Letter, on "Onkaparinga Woollen Company Limited" letterhead,27th Mqrch 1946, regarding employment enquiries by W R Lang on behalf of a New Zealand weaver.textile mills - staff, gordon institute of technology onkaparinga woollen company limited, lang, dr w. roy

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong bogie 36 outbound to West after crossing Moolap St (the second set of bar lights). A four wheeler can be seen at the intersection. In the background is a Snooker / Billiard parlour and L. F. Weaver ? Agent. !950's. trams, tramways, geelong, ryrie st, tram 36

Weaving Knotter used in Clunes Knitting Mill early 1900'sBoyce Weaver's Knotter Serial No. A22944 .1 Green rectangular tin to contain the apparatus .2 Knotter, metal implement attached to tan leather strapping with a metal circle with lever to position the knotter .3 Printed pamphlet for care and maintenance of the knotter .4 Instruction sheet .5 Printed pamphlet with operating instructionsboyce weaver's knotter, textile tool

Several artists showcased their talents at the "Artists on Were Street" event. Mel Macklin creates digital paintings. Fiona Haase is a basket weaver. Patrick Ryant is a portrait artist and Leanne Ipsen is a painter. 2 page news article, text and colour images.artists on were street, montmorency, artists, mel macklin, fiona haase, patrick ryant, leanne ipsen

Made by Ashford in New Zealand, possibly in the 1990s. Ashford would make and sell various wool-related machines (carders, weavers, spinning wheels, etc) as kits which the purchaser would then assemble.Small drum carder, natural wood colour. Rectangular base with two sides, the right side has a handle with which to rotate the carding rolls. The left side has four cogs (one large, three small) joined with a green rubber band. There are two carding rolls, one large, one small, both are an orange/red colour and covered in steel.wire bristles. There is a hand-written tag tied to the handle.ASHFORD/ MADE IN NEW ZEALANDwool, carding

Manufactured by Ashford of New Zealand, probably sometime in the 1990s. Ashford would produce various wool-related machines (weavers, carders, spinning wheels, etc) as kits which the purchaser could then assemble.Mini drum carder, assembled from kit. Carder is a natural wood colour. Has a base with two sloping sides, the right side has two cogs and a handle to drive the carders. The carder rolls are a red/orange covered in steel bristles. A hand-written tag is tied to the handle.ASHFORD / MADE IN NEW ZEALANDcarding, wool

To give shape to a basket, this frame was used by the weaver to keep the wicker in shape. Basket weaving was an integral part of many blind workshops, and this frame comes from the RVIB workshop in St Kilda Road.1 metal frame for weaving basketsroyal victorian institute for the blind, employment

Photographs, Black and White, Photo of Q 142 on an all night service to Camberwell at corner of Swanston and Queensberry St, 15/1/1956. Photo by Keith Kings. In the background is Tru-Bake biscuits, Newsagent advertising The Age, Argus, Post, Capstan cigarettes, the Hotel Queensberry, and Davies Coop & Co Limited - Weavers & Underwear Manufacturers.In ink on the rear: Keith Kings stamp and number R(f)(5) "M&MTB - Q-142 as "All Night" tram in Swanston St (North) at Queensberry St corner about to shunt on Xover to return to Camberwell. 7.378am Sunday 15/1/56" 1/250 f4.5trams, tramways, swanston st, queensberry st, all night services, camberwell, tram 142

The object was presented to Brintons Carpets in 1999 as a thankyou gift for ongoing support along with one 'The Egyptian' Rug.W7186 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.To all at Brintons Carpets to thank you for your ongoing support of the National Wool Museum February 1999 E.Triarico Curator Michael Jerinic Old Weaver Andrew Moritz Director Bill Vos x Brintons Weaver 1960 Annette Welkamp Pharaohs Project Manager National Wool Museum Rug The Egyptian A unique wool rich product Certificate of Authencity This is to certify that Brintons Carpets is the owner of a National Wool Museum Limited Edition Rug No. 106.national wool museum brintons australia pty ltd, triarico, ms elizabeth - national wool museum moritz, mr andrew - national wool museum, geelong, victoria

Grade 6 1987 Back Row L-R: Dean Smith, Rafe Hitchins, Greg Goetz, Nathan Monk, Terry Brown, Andrew Warren, Peter Wah, Darren Poulinakis Front Row: Tracey McBeth, David Joyce, Gary Postlethwaite, Trang Truong, Hanh Truong, Sukaina Razack, Julia-Ann Billingsley, Susan Weaver. Teacher: Mrs A. Irvine

