Newspaper article - written on top 'early before Jan 1983' Title: ' Dragon its tail? Not Bendigo by Alan Dearn. Article describes history of Easter Fair. Louey Wat Soon, Neil Roxborough details the history of the imperial dragon, kept by the Chinese Association packed in camphor wood chests with other rare costumes.bendigo, chinese, bendigo easter fair

Else-Lore and her mother Else Oertel were German internees in Camp 3A from 1940-1945. The German Red Cross sent items to the internees in the camps and this tin of chocolate was one of the items given to the Oertel family. Else-Lore Hukins donated the item, which she describes as a 'treasured item'.Round metal tin with plastic-wrapped cake of chocolate inside. Chocolate has Hildebrand inscribed in centre with picture possibly of two knights on horseback. Tin has cream/tan lid with dark brown base. Lid has picture of German eagle in brown, with a cream swastika on its chest, standing on a red cross.(On lid): Deutsches rotes kreuz (German Red Cross)/ Schokolade (chocolate)/ Hildebrand - Berlintatura, ww2, camp 3, internment, internee camps, items, german red cross, else-lore hukins, oertel family, else oertel

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This gown is believed to have been owned and worn by a member of the Smart family of 'Turinville', in Barnard Grove, Kew.Two-piece dress comprised of a bodice and floor length skirt made of a soft, lightweight cerise coloured silk fabric. The bodice features a v-shaped rear neck. A wide velvet cummerbund is part of the outfit. Dated to c. 1901. (Measurements: Length 132 x Waist 62-73, Chest 76 cm)australian fashion - 1900s, ball gowns - 1900s, evening dresses, evening wear, women's clothing

Greatcoat - Khaki colour woollen fabric with attached half belt. Inside pockets and lining to shoulders and sleeves - khaki colour with cotton fabric. Buttons Khaki plastic Double breasted. Maker's Label - Inside back below collar. On Maker's Label, Black ink print on cotton/polyester fabric "KINDRED MANUFACTURING/PTY LTD/QLD/D (Upwards Arrow) D/1983/???5-66-0? -1812/SIZE 100/TO FIT CHEST 100cm/NAME... SERVICE No....".uniform, australian army

standard style of a jacket battle dress from the late 1940s to 1982; it was used for parade dress; this jacket was worn by a warrant officer class 2 of the Royal Australian Electrical and Mechanical Engineers.This jacket has historical significance because it representative of a standard style service battle dress worn by soldiers of the Australian Army Post WW2 until the introduction of the modern polyester cotton uniforms. It is also in excellent condition, which is special considering it's age. Waist length jacket, with two breast pockets either side, collar, olive green, two shoulder patches on both side ones says “Royal Australian Electrical & Mechanical engineers” in Bright yellow/gold writing on a in navy blue shoulder patch; a ranking insignia of Warrant Officer class 2 above the cuff of both sleeves Label located inside the jacket on the right hand side it says “A.G.C.F. VIC 1977 8405.66.025.6423 Size of chest: Size. 109/112PR. Yarra Falls. Batch 21657. Dry clean only Crease upper half of labels only.jacket, jacket battle dress, jacket khaki

Benjamin Thomas Roy Chadd No's 10594, VX20311, 1st and 2nd AIF. Refer 2039 for complete service history also 2034P. Photo taken possibly between WW1 and WW2. Photograph, framed. Re Lt. Col. B. T. R. CHADD. Timber frame mid brown colour. Black and white photograph of eight lighthorse officers, some have medal ribbons on left of chest. One vehicle and row of trees in background. Group full length portrait. Dark green cardboard surround to photograph.On white label with frame "Lt Col B.T.R. CHADD/donated by Mrs B. CAHILL"photography- photographs, frame accessories, military history- army

Glass statuette of a man holding a baby. The man is dressed as a doctor, in white clothing, and has grey hair, a grey beard, and spectacles. He is holding a baby to his chest, with the baby facing towards the man, head pointing down. The man is holding the baby's ankles in his right hand, and the baby's bottom in his left hand.

This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery

Block mounted colour photograph featuring the artist Francis Smith. Shows a head and shoulders image of Smith, bare chested with long hair and full beard. He is resting his right hand on a wooden pole, possibly a shovel handle, and looks skywood. His fingers are dirty. Mounted on craftwood board with black painted edges.

