This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Two piece ivory satin evening dress. Bodice (.1) is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt (.2) with cream velvet binding around hem. Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.evening dress, bussell robson & bussell, 1890s

Trousers - green colour cotton twill fabric, plastic buttons. Five button fly, two side pockets, two back pockets with button closer, two front of leg pockets with two button down flap. Button down belt loops, waist lining - cotton twill. Pocket lining - polyester fabric. Army work dress trousers commonly called "GREENS". Green cotton manufacturers label inside back waist band.Cotton label information - black ink print. "A.G.C.F/ VICTORIA/ 1987/^ /WAIST AND SIZE/ 74/ 64L/ 8405.66.029.6615/ ARMY NO/ NAME". Handwritten black ink pen "WO1 PURCELL".uniform, army, work dress trousers

This handmade women’s pair of bloomers, or drawers, features hand-worked Broderie Anglaise and applique trim and a drawstring rear closure at the waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's bloomers or drawers, handmade from white cotton fabric, with hand-worked Broderie-Anglaise trim around the bottom of legs with applique motifs. Bloomers have a drawstring, back of waist closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, bloomers, drawers, underpants

Keith William Peatling 3794413. National Service, Royal Aust Armoured Corp Trooper. Vietnam B Sqd 3 Car Regt 10/12/69 - 11/12/69. Detachment 1st Forward Delivery Troop - 12/12/69 - 15/12/69. B Sqd 3 car Regt 16/12/69 - 4/6/70. Came from Huntly/Bagshot area. 1. Beige wool knitted underwear, short sleeve top - makers label, beige with black writing. 2. Beige wool knitted underwear shorts, name on cotton tape in black ink, 3 cream plastic round buttons on fly front, makers name stamped in blue ink. Cotton tape around waist, cotton lining on waist band. 1. On white label, black writing "BRUCE PIE INDUSTRIES, QUEENSLAND 1952 Size 36" 2. "3794413 PEATLING" WRITTEN IN BLACK INK ON COTTON TAPE ATTACHED TO WAIST. STAMPED IN BLUE WRITING: 'HOLEPROOF VICTORIA 1966 32underwear, wool uniform, military issue

Mid-length shift dress in light grey-blue. Dress consists of two breast pockets, each with rounded flap closure held in place by two press studs. Dress is fastened down centre with three silver buttons held in place with a metal ring (only two buttons remain). From waist line down, dress is fastened by a hidden zipper and hook and eye. Waist line is pleated and carries two loops on the back, through which a fabric belt (0030.2) is threaded. Two fabric loops on each shoulder may have been used to hold epaulettes or similar. Dress sleeves are rolled up by 40 mm. Collar is notched. Interior label on left side at waist height reads "IYD CLO CO/VIC./8410-66-000-000/SIZE 18/ARMY NO........../NAME............"

Worn by the staff at Sunbury AsylumBib-front wrap-around apron, coarse white cotton, outer edges formed from selvedge. Back panels each have two darts and two buttonholes. Bin has shoulder ties, each with one buttonhole.Labels on waist band "XOS"costume accessories, nurses, sunbury asylum, uniforms, george evans collection

Items in the collection re Craig Triffett. Refer Cat No 5997.5 for his service details.This basic webbing kit is fully assembled. it has the Australian disruptive pattern camouflage. It consists of: Waist belt with padding and shoulder harness. Bum pack, Two plastic water bottles with carriers. 1 x field dressing mounted in a pocket of water bottle. 2 basic Ammo pouches - small. 1 basic Ammo pouch - large. This kit uses plastic snap lock catches.Inside waist belt is a yellow triangle with black texta edges. Inside large Ammo pouch is " Rob981". Inside bum bag is " Triffett".webbing, aust army, triffett

These Lady's white voile shirt fronts were made for a small woman or child to wear under a suit jacket . The front has fine vertical pintucks and ribbon waist ties The back seam is fastened with press studs. The high collar has horizontal pintucks and 4 metal wire stays. The early settler women were skilled dressmakers and craft workers. These Lady's voile shirt fronts are examples of the high dressmaking skill of the women of the early settler families in Moorabbin Shire c1900 2 identical small lady's white voile shirt fronts, with high collar and ribbon waist ties. The front has fine vertical pintucks and the high collar has horizontal pintucks with 4 metal wire stays. Press studs fasten the back seam . clothing, dressmaking, haberdashery, crochet, brighton, moorabbin, mckinnon, ormond, pioneers, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

