Document. Examination paper, Temperance Wall Sheet, No.1. 1. Write down Dr. Parkes' advice to young men and women. 2. Give reasone why alcohol is not good in the period of growth. 3. What did Sir Frederic Treves say about the soldiers who marched to Ladysmith?. 4. How can the doctors prove that alcohol does not increase animal heat? Tell any stories you know about it. 5. What can be proved by the doctor' experiments with small doses of alcohol?. 6. How do you know that alcohol is not necessary for health and long life? Six copies.Printed for the Bendigo Total Anstinence Society by A.M.Drummond, Bendigo Arcade.organisation, community, abstinence society

Bound collection with a yellow front cover and a buff back cover. Barossa Valley Coach Tour, April 8th to April 10th, 1984. The front has a line map of The Barossa Valley, South Australia. Articles taken from 'German Speaking Settlers in Australia' by Josef Vondra, Published 1981 by Cavalier Press Pty Ltd Melbourne. 'A Matter of History' chapter one, random excerpts used. 'The Barossa Valley', chapter 2, pages 47 - 67. Mentioned in the booklet are the German settlement in the Barossa Valley, the arrival of the Germans in Australia and some of the reasons which led up to why they left their homeland.document, memo, german heritage society, german heritage society collection - barossa valley coach tour 1994, josef vondra, cavalier press pty ltd

A group of Scouts lining up for a meal. It would have been cooked by the ‘duty patrol’, with each patrol of Scouts taking turns at being the ‘duty patrol’. During this period, the local Scouts were recorded as regularly camping at Bulleen, on the property of a friendly farmer. As well as short overnight camps, the Scout Troop would have had a longer 8 to 10 day camp over the Christmas holidays every year. In the 1920s the Scouts often transported their camping gear by means of a hand-pulled ‘trek-cart’, which is no doubt why camping just down the road at Bulleen would have had appeal! On mounting board: 1st Kew Bulleeen 1924. On reverse: photographer's stampscouts - kew, 1st kew scouts, scout camp 1920s, bulleen

By the 19th century, porcelain had become the favored material for doll heads, and starting in the 1830s, high-quality china dolls hit the market. Most of these were made in central Europe, and often the assembly work was done by individual families, which is why many antique china dolls are not marked. German-made china dolls usually have black molded hair and blue eyes. The most common china dolls are Low Brow china dolls, made in the millions in the 1890s (so called because their hairdo has bangs and lays low on their forehead, giving them a "low brow").This doll is a good example of a late 19th century china doll.China-headed doll with soft body. It has a low brow,moulded black hair and is wearing a black dress with a white collar and cuffs. Over the dress is a white pleated, embroidered pinafore. It has a broderie Anglaise petticoat.doll toys china-doll

Japanese style box bellows (fukisashi/吹差鞴) reached their current and finalized form by about the sixth century. They are constructed almost entirely of wood and allow a smith to supply a highly controlled air blast to the forge by pulling and pushing the handle slowly back and forth. Using dual chambers and two sets of valves, the air is supplied on both the push and the pull stroke, and the blast may be highly intensified or stopped in an instant as needed by the smith.(http://islandblacksmith.ca/2015/06/why-you-need-a-swordsmiths-fuigo-box-bellows/, accessed 18 February 2018)Timber box with handle on the side which pulls out.fuigo bellows, japanese, bellows, fukisashi bellows, oriental box bellows, pump

Historical Details: he AARG aircraft is a composite restoration of 3 wrecks recovered from Airland Improvements at Cootamundra in 1974, including the remains of VH-WAX (CA-28-15) and VH-WHY (CA-28-17). The most substantially complete wreck was VH-WOT which as serial numbe. Description: Based on the CAC Wirraway trainer; the Ceres, named after the Roman Goddess of the Harvest was developed to meet the need of the aerial crop dusting industry for a purpose built agricultural aircraft. First flown in 1958 the Ceres could lift one ton of. Level of Importance: Nationalceres

Digitised video (3.80GB) Duration: 51 minutes. Recorded October, 2018 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Croydon Historical Society Vice President Geoff Arnott is an active writer and researcher of heritage, having written the history of Wedderburn and many Croydon-related books. In this talk, Geoff provides a background of his family, why he decided to look into it, and the dark secrets revealed. His story is typical of many Australian family that began with migration from the “old country” during the 1850s, trying to seek their fortune and a new life in a new country.

