David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

Frederick Paasch 's house with two Chandlers outside. See Victoria's Wonderland p98-99. Weather board slab building with climbing rose growing on side of house. Bricks form base of chimney with an iron flue forming rest of chimney. Two men and a horse stand to the right of the cottage.buildings, houses

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, brick and render, bow window, porch with tapered pillar at corner, fence of iron rods with decorative tops, hedge to fence height.F.A. Jeffree Bendigoplace, building, residential, bendigo branch''

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 16 Morack Rd., Vermont This property is listed as having sold for $240,000 in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a brick single story house. On the left is a driveway leading to a connected garage, while to the right in the foreground is a front lawn, with a couple of gumtrees.16 Morack Rd., Vermont Margaret Picken © 2000 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Clothing. Wedding Dress - Bodice.Cream coloured bodice of wedding dress. ''Japanese silk with transparent yolk of chiffon tucked Russian Body'' ( Quote from newspaper of the day).Long pintucked sleeves. Fine ribbon trim and bows at wrists. Two flounces of silk, trimmed with ribbon at elbows. Front panel fastened at side with metal hooks and hand made loops, to show a centre panel trimmed with chiffon frills. Pearl beaded motifs at front. Sash at waistline ties at the side - finished with pearl beading, and and a stand up chiffon collar. Worn by Mary Smith who was the daughter of Felix Smith. He built the Wycheproof Court House, Post Office and Royal Mail Hotel. Mary and John Keane lived in a mud brick house after they their marriage. See also 11400.75, & 11400.77.costume, female, wedding dress bodice

Mr. John Rossiter is the Minister of Health of Victoria. The RDNS Sisters are wearing their uniforms of grey dresses, red cardigans and grey peaked hats. The RDNS badge on their hats are made of metal with a royal blue circle containing the letters "Royal District Nursing Service". The inner section is divided in three parts; the upper and lower sections are silver and the centre section has the capital letters RDNS written in royal blue across it.Black and white photograph showing seven Royal District Nursing (RDNS) Sisters, four only partially seen, walking along a footpath with Mr. John Rossiter. Mr. Rossiter, who is in the centre of the photograph and group, has balding dark hair and is wearing a white shirt, striped tie, and a dark striped suit with a white flower in the button hole on his left lapel; a corner of a white handkerchief is seen in the left pocket of his jacket. The full view of three RDNS Sisters can be seen wearing their uniforms of a grey frock and dark cardigan and grey peaked hats with a round badge in the centre. In the background are some cars on the road, lamp posts and some trees. A white fence and a brick house with a tiled pitched roof is seen in the right hand side background.Photographers stamp. Quote No. KG 48royal district nursing service, rdns, rdns uniform, mr john rossiter

James Reid was born in Scotland near Glasgow and came to Victoria as a young man in 1854. Shortly after arriving he came to Bacchus Marsh where he lived until his death in 1902 at the age of 74 years. For most of these years he conducted a wheelwrights and coach builders business in Bacchus Marsh. In the nineteenth and early twentieth centuries, wheelwrights and blacksmiths played an essential role in the functioning of the whole community. Before the industrialisation of manufacturing, wheels and other components of vehicles for transport, all metal objects, including farm implements, building requirements and domestic utensils were made by hand. As mechanisation of industry increased, the smith commonly performed the role of farrier in the times when horse power was pivotal to all aspects of society. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll' The photo shows a plain brick house with a central front door with a window on either side. There are a further two windows along the side of the house. On the left-hand side of the building there is a smaller room with its own entry door. The main roof is tiled with shingles or slate and features two substantial chimneys. At the front of the house stands a young woman with her hands clasped. A horse can be seen at the rear of the house. From the photo of the James Reid Wheelwright and Blacksmith Shop, Victorian Collections No.VC 618, we know that this house stood to the rear of the workshop. The wheel tracks which can be seen lead out to Main Street. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE houses bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district, james reid 1828?-1902, wheelrights bacchus marsh

Wall display of photographs and cabinets of books as part of the Bicentennial/Heritage Week Display, "The Eltham Tradition", held in the Eltham Shire Office, 17-22 April 1988 by EDHS. The Alistair Knox Collection is a series of mounted enlarged photos of about forty images mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to EDHS. Some of the photos have been used in Knox's books. Alistair Knox (1912 - 1986) is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002) Two colour photographsactivities, eltham shire office, heritage display, heritage week, alistair knox

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 8 Hale Crt., Burwood East in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as sold for $385,000 in 2003 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Tainton St., Burwood. A brick single story house with steps up to front door, with a driveway leading past a gate, to a garage in the background.8 Hale Crt., Burwood E Margaret Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood east

