N/AJodi Wiley is a local artist who works in acrylic to create detailed images of trees found in urban and suburban environments. “Trees are ordinary features of our everyday landscape. And yet when the light hits them at certain times of the day, the colours and textures that are illuminated can make us gasp in awe if we are truly paying attention". 'Afternoon Light' was highly commended in the 2015 Nillumbik Prize, judged by Melinda Martin, Director of Linden New Art, Melbourne.Detailed, cropped view of a tree trunk, warm earth colours and tonesWhite, hand painted 'J' in bottom right cornerwiley, acrylic, art, painting, trees, landscape

Ceramic, two toned (brown & beige) bed warmer, with wooden stopper.bed warmers

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

"Situated at the intersection of three major arterial flows – a railway, a freeway and the Birrarung river, the Mary Rogers Pavilion is a place where people are drawn together through movement. The artwork 'Momentum' draws on the coalescing flows of traffic, sound, air, time, water, and human kinetic energy, mapped together into a horizon of oscillating lines."'Momentum' was commissioned for the new Mary Rogers Sports Pavilion at Ryans Reserve, Richmond, a $3 million redevelopment in partnership with the Victorian Government. Named after the former City of Richmond Mayor, the pavilion is home to the Yarra Netball Association as well as acrylic surfaced courts which cater to netball, local tennis players and groups. The new pavilion meets legislative, functional, disability access and environmental sustainability requirements, allowing the club to grow, provide greater flexibility and capacity to train and host competitions. 'Momentum' is a result of Council’s Public Art Policy 2015-2020, which ensures Council commits a percentage of the capital works budget for new community infrastructure projects over $1 million dollars to an integrated art component.A landscape/horizon of oscillating black lines (waves) and sun filled in with warm colours. accompanying plaquesport, mary rogers, women, birrarung, energy, movement

Also enlargement 15x25cmBlack and white photograph of the Warm Holes, from the sand hummocks looking west. The Warm Holes are the remnant of Reeves River, the original waterway from the Gippsland lakes to the natural entrance. Lady with shawl in foreground. Lakes Entrance Victoria waterways, topography

Green metal box for keeping food warm. Contains 2 square and one oblong dixiesChrysler Airtemp 1945. 7360 - 66 - 028 - 7259 - Qty 1food warmer

The abstraction and colours refer to the modernist abstract expressionist painter Mark Rothko.Nillumbik Prize 2018 Winner. The artist lives and works in Nillumbik. Inspired by modernist abstraction the work is a reflection of current times, exploring our relationship with technology and its’ impact on our social, personal and professional lives. Blurred abstract image in warm colours: yellow, orange and brown. Loading circle in white at the centre of the image.photograph, digital print, rothko, modernism, instagram, abstract, loading

Metal and china dinner plate (with hot water tank) with blue pattern and metal warmer underneath. Warmer has spout and two handles.|Used on farms to keep the workers dinner hot - or be taken down to the barn - some had a metal cover. (Slight crack in plate, quite rare and prized.domestic items, crockery

Two girls standing in snow outside Kamanange, Robinson Family holiday house. Blowing on hands to keep warm. c1930.kamanange, kalorama, robinson, snow

Brass Food Warmer With Lid (Methylated Spirits) three twist legs Cast Iron base under central conical tapered hole in centre of warmer approx. 15 cm diameter entire item 40 cm wide. Previous Catalogue Number 104 Accompanying tag reads ' Wilson Art Panel Art'.domestic equipment, food consumption, brass food warmer

Pink, self-stripe -2cm stripe with a woven floral motif, alternated with a 4cm triple stripe with 2cm spacing between each stripe. Boat shaped neckline, with a .5cm rouleau tie on left side. Sleeveless. Draped and ruched 7cm band at hip line. Two tier, knife pleated panels to the hemline. Dropped and bloused bodice. Handkerchief hem. Wedding dress worn at marriage of Barbara Johnson to her second husband John Johnson on 26.1.1985.Stitches Plus Gold Label 12 Care Instructions – Wash separately. Do not soak. Do not bleach. Do not wring. Warm hand wash. Warm rinse well. Dry in shade. Warm iron. Dry cleanable. Polyester.costume, female ceremonial, wedding dress

Simpson was founded in 1853 by Alfred M. Simpson. It was a manufacturer of household appliances based in Adelaide, Australia. This stove has only 3 hotplates (not the usual 4) and may have been used in the 1950s.Used by a resident of the Kiewa Valley.Green ceramic stove with 3 hot plates - 2 solid (one small and one large) at the back and one at the front with coils (large). 5 black knobs - 2 for the oven and 3 for the hotplates. The oven has a tray and adjustable shelving. At the bottom there is a warming drawer. The stove is electric and has a warming drawer at the bottom. The handles are black."Simpson" on the front on the vertical panel and also on the control panel.ceramic stove, simpson stove