TROVE ‘Advertisement April 2nd 1941 WHY VAXOS No. 1 MUST NOT BE CONFUSED WITH NOSE DROPS, INHALANTS, OR OTHER TEMPORARY PALLIATIVES. Vaxos No. 1 is what medical science terms an Endotoxoid, an oral vaccine, and an entirely new form of antigen with very high immunising powers. Vaxos No. I contains only pure antigens and is entirely free of herbs, drugs, or bacterial organ- isms, and is, therefore, perfectly safe for anyone to take. Vaxos No. I is produced by an Eminent Medical Bacteriologist UNDER GOVERNMENT LICENCE.and it is the ONLY PRODUCT EMANATING FROM THE LABORATORY OF THE ORIGINAL DISCOVERER OF THIS METHOD OF TREATMENT AND IMMUNISATION. As such, it must not be confused with cheaply prepared substitutes.A clear glass bottle with a plastic screw top and a clear glass, cylindrical measure with graduations of 10 to 25 drops in a cardboard box c1946. ‘VAXOS’ was used to treat respiratory infections BOTTLE ; VAXOS / No. 1 / Vaccine Products (Aust.) / Australaisian Distributors / H.C.Sleigh / (Pharmaceutical Dept.) 582 Little Colins St. Melbourne C1 / BATCH No. 1215 / Left side ; for Acute / Common Cold / Bronchitis / Antrum and / sinus troubles / Manfd. Nov.,1946 / Nett Contents 15cc. Right side : for Chronic / Catarrh / Hay Fever / Bronchial / Asthma, etc. / EXPIRY / Nov., 1948 / Medium Size Bottle . MEASURE; Paper adhering to glass - VAXOS DROPS 10, 15, 25 / Front BOX - Lid MEDIUM SIZE / BOTTLE / FOR ACUTE CASES / Base ; VAXOS / No. 1 / A colloidal polyvalent Antigen designed to / relieve and confer immunity from / respiratory tract disorders........./ Left side DIRECTIONS / ............. Batch No. 1215 / Right side ; VAXOS No. 1 / Contents ........Vaxos is made under / Government Licence by a / qualified medical bacteriologist . Back Nett. Contents 15cc / Price 12/6 / VACCINE PRODUCTS / (AUST ) /........ Manfd. NOV., 1946 / EXPIRY NOV., 1948pharmacy, medicines, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, vaxos medicines, h.c.sleigh pty ltd, bacteriology, c.s.i.r.o departments melbourne, vaccine products australia, respiratory diseases

A brochure for Legacy Albury explaining Legacy's work and providing information on how to donate. Headings in the brochure included: Whom does Legacy help? What kind of help does Legacy provide? How many dependants is Legacy actively helping in Victoria? What does Legacy spend in this State in its work? How are these funds provided? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What is Legacy's aim? Address given is ANZAC House, Dean St, Albury NSW. Reprint 1960. Also a leaflet using the same boy's photo, format changed to fit a single page without folding.A record of how Legacy portrayed itself to the wider community.00408.1 One page white paper, folded in half. Black and white photograph and printed text. 00408.2 One page white paper. Black and white photograph and printed text.marketing, legacy promotion, albury, objectives

Shaun Tan is best known for his illustrated books and short films that deal with social, political and historical subjects through dream-like imagery and fantastic creatures. In addition to his book and film work, Tan is a respected and prolific painter. Tan’s paintings capture a sense of place and atmosphere, even when the specific location is not made explicit. Tan says of his practice: “Often I don’t know why I need to paint a certain scene, only that I do, as if to stop it from drifting away too quickly, to just allow a little more time to think about it. Or to just say ‘I saw this’”.

