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Tatura Irrigation & Wartime Camps Museum
Tool - Iron - branding, Karl Wied, Branding Iron, 1940's
Small handmade branding iron on metal spike. The letters KM are riveted onto a flat plate.KMbranding iron, metal work, camp 3, tatura, internee, karl wied -
Tatura Irrigation & Wartime Camps Museum
Blouse, 1943-1944
Made by internee in Camp 3White cotton blouse. Handmade lace yoke and sleeves. 6 small buttons on opening at backblouse, fischer g, cotton, lace, camp 3, tatura, ww2 camp 3, costume, female -
Tatura Irrigation & Wartime Camps Museum
Ironing Board, 1940's
Used by internees from Camp 3Handmade wooden sleeve ironing board, padded with woollen army blanket piece. Applied with tacksironing board, wied l, camp 3, tatura, ww2, domestic, laundering -
Tatura Irrigation & Wartime Camps Museum
Rucksack, 1942/43
Made in "Lager" Tatura by internee Richard Graze for his Wife, GertrudMulti coloured handmade canvas rucksack with leather straps and drawstring. Predominate colours orange and greengraze t, graze r, camp 3, tatura, ww2 camp 3, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Cake Tin, 1940's
Used by internees at Camp 3.Large metal round cake tin. Spring form type with spring clip on the side. Handmade.cake tin, wied l, camp 3, cooking -
Tatura Irrigation & Wartime Camps Museum
Tool bag, 1940's
Made and used by internees at Camp 3Handmade fabric tool kit with pockets of varying sizes and 2 strings for tying/wrapping uptool kit, hoefer family, camp 3, tatura, ww2, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Calendar, c.1943
Made in Camp 3 by Ursula Stuerzenhofecker for her friend Helga AndersonHandmade illustrated calendar. At top wool tie for hanging and date section attached with staples at bottom.Ursula Sturzenhofecker 24.12.46war camps, documents, calendars, stuerzenhofecker, anderson, helga -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1900
Black Net Belt Sewn with Sequins & Beads. Wired buckle. Handmade. Mrs Dulcie Doolan.stawell clothing material -
Bendigo Historical Society Inc.
Tool - Boot maker's punch
A handmade tool with a wooden handle attached to a rectangular metal block. Probably used for boot makeingtools, bootmaker, punch tool -
Port Fairy Historical Society Museum and Archives
Headwear - Ladies Hat
Handmade black lace and fabric flower bonnet. The flowers are edged in white. The lining is in black net.visiting, outing, dressed up -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, R. Ireland Timber Yards, 1970`s
Part of 11 pieces modeled on the 1893 almanac published by the Port Fairy Gazette. Used as display in the first Port Fairy Historical Society building on an extended mantel piece, 20 Bank Street Port Fairy.Small handmade model of a Robert Ireland's timber yard and shop front from the 1892 almanac. R .Ireland, Timber Yards,model, building, mewkill, ireland -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection Hand Made Photograph Printing Frame c. early 1900s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This homemade photographic printing frame was built by Louis Haeusler (b.1878) and demonstrates his engineering capabilities. Rather than purchase the required materials for his home dark room processing, Louis would make any tools he needed from found materials around the Haeusler family home. Louis’ photographic equipment is among the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A handmade photographic printing frame, constructed from timber, paper, nails, glass and sticky tape. photography, photos, photographic, photographs, family photos, family photography, darkroom photography, dark room photography, printing, printing frame, wodonga, haeusler, haeusler collection -
Flagstaff Hill Maritime Museum and Village
Bottle
Bottle, small English Ale, green glass, handmade 3 piece mould - twist marks on neck and handmade top crooked, cork and wire sealed, some encrustation on top, c 1850's to 1900. H 25.5cm x Dia 6.8cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Orbost & District Historical Society
ornament, 1893
Top of wedding cake for Hilda Temple and Dr James Kerr on 10th November, 1893.Dr James Kerr visited Orbost on a government vaccinating job and settled there the next year. He married Hilda Temple in 1893. He was Orbost's first resident doctor. Glass and wood display case containing a floral arrangement from the top of a wedding cake .Arrangement is handmade.ornament dr-james-kerr handcraft -
