Showing 952 items
matching women's work
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Kew Historical Society Inc
Clothing - Protective Wear, Apron, 1950s
... are representative samples of women's work, possibly from published patterns... samples of women's work, possibly from published patterns, using ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society Inc
Clothing - Protective Wear, Apron, 1950s
... are representative samples of women's work, possibly from published patterns... samples of women's work, possibly from published patterns, using ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society Inc
Clothing - Protective Wear, Apron, 1950s
... are representative samples of women's work, possibly from published patterns... and pinafores are representative samples of women's work, possibly from ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s -
Kew Historical Society Inc
Clothing - Protective Wear, Apron, 1950s
... are representative samples of women's work, possibly from published patterns... are representative samples of women's work, possibly from published patterns ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Kew Historical Society Inc
Clothing - Pinafore, 1950s
... are representative samples of women's work, possibly from published patterns... and pinafores are representative samples of women's work, possibly from ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Olive green and white pinafore decorated on the bodice with yellow braid. protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Kew Historical Society Inc
Clothing - Pinafore, 1950s
... are representative samples of women's work, possibly from published patterns... samples of women's work, possibly from published patterns, using ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pinafore using a fabric coverd with an abstract design in bue, pink and yellow. A plain pink cotton fabric is used to decorate the pocket and the shoulders.protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Kew Historical Society Inc
Clothing - Protective Wear, Pinafore, 1950s
... are representative samples of women's work, possibly from published patterns... are representative samples of women's work, possibly from published patterns ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Brigtly coloured pinfaore using a representative 1950s fabric with a design of kitchen items in different coloursprotective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion 1950s -
Kew Historical Society Inc
Clothing - Protective Wear, Pinafore, 1950s
... are representative samples of women's work, possibly from published patterns... are representative samples of women's work, possibly from published patterns ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s -
Kew Historical Society Inc
Clothing - Protective Wear, Pinafore, 1960s
... are representative samples of women's work, possibly from published patterns... samples of women's work, possibly from published patterns, using ...One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.One of three single piece commercialy produced pinafores, each in a different size.protective clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s -
Kew Historical Society Inc
Decorative object - Hand Towel, 1950s
... are representative samples of women's work, often using commercial... are representative samples of women's work, often using commercial ...One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work -
Kew Historical Society Inc
Decorative object, Birds of Australia, 1950s
... are representative samples of women's work, often using commercial... samples of women's work, often using commercial or patterns using ...One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, Teachers Take Lessons in Pruning, 1920-1940
... of the young women horticulturalists at work on an apple tree."... of the young women horticulturalists at work on an apple tree ...Photograph with the caption,"One hundred and thirty students from the Teachers' Training College were given lessons in pruning at the Burnley Horticultural College yesterday. The picture shows a group of the teacher-students watching three of the young women horticulturalists at work on an apple tree."students, burnley horticultural college, courses, female students, teacher training, pruning -
Unions Ballarat
Labour History No. 60-61, 1991
... in the making of history." These two volumes: No. 61 Women, Work... of history." These two volumes: No. 61 Women, Work and the Labour ...The Australian Society for the Study of Labour History describes the journal as follows: "The interdisciplinary nature of labour history, and its acceptance of less traditional sources, including folklore and oral testimony, make it a fascinating field, alive to past and present social justice issues. The journal, which has been appearing twice yearly since 1962, is the premier outlet for refereed, scholarly articles in its field in Australasia. Because ASSLH aims to raise historical awareness in the community, Labour History also publishes essays, reviews, and memoirs that reflect the involvement of labour historians in the making of history." These two volumes: No. 61 Women, Work and the Labour Movement in Australia and Aot Nov., 1991 pp. v-x, 1-166 No. 60 May, 1991 pp. i-vi, 1-164Unions, social justice and labour history.Book; 2 volumes; 330 pages. Cover: red and white background; black lettering; title and series numbers.btlc, ballarat trades hall, ballarat trades and labour council, trade unions - history, trade unions - australia, periodicals, labour history -
