Showing 239 items
matching weavers
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National Wool Museum
Book, The Weaver from Meltham
"The Weaver from Meltham" - Ivan Southall, 1950. Biography of Godfrey Hirst of the Godfrey Hirst carpet manufacturing company, Geelong. Owned by Mr Victor Southall, a relative of the author.textile industry - history, godfrey hirst and co. pty ltd victorian woollen and cloth manufacturing co., hirst, mr godfrey -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 2000
number in album 03553.01Colour photograph Members who received awards at the Garden Club following presentation at the 17th Spring Competition, Rosemary Jennings, Rhonda and Alan Bills, Ann Weaver, Betty Carpenter, with presenters, from Lions Club Noel Stroud and Mary Fincham of Rotary. Lakes Entrance Victoriaclubs, rotary club -
Greensborough Historical Society
Newspaper Clipping, Bound by an urge to create, 19/08/2015
Several artists showcased their talents at the "Artists on Were Street" event. Mel Macklin creates digital paintings. Fiona Haase is a basket weaver. Patrick Ryant is a portrait artist and Leanne Ipsen is a painter. 2 page news article, text and colour images.artists on were street, montmorency, artists, mel macklin, fiona haase, patrick ryant, leanne ipsen -
National Wool Museum
Drum carder, 1990s
Made by Ashford in New Zealand, possibly in the 1990s. Ashford would make and sell various wool-related machines (carders, weavers, spinning wheels, etc) as kits which the purchaser would then assemble.Small drum carder, natural wood colour. Rectangular base with two sides, the right side has a handle with which to rotate the carding rolls. The left side has four cogs (one large, three small) joined with a green rubber band. There are two carding rolls, one large, one small, both are an orange/red colour and covered in steel.wire bristles. There is a hand-written tag tied to the handle.ASHFORD/ MADE IN NEW ZEALANDwool, carding -
National Wool Museum
Mini drum carder
Manufactured by Ashford of New Zealand, probably sometime in the 1990s. Ashford would produce various wool-related machines (weavers, carders, spinning wheels, etc) as kits which the purchaser could then assemble.Mini drum carder, assembled from kit. Carder is a natural wood colour. Has a base with two sloping sides, the right side has two cogs and a handle to drive the carders. The carder rolls are a red/orange covered in steel bristles. A hand-written tag is tied to the handle.ASHFORD / MADE IN NEW ZEALANDcarding, wool -
Vision Australia
Tool - Object, Cane basket mould
To give shape to a basket, this frame was used by the weaver to keep the wicker in shape. Basket weaving was an integral part of many blind workshops, and this frame comes from the RVIB workshop in St Kilda Road.1 metal frame for weaving basketsroyal victorian institute for the blind, employment -
Ballarat Tramway Museum
Negative, Wal Jack, c1950
Negative and Digital images of the Wal Jack Geelong Negative file of Geelong bogie 36 outbound to West after crossing Moolap St (the second set of bar lights). A four wheeler can be seen at the intersection. In the background is a Snooker / Billiard parlour and L. F. Weaver ? Agent. !950's. trams, tramways, geelong, ryrie st, tram 36 -
Clunes Museum
Tool - WEAVER'S KNOTTER, Mellor Bromley & Co. Ltd
Weaving Knotter used in Clunes Knitting Mill early 1900'sBoyce Weaver's Knotter Serial No. A22944 .1 Green rectangular tin to contain the apparatus .2 Knotter, metal implement attached to tan leather strapping with a metal circle with lever to position the knotter .3 Printed pamphlet for care and maintenance of the knotter .4 Instruction sheet .5 Printed pamphlet with operating instructionsboyce weaver's knotter, textile tool -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Keith Kings, 15/01/1956 12:00:00 AM
Photographs, Black and White, Photo of Q 142 on an all night service to Camberwell at corner of Swanston and Queensberry St, 15/1/1956. Photo by Keith Kings. In the background is Tru-Bake biscuits, Newsagent advertising The Age, Argus, Post, Capstan cigarettes, the Hotel Queensberry, and Davies Coop & Co Limited - Weavers & Underwear Manufacturers.In ink on the rear: Keith Kings stamp and number R(f)(5) "M&MTB - Q-142 as "All Night" tram in Swanston St (North) at Queensberry St corner about to shunt on Xover to return to Camberwell. 7.378am Sunday 15/1/56" 1/250 f4.5trams, tramways, swanston st, queensberry st, all night services, camberwell, tram 142 -
Greensborough Historical Society
Photograph - Digital image, Greensborough Primary School Gr2062 1923 Rounders Team and Grades 1-2, 09/03/1923
Class photographs of Greensborough School in the 1920s. Greensborough Rounders Team has surnames on back of original: Back Row: Fraser, Whiteway, Dorothy Yandell; Middle Row: Hood, Percal, Oakley, Weaver, Pile, Montford, Carlon; Front Row: Thomas, Clayton.Early photographs of Greensborough Primary with some children identified.Digital copy of 2 black and white school photographs. Year written on front.greensborough primary school, yandell family -
Whitehorse Historical Society Inc.