Class photographs of Greensborough School in the 1920s. Greensborough Rounders Team has surnames on back of original: Back Row: Fraser, Whiteway, Dorothy Yandell; Middle Row: Hood, Percal, Oakley, Weaver, Pile, Montford, Carlon; Front Row: Thomas, Clayton.Early photographs of Greensborough Primary with some children identified.Digital copy of 2 black and white school photographs. Year written on front.greensborough primary school, yandell family

I have lived in Box Hill now City of Whitehorse since 1970 I have belonged to Box Hill Spinners and Weavers Inc. since 1990.During the 90s' Box Hill Spinners and Weavers participated in the Annual Sheep and Woolcraft Show, at that time held in the Melbourne Showground. As well as submitting individual entries we always entered the Group Competition, known as the '5 articles' the entry had to have 5 separate articles made by a group and displaying different woolcraft techniques . In 1997 our Box Hill entry focused on 'The Planets' featuring five capes. The red one representing Mars the red planet. It was woven. The dark cape represented Jupiter. It was also woven. the Neptune cape was felted in blue and greens. The Earth cape featured knitting and crochet. My contribution was the Venus cape featuring spinning from raw merino fleece and silk. Once completed this wool/silk yarn was fashioned using hairpin lace. I was adept at spinning by this time but knew nothing about the old technique of hairpin lace. Box Hill Spinners and Weavers won First Prize. Margaret Dimelow.Cream coloured cape spun from raw merino fleece and silk, technique is hairpin lacecostume, female

1985 GR 3/4: Back Row: David Joyce, Nathan Monk, Greg Gozdz, Rafe Itchins. 2nd Row: Justin Ross, Sean Piertersz, Darren Poulianakis, Leanne Post, Dean Smith, Paul Grbac. Front Row: Carey Postlethwaite, Susan Weaver, Natalie Vorlaufer, Julia Ann Billingsley, Gabby Spragg, Sharon Alcorn. Teacher: I. Marshall

non-fictionThe account of how Dora May Weaver was duped out of money by George Ravenweaver dora may, raven george, tunstall railway station

Booklet has a cardboard cover, printed in black ink. A sketched image of the maps of Australia and New Zealand. Also drawings of 3 18th century sailing ships afloat. Under front cover “cabin 408 A Deck” followed by 8 signatures rear cover written in ink Mrs F.H. Weaver, Morgan Sth Aust, Australia “ Grenferry Cruise III Bon voyage and happy landings” ww2, raaf, raf

William Watts arrived in Bacchus Marsh in 1862 and for many years conducted a boot and shoe makers business in Main Street. This building, known as ‘Kentbury’ was built about 1858, and was formerly the premises of Bastings, cordwainer. The premises were enlarged in 1876 and occupied by Weaver. The building was demolished c.1960. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image depicts the frontage of a boot and shoe makers premises.Signage on the upper part of the building reads 'Boot and Shoe Maker - Importer - Watts - Leather - Grindery'. The left hand side of the building appears to be a domestic dwelling, with a central door and two windows, one on either side. To the right there is a large shop display window and door. Both doors open directly onto the footpath. A post, probably a hitching post, stands on the footpath.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, boot makers, shoe shops

Certificate relates to Frank Harry WEAVER No 643. Enlisted on 25.5.1915 32nd Battalion aged 21. Discharged 8.12.1915 being medically unfit - eyesight. Enlisted 1.8.1917 in 10th Reinforcements 5th Pioneers No 3926. Embarked 3.10.1917 for England, transferred to 32nd Battalion England on 2.1.1918. Returned to Australia for discharge with Trachoma on 15.2.1918 not due to misconduct.Certificate of Discharge, D516. Yellowed parchment paper, details re name, rank, regiment no, enlistment & discharge dates, physical description. All print in black, hand written in black.certificates, discharge,

1985 GR 3: Back Row: Claudio Toro, Peter Weaver, Dylan Coulson, Misha Deikmann, Atilla Erbasan, James Brown, Geoffrey Harding, Ben Pearson. 2nd Row: Simon Herdina, Phillip McNamara, Brooke Sinclair, Sandra Ratcliffe, Emma Rainey, Alyson Morrison, Ian Brown. Front Row: Kirsty McIver, Melissa Brisnahan, Karen Green, Rachel Pilmore, Jessica Taylor, Nancy Belingeri, Michelle McLean. Teacher Miss J Baldwin (Chapman).

