This album was a display item at the Slab Hut (Orbost Information Centre).Scrapbooks are a reflection of an individual's interests and stories and are often meant to be passed down through generations. They can be a useful research tool as they reflect contemporary interests.A rectangular shaped album / scrapbook with a dark grey /brown cardboard cover and grey pages inside. The spine is black leatherette. It contains photographs, newspaper cuttings, magazine pictures which have been pasted in.on front cover -"SNAPSHOTS"album scrapbook

The potato was grown at Fred Mundy's farm, Orbost.This photograph is a reflection of social life in the first half of the 20th century. It is a whimsical, fun photograph.A black / white photograph of a potato which has been dressed as a doll.on back - "Farquhar" on front - "Potato grown at Fred Mundy's"

This book is an autobiography of George Meudell (1860-1936). He spent about six years in Warrnambool as a young boy when his father came to Warrnambool as the Manager of the Bank of Victoria. Meudell went to the Warrnambool Common School 646. He later became well-known in Melbourne in social, economic and political affairs. He was a company promoter, stockbroker and writer and an acquaintance of most of the influential and wealthy people of the time. In 1928 Meudell wrote an article for the Royal Historical Society of Victoria Journal detailing his memories of Warrnambool and this article is now a very important piece of local social history. He was enthusiastic about the benefits of living in Warrnambool in the 1860s and 70s. Meudell’s book, ‘The Pleasant Career of a Spendthrift, was an important publication as it gave a complete account of the commercial morality of the power brokers in the financial world - those concerned with the land boom and the banks’ crash of 1886-1893. The book was so inflammatory that it was initially withdrawn from sale. This book is of considerable interest as it was written by George Meudell who lived in Warrnambool in the 1860s and 70s and played a part in Warrnambool’s history by writing about these years. The book is also of wider interest as it has some information on people connected with Warrnambool’s history, including John Archibald and Thomas Bent. The signature in the front of the book is of no known relevance to Warrnambool.This is a hard cover book of 282 pages. The cover is red with black printing and the spine is very faded. The book has a foreword and twelve chapters of text. The first page contains a signature and notes written in pencil.‘Gordon Leitch Christmas 1942’ george meudell, victoria’s land boom (19th century), history of warrnambool

Paperback; 100 pages; illustratednon-fiction"The Colonisation of Australia is a record of what was taught in a small-town Victorian primary school sixty years ago about the arrival of the first European explorers and settlers, and what they saw when they got here. Included are over 50 scanned pages of the author's Grade 5 and 6 Social Studies workbooks."--Back cover. Retired teacher Robbo Bennetts book is part biographical, part history of education and part commentary. Robbo documents his childhood growing up in Lower Plenty and his attendance at Lower Plenty State School between 1955 and 1961. Most of the book is based on his interest of the First Nations history and reflections on what he was taught at school, acknowledging shortcomings at the time. robbo bennetts, lower plenty state school, reminiscences, childhood, school work, lower plenty

The silk card were created by French women during the First World War. The women would create these in there homes as a way to earn an income during the tuff times. The silk mesh was embroidered by the women and was later sent to factories to be placed on the cards. According to the Australian war memorial website there were 10 million of the cards made between 1914-1919. This card in particular was sent from John (Jack) McIntyre to his mother for her birthday. J. McIntyre served in the first world war, first arrived in Egypt in 1915, then to the Western front in France in July 1916. He was servery injured during his time in France and was sent to the Hospital in England. After the war finished Jack travelled back to Australia and lived in Lara with his brother and sister.This card is significant as it is a reflection on the communication between families during the First World War. It also is a symbol of the way women in France made their money during the tuff timesA birthday card with silk on the front of the card. It has pink flowers stitched into the silk and says 'happy birthday'On the front it has 'Happy Birthday" "Remembrance" On the first page in the inside "Remembrance" "To mother" "From Jack" "France 1918" On the second page in the inside: "Wishes are nothing; t'is the heart That in the few lines dwells And says to those from us apart More that the greeting tells" birthday card, mother, son, mcintyre, world war 1, ww1, happy birthday, handmade, silk, embroidered