Clothing - Cape, 1997
I have lived in Box Hill now City of Whitehorse since 1970 I have belonged to Box Hill Spinners and Weavers Inc. since 1990.During the 90s' Box Hill Spinners and Weavers participated in the Annual Sheep and Woolcraft Show, at that time held in the Melbourne Showground. As well as submitting individual entries we always entered the Group Competition, known as the '5 articles' the entry had to have 5 separate articles made by a group and displaying different woolcraft techniques . In 1997 our Box Hill entry focused on 'The Planets' featuring five capes. The red one representing Mars the red planet. It was woven. The dark cape represented Jupiter. It was also woven. the Neptune cape was felted in blue and greens. The Earth cape featured knitting and crochet. My contribution was the Venus cape featuring spinning from raw merino fleece and silk. Once completed this wool/silk yarn was fashioned using hairpin lace. I was adept at spinning by this time but knew nothing about the old technique of hairpin lace. Box Hill Spinners and Weavers won First Prize. Margaret Dimelow.Cream coloured cape spun from raw merino fleece and silk, technique is hairpin lacecostume, female -
National Wool Museum
Picture
The object was presented to Brintons Carpets in 1999 as a thankyou gift for ongoing support along with one 'The Egyptian' Rug.W7186 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.To all at Brintons Carpets to thank you for your ongoing support of the National Wool Museum February 1999 E.Triarico Curator Michael Jerinic Old Weaver Andrew Moritz Director Bill Vos x Brintons Weaver 1960 Annette Welkamp Pharaohs Project Manager National Wool Museum Rug The Egyptian A unique wool rich product Certificate of Authencity This is to certify that Brintons Carpets is the owner of a National Wool Museum Limited Edition Rug No. 106.national wool museum brintons australia pty ltd, triarico, ms elizabeth - national wool museum moritz, mr andrew - national wool museum, geelong, victoria -
Whitehorse Historical Society Inc.
Document, The Widow and the Con Man
The account of how Dora May Weaver was duped out of money by George Ravennon-fictionThe account of how Dora May Weaver was duped out of money by George Ravenweaver dora may, raven george, tunstall railway station -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1987 Class Photo Grade 6, 1987
Grade 6 1987 Back Row L-R: Dean Smith, Rafe Hitchins, Greg Goetz, Nathan Monk, Terry Brown, Andrew Warren, Peter Wah, Darren Poulinakis Front Row: Tracey McBeth, David Joyce, Gary Postlethwaite, Trang Truong, Hanh Truong, Sukaina Razack, Julia-Ann Billingsley, Susan Weaver. Teacher: Mrs A. Irvine -
Bendigo Military Museum
Booklet, Printed at sea and published at sea February 1944, RAF RAAF Souvenir of a Memorable Voyage, Feb 1944
Booklet has a cardboard cover, printed in black ink. A sketched image of the maps of Australia and New Zealand. Also drawings of 3 18th century sailing ships afloat. Under front cover “cabin 408 A Deck” followed by 8 signatures rear cover written in ink Mrs F.H. Weaver, Morgan Sth Aust, Australia “ Grenferry Cruise III Bon voyage and happy landings” ww2, raaf, raf -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1985 Class Photo Grade 3/4, 1985
1985 GR 3/4: Back Row: David Joyce, Nathan Monk, Greg Gozdz, Rafe Itchins. 2nd Row: Justin Ross, Sean Piertersz, Darren Poulianakis, Leanne Post, Dean Smith, Paul Grbac. Front Row: Carey Postlethwaite, Susan Weaver, Natalie Vorlaufer, Julia Ann Billingsley, Gabby Spragg, Sharon Alcorn. Teacher: I. Marshall -
Bendigo Military Museum
certificate - DISCHARGE CERTIFICATE WW1, 30.12.1918
Certificate relates to Frank Harry WEAVER No 643. Enlisted on 25.5.1915 32nd Battalion aged 21. Discharged 8.12.1915 being medically unfit - eyesight. Enlisted 1.8.1917 in 10th Reinforcements 5th Pioneers No 3926. Embarked 3.10.1917 for England, transferred to 32nd Battalion England on 2.1.1918. Returned to Australia for discharge with Trachoma on 15.2.1918 not due to misconduct.Certificate of Discharge, D516. Yellowed parchment paper, details re name, rank, regiment no, enlistment & discharge dates, physical description. All print in black, hand written in black.certificates, discharge, -
