Object. Rich royal blue grosgrain braid, 10 cms wide surrounds a rectangle of cream kid leather, 21 cm wide x 24 cms deep. On this rectangle is an embroidered wreath of foliage in gold and orange coloured thread, embellished with gold metal thread, which also outlines an embroidered bow, at the base of the wreath. In the centre of the wreath, a looped bow is embroidered in thread, and embellished with the gold metal thread. Two gold coloured metal decorative shapes are placed, one on each side of the lower edge of the leather. Two 5 cm wide tabs, adorned with a heavy lodge symbol, including 4 cm long brass metal chain, with ball decorative elements, hang from the waist, and fall to 3/4 length of the leather panel. A peaked flap 9 cm deep is attached from the waistband, and falls loosely over the leather panel. It is also adorned with a brass metal lodge symbol. Black elastic, 3 cm wide attaches at right hand side of waistband, and fastens into an oval metal loop at left hand side.Label on underside of front Vshaped panel 110 years of Service, P.Blashki & Sons 109-113 Swanson Street Melbourne,(and includes Lodge Symbol)organisation, masonic lodge, lodge regalia apron

White cotton nurse's apron. Three piece skirt, gathered at the back, and joining a 5 cm wide waist band. Bib front extends into broad shoulder straps 8 cm wide, at shoulder, tapering to 7 cm wide rounded tab ends, which cross at the back, and button to the waist band. Two plastic buttons- 1.5 cm diameter, one on the tab strap, and one on the waist band, are both damaged-possibly due to harsh laundry conditions. Back waist band has a 14 cm overlap.White cotton tape sewn inside waistband marked: Merryn Ellison.costume, female, white cotton nurse's apron

Harry Biggs Collection. Two black & white photos: View Point Butchery. Square brick building with iron roofed veranda. In the foreground are four men standing - one with a bike, another wearing a butcher's apron. One man is wearing a bowler hat & suit. One man wearing waist coat & bowler hat. There are also two men squatting in front of a tin fence at the side. See record 2400.168.place, building, commercial, harry biggs collection, view point butchery

Worn by the staff at Sunbury AsylumBib-front wrap-around apron, coarse white cotton, outer edges formed from selvedge. Back panels each have two darts and two buttonholes. Bin has shoulder ties, each with one buttonhole.Labels on waist band "XOS"costume accessories, nurses, sunbury asylum, uniforms, george evans collection

Cream cotton apron bound with blue bias binding. Two pockets and waist ties and also blue bias binding. Floral embroiderie on bodice has yellow flowers and green leaves. Below the waist is another floral display of hand embroiderie with purple,blue,yellow and red flowers and green leaves.costume accessories, female

Part of collection of handcraft and needle work donated by Anne BarryCross stitch embroidery practiced during the 30's, 40's and 50's; very popular and became an art.Blue and white check, trimmed around hem, sides, waistband and pocket. White Ric Rac braid, blue cross stitch block embroidered on waist band and top of pocket. Red cross stitch with yellow centre flowers across front of apron, divided by blue cross stitch block.costume, female working

The bedspread (NA2862) and apron were owned by Maria Austin (born 25 August 1867 Buried at Box Hill Cemetery 15 November 1955) and used when she worked as a 'Nanny' in England. Many of the children she cared for kept in touch with her after she came to Australia with her family in 1914. They arrived on Show Day, 1914 on the last ship to leave England before the First World War was declared. She lived at 26 Nelson Road Box Hill now the site of the Box Hill R.S.L. Maria was born 25 August in 18?? and died in 1952 and is buried in the Box Hill Cemetery. She was the Great Aunt of the donor.White bib front apron with ties to back of neck - wide waist band ties - 12 cm hem line - also three 2cm pin tucks above hem line - two 12cm pin tucks at top of bib front. Pocket on right hand side.M Austin. 1.2.1901|Laundry mark in red 59costume, female working

Black satin apron with hand painted border. Two buttons at waist.costume, female working

From the Till collectionCream calico bib apron. Floral trim across top of bib. Waist tie and floral trim on pockets. Cream lace trim around edge of apron.costume, female, costume, female working

