Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 3. / JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE / The junction is situated about 3 miles from Healesville, and 35 miles from the mouth of the Yarra. The souces / of the Watt are to be found at the head of the Black Spur, and, being fed by a number of creeks and springs, its / waters gain considerable force for several miles before joining those of the Yarra. The "Old Bridge," at the junction, / is the name given to this crossing-place, which has been partly swept away by late floods. The depth of the Yarra here / is from 15 to 20 feet; that of the Watt, about 10 feet. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), yarra river, watt river, bridge, wooden bridge, healesville

Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating

Back left to right - Rosemary Whitehead (Educator), Christine Watts nee Manning, Lorraine Broad, Margaret Monagle nee Nolan. Front left to right - Margot Cunningham nee Dean, Sue Wilson, Ellen Conroy, Julie Pittard nee Smith.Digital Photomidwifery, 1979, school, bbh, midwifery, 1978, school, bbh, whitehead, manning, broad, nolan, dean,wilson, conroy, smith

An historical account from the Victorian Government Gazette 15/08/1890: Contract accepted - Melbourne Water Supply - Mephan Ferguson. Manufacture and erection of wrought iron tubular aqueduct over Plenty River near Greensborough. Addition and extension to Watts River Scheme.History of the Maroondah aqueduct1 p., photocopy of article, downloaded from State Library of Victoriamelbourne water, mmbw, maroondah aqueduct, plenty river, watts river

Invoice to Connelly, Tatchell & Dunlop from 'The Bendigo Independent' General printing office, William St., Sandhurst. Written underneath main heading is 'Dr. to J.G. Edwards, Printer, Stationer, Binder and Ruler. Invoice for transfer of land Watts and dissolution partnership Hayes. 1/-/6. Receipted as paid by F. Hollett (?) per J.G. Edwards, 5/7/88business, legal, bendigo independent, connelly, tatchell & dunlop, j.g. edwards, bendigo independent

Bendigo Advertiser "The way we were" from Thursday, May 27, 2004. Play ball: the Bombers softball team, 1955. Back row: Jean Watts, Noreen Fern, Edna Bolitho, Gladys Kimpton, Dawn Fitzpatrick and Doretta Phillips. Centre: coach Ernie Rainbow. Front row: Wendy Gibson, Nancy Fields and Dorothy Kimpton.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Thursday, May 5, 2005. Batter up: the Bendigo School of Mines baseball team of 1946. Front: J. Hutchinson, T. O'Toole, P. Birol, R. Watt, W. Bugg. Back: I. Aitken, I. Harrowfield, D. Bruce, A. Pane, M. Lefoe, K. Mitchell, M. McHale.newspaper, bendigo advertiser, the way we were

Also know as T.R 5043 in RAF and RAAF usage. Very widely used Very High Frequency Transmitter/Receiver operating in the 100 to 150 MHz range. This equipment is very heavy for the low power output (8 to 9 watts) weighing in at 22 kg and another 16 kg for the associated Dynamotor power supply. Physical size 2bx

Materials relating to Evesham Ladies’ Primary School, 11 Rothschild Street, Glen Huntly, including: a promotional flier (177mm x 224mm) a photograph of the Watts family standing in front of the school with accompanying envelope (90mm x 127mm) A hand-written note about the familyelsternwick martin street haselor, watts ruth, elsternwick, evesham ladies’ primary school, watts thomas, glen huntly rothschild street 11, watts louisa isabella, kavanagh mrs, phillips w. a. rev., watts isabella, nash mrs, clarke a. e. mrs., watts amy, glen huntly, howden mrs., watson – gray miss, glen huntly heather brae, glen huntly bealiba, watts henry charles salter, independent schools, schools, primary schools

in 1891 the Watts River (near Healesville) was tapped. It supplied water to Melbourne, via the Maroondah aqueduct. The Maroondah Reservoir, northeast of Melbourne, was completed in 1927 and water was piped via the Maroondah aqueduct to the northern suburbs. It was replaced by large pipes in the 1980s. Parts of the aqueduct structure remain.Copy of colour photographaqueduct pipe bridge greensborough, maroondah aqueduct

