Purchased, 2016Ink, watercolour and collage on arches papergippsland, artwork, permanent collection

Purchased, 2016Ink, watercolour and collage on arches papergippsland, artwork, permanent collection

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut

head, gippsland campus, sculpture, churchill, fragmented portrait

Book

A blue self patterned hardcover non fiction book with the title printed in gold lettering: Channel Islands Edith. Carey (author), Henry Wimbush (illustrator) and the publisher A&C Black at the bottom.It has a damaged white paper dustjacket with the same information printed in blue lettering as well as a coloured illustration of The Sister Rocks, Alderney in a blue lined frame. The back of the jacket has a list of Books and Postcards on the Channel Islands with details and prices. There is an inscription on the right hand endpapers written in faded black ink. Opposite the tile page is a frontispiece coloured illustration of St. Peter-Port, Guernsey, from the Pool. There are several coloured illustrations throughout the book.p.226non-fictionAn up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.travel books, books, channle islands, history

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Green with wig and arms folded across front. On back across shoulders representation of a basket drawn in black.james dodgson, aquila dodgson, flinders petrie, faience, shabti

In architecture a corbel serves a decorative as well as structural function as a solid piece of stone, wood or metal that is built into a wall and juts out like a bracket to carry a weight. The smoothly shaped corbel was formerly built into the external wall of the lighthouse facing the sea. It consists of two cupped, rounded forms, one bigger than the other, which are attached to a damaged flat base. Made of cast concrete, it is the same fabric as the lighthouse and shows evidence of white paint on its surface. An early architectural drawing of the tower shows the corbel as a projecting, decorative moulding underpinning the balcony floor associated with the auxiliary light. It indicates the original corbel was a much larger architectural feature which started as a solid rectangular block and terminated with a smaller block and then two tapering, rounded forms. Prepared in mid-1888, the architectural drawings for the lighthouse by Victorian Public Works Department architect, Frederick Hynes, were amended in 1888-89 to provide for an auxiliary light, which comprised an arched opening and door in the tower wall below the lantern room and small balcony. In the late nineteenth century all of Victoria’s lightstations installed a red auxiliary light to serve as a danger warning to mariners sailing too close to shoare. Existing lightstations, like Cape Otway, built a pavilion below their lighthouse facing out to sea, but newly constructed towers like Point Hicks and Split Point incorporated them into their designs. The efficacy of auxiliary lights became a controversial issue and all were discontinued on 1 January 1913. The Point Hicks balcony was removed from the face of the tower in 1971 after it was found to be badly rusted. This resulted in the complete removal of the corbel, from which the rounded moulding and part of the base survives. The auxiliary light and door were subsequently removed in 1975 and glass blocks now fill the opening. Cape Schanck Lightstation retains four cast iron brackets from its auxiliary light balcony which are currently stored in the lighthouse on the ground floor. No other architectural fabric associated with the auxiliary light has been identified at Point Hicks Lightstation. The fragment of corbel has first level contributory significance for its historic and architectural values as a relic of the auxiliary light and as an original moulding from the fabric of Victoria’s first concrete lighthouse.A masonary corbel.

Ill, p.89.non-fictionAn autobiographical tapestry, recollections of an Irish childhood linked to an account of a journey there today, interwoven with fragments of Irish mythology, history and hearsay.ireland - authors - biography, ireland - description and travel

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures

Ill, p.96.non-fictionA biography of cartoonist Bruce Bairnsfathercartoonists - great britain, world war 1914-1918 - cartoons and caricatures

Damaged and weathered newspaper page. There is a large rip through the centre of the page. The Age, Tuesday January 2, 1872historic newspaper, 1872, former royal mint

A decorative, spiral shaped piece of iron. historic building, architecture

The handwritten note states that "glass from coloured light destination indicator of Birney Car No. 218, wrecked at the Queen Elizabeth Kindergarten for the deaf Elgar Road, Burwood, January-February 1969". Not know who wrote the note.,Yields information about a destination indicator on X 218Section of broken glass, coloured green, that was mounted onto a handwritten note.trams, x class, tram 218, glass, destination indicators

print

Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war. vietnam war, 1961-1975- personal narratives, australian army