Yellow catalogue with black printing for Curnow's Seventh Gold Nugget Precious Metals & Rare Coins Auction held in the George Lansell Auction Room, Cahill Chambers, View Point, Bendigo on 7th November 1981. On the front is a black sketch of Bendigo's Historic Post Office. The inside contains a list of Nuggets with Lot No., Approx. Weight in Grams, Area of Find, Code, Why Buy Gold?, and List of Coins. Also note to buyers. The left front has the Conditions of Sale and the centre front has Curnows name and a Reproduction of Curnows original Letterhead circa 1900. Sale includes nuggets from Wedderburn, Tarnagulla, Rheola, Inglewood, Maryborough, Bendigo, Dunolly and Eaglehawk.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - curnow's seventh gold nugget precious metals & rare coins auction, bolton bros pty ltd, j h curnow, j h curnow & son pty ltd, ian dyett, fred dyett

Report contained within a partly faded light green folder, secured with four staples on side, 22 Gestener printed pages, one blue print of a "modern" bogie tram and one printed page giving costs, titled "AETA Report on Passenger Transport Services of the City of Geelong (April 1949)". Gives the background to the origins of the report, proposed suburban rail service, north shore industries, tramway rolling stock, reasons why trams should continue, PCC development, safety, alternatives, fares and transport policies, bus services, recommendations. Prepared by Charles Craig, Leon Marshall-Wood, Noel Gipps, Donald Wishart, John Beckett and John Stranger.AETA stamp on front and inside cover sheet and "4E5" in ink on front cover.trams, tramways, geelong, aeta, provincial tramways, reports

The photo taken at the corner of Moorabool and Malop Streets, is looking south along Moorabool St. Shows Geelong tram 17 tram about to turn "wrong line" from Moorabool St into Malop St. The tram has the destination of West. Why it is turning at this location is unknown. In the background is another tram running south along Moorabool St along with other trams at the intersection with Ryrie St. The photo shows four buses parked on both streets. In the background are the Solomons store, and the National Bank of Australasia buildings. Has many parked cars. The photo is pre 1934, before the construction of the T&G building at the corner of Moorabool and Ryrie Sts.Yields information about Geelong late 1930s and tramway operations.Black and white photograph - plain back.geelong, tram 17, moorabool st, malop st, tramways

A brochure explaining Legacy's work and providing information on how to donate. Headings included: Whom does Legacy help? What kind of help does Legacy provide? How many dependants is Legacy actively helping in Victoria? What does Legacy spend in this State in its work? How are these funds provided? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What is Legacy's aim? Address given is Swanston st Melbourne so it is for Melbourne Legacy.(There is another at 00408 for Legacy Albury). Reprint July 1960. Also a leaflet using the same boy's photo, format changed to fit a single page without folding.A record of how Legacy portrayed itself to the wider community in 1960.Brochure x 4 pages made to promote Legacy in 1960. Black and white photograph of a young boy and printed text. Also a single page white leaflet with the same black and white photograph and printed text.legacy promotion, fundraising

This document was written to celebrate the 60th birthday of Legatee Leigh Johns in 1983. It is a collection of poems written about L/ Johns by different authors as a tribute to him reaching 60 years of age. Leigh Johns was born in 1923, the date of the founding of Melbourne Legacy, and became a Legatee in 1956, serving on 15 ML Boards and as an executive member of the Legacy Co-ordinating Council . He had a distinguished war record in the RAF during WWII and survived 32 bombing raids over France and Germany. He was an enthusiastic contributor of poetry to the Melbourne Legacy Bulletin which explains why this document is in the form of a poem. He was granted Reserve status in 2001 and died in 2008.The tone of the document reveals the affection with which Leigh Johns was regarded amongst his peers, and illustrates the collegiality which existed in the organisation during his membership.White A4 photocopy paper with black type x 13 pages.'Box 16' on title page. Typed title 'Leigh F Johns / 60th Birthday / 10 February 1983'.legatee, birthday

