c1880 This tiny tape measure, in Imperial measurements, was part of a Victorian era lady's sewing basket. The case is of polished timber, and the little winder, to retract the tape, is made of brass with a small ivory handleEarly settlers and market gardeners of Moorabbin Shire had to be self reliant producing their own food and making their farm equipment and clothing. The women of these families were skilful in all craftwork.c1880 this tiny, retractable, tape measure, in Imperial measure, is made of polished timber with a brass winder and ivory handle. Imperial ‘inch’ measurements on tape dressmaking, tape measure, sewing, craftwork, pioneers, early settlers, market gardeners, moorabbin, brighton, bentleigh cheltenham

This wind-up portable gramophone, for 78 rpm discs, was used for home entertainment. It did not require electric power. Includes one record.Wind-up portable gramophone, for 78 rpm discs, in black leatherette box, with needles and 10 inch (25 cm) 78 rpm acetate discColumbia Viva-tonal Grafonola Made in Australiagramophones, phonographs, audio equipment, gramophone records

A 7.62 wind calculator to determine wind strength and wind allowance. Yellow plastic square with circular dial overlaidwind calculator

Wooden Shield Straham With Fair Winds

A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are included in the Art Gallery of Ballarat Collection, Victoriasignificant as a work of art by modernist era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape scene with large treeSigned: Glover-Fleay 32 Verso: Wind damage WIND DAMAGE Winchelsea Kildean

This type of instrument typically used by pilots and navigators for quick calculations of Air Speed and Wind Drift.hand operated navigation computer. Rotating scale on the front panel and a scroll type scale on the inner panel with a winder knob on the right side. Front panel is hinged at the top and bottom has two curved thigh pads.Indent No. G6B/145 RAAF Serial No. WG/2967* I.C.A.N. in center of front dial COMPUTER NAVIGATIONAL Ml. III D.

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This is a winding wheel, which makes a loud click when the reel has made 80 turns, thus indicating that the length of the thread that has been wound is 125 metres.Wool Winderhandicrafts - history, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz

Used to measure the rate of rise of helium balloons The telescope is mounted on two movable axes. One axis (vertical) rotates to change elevation, the other (horizontal) azimuth. There are vernier scales and in some cases micrometres that give precise readouts of the relative position of the telescope to each axis. The instrument is set up so that it is level and it is pointed towards true north with both scales reading 0 degrees exactly. A balloon is released in front of the theodolite. It is sighted at timed intervals (usually one minute apart) and the position of the theodolite's telescope (azimuth and elevation) is recorded. It can chart the direction and velocity of winds at various altitudes The rate of ascent of a balloon is mostly dependant on the balloon's drag and its "free lift" (the vertical pull of the balloon). There is some degree of control over these these factors, and as a result, it possible to know approximately how high our balloon will be at any given time after its release. Given a known height and an angular direction (read off the theodolite) to the balloon, a fix is made of the horizontal movement component of the balloon's travel as it moves through different altitudes. The horizontal movement is due to the winds blowing the balloon around at the altitudes that the balloon is traveling throughTheodolite used to measure the rate of rising helium balloons The rate of rise is used in atmospheric calculations such as upper winds and determining inversion layersforests commission victoria (fcv), bushfire, weather

The photograph was taken after a severe wind storm which occured in the Bulla-Oaklands area in the early 1980s, possibly near Christmas Eve.A coloured photograph with rounded corners. It is a panoramic view of a partly built brick veneer house which has been damaged as a result of a wind storm. Across the front are three sets of large full length windows. There is a horse training run in the background.george evans collection