1985 GR 6: Back Row: Garry Brown, James Foley, Jeremy Scheltus, Mark Yendle, Shannon Beath, Nathan Rooks, Chris Aravanis, Alan Harding. 2nd Row: Chris Pearson, David Weaver, Belinda Neave, Natalie Bartholomeusz, Michelle Bingham, Lee Baker, Christian Toro. Front Row: Rosabel Franklin, Kim Evans, Sherie Blackwell, Anna Burak, Vicki Olney, Candy Pietersz, Joanne Williams. Teacher: A. Irvine(left) and ?

A black and white photograph 161 (Indep) Recce Flight officers Capt Phil Roberts, 2Lt Adam Frisch, 2Lt Don Trick, Maj George Constable, 2Lt Mike Meehan, Lt Kev Peacock, 2Lt Blair Weaver, Capt Peter Robinson, 2Lt Ross Goldspink, 2Lt Tom "Rockets" Guivarra MID, 2Lt Dave McFerran, Capt Bernie Forrest, Capt John Coggin, Lt Ross Hutchinson and 2Lt Peter Garton posing for a team photophotograph, 161 recon flt, capt phil roberts, 2lt adam frisch, 2lt don trick, maj george constable, 2lt mike meehan, lt kev peacock, 2lt blair weaver, capt peter robinson, 2lt ross goldspink, 2lt tom "rockets" guivarra, 2lt dave mcferran, capt bernie forrest, capt john coggin, lt ross hutchinson, 2lt peter garton, gibbons collection catalogue

1985 GR 1: Back Row: Stewart Brown, Stuart Rowley, Brian Donald, Tony Aravanis, Paul Tsiokis, Alex Dinic, Jess Sinclair, Paul Eldridge 2nd Row: Ben Collinson, Joanne Gibson, Michelle Rigg, Adele Matthews, Krista Terzioski, Jasmina Pavlov, Christie Attwood, Carly White, Paul Constellis Front Row: Samantha Weaver, Carly Pryke, Naomi Terrell, Rebecca Rogers, Tara Barker, Melanie Warby, Emily Sykes. Teacher J. Smith

Grade 3 1987 Back Row: Ben Collinson, Alex Dinic, Paul Tsiokis, Brian Donald, Tony Aravanis, Stuart Brown. 2nd Row: Trevor Willicks, Troy Shanley, Jess Sinclair, Belinda Poulianakis, Jamina Pavlov, Alison Crawford, Mark Ingram, Paul Eldridge, Stuart Rowley Front Row: Naomi Miriklis, Emily Sykes, Tara Barker, Christie Attwod, Krista Terzioski, Rebecca Taualii, Tongauua Taualii, Brenda Milgate, Samantha Weaver Teacher: Mrs J. Eyck

Ann FERGUSON (1939- ) Country: Wingetllina Area: Alice Spring, Kalka/Pipalyatjara Language group: Pitjantjarara Ann Ferguson (Ann Cleary Nyankulya Bnaka) is a member of the Stolen Generation, she was removed from her family and take to Kalgoorlie Mission, South Australia. She started painting in 1973 when her care givers noticed her artistic talent. Ann Ferguson is also a basket weaver, carver and lino block printmaker at Indulkana Community, South Australia, Acrylic painting on stretched canvasaboriginal, bushfood, anne ferguson, bush food, bush foods, ann cleary, ann ferguson, indulkana

Ladies Guild members taken in the hall at the back of Methodist Church, about 1941. Caption on back identifies some of the ladies present: (back row, left to right) Mrs Weaver, Linda Jones, unknown, Annie Partington(nee Medhurst), Nell French (Oakley?), unknown, Mrs Bertha Hall. (front row, left to right) unknown,[child Ron Jones born1936], Mrs Roberts, Mrs Ollie Lang (nee Roberts) and Robert Lang, Amy Knapsey (nee Medhurst), Dot Hall (nee Roberts).Digital copy of black and white photograph and caption. Written in pen on front of photograph "Lady guild members taken in the hall at the back of Methodist Church, about 1941. It [hall] was still there after 1970. Sunday School anniversaries were held there for years as well as other functions. Annie and Amy sisters (Medhurst)" greensborough methodist church, ladies guild

The museum houses an extensive collection. It provides educational programmes for schools and other groups. There is a unique collection of 19th century guild banners representing Weavers, the Shoemakers, and the Carpenters. Trade banners also represent the Brick and Stonemasons, Farm Labourers and the Boyne Fishermen. The Old Drogheda Society founded in 1964 by a group of concerned citizens for the preservation of Drogheda's historical monuments and the collection and recording of historical material relating to the town and surrounding area established the award winning museum. The Museum was opened in 1974 and in 2013 achieved full accreditation by the Heritage Council.

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available