Black and white historic postcard (Set 2 No 4 ) Australian Brick & Tesselated Tile Co, Mitcham in the 1920s. Workers outside the buildings. Original supplied by Raleigh Armstrong - 2 copiesarmstrong, raleigh edward, australian brick and tesselated tile co., nunawading library & information service

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020A 1920s weatherboard bungalow, now featuring a subsequent second floor addition. The pen and ink drawing on drafting film of 191 Brougham Street was made by Margaret Picken in 1997, and predates this addition.191 BROUGHAM ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 191 brougham street -- kew (vic.)

Black and white photograph - Studio photo - post WW1 early 1920s - standard MMTB Tunic. The vest may imply an inspector. Note the cap badge and hat band. No badge number.trams, tramways, personnel, uniforms, inspectors

Used by a Girl Guides' group based at Ruyton Girls'School. Ruyton formed a Girl Guide Company in mid-1922, which continued, with a brief hiatus in 1924, until c.1945.Brass finial for a flag pole in the form of a trefoil. The trefoil has a five pointed star pierced into centre lobe and the alphabet character G impressed into each other lobe. (G G representing Girl Guides). The brass of the trefoil has a short cylindrical section which attaches to a flag pole.G Gruyton girls' school, kew, girl guides, flags, school, 1920s, 1930s, 1940s

Tilly Aston was also a talented crafts person. This open-weave evening purse was made by her in the 1920s, and features delicate, milky-white beads threaded on wire with green and pink glass beaded flowers.Beaded bag with red flowers on green stemsassociation for the blind, tilly aston

Photo shows a flock of sheep crossing the Queen St bridge with a cable tram alongside. Has the skyline of the City in the background. Possibly 1920s. Not possible to find the cutting in Trove, possibly The Sun News Pictorial.Demonstrates a photo illustrating a day in the life of Melbourne.Black and white print with plain back.tramways, cable trams, cables, queens bridge

9059.1 Victorian handmade needle run lace collar 9059.2 Lace collar with two press studs 9059.3 9059.4 9059.5 Light blue crocheted silk collar and cuffs. c1920s. 9059.6 Cream silk crocheted collar 9059.7 Hand crocheted Picot collar, c.1930s 9059.8 Cream silk crocheted collar, 1920s to 1930s 9059.9 French needle run lace collar 9059.10 Black silk faille collar, c. 1920s

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.A 'real photo' postcard printed by Kodak Melbourne probably taken from an original photograph by Henry Christian in the 1920s. The monochrome photo shows an open top tourer and a man standing on the Alps Road.henry beater christian (1886-1962), the alps road, real photo postcards, christian-washfold collection

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This tobacco tin is one of the many objects in the Haeusler Collection that provides insight into life in early to mid-twentieth century Wodonga, and Australia more broadly. Smoking in the first half of the twentieth century was incredibly common in Australia and other western countries. In 1945, more than three out of every four men and one in every four women were regular smokers. While rates of smoking decreased over the next two decades due to observations and research regarding the links between smoking and illness, an increase in tobacco use was documented after the advent of television as people were bombarded with advertisements for cigarettes. These advertisements, much like the image on the Haeusler Collection 'Miranda's Dream Cigarettes' Tobacco Tin, depicted smoking as sophisticated and glamorous, distracting consumers from the serious health risks associated with smoking. Orientalist depictions of Middle East were common in tobacco advertising in the West in the first half of the twentieth century, an attempt to associate cigarettes with the supposed sensuality and mystery of the Orient. There have been significant changes in both legislation and popular perceptions of smoking in Australian society since the manufacture and consumption of 'Miranda's Dream Cigarettes'. In 1992 the Tobacco Advertising Prohibition Act was introduced, making it illegal in Australia to publish or broadcast messages that encourage people to start or continue smoking. In 2011 the Australian government also introduced plain packaging laws to reduce the appeal and promotion of tobacco products, and make health warnings more effective. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A tobacco tin with a coloured illustration of a woman in stylish 1920s-1930s dress sitting in an armchair smoking a cigarette, while watching an Orientalist scene featuring a belly dancer and a snake charmer wearing a turban. Branding on the lid of tin: "Miranda's Dream Cigarettes"cigarettes, tobacco, smoking, cigarette tin, haeusler, haeusler collection, wodonga

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Dynamic duo' Edward Wright and sister Alice Wright sit in their prize-winning 'buggy and pair' at the Rochester show in the 1920s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This plain brown fur muff was worn by Miss Emma Louise Foreman in the mid 1920s, and later when she married Mr Elrick Tait, who owned a factory in Prahran which manufactured wooden tool handles.Brown round fur muff, lined with red satin material in original round box with lid.costume accessories, glove accessories

Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939

This bottle was used in the pharmacy of James Barnes in Minyip and Horsham and possibly also in Warrnambool as the bottle was found in this city. Born in England, James Barnes came to Australia in 1873. He was a chemist and veterinary surgeon in Creswick, Minyip and Horsham before coming to Warrnambool about 1926. He purchased the pharmacy of Dougall and Easton at 102 Liebig Street which had been leased to Leonard Eason in the early 1920s. Barnes called this business the Manuka Pharmacy. The chemist he brought in to manage the business, Len Suggett, eventually bought the business. Barnes died in 1939. His son Ralph also had a pharmacy business in Warrnambool in the 1920s. Although this bottle does not have the name ‘Warrnambool’ on it, it is likely that James Barnes used the bottle in his Warrnambool pharmacy. It is, therefore, of considerable interest as it is one of the few pieces of James Barnes’ mementoes found so far. James and Ralph Barnes were prominent chemists in Warrnambool in the 20th century. This is a glass bottle with a rectangular body with curved edges, a circular-shaped neck and a round moulded top. There is no stopper and the top has a small chip in the glass. The front of the bottle is embossed with the name of the chemist and the outline of a shield with the chemist’s initials. The bottle is empty and the inside of the bottle is discoloured from the original contents. ‘J.B.’ ‘James Barnes Chemist Minyip & Horsham’ On Base: ‘M’ chemists in warrnambool, history of warrnambool, james barnes,, warrnambool chemist

Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Rare early photograph of a local cricket teamKew cricket team and officials, photograph mounted on cardDonor notes: EARLY 1920S / PHOTO 8" X 6"; OVERALL SIZE 11" X 9" / ARTHUR MIERS 2ND FROM LEFT - FRONT ROWcricket teams, arthur miers

St Matthew's Church Girls Friendly Society Outing with transport provided by Wally Breen's truck. Scene shows group of girls in front of truck, some holding large bunches of flowers. circa late 1920s. From back L - R Vi Hardon, Edna Eakin, Florrie James, ?, ?, Mrs Eakin, Sheila Shellow, Mrs Hamilton, Iris Dorey, ?, Mrs Wally Breen, Nora McLarty, Mavis Giddens, Wally Breen, Rita Shaw, Jessie Lyle.st matthew's church, girls friendly society, olinda, vi hardon, edna eakin, florrie james, iris dorey, sheila shellow, wally breen, nora mclarty, mavis giddens, rita shaw, jessie lyle

Plenty Bridge Hotel Lower Plenty, 1920s. This photograph shows a car crashed into the pylon of the Lower Plenty Bridge with the caption "Moral - never attempt to pass the Plenty Bridge Hotel". Possibly from a newspaper, this is an advertisement for the Plenty Bridge Hotel.Digital copy of black and white photograph"Moral - never attempt to pass the Plenty Bridge Hotel"lower plenty, plenty bridge hotel, lower plenty hotel, lower plenty bridge, car accident

Ten cows, steers, or bullocks hauling logs to a sawmill (possibly McLaren's sawmill in Belgrave). Bullocky standing behind team with backs to camera. The team is on a manmade track, surrounded by bush but in sunshine. c. 1920s

Photograph shows a cable tram set in Swanston St at Flinders St with Flinders St station in the background. Cable trailer 32? Has a Safety zone sign in the foreground. Photo early to mid 1920s, the line was converted to electric trams in 1926.Yields information about St Patricks Cathedral and cable trams in Gisborne St.Black and white photograph with notes on the rear.On rear in pencil "Swanston St at Flinders St" Has the number "21" in pencil in top right-hand corner. tramways, cable trams, swanston st, flinders street station, tram 32

Athletic medals awarded to Kenneth Baird. Kenneth attended Ballarat College 1925 - 1930. As an Old Collegian Ken also served on the Ballarat College Council 1950-73 and the Ballarat Clarendon College Council 1974-84 (Chairman 1976-84). The K D Baird Boatshed is named in his honour, as were the rowing boats the Ken Baird 1963 and the Ken Baird II in 2003. Small metal shield medals, with chain attachments at top and inscribed on versoVerso: Ballarat / College / Gymn '23 Verso: Under 14 / BC / 1926 Verso: B C / Under 14 Gym / 1927 kenneth d baird, athletic medals, 1920s

Black and white photograph (copy) mounted on boardOriginal photograph has inscription. See image - 1921 hockey team back. "Hazel & Sheila Crossley, Marie Scott, Miss Lake, Linda Little, Bessie Franks, Jean Campbell, Edna Fryer, Vera Burrows, Eunice Pittard, Clarice Woolf, Violet Keay, Linda Fassell. Mrs E Johnson 27 Giffard St." See also 32.10 for original photograph on brown card.williamstown high school, hockey team, 1920s

Copy of pen and ink drawing of original building.williamstown high school, school buildings, 1920s

A b/w photograph of the O'Brien family (members unidentified) in 1922.Handwritten on back: O'Brien family 1922o'brien family, 1920s, george evans collection

historic architecture, 1920s, regency

Concrete Bridge at Monbulk C1920sconcrete bridge, 1920s, monbulk

Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.1920s, cloak, cape

The Warrnambool Fire Brigade, founded in 1863, has been a strong participant in competitions throughout its history and was particularly successful in the 1890s and early 1900s. It has hosted many State Championships at Junior and Senior level. In the 1920s there were many significant fires in Warrnambool. These ribbons are of minor significance as they are in a poor condition and three of them have no provenance. They are however examples of ribbons used in Fire Brigade competitions in the past. These are four ribbons that come from Fire Brigade demonstrations or competitions. At least one is connected to the Warrnambool Fire Brigade. One is a buff-coloured silk label marked ‘Examiner’ in red printing, fraying at both ends. One is a red silk ribbon marked ‘Warrnambool Fire Brigade’, fraying at both ends. One is a black silk ribbon with no apparent markings and one is a buff-coloured silk ribbon, much frayed with brown printing.‘Examiner’ ‘Warrnambool Fire Brigade’ ‘C.F.B.D. Ballarat, 1923, Examiner’ (This may stand for ‘Country Fire Brigade Demonstration’ ) warrnambool fire brigade

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHat Pin with a forest green opaque ball headclothing, millinery, hat accessories, 1920 fashion

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0287hat pin, female head apparel, clothing accessories

1920s view of 405 Bay Street shortly after purchase by the Faram Bros Thomas and Richard. (Appears to have been photographically printed on part of a postcard form) Shows new verandah added by Faram Bros.built environment - commercial, business and traders - hardware, faram brothers hardware, judy faram

Various Girl Guide materials of Merle Bush dated 1920s and 1930s - Guide Law; various rally and camp materials; magazines and gazettes; reports; ''History of the Girl Guides in Victoria''; various Guide printed ephemeramagazine, organization, the girl guides