After the 1939 bushfires, the Forests Commission Victoria invested heavily in a radically new communications network. After suffering some inevitable delays due to the war, radio VL3AA switched into full operation in October 1945 proudly beaming out 200 watts across the State. But by today’s standards, the technology was primitive and the reception poor unless the user was on a high point somewhere. The radio signal was "line-of-sight" and bounced between fire towers and relay transmitters across the mountains back to the District offices. The advent of solid-state electronics in the 1960s replaced the more delicate valve sets which enabled greater use of vehicle mounted radios. The Commission continued to research, develop and build new radios at its many workshops around Victoria. The network was supported by a large team of skilled radio technicians. The more secure and versatile State Mobile Radio (SMR) digital trunk system came into operation in about 1995. Upgraded Tait Radios were purchased in 2014 after recommendations of the 2009 Bushfires Royal Commission. But it was the convergence of separate technologies such as 5G mobile phones, high-capacity and light-weight lithium batteries, Wi-Fi, the ever-expanding internet, cloud data storage, digital cameras, GPS, personal organisers and hundreds of supporting Apps into powerful smartphones and tablets which revolutionised bushfire communications from the mid-2000s. Used to communicate to remote fire towers Single wire often run through the bush from FCV district officesFire tower telephone with winderWattle Glen Diamond Creekbushfire, radios, forests commission victoria (fcv)

After the 1939 bushfires, the Forests Commission Victoria invested heavily in a radically new communications network. After suffering some inevitable delays due to the war, radio VL3AA switched into full operation in October 1945 proudly beaming out 200 watts across the State. But by today’s standards, the technology was primitive and the reception poor unless the user was on a high point somewhere. The radio signal was "line-of-sight" and bounced between fire towers and relay transmitters across the mountains back to the District offices. The advent of solid-state electronics in the 1960s replaced the more delicate valve sets which enabled greater use of vehicle mounted radios. The Commission continued to research, develop and build new radios at its many workshops around Victoria. The network was supported by a large team of skilled radio technicians. The more secure and versatile State Mobile Radio (SMR) digital trunk system came into operation in about 1995. Upgraded Tait Radios were purchased in 2014 after recommendations of the 2009 Bushfires Royal Commission. But it was the convergence of separate technologies such as 5G mobile phones, high-capacity and light-weight lithium batteries, Wi-Fi, the ever-expanding internet, cloud data storage, digital cameras, GPS, personal organisers and hundreds of supporting Apps into powerful smartphones and tablets which revolutionised bushfire communications from the mid-2000s. Used to communicate to remote fire towers Single wire often run through the bush from FCV district officesFire tower telephone with winderWattle Glen Diamond Creekbushfire, radios, forests commission victoria (fcv)

Nell Gwynne Reefs winder, also card with 'Nell Gwynne Reefs' written on it. Inscriptions Nell Gwynne Reefs Winder.organization, business, nell gwynne reefs mine

Small red tin plate kerosene childs night light commonly called Pixie lamps, base filled with gravel or sand to prevent tipping over, small milk white glass chimney, brass burner complete with wick.Wick winder reads GWB British madelighting, kerosine & oil, kerosene

Restored by Des Tuttle. Originally owned by Ann Thom, retrieved from the property "Pleasantfield" BurramineMulti Vane windmill with a directional vaneWind engine and pump Co, Batavia Illinois

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

Square key used to wind clocks.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Wind up stuffed monkey with cymbals.toys, soft toys

Wrist watch belonged to VX91434 Tom Aldrick. Sent to him by his mother in March 1943.Wind up wrist watch without strap.To Tom from mother dated March 1943.

Colour photograph of wind turbines at Cape Bridgewater.cape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest, wind farm, wind turbine

Dedicated phone lines were often connected between FCV District Offices and firetowers or local depots. These lines were activated by winding the metal handle to ring the bell at the other end of the line.Bakelite phone with handset and winder. Made of Bakelite.radios, forests commission victoria (fcv)

Worn by late Mr. J.B. Aird, grandfather of Mr. H.N. Lord.Man's key wind Pocket Watch with a white enamel face. Waltham Movement (American) with an English Sterling Silver case. Also an adjustable key winder.Birmingham Hallmarkpocket watches

Japanese Wind direction / speed meter in wooden case.equipment, ww2, raaf

A colour photo of a young woman standing by a wind turbine.elaine gill, sunergy, businesses

Gold fob watch. Round watch, winder on top, gold ring attached to winder. Attached to winder is heavily engraved gold pencil holder. Pencil inside has 'Johan...? Bavaria' written on top of pencil. Engraved on lid of watch is an elaborate 3 entwined initials E, A and K.costume accessories, jewellery, gold watch and pencil holder

00200.1 - Range gauge tool 00200.2 - CaseNon metric markings for finding range i.e. wind and yardage.