This blazer pocket is from Ann (Price) Royal's Clarendon Presbyterian Ladies College blazer. Ann attended CPLC 1947 - 1957. Blazer pockets were embroidered with the school crest and additional embroidery was added during a student's years at College to reflect school colours and leadership roles. School colours were awarded for participation and leadership in various sport, house and academic pursuits. Ann's pocket, and the accompanying authorisation receipt reflect her receipt of the following awards: Athletics Colours (1952 - 1957), Hockey Colours (1954 - 1957) , Cairns House colours, school colours (1957) as well as leadership roles as Prefect (1957), House Captain (1957) and Sports Captain (1956). Students removed their pockets after graduation to keep as a momento of their school years. The authorisation receipt indicates that Ann's family chose not to have the final embroidery for Aths 1957, Hockey 1957 added to the pocket - probably because these awards would have been identified at the end of Ann's final school year. Significant reflection of school focus and individual attainmentBrown felt blazer pocket with braid across opening and embroidered crest and achievements; bottle green braid piece, multi-coloured braid piece; completed authorisation receipt for pocket embroidery made out to Harry Davies and Co Pty Ltd. Authorisation receipt: Harry Davies & Co Pty. Ltd / Drapers and style specialists 401, 403, 405, 413 STURT STREET 1719 Sturt Street Ballarat 13.12.1957 / Please supply Mrs J Price / for daughter ANN, for Clarendon P.L.C. uniform / full CREST for blazer pocket, Aths 52.53.54.55.56.57, Hockey 54,55,56,57 / Prefect 1957, House Captain 1957, Sports Captain 1956. / M H McPhersonann-price, ann-royal, 1950s, clarendon-presbyterian-ladies-college, prefect, house-captain, sports-captain

Details the experiences of members of the Australian Women's Army Service during WWII. Green buckram hardcover with dust jacket. Book has title in gold on spine. Dust cover is green with black and white image of women leaning out of windows. 193 cut edged plain paper pages, with illustrations.On front end paper "Francis W Dean BEM"books, military history

Book, soft cover, 280 pages, illustrated black & white photos & maps. Front cover of orange appearance, images of barbed wire, modern soldier in DPU uniform & Stehyr Rifle silhouettes of 2 WWI Diggers in slouch hats in background.Written inside front cover: P Chapmanbooks, military history

This postcard depicts the Diamond Creek Community Centre (Bini Shell) during its construction in 1979. It is part of the YPRL image collection. Colour postcardyarra plenty regional library, arts victoria, diamond creek, bini shell diamond creek

The image shows us one of the many dances, or functions, held at the Mission to Seafarers Melbourne, It shows the main hall in its original condition and the way it was used at the time. The dance shown here is an example of the work of the Ladies Harbour Lights Guild, which held fundfraisers and social events at the Mission.This photograph is a reflection of the main hall, in original condition, and its use circa mid-1950s. The photograph is of historical significance as it is a documentation of one of many social events held by the Ladies Harbour Lights Guild at the Mission to SeafarersBlack and white photograph of a dance held in the Mission to Seafarers main hall. The foreground shows A man to the left and a woman to the right dancing together. There is another couple dancing behind them. The background shows two of the archways leading out of the main hall. The floors are the original hardwood floorboards.dance, lhlg, flying angel club, seamen, flinders street

This community calendar is distributed to residents of the City of Banyule each year. Each year it focusses on an aspect of the local community. The 2007 calendar contains photographs of Banyule's waterways, native flora and fauna. Some council services are detailed in the back pagesThe annual calendar is a record of the activities and services in the Banyule City Council area28 pages. Colour illustrations of Banyule's waterways, native flora and faunabanyule city council, banyule community calendar

This lists the family history and recollections of the Medhurst family in Greensborough. Clarence Medhurst born was born in 1883 and died, aged 84, in 1967. Medhursts were a pioneering family in Greensborough.A photocopy of a 7 page hand written manuscript by Clarence Medhurst. Blue biro words and pencil figures on front page.medhurst, family history, greensborough

RERVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. How is it significant? The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G) - Victorian Heritage Register. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image"Methodist Church"sepp, shire of eltham pioneers photograph collection, eltham, methodist church

Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Ground The Reynolds family were early settlers in Research. Reynolds Road is named after this family. RERVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G). - Victorian Heritage Database The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham."Methodist Church" reynolds prior collection, eltham, methodist church

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHat Pin with a forest green opaque ball headclothing, millinery, hat accessories, 1920 fashion

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0356millinery, hat pin, female head wear, hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0287hat pin, female head apparel, clothing accessories

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsBrass Pin, two 3.5cm cones, gold coloured tapered down to imitation half peal centre piece Cones stamped with small flower petalsmillinery, hat pin, female head wear, hat accessory

Historically this item could be a valuable antique worn originally by a wealthy upper class woman. The fine hand painted pictures with gold boarders and porcelain body suggests the item was bought either in Europe or Britain and brought into Australia in the late 19 th to early 20 th century by a wealthy landed gentryThis item is a reflection of both the fashion mode of the 1800s to mid 1900s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is six sided, domed top made of porcelain. Two sides have hand painted pictures of grapes, two sides with flower arrangement , two sides detailing cypress tree tips of branch, top has flowers and leaves with hidden small birdshat pin, porcelain hat accessory, millinery clothing

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is ball shaped covered blue/silver reflective fastened sequin. Each sequin is attached by a seed bead of dark blue colourmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0352 for same pin except details are highlighted with darkened outlines(may be dirt)clothing, millinery, costume, women hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer