Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo showing grape vines and the Cellar buildings at Best's vineyard, Great Western. Some men in the cellar doorways. Best's Cellars written in large letters on the roof.winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo 3 Men on a horse drawn cart loaded with barrels of grapes and a man in the left winching the barrels up - at Henry Best's Concongella vineyard, Great Western winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo of 13 men with barrels and buckets of grapes. Photo shows the rows of grapes with the homestead and cellars in the background. At Best's Vineyard, Great Western. All are wearing hats or caps on. winery, wine making

Grape Pickers at Hans Irvine’s Vineyard Great Western 1890'sstawell

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo of 10 men and boys plus dog, having smoko at Best's Vineyard, Great Western. All have hats or caps on. The horse and cart with the barrels for the grapes behind the group.winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Group o Men women and children at Henry Best's Concongella vineyard, Great Western with horse and cart loaded with barrels of grapes. Two lads have musical instruments.winery, wine making

Photograph shows grape vines in autumn. This vineyard is located near Rosanna Golf Course.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.vineyards, rosanna golf course

Luigi Gervasoni was born in San Gallo, Lombardy, Italy. He arrived in Australia in 1863 and was part of a co=operative to farm and build the old stone house at Yandoit Creek. Eventually moving to his own property he was a vigneron selling his wine in central Victoria and Melbourne, and exporting to Ireland. Black and white photograph of wine barrells being cleaned at Yandoit Creek, Victoriayandoit creek, vineyard, barrell, gervasoni

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Best's Cellars Great Western. 11 men and boys picking grapes at Best's Vineyard, Great Western. Also shown are the barrels in which the grapes are put. All the males have hats or caps on. winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo showing a group of men and boys picking grapes at Best's Vineyard, Great Western. All with hats or caps, some kneeling, some standing. Horse and cart behind the group ready to take the grapes to the cellars. winery, wine making

Date of issue confirmed on TROVE.Black and white photographic reproduction of an article to accompany three illustrations of Olive Hill, Mount Prior, and All Saints vineyard homesteads, taken from the Australasian Sketcher with Pen and Pencil, Thursday, 18 April 1889, page 49wineries, homesteads, olive hills, mount prior, all saints

Seppelts Study of A Sample Vigneron. Worker standing beside keg of wine with bottle and glass at Hans Irvine's Vineyard. 1890'sstawell

Sepia Photo - of the Best family and others at Concongella Vineyard, Great Western 1903 Back E Liddicutt, Charles Frederick Best, Elizabeth Best, Henry Best Snr. Seated Jessica Abercrombie Best, Mrs Berlich (94) Front Joseph Best

Black & White Photo - of the Best family taken at their Concongella Vineyard, Great Western 1887. Top Clara Baker (housemaid), Henry Best Jnr. Middle Charles F Best, Jessie Ambercrombie Best, jnr., Jessie Ambercrombie Best Snr. Henry Best Sr. Elizabeth Best and Joseph Best (Front)

Black bottle with long neck, made of black glass with black metal screw top and label front and backKapyong 1989 is at top of label with emblem between, then 111, 38th year, Kapyong, Commemorative Port. 750 ml. Wine made in Australia. 18% Alc/vol. Mt Aitken Vineyard Gisborne Vic On the back of the bottle

Black & white photograph, unframed but pasted to pages of an album. Mount Ophir Vineyards, Rutherglen"Mt Ophir Vineyards Rutherglen"mt ophir, mount ophir, vineyards

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Vineyards, house and castle, noth east SpainSpain: Vineyards, House & Castle, N-E Spain / 1950 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Items in the collection re John Eric Wiles, refer cat No 5410P for his service details..1) port bottle with handle brown colours, one side has “2/7th Australian Infantry Battalion” followed by a coat of arms 1939 - 45 then under “50th anniversary Battle of Wau 1943”, on other side two scrolls one with Battle honours in South west Pacific, the other Battle honours North Africa, Greece & Crete. .2) - .5) Glasses, all with gold band around rim, on each has an inscription “CEDE NULLIS”, Rising Sun then “2/7th AUST INF BN 1939 - 45”port, 2/7th bn, wiles, souvenir

Rick Morris established Markwood Estate in 1971 with a philosophy for making wine of very high quality using chemical-free, traditional methods, both in the vineyard and also in the winery. The vineyard is deliberately not irrigated in order to induce more intense flavour into the fruit. The wines have a very long ageing potential if cellared under the correct conditions.Black and white photograph of a vineyard and winery buildings, with a windmill.On back of photo: "95% [upper case D in small circle] Markwood"wineries, north east victoria, wine industry, vineyards, markwood winery, rick morris, winemaker

The vineyards exhibition was mounted by the Sunbury & District Heritage Association in the former George Evans Museum from August 1996 to January 1997. It featured the establishment of the vineyards and the wine industry in Sunbury from the 1860s to the present day. From the early days of European settlement in Sunbury, it was found that the soils and climate suited the growing of grapes, especially the east facing slopes along Vineyard Road. A number of people of German origin established vineyards along there. By the end of the nineteenth century and limited spending power as a result of the 1890s depression, the demand for wine declined in Victoria with beer being the preferred beverage.While Phylloxera destroyed the vines in many areas of Victoria, Sunbury's grapevines were not affected. As the demand for wine increased in the 1960s - 70s, some vineyards in the Sunbury area were replanted.The vineyards established in Sunbury in the 1860s were one of the earliest agricultural pursuits taken up by European settlers in the area and remained an important industry for 40 years.A non-digital coloured photograph of a display board advertising an exhibition of vineyards in the Sunbury area.vineyards, sunbury, vignerons, wine production

This is a photo of one of the first upright machine grape harvesters operating in the Rutherglen area. It was operating in the B Seppelt & sons Distillery Road vineyards on the edge of the Murray River in Wahgunyah. Riding on the top of the machine are from left to right Mandy Jones (partly obscured), Rolly Guscot (vineyard manager), machine driver, Doug Jones (manager) and Leanne Schoen (nee Jones). Mandy Jones and Leanne Schoen being the daughters of Doug JonesBlack and white photograph of several people riding on top of a machine operating in a vineyard. On left hand side is Leanne Jones , her father Doug Jones ( Manager of Seppelts) The photograph was taken in the flats vineyard ( now Pfeiffer vineyard) It was reputably the first mechanical grape harvester in the areaOn back of photo: "170% [upper case D in small circle] Seppelt's"wineries, north east victoria, wine industry, mechanical harvester, grape harvest, seppelts winery, rutherglen, doug jones

Graham Scott 1988 Entrant No. 45 Ref: Series 34, Items 20, 77, 78 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, film - kodak ga 100 5095, graham scott, scan - 35mm negative, vineyards

Barbara Hermans 1988 Entrant No. 77 Ref: Series 34, Items 98 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, barbara hermans, diamond valley vineyards, scan - 35mm positive, st andrews

Christian Science in Australia - Record of all Christian Science Churches, Societies and University organisations in Australia 1900-2008. Ringwood Reference Pages 227&228

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Best's Cellars Great Western. Two cellar hands stirring the grape must.winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Best's Cellars Great Western. Group of men and boys picking grapes. Some of them are standing on the tray of a cart with barrels into which the buckets full of grapes are tipped. All the workers have hats or caps on. winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo showing a view of Best's vines at the winery Great Western, with residence and cellar buildings behind. winery, wine making

Family group sitting in front of Gazebo. Left to Right Louise Blampied, child Claudine, Anne Marie Trouette, child Marie standing, Louise seated, Marie Trouette, child Eugene, Emily Blampied. Names on Back of Photowine