An account of Big Camp 1967 by a junior legatee that attended. It was an impression of the camp by Rod Anderson from Brighton Grammar. It was a reprint from 'The Brighton Grammarian'. The boys took a special train from Flinders St station direct to Somers. It mentions the location of the camp on the shores of Westernport Bay and the tidal creek and wooden bridge. It has a centrally placed circular lawn with huts and slushies quarters and the main hall. The camp has it's own radio station - Radio Somers, plus a printing press and open air theatre. Was stapled to 01970 JL11 Why I founded the Somers Camp an article about Lord Somers published in 1933.A record of the camp at Somers in the words of a junior legatee that attended in 1967.Foolscap page x 2 of black type.Handwritten 'JL11/10' in black pen.camp, lord somers, lord somers camp

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic blue and yellow image and text on front. Image shows head and shoulders of person resting on forearms surrounded by flora. Back of bag shows blue and white image of a cube with text and star graphics.Front: HARPER'S \ STAR \ AVENA \ BRAND \ ROLLED OATS \ ??INCORPOR?? ??STORIA?? \ ????? \ AUSTRALIA Back: THE \ SILVER STAR \ RICE \ STARCH \ ROBERT HARPERS AND CO LIMITED \ AUSTRALIA \ THE \ BEST \ IN \ THE \ WORLD \ WONT \ STICK \ TO THE \ IRON \wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

This program was given to attendees at the Bendigo Symphony Orchestra and Gisborne Singers performance on 24th November 2024 In a thrilling conclusion to their 2024 concert season, Bendigo Symphony Orchestra present Mahler’s Symphony No. 2 ‘The Resurrection’ – a transcendent journey from darkness to light. Witness the symphony on a colossal scale: ten trumpets, ten horns, two sets of timpani and an organ are just the beginning of Mahler’s mighty orchestration. And after the success of 2022’s inaugural Symphonia Choralis festival, BSO are once again partnering with the Gisbourne Singers to bring this glorious work to life. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!” Written in a letter to a friend, these are the questions Mahler hoped to answer with this symphony. While epitomising the emotion and drama of the Romantic era, the work also anticipates the radical advances of the 20th century. Beginning with a steely funeral march, Mahler spins German folk-song and klezmer-inspired flourishes through four stunning movements, culminating in a sublime hymn of resurrection. This symphony explores life and death on a cosmic scale, and showcases Mahler’s rich technicolour writing and flair for dramatic narrative. “The whole thing sounds as though it came to us from some other world. I think there is no one who can resist it. One is battered to the ground and then raised on angel’s wings to the highest heights.” Be swept away by an eternal masterpiece.MAHLER SYMPHONY NO. 2 RESURRECTION Sunday 24th November 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Chief Conductor Nicole Marshall Guest Conductor Merlyn Quaife AM Soprano Liane Keegan Contralto Gustav MAHLER Symphony No. 2 in C minor, ‘Resurrection’ I. Totenfeier: Allegro maestoso (25’) II. Andante moderato (12’) III. In ruhig fließender Bewegung (12’) IV. Urlicht (6’) V. Finale: Im Tempo des Scherzos (37’)bendigo symphony orchestra, luke severn, regional victorian orchestra, performance, gisborne singers

Newspaper Clipping from "The Mail", 20 April 1993, Page17, "Former Mayor Slated"'.A former Ringwood mayor has come under fire from tyhe present Mayor, Cr Greg Adkins, at the council's latest policy and resources meeting. Cr Adkin's criticism of Mrs Betty Milton, who was mayor from 1990-91, began when she protested his refusal to allow a question she had submitted for mpublic question time to be read out. He refused to explain why, despite prompting from Crs Sylvia Phillips and Margaret Cheevers.