National Wool Museum
Photograph - Women's Basketball Team, Albion Mill, 1941
... of this 1941 Women's Basketball Team and worked at the Albion Mill.... of this 1941 Women's Basketball Team and worked at the Albion Mill ...Gwen Low, who donated this photograph, was the Captain of this 1941 Women's Basketball Team and worked at the Albion Mill.Black and white photograph showing an outdoor portrait of seven women, with four standing at the back and three kneeling in foreground. The woman in the centre front is holding a basketball. The women are wearing matching uniforms with heart motives. Trees and buildings are shown in the background.albion mill, geelong, wool, industry, sport, basketball, teams, women's sport, manufacturing -
National Wool Museum
Quilt, Dressed in Memories IV
... celebrates women's domestic work through the generations in Australia.'... to the history of women, the quilts they made and the memories their work ...Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Sisters of Charity Miniature Doll, Nursing Through the Ages
... procedure to young peasant women. They worked in the home hospital... procedure to young peasant women. They worked in the home hospital ...Sisters of Charity St Vincent de Paul. In 1638 St Vincents de Paul and Mademoiselle de Gras taught simple nursing procedure to young peasant women. They worked in the home hospital and battlefield. Their duties were arduous no pain relief was known and they were exposed to infection. In the 20 century the sisters of St Vincents De Paul are working worldwide nursing teaching caring for orphans the aged lepers. They shared in advances in medical science.30cm Miniature Doll dressed in bright blue shimmering dress with matching capeName tag Sisters of Charitynursing history, nursing uniforms, northern district school of nursing, miniature dolls -
National Wool Museum
Quilt, No Sugar
... Women's Work', page 27 of issue Article from New Zealand Quilter... Women's Work', page 27 of issue Article from New Zealand Quilter ..."No Sugar" was the winnning entry in the Expressions 2002; The Wool Quilt Prize. It was on exhibit at the National Wool Museum from 23 September to the 15 December 2002.Large green handstitched quilt with orange cross. (This picture shows the quilt on its side - it is displayed with the cross on the left and the darker area at the lower left.) Statement from Katherine Morrison regarding working technique and Expressions. Statement by Katherine Morrison regarding working methods and Expressions. CV of Katherine Morrison, Winner of Expressions 2002 Entry from 'Expressions 2002: The Wool Quilt Prize 23 September - 15 December 2002 National Wool Museum, Geelong', no.15. Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 1 (page 4 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 2 (page 5 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 3 (page 6 of issue) Article from New Zealand Quilter issue 37 titled '2 Women's Work', page 27 of issue Article from New Zealand Quilter issue 41 titled 'Rural Composition', page 21 Photo and explaination of Katherine Morrison's quilt 'Something Borrowed', made 1997"No Sugar" by Katherine Morrison 84 Blue Mountains road Silverstream upper Hutt New Zealand ph/fax 04 5288624 "NO SUGAR' 2002 An original quilt by Katherine morrison Hand dyed woollen (old) blankets handquilted QUILT CARE MADE WITH PURE N.Z. WOOL BATTINGquilting, blankets, new zealand -
Women's Art Register
Books, Re-Register: Australian Women Sculptors From The Women’s Art Register
... in residence program at the Women’s Art Register, featuring work... at the Women’s Art Register, featuring work by artist-in-residence Julia ...art, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artistsart, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artists -
National Wool Museum
Photograph - Women's Basketball Team, Albion Mill, 1942
... of this 1942 Women's Basketball Team and worked at the Albion Mill... of this 1942 Women's Basketball Team and worked at the Albion Mill ...Gwen Low, who donated this photograph, was the Captain of this 1942 Women's Basketball Team and worked at the Albion Mill. The uniforms were made from fabric woven at the Albion Mill.Black and white photograph showing an outdoor portrait of seven women standing side on in a line. The woman in the front is holding a basketball. The women are wearing matching sports uniforms. albion mill, geelong, wool, industry, sport, basketball, teams, women's sport, manufacturing -
Bendigo Historical Society Inc.
