Postcard size photograph'Written on back of photograph" Ringwood Coolstores, pre demolition, circa 1967. (Say "no" to 1967 Referendum for Aboriginal Vote ,on wall.

The name ILCHINKINJA was given to the Arunta Tribe messenger and was to summon young men for initiation. The name is derived from the Arunta words " ILACH " (a hand) and IKINJA ( to raise ). Best expressed by the phrase " The Beckoning Hand ".Metal statue on wooden plaque.Dandenong RSL 1977. From Dandenong Army Careers Information Centre. Depiction of Aboriginal stood on boomarang inscribed " ILCHINKINJA ".

Wooden shield with emblem, gold bordered ships crown, kiln oven and aboriginal weapons below.Motto: Silence is Golden"plaque, aboriginal

A short guide to the history, lives and culture of the First Australians, the Aboriginal and Torres Strait Islander peoples.b&w photographs, colour photographsmoieties, reconciliation, land rights, mabo

Includes songs in the reclaimed Aboriginal languages of the Adelaide region, including some composed by Chester Schultz.B&w illustrations, b&w photographs, sheet music, word listskaurna, adelaide

Assisting educators in South Australia to respond to specific language and literacy needs and goals of Aboriginal students.maps, tablesnepabunna, raukkan, coober pedy, education, resource-based learning, literacy, carlton primary school, english language acquisition

Early language contacts between Aboriginals and Colonists. Looks at the history of the area and explorationa dn pastoralists.Maps, word listscolonisation, pidgin

The content moves from the history of Aboriginal people to knowledge and learning skills to arranging a classroom program.education, linguistics, curriculum development, aboriginal stories, indigenous education

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Aboriginal woman named Truganini wearing a shell necklace. She was a native of Bruni Island, Tasmania. Title - Truganini (When She Died Her Race Became Extinct).aborigine, aboriginal, truganini, tasmania, bruni island, shell necklace

Names and meanings came mostly from NSW and to a lesser extent from Western Australia, Victoria and Queensland. They throw light on the customs and life of the aborigines.Paperback book with a front cover of an aboriginal man seated under a rock formation with a sloping roof.

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally peoduced.maps, b&w illustrations, tables, musical notationsalfred william howitt

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally produced.maps, b&w illustrations, b&w photographs, tablesdieri, wonkanguru, yuin, wonkamala, kulin, kurnai, wiradjuri, kamilaroi, wotjobaluk, wurrunjerri, wimbaio, yaurorka, urabunna, yantruwunta

Alfred William Howitt 1830-1908 was a pioneer anthropologist. ?The Native Tribes of South-East Australia? is not only a great classic anthropological work, it contains an enormous wealth of material of interest to anyone interested in Australian history, particularly the people of Koorie descent. His work has been presented here in total as originally produced.musical notations, b&w illustrations, b&w photographsdieri, wonkanguru, yuin, wonkamala, kulin, kurnai, wiradjuri, kamilaroi, wotjobaluk, wurrunjerri, wimbaio, yaurorka, urabunna, yantruwunta

These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni

Six papers on the relationship of language and culture in the Australian Aboriginal context are presented. "Some Thoughts on Yanyuwa Language and Culture" by Jean Kirton gives an overview of some language-culture relationships and examines seven kinds of possession in one language. "Nyangumarta Kinship: A Woman's Viewpoint" by Helen Geytenbeck outlines kinship and its terminology as learned by a field linquist for her work with this group. In "A Description of the Mathematical Concepts of Groote Eylandt Aborigines," Judith Stokes describes an Anindilyakwa mathematical language in its cultural context, refuting popular generalizations about the limited counting ability of the Aboriginal people. "Facts and Fallacies of Aboriginal Number Systems" by John Harris criticizes anthropologists' and linguists' neglect of and bias concerning existing data about the mathematics of Aboriginal groups. In "Aboriginal Mathematical Concepts: A Cultural and Linguistic Explanation for Some of the Problems," Barbara Sayers suggests that the mathematical problems of some Aboriginal schoolchildren are real, but have a cultural rather than linguistic basis. "A Report on Colour Term Research in Five Aboriginal Languages" by Susanne Hargrave describes and presents preliminary analyses from a research project on color terminology.B&w illustrationslinguistics, language and culture, sociolinguistics

Outlines and notes on a variety of Victorian languages. Chapters on the Wemba Wemba language; the Wergaia Language (Djadjala dialect); the Madimadi language; and the Narinari language; phonetic notes on Gundidj, Woiwuru, Yodayoda, Ganai (Gippsland) and Southern Ngarigu; Aboriginal - English Vocabularies; and an English - Aboriginal vocabulary.maps, word lists, b&w photographswemba wemba, wembawemba, madimadi, madhi madhiu, woiwuru, woiwurrung, wergaia, djadjala, narinari, wadi wadi, gundidj, buandidj, buandig, yodayoda, yorta yorta, gippsland, southern narigu, glossaries, vocabularies, luise hercus

Book. ALEC H CHISHOLM COLLECTION. Two copies of a booklet of Aboriginal words, their meaning and locality. Includes Tasmanian words. A foreword 'The Speech of the Australian Aboriginal' by the author's father, A. S. Kenyon. Photo of an aboriginal male on covers. Published by the Lothian Publishing Co. and printed by Hassell Press, Adelaide. Copy 4000.235a First edition 1930 4000.235b Second edition 1951. Catalogue stickers ''2232.1 KEN'' and ''2232.2 KEN'' on front covers.Justine Kenyonbooks, collections, etymology, alec h chisholm collection, justine kenyon, aboriginal words

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of sea shells and bones. The remains of an Aboriginal feast. Close-up of shell on a midden at Cat Baylocal history, photography, aboriginal midden, black & white photograph, aborigines, aboriginal middens, cat bay phillip island, john jenner, bryant west

Graphic illustration of group of protest marchers holding banners against a background of the Aboriginal flag; text in black."Right to march dance : Balmain Town Hall : [featuring] Kamakazi Kidz - Mental as Anything. Defend the right to organise. Smash Bjelke's ban. Proceeds to Qld Bail Fund."