Belonged to Jean Cornell's Grandmother, Eliza Waite, born in Gippsland in 1867. Died in 1942. Married a Cornishman, a Sugarcane worker, & had 5 children. Had a Market Garden in Springvale. Grandfather died in 1945. Jean & husband lived in Mitcham from 1956.Cream coloured Bib apron, trimmed with brown bias tape. Halter neck. Three brown buttons down front, embroidered with sprays of yellow & brown flowers. Pocket at waist. unfinished band of flowers along hemline.costume, female working

Apron sold prior to 1983 Federal Elections won by Labour Party. Bob Hawke became Prime Minister after taking over leadership of the Opposition from Bill Hayden just prior to the elections called by Malcolm Fraser. Worn by donorRed cotton BBQ apron, black binding around edges and waist ties. 'Bill's Boys' printed in black. Cartoon images of Neville Wran, Bill Hayden, Bob Hawke, Gough Whitlam and Al Grassby.domestic items, cooking, costume, male working

Machined nurses's apron - white cotton with bib. Long skirt. One pocket at side. Buttoned waist. Used during World War One.nurse, apron, world war i

Belonged to Julie Jones' motherGreen plastic 'apron band' to support tea towel-apron.

The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron created from a black silk southeast asian textile featuring a stylised woven band of red, black and gold silk. The fabric is gathered at the waist. The strap includes a black silk tassel. clothing - women's, aprons, protective wear, fashion design, fashion -- 1960s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.An English-made “Busvine” black wool herringbone twill riding habit comprising jacket and safety skirt, (jodhpurs missing) from late 1800’s to early 1900’s. The jacket (.1) features a black short pile silk velvet inset notched lapel collar secured with a single button at the apex of the waist and a single button near the collar for use in inclement weather. The sleeves join the bodice high on the shoulder with a full cut head to the sleeve and a tapered curved shape to the hand. The sleeve secures at the wrist with four black buttons. From the waist the jacket flares over the hip through princess line shaping and finishes with a curved front on either side. The seams of the shaping panels intersect single functional flapped besom pockets on either front panel. The back of the jacket features a centre back seam and two princess-line shaping seams that finish in a double vent on either side of the centre back. The jacket length would have finished approximately just below the bottom of the wearer. The apron fronted safety skirt (.2) secures from the waist at the front of the left thigh with five buttons. Over the wearers, right leg the skirt shapes to accommodate the rider’s right knee whilst sitting sidesaddle with her legs on the horses left flank. The base of the skirt has an elastic strap, which hooks around the rider’s leg to reduce the danger of the rider’s skirt become tangled, should the rider become un-seated. When the riders is not mounted the skirt can be secured with a button around the body to provide additional modesty as well as assist walking without the skirt dragging on the ground.Jacket: Manufacturer's label “Busvine, By serial appointment to Her Majesty The Queen, 4 Brook Street W.” Owner label “Doreen Wright” this label appears far more modern than the manufacturers label. Skirt: Manufacture's label: “J. Busvine and Co, 4 Brook Street, London W." In handwriting “Miss Wingfield” Manufacturers label: Busvines Patent Safety Skirt, protected by two separate patents. 4 Brooks St London West.barone, riding habit, j. busvine and co, seaview, brighton

Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal

Northern District School of Nursing nurse's base uniform 1950s - 70s.Blue cotton uniform worn beneath white apron. The uniform is open at the front with eight button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck to attach white collar and white cuffs are attached to sleeves with two white buttons. The front has gathering from below the shoulders and the back top has an inverted pleat at centre. There is a white belt with two white buttons at one end attached with shanks and three sets of two button holes at the other end for closing. There is a white cap with frill and a line of blue braid above the frill indicating a third year trainee. There is a white apron with four buttonholes at the waist for closing and for the two shoulder straps.A white tag with Joy Lewis' in red is attached to all items. N.T.S in black marking pen is printed on back hem of neck. There are many black marking pen numbers and letters on the cap: NTS, BAS, 574, BH5, 530, 574 The apron has the name Lewis and figures 638 in black marking pen on inside of waist.nurses uniform, northern district school of nursing