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 23 Mock St., Forest Hill. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 23 Mock St., Forest Hill, of a brick single story house set back from a front lawn with driveway leading to a garage on the left.23 Mock St., Forest Hill Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Black and white photo of weatherboard house in Albion Street Bendigo. House has brick chimney at the front, picket timber fence, across front.bendigo, house, albion street bendigo

black and white photo: rear of weatherboard house, brick building joined on left side of photo, with fish pond, and frog decoration in foreground. On back MP 98. On back, in pen, J. Evans, Fernihurst Estate, Fernihurst'place, building, fernihurst estate

This is a facsimile copy, produced by Masters of Architecture Students at the Melbourne School of Design University of Melbourne, 2017. This feature correspondence, newspaper articles, and other material concerning the development of Appletree Hill Housing Development, Glen Tower Drive, Glen Waverley, 1966. In 1965 Lend Lease Homes commissioned Robin Boyd to design six brick veneer houses. They were built as a display village at Appletree Hill.A facsimile of an booklet to advertise Lend Lease homes designed by Robin Boyd.appletree estate, architecture, domestic architecture, housing estate, walsh st library

Black and white photograph mounted on green board. Two storey building with verandahs, iron lace, decorative curved parapet. Brick and stone building to the left. Brick house to the R. Six horse drawn vehicles at front - five decorated. Tram track across the front. Eight people on 1st floor verandah. Eight people on footpath corner. All vehicles have 2 or 3 people. Inscriptions: in image - 'Estd 1859, E W Hands, Butcher Co, Poulterer', Estd 1859 E W Hands' 'Butcher & Poulterer', 'Refrigerating Chambers on the Premises'. On front BR corner. Impressed 'W Bug, View St, Bendigo, Rosalind Studio'. On back - circular rubber stamp 'Royal Historical Society of Victoria, Bendigo Branch'. Helen Mainka 20.7.2001 '2001.187.01 taken by Ernest Bugg, Camperdown Terang'.buildings, commercial, ew hands, butcher

Eva Grant was a member of the Kew Historical Society. Three albums in the collection were created by her, this one, the third created between 1964 and 1966. They were donated to the Society by her daughter in 2010. Each of the albums includes photographs and newspaper cuttings collected on her travels to historic places in South East Australia in the 1950s and 1960s. Particular structures photographed in this album include: Barnawatha (Vic.) - The Hermitage | Beveridge (Vic.) - Stone cottage where Ned Kelly was born. | Brighton - St Andrew’s Church graveyard. | Chiltern (Vic.) - lake view [missing] | Cowes (Vic.) - ‘Broadwater’ [originally home of Henty-Wilson family], demolished 1965; Bell of the Speke wreck; Edward’s tree. | Euroa (Vic.) - Habbies Howe | Fairfield (Vic.) - Dight’s Falls; John Dight. | Fernshawe (Vic.) - Queen Mary tree. | Jolimont (Vic.) - Old railway tunnel linking the first Government House (1964); Sign identifying location of first Government House. | Kew (Vic.) - Cairn at Dight’s Falls; Canoe tree, Bowyer Avenue. | Kyneton - De Grave’s Flour Mill - “C”. | Maldon (Vic.) - Chinese oven; Macarthur’s House; Maldon’s oldest resident; Chinese graves x 2; [Beehive Chimney]. | Marysville (Vic.) - Centenary cairn | Mitcham (Vic.), Mud brick house x 2, Deep Creek Road. | Melbourne (Vic.) - St Paul’s Cathedral [renovation] (1964); Wreckers at Damman’s Corner, cnr Bourke and Collins Streets (1964); Princess Gate project x 2 (1964); Colonial Storekeeper’s building on cnr King and Bourke Streets (1966); Early observatory 1861-3; the Honey Memorial. | Mt Oberon (Vic.) - [obsolete] radio telephone dish. | Seymour (Vic.) - Habres (sic) House x 3.| Swan Hill (Vic.) - Major Mitchell’s Cairn (12/1964); Headstone of Andrew Beverage AM (12/1964). | Templestowe (Vic.) - Finn’s Hotel. | Thornton (Vic.) - Eildon Station. | Werribee (Vic.) - Chirnside Memorial [Presbyterian] Church; gaslight beside church | Location unknown, but possibly Swan Hill - Brick house; Wooden bullock dray. | Location unknown - Headstone of John Furlonge 1835.Important record of significant heritage properties in Victoria, many of which have since been demolished.30 page spirex bound drawing book including photographs and newspaper articles of historic buildings in Victoria. The front cover has a picture of a steam boat. The cover is encased in plastic. A number items in the album are annotated with written commentary by Eva Grant who compiled the album. Annotations and transcriptions by Eva Grant on most imageseva grant, photograph albums, heritage places - victoria