Document - PHOTOCOPIES OF PHOTOGRAPHS OF THE EXTERIOR AND INTERIOR OF BENDIGO JAM FACTORY FARMERS & FRUIT GROWERS COOPERATIVE SOCIETY LTD. CIRCA 1902
... of factory with (predominantly women) workforce at work stations... with (predominantly women) workforce at work stations Document PHOTOCOPIES ...four photocopies of black & white photographs of the Bendigo Jam Factory Farmers & Fruit Growers Cooperative Society Ltd. photographs of the factory circa 1902 1 covering letter 2 current interior of factory 3 current interior of factory 4 exterior of factory with workforce (14 women & 7 men) 5 interior of factory with (predominantly women) workforce at work stations -
Glen Eira Historical Society
Pamphlet - Trinity Congregational Church, Glen Huntly
... churches ministers, youth work, women organizations, church office... churches ministers, youth work, women organizations, church office ...Trinity Congregational Church, 50th Anniversary celebrations pamphlet, dated 20/03/1960. The pamphlet includes 6 photos, 4 being of the churches ministers. History documents beginnings of church and formation of the fellowship, details churches ministers, youth work, women organizations, church office bearers and current church officers.trinity congregational church, vine grove, capper william. james, grange road., orr edward., billinghurst f., glen huntly, davidson. robert, billinghurst a. e., sindrey j. a. rev., davidson a. m. snr., bevan wm., manses, davidson am., chapman e. alice, selway katie, burgess amy, stebbins s ivan., cockfield marion., griffith a. j. rev., orr w., kruss t. p., burrage mr., gann a. rev., reeves duncan, bryant s. rev., saxby argyle, taylor edward., jones j. w. rev., roberts griffith rev., wells h. t. rev., tapp. c. e. rev., robb w. l., roberts john, albiston walter rev., ewan forbes k. rev., sunday schools, white a., gibson. w.a., stebbins mrs., gibson mrs., earnshaw e. miss, church groups., chandler l. miss, money a. miss., williamson. g., wells h., wharington g. a., wharington g. m. g, cockfield. mr, lewis mr., wharington john., williamson john, wotherspoon s., bromley n, harris a., gibson e., williamson j. miss, bromley f. mrs, bushell o. mrs., lambton e., sisson b miss. -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: BENDIGO WOMEN
... A box with a picture of men and women on the front...) 'Press pictures of Bendigo Women and their Work.' 'Bendigo ...A box with a picture of men and women on the front. It contains 2 folders of newspaper cuttings. (1) A series of 'Bendigo Advertiser' newspaper cuttings under the heading of 'Woman on Bendigo' 1956-1957. Also contains a few cuttings all relating to Bendigo 1932 - 1960 and from 'Bendigo Advertiser' and 'Table Talk.' 1932 - 1960. (11) 'Press pictures of Bendigo Women and their Work.' 'Bendigo Advertiser,' 1956 - 1967.Women on Bendigo and Paper Snapsperson, individual, women, lydia chancellor, collection, bendigo, women, 'women on bendigo, ' 'paper snaps, ' pioneer women of bendigo, ' female, individual -
Melbourne Legacy
Poster, Join the AIF now!, 1941
... recruitment drives for men's and women's services, munitions work, war... recruitment drives for men's and women's services, munitions work, war ...A framed Australian Commonwealth Military Forces Second World War recruitment poster by Richard Haughton James (source AWM). The poster is an offset lithograph on paper framed by a blue border, mounted in a black frame. It is an early example of the work of the Commonwealth Advertising Division, set up in 1941 within the Department of Information, primarily to advertise recruitment drives for men's and women's services, munitions work, war loans and national savings campaigns.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Black and white sketch of a wartime lady holding a soldier's hat used as a recruiting poster in a black frame.Test of the poster "Mister, here's your hat! JOIN THE AIF NOW!"world war two, recruitment, aif -
Bendigo Historical Society Inc.
Photograph - ELAINE SWANSON COLLECTION: ANZAC DAWN SERVICE 2015 RSL BENDIGO
... , by a group of women in Bendigo who worked on the task at the Bendigo... knitted and crocheted, by a group of women in Bendigo who worked ...Image of poppy banners draped from top of Memorial Hall, Pall Mall, Bendigo, taken at dawn service 25 April 2015. Poppies were made from wool, both knitted and crocheted, by a group of women in Bendigo who worked on the task at the Bendigo RSL Havilah Road, Bendigo. It is estimated that over 18,000 poppies were made to produce the banners.bendigo, institutions, rsl, bendigo, rsl, poppy -
Federation University Historical Collection
Photograph - Photograph - black and white, Ballarat School of Mines Staff, 1921
... A group of men and women who worked at the Ballarat School... and women who worked at the Ballarat School of Mines in 1921. Back ...The Ballarat School of Mines from Australasia's first school of mines.A group of men and women who worked at the Ballarat School of Mines in 1921. Back Row left to right: L. Leroux , W.K. (Ken) Moss , John M. Sutherland, E. McConnon, ? , Hubert R. Murphy, R.W. Richards, (Reginald Callister ?) Second row left to right: W. Rowbotham, Albert E. Williams, Donald I. Johnson, S.H. Mayo, H.G. Wakeling, F.N, King, W.H. Steane, W. Kenneth, Dr James Robert Pound, ? , L. St. G. P. Austin Third row left to right: H. Ellis, Alfred Mica Smith, A.F. Heseltine, W.H. Middleton, H.H. Smith, Albert W. Steane, J.B. Robinson Front row left to right: M. Williamson, Annie Jones, ?, Ruby H. Lonie, M. Bell, Mrs McIlvena, V. Elston (Librarian)ballarat school of mines, staff, lonie, dick richards, callister, moss, donald johnston, l. leroux, w.k. (ken) moss, ken moss, john m. sutherland, e. mcconnon, hubert r. murphy, r.w. richards,, reginald callister, w. rowbotham, albert e. williams, donald i. johnson, s.h. mayo, h.g. wakeling, f.n, king, w.h. steane, w. kenneth, dr james robert pound, l. st. g. p. austin, lancelot austin, h. ellis, alfred mica smith, a.f. heseltine, w.h. middleton, h.h. smith, albert w. steane, j.b. robinson, m. williamson, a. jones, ruby h. lonie, m. bell, mrs mcilvena, v. elston, annie jones, university women, ruby lonie, samuel mayo, ken moss -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, Late 19th century
... This handmade women’s camisole features hand-worked lace...Camisole Clothing Women's camisole, short sleeves ...This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, neck trim and waist trim. Drawstring, tie and button closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, Late 19th Century
... This handmade women’s camisole features hand-worked lace...Camisole Clothing Women's camisole, short sleeves ...This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar, waist trim and yoke. There are five buttons and two ties down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, Late 19th century
... This handmade women’s camisole features hand-worked lace.... This handmade women’s camisole features hand-worked lace yoke and trim ...This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and drawstring peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. Front closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, Late 19th century
... This handmade women’s camisole features hand-worked lace...Camisole Clothing Women's camisole, short sleeves ...This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. It has button closures down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED WW1, Education Department Victoria, 1917
... illustrations and decorative scroll work. three women at top, two... work. three women at top, two children below certificate title ...Information printed on Certificate; "Young Workers/ Patriotic Guild. This is to Certify that/During the Great War/............../A Pupil of .............../School No. .............../ Qualified as an effect/ ive member/ ..............Minister/ ...............Director/ Headmaster 191.............../ED/ 1911" Also see Cat No. 7026.Certificate - paper, dark blue print with colour illustrations and decorative scroll work. three women at top, two children below certificate title, below all print foliage. Handwritten - owners name and signatures on Certificate. Certificate damaged by water and dust. Frame - timber, with decorative plaster of paris moulding, gold paint. Moulding damaged with many sections missing with glass front and cardboard back.Handwritten in black ink: “George Graham/Arnold's Bridge/1664/ HSW Lawsaw/ ? Tate/ W.M. J. Jackson/ 1917”framed certificate, ww1, education dept victoria, accessories.