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Roseneath', 37 Pakington Street Street, Kew.Annotated in ink reverse: "Roseneath Pakington St / View of home from front / Mr Creed owner / Oct 1979"gardens -- kew (vic.), roseneath, 37 pakington street -- kew (vic.)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Burke Hall' [Xavier College], (formerly 'Studley Hall', 'Waverley'), Nolan Avenue, Kew. A view of the south facing facade. Annotated in ink and pencil reverse: "Burke Hall once Waverley / Early 1870s / in 1903 name changed to Studley Hall / 1926 Burke Hall / Oct 1979"gardens -- kew (vic.), burke hall, studley hall, waverley, nolan avenue -- kew (vic.)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Raheen', Studley Park Road, , Kew. A view of the south facing facade. Annotated in ink on reverse: "Raheen Front View with sweeping driveway / Oct 1979"gardens -- kew (vic.), raheen, studley park road -- kew (vic.)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'La Verna', (formerly 'Heathfield'), Sackville Street , Kew.Annotated in ink on reverse: "Laverna Retreat Sackville St / View of sweeping rows of trees, lawn through portico / Purchased by Society Oct 1979."gardens -- kew (vic.), heathfield, la verna, sackville street -- kew (vic.)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Inverkelty' (later Kiora, Baroona), 11 Redmond Street , Kew. The original attribution of the house as Red Bluff (or Yarra Bluff) owned by the Nott family is incorrect. An analysis of ownership from 1888 was completed by Lovell Chen (2005), Boroondara Heritage Review B Graded BuildingsAnnotated in ink on reverse INCORRECTLY AS : "Red Bluffs / 11 Redmond Street / Nott family 1888 / Front garden with fountain / Home in foreground / October 1979"gardens -- kew (vic.), inverkelty, kiora, redmond street -- kew (vic.), baroona

This album is a history of the Probus Club of Greenwood in 1996. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 2 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughout.probus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood in 1998. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 4 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughout.probus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood in 1999. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 5 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughout.probus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood in 2000. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 6 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughoutprobus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood in 2003. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 10 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughoutprobus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 17. / FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / Of the various Rivers which exist in the Colony of Victoria, the River Watt (though a small one, and to some / extent unimportant) may be said to contain the most charming as well as the greatest variety of romantic scenery. / The scene of the present issue is perhaps the most unique of its character to be found in any of the Colonies. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria

Farm Lease dated 5th July 1957 between Mr. N. E. Watts and Mr. E. W. Traeger. Lease for all that piece of land being allotment 15B section 7 & allotment 15J & 15H of section 7, Parish of Neering in the state of Victoria containing 7 acres 14 perches or thereabouts with dwellings, out-houses and all improvements for the term of 1 year. Terms and conditions: the term of tenancy shall be from the 8th of July 1957 to the 8th July, 1958; the rent for said period shall be 5 pounds fortnightly, the lessee has the option of leasing the property for another 12 months at the same rental; the lessee has the option of purchasing the said property for the sum of 1,350 pounds. Chattels included: 1 draught horse, harness and swings, rubber tyres cart, green feed cutter2,30 dozen egg boxes, 3 ladders, tomato frames and glasses, single furrow plough, set harrows, cultivator, iron spike roller, scuffler, linos, blinds and curtains, ice chest and table. Attached 2 copies of letter from N. E. Watts instructing H.A & S.R. Wilkinson to pay the rent received from Mr. Traeger to Mr. J. R. Watts... Office copy.organization, business, h.a. & s.r wilkinson real estate

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. One typed page with City of Bendigo letterhead, titled and dated : British Commonwealth Youth Sunday 2nd May, 1965. Announcing the march to take place from the Town Hall to Rosalind Park. Letter signed by A. J. Watts, Town Clerk.bendigo, council, norman joseph oliver , councillor norman oliver. mayor of bendigo. british commonwealth youth sunday.

Belonged to Elsa Ardern, mother of donor, well known potter who stared the Potter's Cottage Warrandyte. Elsa also taught pottery at the Arts Association.A metal (silver coloured) coffee percolator with glass removable dome in hinged lid. Black plastic handle. Metal plunger and 'beans' colander inside. BIRKO signature on black plastic base and a metal tag:|VOLTS/BIRKO/WATTS|240//400|CAT NO X5/|MADE BY BIRKO ELECTRIC PTY LTD|Submitted to electrical approvals board|Reference No. VC\0\X5See above descriptiondomestic items, cooking, food & drink consumption

Contents: • Next meeting, Speaker Panel; Eltham Architects (les Clarke, Geoff Watt, Bill Woodburn, Robert Marshall) • September Meeting • Spring Excursion • Andrew Ross Museum • President’s Report • Demolition of Former Eltham Shire Offices • A Visit to the Other Eltham by Russell Yeoman • Library Display The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

This album is a history of the Probus Club of Greenwood from October 2000 to September 2001. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 7 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughoutprobus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood from July 2002 to April 2003. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 9 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughoutprobus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

This album is a history of the Probus Club of Greenwood from September 2001 to September 2002. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 8 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughoutprobus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club