Medals awarded to John Michael Martin, born Bendigo, enlisted No 2396 in the 7th reinforcements 9th Bn AIF on 22.6.1915 in Brisbane, aged 21 years 3 months, embarked for Eygpt 20.8.1915, hospital with Mumps 7.12.1915, rejoin unit 5.12.1915, transfer to 49th Bn 2.4.1916, embark for France 5.6.1916, attends 1st ANZAC Bombing School 5.1.1918 - 24.1.1918, WIA 10.8.1918 GSW to right knee severe, amputated, another entry says right thigh, embark for Australia 16.3.1919, discharged medically unfit 12.12.1919. John Martin was actually John Michael Tilley, Martin was his mothers maiden name, why he enlisted under her name is unclear.Medals, three, with ribbons unmounted. .1) 1914 - 15 Star. .2) British War medal 1914 - 19. .3) Victory medal 1914 - 1919.On all three, “2396 Pte J.M.Martin 9/Bn A.I.F”medals, awards

The 1888 Centennial International Exhibition, celebrating a century of Australian settlement, surpassed even the grand scale of the1880 Melbourne International Exhibition. It attracted over two million people, but the Victorian government had to spend £250 000 on it, ten times the amount estimated. The exhibition had a distinctively imperial focus, and a greater emphasis on culture than in 1880, particularly on music and painting (1). (1. https://collections.museumsvictoria.com.au/items/273830) S.D. Gadd was appointed Curator of Parks and Gardens in 1874 an lived in residence in Rosalind Park. He resigned in 1905 and moved to Melbourne where he died in 1917. Mr Gadd was a prominent member of the Masonic Lodge. It is not clear why he was awarded this medal.The bronze medal of the Centennial International Exhibition awarded to S.G. Gadd. Obverse - Portrait: bust of Queen Victoria in left profile wearing a crown, veil and 3 medals. Reverse - Field: Victor's wreath consisting of leaves and acorns of British oak and the leaves and acorns of the wattle. The oak and wattle were tied together 'by a true-lover's knot, 'symbolizing the unity and affection between the mother country and the colony'. Southern Cross inside surrounded by a legend. (https://collections.museumsvictoria.com.au/items/273822) Obverse - Motto: Centennial International Exhibition Melbourne Reverse - Legend: (Latin) Artibus Dignis Honor Insignis (To the deserving arts, distinguished honor) (Mint) left: Melbourne Mint. (Date) Lower Centre: MDCCCLXXXVIII. (Engraver) Right: Stokes & Martin S.C. Edge - Plain, impressed with S.G. Gadd ESQ.centennial international exhibition melbourne 1888, s.g. gadd, rosalind park, city of greater bendigo medals

A number of images for this journal were supplied by the University of Ballarat Historical Collection,Brown and Black soft covered book of 200 pages. Chapters include and introduction (Geoffrey Blainey); Eureka: gathering the 'Oppresed of all Nations (Anne Beggs-Sunter); The 'Southern Cross': a radical legacy (Drew Cottle); Ballarat of Eureka (Keith McKenry); 'Men of Colour' John Joseph and the Eureka Treason trials (Jeffrey Atkinson); 'Blood, Sweat and Tears': Women of Eureka (Dorothy Wickham); 'Why should they pay money to the Queen?: Aboriginal Miners and Land Claim (Fred Cahir); Raffaello Carboni's Perception of Australia (Gaetano Rando); Democracy, Political Rhetoric and the Conservative Response to manhood Suffrage in Colonial New South Wales (Gregory Melleuish); 'Foreign to their feelings as freemen': Liberal politics in a goldfields community, Bendigo 1853-1883.ballarat, bendigo, eureka, aborigines, southern cross, women, charles hotham, australian democracy, agitation