This small, ruby glass, hand-painted lady's perfume bottle would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..c1800s a small, ruby glass, hand-painted ladies perfume bottle with a brass hinged lid, small glass stopper and a brass chain attached to a Chatelaine ring. This would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..Hand-painted decoration of a bird and flowers.glassware, toiletries, early settlers, chatelaine, pioneers, moorabbin, brighton, bentleigh, perfume, manufactured glass

Standard issue battle dress pants, issued by defense department. Khaki Pattern 1949 Battle Dress trousers. Four hidden buttons in front closure. Nine exposed buttons around circumference of waistband. Seven internal plastic buttons around inner waist. Two large back pockets with hidden button under flap of each pocket. One large pocket with flap and hidden button on side of left leg/thigh. Bottom of pants hemmed with extra brown fabric attached on inner of each leg hem. Regular side pockets at front of each leg. At rim of each side of the pants there is a buckle feature. Sewn patch with faded illegible subscription. No. 18 visible. Regimental No. ...................... Name_______________ Stamp on inner waist band - 'D ^ D'.military uniforms, army, battle pants

The SS Diomed was the last ? of the Blue Funnel Line's coal burners and the 4th (of 5 vessels) bearing the name Diomed and built in 1922. She made her last voyage from Australia to England in 1952, where she was broken up. The ship had been in service in Australia for 30 years and as a parting gesture the ship's bell was presented to the Mission by Alfred Holt & Co., the ship's owner. The bell was originally presented to the Port Melbourne Mission to Seafarers. It seems to have been a mark of respect for one of the Mission workers who regularly visited the ship. On closure of the Port Melbourne Mission in the late 20thC , the bell was transferred to the Melbourne facility and has been in permanent residence since then. The bell underscores the strong working relationship between the Mission to Seafarers, as an organisation, and the various companies and agencies that work on the oceans. It also represents the traditional relationship between Australia and England in that seafarers who visited the Mission were once primarily of British backgrounds or descent. While this situation has changed in more recent times, it is that traditional relationship that saw the establishment of the Mission in Australian ports in the first instance.(NB the previous 2 Diomed's had both been sunk in WW1 1915 and 1918 and the re-use of the name indicates it was a well respected name subsequently re-allocated to the 1922. and 1956 vesselsA brass bell with the word "Diomed" embossed on its waist and the word has also been painted black. The bell is mounted overall on a heavy carved wood base with brass dolphins at either side forming a support frame for the brass crossbar mount from which the bell is suspended. The clapper has a pull rope attached to it but the casing of the mounting prevents the bell from being fully rung.Embossed at the waist of the bell: "Diomed". Brass plaque on wooden mounting: "PRESENTED BY/ALFRED HOLT & CO/BLUE FUNNEL LINE/LIVERPOOL ENGLAND/1922-52/APRIL 1953"diomed, blue funnel line shipping, alfred holt & co, bell, ship's bell, dolphins, mission to seafarers, r. stewart murray, randall stewart murray, lay reader, port melbourne, 1953

Green stone granite axehead highly sharpened and beautifully fashioned at one end with rough hewn markings over the body of the object. Axe has a "waist" mid section where handle would have been attached. Also evidence of extensive wear from use. This axehead was quarried at one of only two green stone granite sights in Australia both in Victoria. Scarring at one end of the axehead where it has been split from larger piece of granite.defence, food, preparation, green stone granite, axehead, mt camel, jaara jaara people, jaara, waisted, quarries, tree cutting, weapon making

This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of uniform worn by soldier ranks for daily work and dress parades.Khaki coloured short jacket with lapels, and waist band which has strap and buckle on right hand side. There are two patch pockets on the front have a box pleat down the middle and a V shaped pocket flap at the top, closing with a hidden button. The shoulder epaulets each have a plain khaki coloured button at the neck edge.The sleeves are cuffed fastened with a button however the right button is missing.There are red patches on each shoulder with navy blue text. The back of the jacket has darts stitched at the waist and at shoulder level. There are four khaki buttons down the front. The sleeve seams are bound in cotton tape which also forms a label on the back neck collar with the lining of the waist band also in a cotton twill.Stitched in navy blue on arm banners,” Royal Australian Engineers.” On inner label, “ DUNLOP NSW 1968 8405-66-025-6411 SIZE OF CHEST 35/36S MATCHING TROUSERS 29/30S WAIST DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY . NAME....HUGHES ( in blue pen) ARMY NO... 3795948 (in blue pen)warrnambool rsl, royal australian engineers, hughes 3795948