Silver egg warmer. Egg shaped with egg holder insert and spirit burner. Three animal shaped legs, with a dove and leaves on the lid.5 hallmarks 14380egg warmer, silver, utensils, tableware

This temperature gauge would have been used in the past to take the temperature of water in a pot or bath. Water temperature gauges are still in use today. Although this item has no known local provenance it is retained as an example of a household item of the past – a water temperature gauge. This is a glass temperature gauge set into a metal holder with markings on each side of the thermometer. The holder has a metal clip at the top for hanging the object on a wall or cupboard. The holder is much rusted.‘Cold, Cool, Temp, Tepid, Warm, Hot’ ‘351’ bath thermometers, warrnambool, history of warrnambool

Snow scene at FiveWays showing old lamp post, cars and warmly dressed people. Looking towards house and store, now the gallery. 1931fiveways, kalorama, snow

Hardcover w/ Dust JacketSigned by Author - "To Patricia and John, with warm regards, Geoffrey Blainey"world history, walsh st library

Poster promoting clothing made from Australian woolnaturally warm/ you can trust the wool/ that wears the WOOLMARKwool marketing

Story of Atis Lejins' family emigration to Australia, life in Greensborough and his return to Latvia.22 p. text and black & white photographs"To GHS with warm greetings from Latvia!. Atis Lejins, Riga. 20.03.2017"atis lejins, greensborough, immigration

Cream, long sleeve shirt. Black and gold epaulettes. Gold crown above two gold embroidered anchors with gold "Australia" underneath.Do not boil or wring. Drip dry. Iron lightly with warm ironclothing

John Dudley was a well-known local artist who lived in the Shire during the 50s, 60’s and 70s. He was represented by Wiregrass Gallery in Eltham. Formerly two separate galleries: The Eltham Gallery and The Wiregrass Gallery. The Wiregrass Gallery opened on 4th February 1977 at Station Entrance, Eltham, Victoria and closed on the 19th November 1989 when its lease expired. The gallery then moved in early 1990 to 559 Main Road Eltham, the premises of the Eltham Gallery and from then on operated under the name Eltham Wiregrass Gallery. This work is of the local environment and an excellent example of the artist’s work practice.A visual language of shape, form and colour (abstract) to create a composition referencing the physical and emotional experience of landscape. Blended colours of dark blues in background and warm yellows in foreground. Signed 'Dudley' red paint, lower left.landscape, abstract, eltham

Used as a bed warmer, or foot warmer. A stoneware hot water bottle, generally a round shape with an opening at the top and a round knob on one end which presumably functions as a holder. The stopper is missing. The main part of the body is cream, with the knob end brown.hot-water-bottle ceramic

oil on linen landscape painting. High horizon line. Melbourne cityscape in the distance in cool colours (blues, purples). Varieties of foliage in warm colours (red oranges and yellow) in the foreground. mitchell, oil painting, landscape, melbourne

Forty page knitting pattern book featuring twelve colour pages. The front cover shows a woman sitting cross legged wearing matching knitted jumper and leg warmers.front: [printed] Cleckheaton / INTERNATIONAL COLLECTIONknitting, pattern, fashion, knitwear, cleckheaton

This item belonged to Dr Horace Holmes. It is a floating thermometer used to determine when bath water was suitable for use. The reference to Dr Forbes is to John Forbes, a Scottish physician who recommended therapeutic bathing at a time when taking a bath at home or in a hospital was not a common practice (19th century). Dr Horace Iles Holmes (1877-1959) was born and educated in Tasmania and completed a medical degree at Melbourne University. He commenced a practice in Warrnambool in 1906 and was the Honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’, at the corner of Spence and Kepler Streets. He was an early member of the Royal Australian College of Surgeons and was prominent in community affairs (foundation president of Warrnambool Rotary Club, a member of the local Masonic Lodge for over 50 years, Warrnambool Hospital Committee member, long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee) Dr Holmes also had agricultural interests and enjoyed fishing, golf and bowls. This is an important medical item from the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for well over 50 years. This is a thermometer with a glass tube containing mercury with funnel endings. A piece of paper with gradations and printed matter is rolled up inside the tube. The thermometer is encased in an unpainted wooden container which has a handle and a hollow middle for taking the thermometer readings. ‘Dr Forbes Specifications’ ‘Hot, Warm, Tepid, Temp, Cool, Cold Bath, Freezing’ dr horace holmes, warrnambool, hospital equipment, thermometers, history of warrnambool