life, from those living and those who had died. The massive sculpture depicted the life of the nation. The figures were nominated and decorated by individuals, groups of individuals and organisations from across Australia with every state, territory and region represented with approx. half from regional and the remote areas of Australia. The sculpture was installed in alphabtical order, each with a plaque at its base outlining the individual's achivement. The yellow colour of the figures against the green grass represented the colours of Australia.Close ups of Edna's Collo Characterlocal identities

This reconciliation Action Plan was published while Bonnie Chew was Manager of the Aboriginal Education Centre.Soft covered booklet documenting the University of Ballarat Reconciliation Action Plan. Photographs include Bonnie Chew, Ben Atkinson, Shanaya Sheridan, Barry Golding, Barbara Webb, Lee Snibsonreconciliation action plan, aborigines, aboriginal education unit, ben atkinson, reconciliation, university of ballarat, bonnie chew, bonnie fagan, shanaya sheridan, national apology, national sorry day committee, naidoc week, reconciliation week, national close the gap day, barry golding, barbara webb, aboriginal education centre