Orbost & District Historical Society
picture, late 19th - early 20th century
This is an example of a hand crafted item made to personalise and add aesthetic value to a home.A pressed dried native flower arrangement in a large oval frame of wood. It has a glass front. It is handmade.handcraft pressed-flowers picture -
Flagstaff Hill Maritime Museum and Village
Accessory - Handkerchief, c. 1910
This gentleman’s white silk handkerchief once belonged to Mrs W N Barnard of Portland, c. 1910.This silk handkerchief is representative of gentleman's fashion in the 1910s.Gentleman's square cream coloured silk handkerchief, handmade, with wide hem around the edges. Circa 1910flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s handkerchief c. 1910, gentleman’s silk handkerchief c. 1910, gentleman’s fashion c 1910, silk handerchief -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's fine cotton nightdress, c1900
This lady’s hand sewn fine cotton nightdress is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn fine cotton long sleeved nightdress with the bodice and cuffs decorated with handmade lace. clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh,, lacework -
Churchill Island Heritage Farm
Functional object - Garden barrow
Found in Amess Barn 1980s, this garden barrow is a typical example found on farms. Constructed using found materials and excess pieces, the garden barrow is analogous to the modern wheelbarrow.Handmade garden wheelbarrow with wooden flat tray made from abutting planks and single metal wheelfarm machinery, barrow, hand operated, hand made -
Clunes Museum
Container - BOTTLE
Green glass bottle, six sided bottle, pattern at top, going into round neck, handmade lipBase; 6.4.5 (in round indentation)green bottle, glass bottle -
Tatura Irrigation & Wartime Camps Museum
Cupboard, 1940's
cupboard/bedside table made in a Tatura CampHandmade wooden cupboard. Interior has 2 shelves. Door is closed with a metal catch painted browncamp hand crafts -
Tatura Irrigation & Wartime Camps Museum
Cake Tin, 1940's
Used by Internees at Camp 3.Large metal round cake tin. Spring Form type with slide on closures. Handmade. Well used.cake tin, hornung g, frank g, camp 3, cooking -
Tatura Irrigation & Wartime Camps Museum
Wood plane, 1940's
Part of a collection of handtools made by internee at Camp 3, TaturaWood plane, handmade with short, slightly curved handle and metal inserts forming blades at bottom endsplane, wood, haering m, haering f, camp 3, tatura, ww 2 camp 3, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Functional object - Cigarette Case, 1940's
Made by POW at Camp 13 MurchisonHandmade wooden inlay cigarette case with sliding interior panel. Inlay on front depicts a rising sun.camp 13, murchison, cigarette case -
Tatura Irrigation & Wartime Camps Museum
Article - Model - dog kennel, Toy, 1940's
Made by Internee at Camp 3 tatura & used by children as part of a farm scene.Handmade wooden Toy model of a dog kennel, roof painted dark red, sides and base, greendog kennel, beck k, camp 3, tatura, ww2 camp 3, toys, general -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1910
Cream Guipure Lace Collar. Three fruits and Leaves main design. Flowers around edge. Handmade.stawell clothing material -
Southern Sherbrooke Historical Society Inc.
Poster - Poster promoting the first exhibition of the Southern Sherbrooke Historical Society
Poster promoting the first exhibition of the Southern Sherbrooke Historical Society, handmade by Susan Heywood-Downard in 1990s. -
Queenscliffe Maritime Museum
Leisure object - Hand made surfboards
Two examples of improvised surfboards made of solid timber planks, one possibly being an old ironingboard. These illustrate enthusiasm for surfing inspite of lack of ready cash. These hand made surfboards were possibly used by children or young teenagers who had enought ingenuity to enable them to go surfing when money was scarce.Two handmade wooden surfboards with carved and painted emblems at the front; one showing a cat and the other a frog.surfing, surfboards, surfing history -
Parks Victoria - Maldon State Battery
Sieve
Probably used to sift rock or chemicals,Circular metal piece with a lip around the circumference with 32 handmade holes to form a sieve.It is rusty and battered.Yes