National Wool Museum
Book, Sonya's Mob: the life and times of a Polish-Australian family
"Sonya's Mob: the life and times of a Polish-Australian family" - Lois and George Carrington, Canberra, 1996 (self published). Includes a seperately printed index and location guide to Sonya Carrington's khilims. Biography of Sonya Carrington-Zakrzewska, artist and weaver. Inludes information about her husband, Wlodek Zakrzewski who made and repaired spinning wheels.To the National Wool Museum / with our best wishes / Lois Carrington / George Carringtonweaving textile art, spinning, spinning wheels, carrington wheel, carrington-zakrzewska, mrs sonya zakrzewski, mr wlodzimierz, weaving, textile art -
Unions Ballarat
Asbestos Kills, 1990
It was noted in 100 BC that weavers of asbestos became ill. Reports of its bad effects have continued throughout history. In Australia in 1939, employees of James Hardie were reported as having respiratory disorders. The link between asbestos and cancer was confirmed in New York in 1943. Irrespective of this, it is only in recent decades that appropriate measures have been taken to remove and handle asbestos.Of significance to responsible workplace and community health and safety.Paperback. Cover has black background with a picture of a human skull. Title in red on front cover, with union name and logo.Title and union name on front cover.btlc, ballarat trades and labour council;, ballarat trades hall, asbestos, asbestosis, cfmeu -
Bialik College
Photograph (Item) - Tapestry photographs, 1997 Tapestry unveiling photographs
In 1997, Bialik College students of Grades 4, 5 and 6 co-designed with a weaver, Cresside Collette, a large tapestry depicting Bialik students holding hands and the school motto 'Step forth with courage'. Images of this important message and community moment are held by the Bialik archive. If you have materials or stories about Bialik life and culture that you wish to please contact us at [email protected]. weaving, artwork, bialik college, judaism, jewish school, primary school -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1985 Class Photo Grade 3, 1985
1985 GR 3: Back Row: Claudio Toro, Peter Weaver, Dylan Coulson, Misha Deikmann, Atilla Erbasan, James Brown, Geoffrey Harding, Ben Pearson. 2nd Row: Simon Herdina, Phillip McNamara, Brooke Sinclair, Sandra Ratcliffe, Emma Rainey, Alyson Morrison, Ian Brown. Front Row: Kirsty McIver, Melissa Brisnahan, Karen Green, Rachel Pilmore, Jessica Taylor, Nancy Belingeri, Michelle McLean. Teacher Miss J Baldwin (Chapman). -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1985 Class Photo Grade 6, 1985
1985 GR 6: Back Row: Garry Brown, James Foley, Jeremy Scheltus, Mark Yendle, Shannon Beath, Nathan Rooks, Chris Aravanis, Alan Harding. 2nd Row: Chris Pearson, David Weaver, Belinda Neave, Natalie Bartholomeusz, Michelle Bingham, Lee Baker, Christian Toro. Front Row: Rosabel Franklin, Kim Evans, Sherie Blackwell, Anna Burak, Vicki Olney, Candy Pietersz, Joanne Williams. Teacher: A. Irvine(left) and ? -
National Vietnam Veterans Museum (NVVM)
Photograph, Team Photo 2
A black and white photograph 161 (Indep) Recce Flight officers Capt Phil Roberts, 2Lt Adam Frisch, 2Lt Don Trick, Maj George Constable, 2Lt Mike Meehan, Lt Kev Peacock, 2Lt Blair Weaver, Capt Peter Robinson, 2Lt Ross Goldspink, 2Lt Tom "Rockets" Guivarra MID, 2Lt Dave McFerran, Capt Bernie Forrest, Capt John Coggin, Lt Ross Hutchinson and 2Lt Peter Garton posing for a team photophotograph, 161 recon flt, capt phil roberts, 2lt adam frisch, 2lt don trick, maj george constable, 2lt mike meehan, lt kev peacock, 2lt blair weaver, capt peter robinson, 2lt ross goldspink, 2lt tom "rockets" guivarra, 2lt dave mcferran, capt bernie forrest, capt john coggin, lt ross hutchinson, 2lt peter garton, gibbons collection catalogue -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, damask tablecloth, c1900