In 1938, Arthur William Glass (known as Peter Glass) was studying painting under Max Meldrum. Much of their inspiration came from the Eltham bush and the nearby Yarra River. With his friends jazz musicians Graeme and Roger Bell, Peter bought land at the top of John Street: enchanted by Montsalvat, he had the objective of building a mud-brick house. War intervened, but then in 1948 he began working for Alistair Knox as a carpenter and mud-brick builder. By then, Peter had married, necessitating a larger house, which he built with help from Alistair Knox. As a trained architectural draftsman, Peter later progressed to working for Alistair in that role, eventually running the drafting office during the 1960s. He was deeply involved in the foundation of the Australian Institute of Landscape Architects, and went on to design many gardens, some in partnership with Alistair Knox and Gordon Ford. He died in 1997 and is buried in Eltham Cemetery with his wife Cecile. Peter Glass (Arthur William) Artist A.I.L.A. 28.8.1917 - 28.12.1997 and his loving wife Cecile Madeleine 23.2.1927 - 6.2.2006 Rest In PeaceBorn Digitaleltham cemetery, gravestones, heritage excursion, cecile madeleine glass, peter glass

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Two single-fronted brick Victorian terraces houses; part of a row of five. Extant in August 2020 but with alterations including a first floor addition since the drawing was made. The pen and ink drawing on drafting film was made by Margaret Picken in 1998.137 & 139 BROUGHAM ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 137 & 139 brougham street -- kew (vic.)

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, brick and render, tiled roof, porch with arches and pillars, established garden, brick rendered fence and low hedge, a chimney, patterned windows and entry doors. '' Amalfi '' 143 Forest Street.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, diamond street, rocknall

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, main road

View looking across Main Road to Wingrove Cottage (c.1950s), former home Charles Symons Wingrove. Charles Wingrove was a prominent figure in Victorian local government, as secretary to the Eltham District Road Board and Shire Council from 1858 to 1904, and, as Shire Engineer and Secretary to the Heidelberg Road Board. He was part of the Committee to establish the Church of England at Eltham. The Wingroves were an important pioneer family of Eltham and Wingrove Cottage is one of the most important heritage buildings in Eltham as one of the few surviving 19th century buildings. Reputedly built in 1858, Wingrove Cottage was recorded in the 1859-60 Eltham Road District rates book as a brick house owned and occupied by Wingrove with a Net Annual Value (NAV) of ₤30. In 1861, the year the Church opened, Wingrove's house was identified as a two -roomed brick cottage. Charles Wingrove is buried with other members of his family in the cemetery at St Katherine’s Church, St. Helena. This image is believed to have been incorporated in a presentation by Russell Yeoman to the 10 November 2004 Society meeting on "Significant Trees, Wildflowers and Local Gardens."This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, eltham, main road, wingrove cottage, george w. bell collection, significant tree

Residents of the Fernleigh Flats Retirement village are understood to be well and strong enough to care for themselves and need to be over the age of 55 years. Fernleigh Flats is owned and operated by the Seventh Day Adventist Church. "TO LET, a Brick House, corner of Urquhart and Ripon Streets. Apply Owen Cazaly, Mining Exchange."(Ballarat Star, 16 Aug 1867) "SALE BY AUCTION, Corner of Urquhart and Ripon streets, 07 COMFORTABLE COTTAGE PROPERTY. M'GREGOR BROTHERS, instructed by the owner, Mr Bradbury, who has bought another property, will sell by public auction, on Monday, 16th May, at half-past 12, His six-roomed substantially-built RESIDENCE. The owner has, under his own supervision, spared no expense in making this a most comfortable and convenient dwelling, situated on a quarter of an acre allotment, at the corner of Urqhuart and Ripon streets, high and dry. Garden laid out with choice young fruit trees; ground capable of growing anything. Fowl yard fenced off. making It a most desirable residence. For a family residence or as An investment this is a good opportunity. Inspection invited. Auctioneer, R. M'GREGOR. (Ballarat Star, 12 May 1893.)A retirement village on the corner of Urquhart Street and Ripon Street, Ballarat. The street trees surrounding this property include a number of trees (blue cedar?) and suggest the demolition of an older stately home on this site. fernleigh flats, residences, architecture

Image 18 Alistair and Margot Knox House Designed and built by the owners The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcalistair and margot knox house, alistair knox, alistair knox design, houses, margot knox, mud brick construction, alistair knox collection