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1980s cocktail dress second hand around 2000 to wear as part of a Dame Edna Everage costume to a hen's party. A blue mid calf length polyester dress with prominent gathered and padded shoulders, horizontally ruched bodice, high scoop neckline, full length sleeves and dropped waist. The skirt is of plain blue polyester mock wrap style with ruched blue spiral detail on left leg seam of bodice to skirt. The dress secures at the centre back with a nylon zip and self covered button. The sleeve is lined with mauve / pink polyesterManufacturers label "Teena Varigos" "Size 14, To Fit Bust 90cm, Waist 70cm, Hip 95cm" "Do not iron pleating" "100% Polyester, Warm Iron, Dry Clean Only"teena varigos, costume party, cocktail dress, 1980s, dame edna everage, di reidie

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th centuryShort white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, textiles, lady's garment, apron, parlour apron, waitress apron, half apron, waist apron, handmade, domestic clothing, domestic work, vedmore foundation, susan henry oam

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th century Long white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, ladies' garment, apron, half apron, waist apron, domestic clothing, domestic work, parlour apron, waitress apron, handmade, sewing, vedmore foundation, susan henry oam

Dress was purchased from 'The Diamond Dog' at the Vintage Costume Fair, Williamstown Town Hall for the CollectionYellow polyester dress. Short sleeves, belted waist, four pleats from waist to hem.Bodice has centre back zip from neck to below waist & peak collar with yellow, navy & white tie. Dress has patches of navy, white, & brown from the waist to the hem.costume, female

RAAF uniform worn by Squadron Leader Ian A. 'Joe' Lyons, Operations Officer for No. 77 Squadron. Part of the Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record..1) RAAF uniform jacket, dark blue in colour. Black fabric inner lining. Gold coloured buttons. Coat has two button down breast pockets and two button-down side pockets. Dark blue fabric belt with metal buckle is threaded through two belt loops. Three rows of service ribbons including an MBE ribbon and pilot officer's wings on left hand breast. Rank insignia on the bottom of each sleeve. .2) Dark blue fabric trousers with two side pockets, belt loops and button fly. Buttons for braces on the inner waist band. .3) Dark blue fabric tie. Manufacturer's label on keeper loop..1) On label sewn into neck: 'M TX'. .2) On label sewn onto inside waist band: ' M TX'. .3) On keeper: Trent Nathan'.uniform, raaf, ian a. 'joe' lyons

Peace Monitor's uniform from Bougainville island Papua New Guinea. .1) T-Shirt. Yellow cotton, blue circular disc on L front with image of a white dove carrying a black olive leaf, superimposed on a green island. .2) Drill shorts, Pair, khaki cotton, front zip fastening with buttons at waist band & buckled tabs for size adjustment. Large woven label with maker's instructions. .3) Sun hat. Yellow polyester cotton with cord chin strap & plastic toggle to tighten. Peace Monitoring green logo on front..1) Handwritten on front, on label inside size & washing instructions & label at back neck in texta: WO2 PAYNE ASM .2) Inside waist band in texta: WO2 PAYNE ASMuniform - army, peace keeping force, bouganville, monitoring group

This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of ahome-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie

This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie

A black waist belt with metal claspsbelt, clothing

Trousseau of Mrs. A. Mitchell (1877)White cotton drawers with handmade lace and insertion. Long legs with lace at the hem and side placquet openings with a tie at the waist and buttons on waist.drawers (underpants), underwear

Used by Military to carry bayonet on waist beltManufactured and distributed by Holden and FrostBrown leather scabbard for attachment to belt, has pouch at bottom designed for carrying a bayonetHolden and Frost1915 13D Stamped on back,military, leather, scabbard

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White lawn infant's dress. Gathered at waist. Gathered at neck forming shoulder straps. Embroidered central panel from front waist to hem.childhood, clothing, embroidery

Troops hand to hand training stripped to waistphoto, 1960's, army