... weavers ...Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern. Damask weaves appear most commonly in table linens and furnishing fabrics, In the 1900s, the invention of the Jacquard loom made damask much easier to create. Jacquard fabric was woven with the direction of a series of punch cards that could be used to alter the position of the warp threads in the fabric. These punch cards automated the weaving process, allowing manufacturers to mass produce patterns and making the resulting fabric much less expensive than it once had been. Modern Jacquard weaving is accomplished with computer controls. Irish Linen was very popular because of its high quality and this table cloth may have been made in Ulster, Northern IrelandA white damask tablecloth.clothing, brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, damask, weavers, jacquard loom -
Federation University Art Collection
Painting - Artwork - Painting, 'Bushfood' by Anne Ferguson, 09/2006
Ann FERGUSON (1939- ) Country: Wingetllina Area: Alice Spring, Kalka/Pipalyatjara Language group: Pitjantjarara Ann Ferguson (Ann Cleary Nyankulya Bnaka) is a member of the Stolen Generation, she was removed from her family and take to Kalgoorlie Mission, South Australia. She started painting in 1973 when her care givers noticed her artistic talent. Ann Ferguson is also a basket weaver, carver and lino block printmaker at Indulkana Community, South Australia, Acrylic painting on stretched canvasaboriginal, bushfood, anne ferguson, bush food, bush foods, ann cleary, ann ferguson, indulkana -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1985 Class Photo Grade 1, 1985
1985 GR 1: Back Row: Stewart Brown, Stuart Rowley, Brian Donald, Tony Aravanis, Paul Tsiokis, Alex Dinic, Jess Sinclair, Paul Eldridge 2nd Row: Ben Collinson, Joanne Gibson, Michelle Rigg, Adele Matthews, Krista Terzioski, Jasmina Pavlov, Christie Attwood, Carly White, Paul Constellis Front Row: Samantha Weaver, Carly Pryke, Naomi Terrell, Rebecca Rogers, Tara Barker, Melanie Warby, Emily Sykes. Teacher J. Smith -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1987 Class Photo Grade 3, 1987
Grade 3 1987 Back Row: Ben Collinson, Alex Dinic, Paul Tsiokis, Brian Donald, Tony Aravanis, Stuart Brown. 2nd Row: Trevor Willicks, Troy Shanley, Jess Sinclair, Belinda Poulianakis, Jamina Pavlov, Alison Crawford, Mark Ingram, Paul Eldridge, Stuart Rowley Front Row: Naomi Miriklis, Emily Sykes, Tara Barker, Christie Attwod, Krista Terzioski, Rebecca Taualii, Tongauua Taualii, Brenda Milgate, Samantha Weaver Teacher: Mrs J. Eyck -
Greensborough Historical Society
Photograph - Digital image, Ladies Guild 1941, 1941_
Ladies Guild members taken in the hall at the back of Methodist Church, about 1941. Caption on back identifies some of the ladies present: (back row, left to right) Mrs Weaver, Linda Jones, unknown, Annie Partington(nee Medhurst), Nell French (Oakley?), unknown, Mrs Bertha Hall. (front row, left to right) unknown,[child Ron Jones born1936], Mrs Roberts, Mrs Ollie Lang (nee Roberts) and Robert Lang, Amy Knapsey (nee Medhurst), Dot Hall (nee Roberts).Digital copy of black and white photograph and caption. Written in pen on front of photograph "Lady guild members taken in the hall at the back of Methodist Church, about 1941. It [hall] was still there after 1970. Sunday School anniversaries were held there for years as well as other functions. Annie and Amy sisters (Medhurst)" greensborough methodist church, ladies guild -
Ballarat Heritage Services
Digital Photograph, Drogheda Museum, Ireland, 2016, 09/2017
The museum houses an extensive collection. It provides educational programmes for schools and other groups. There is a unique collection of 19th century guild banners representing Weavers, the Shoemakers, and the Carpenters. Trade banners also represent the Brick and Stonemasons, Farm Labourers and the Boyne Fishermen. The Old Drogheda Society founded in 1964 by a group of concerned citizens for the preservation of Drogheda's historical monuments and the collection and recording of historical material relating to the town and surrounding area established the award winning museum. The Museum was opened in 1974 and in 2013 achieved full accreditation by the Heritage Council. -
Federation University Art Collection
Artwork, other, 'Eel Trap with Emu Feathers' by Bronwyn Razem, 2013
"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available