Long khaki coloured heavy coat. Thick, sharp angled collars. Right collar has a hook and eye attached in the lapel split. Collar has zig zag stitching and two plastic buttons on each the left and right sides. Each shoulder has a lapel that is fastened with a plastic button. The coat is double breasted. Three buttons on the right side, held in place by metal loops on the interior rather than stiches; mirrored on the left side. Left interior has oval shaped fabric buttoned to the interior with two brown (possibly bakelite) buttons. A larger brown button sits atop the smaller as a means of closing the jacket from the inside. There are two pockets on the front that are angled with the highest point near the centre and the lowest point near the hips. The arms, underarm and upper back section contains an inside khaki coloured lining of thinner, most likely cotton fabric. Above this there is a thin strip of fabric attached at either short end to use for hanging the coat on a hook. At the back of the coat there is a single pleat stretching from the base of the neck to the base of the coat. Approximately half way down the pleat there is a split in the fabric that is fastened with two plastic buttons. At the waist there are two fabric flaps that fasten together at the back with three buttons, also held in place with metal loops on the reverse.Label on interior back lining reads "REGIMENTAL No./NAME" Label on interior of the right "GREATCOATS. G.S. 1946 Patt/SIZE 1/HEIGHT 5'3"/CHEST 34"-36"/BRADLEY'S INDUSTRIES N.S.W./1951" Handwritten on label, "M J Davis"post war, army uniform, great coat, inter war, uniform, military uniform, wool, greatcoats, bradley's industries

James Woods No NX29622, born Wee Waa NSW enlisted in the 2nd AIF on 10.6.40. Serving in the Middle East with 2/2nd Machine Gun Batt he was awarded the Military Medal for " Conspicious and outstanding control of fire during the period 10 July - 2 August in the Tel El Eisa area". WIA with GSW's to chest and back he was discharged medically unfit on 4.6.43 with the rank of Cpl.Medal set, brass plate mounted, set of (6) re H.J.Woods 1. Military Medal. 2. 1939-45 Star, not engraved but original. 3. Africa Star, not engraved but original. 4. Defence Medal. 5. War Medal 1939-45. 6. Australian Service Medal."NX29622 Cpl H.J.Woods. AIF"medals, military, bravery, history

This is a large army overcoat. Made from wool. It has 3 Officer's pips on each epaulette. It has 8 Aust Mil Forces brass buttons on chest. It has 3 AMF brass buttons on rear waist band. It has 3 pockets, two large ones with flaps. It has a small slot pocket near left arm pit.Inside at neck area is a small label. Printed is M TX. Written amongst it are two letters CS.aust army uniform, greatcoat, passchendaele barracks trust

.1) The Soldier would be WW1 given the Chevrons on his arm. .2) The Soldier appears to be more like WW2.Black and white photographs of two Soldiers in Formal pose. 1. Soldier George Wilson in uniform sitting in a formal pose. Portrait shape. He is wearing 3 chevrons for overseas service on his right arm. 2. Soldier Bob Wilson in uniform in formal pose in chest and head shot and portrait shape and signed on bottom right corner, 1. On the back written,”Uncle George Wilson, Nana Spencers Brother”. 2.On front right corner signed "Sincerely Yours, Bob". On back written "Nana Spencer's brother, Bob Wilson". ww1, photographs, bob wilson, george wilson

This garment was donated by the daughter of Ena Heazlewood, the maker of the item. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. He was also born in Warrnambool. The couple later lived in Sydney. This coat was made by Ena Heazlewood and was worn by both her son, John and her daughter, JudithThis coat is of interest as one made by a former Warrnambool lady in the mid 20th century. It is also an example of the style of children’s clothing worn 70 years ago. This is a child’s coat, hand-sewn and made of white cotton (towelling or boucle type material). The coat is lined with white cotton material and has a pointed shirt collar with inset sleeves and flares out slightly from the chest area. The coat opens at the front and has two cream-coloured buttons and two button holes. There is some slight staining on the coat. vintage clothing, todd & heazlewood families, warrnambool

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . Portrait photograph mounted in an oval rosewood frame, one of a pair. This photograph is Mary Jane Giles, dressed formally showing chest to head. Her hair is tied back hair and she has a neck band. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

Black and white photograph of people attending the Clan McLeod Ball, held upstairs in the Trades Hall, View Street, Bendigo. Date unknown. 5th. person on left is Doris Purdy, the donor's mother. 6th. on left is Mrs. Kelly from High Street, Ironbark. Some men wearing kilts and women have clan sashes across their chests.

B/W copy from Grampians Community Health Centre Book Rev Fotheringham is wearing striped shirt and trousers with a belt. Holding a frame over a tub. Background is brickwork, mirror on top of cupboard, painting on right hand wall and clothes line. In foreground two pillow slips hanging onclothes line. Tea chests with items on top.

Sepia photo: large group - 3 rows of women dressed in long white dresses; all women are wearing a ribbon on their chest. Two rows of men dressed in black suits, with stand up collars and bow ties. Woman in centre of 2 row has lace covered long dress and is carrying a pointer. Possibly Bendigo Choral Society 1912?Richard & Co., 23 Sturt Street, Ballaratperson, group, performing group

1. Jacket, Woollen, blue, 4 darkened buttons in front. RAAF white cloth "wings" on left chest. Sergeants stripes on each arm. Top of each shoulder has a cloth, dark blue eagle. Four pockets, darkened buttons. 2. Trousers, wool, blue. 3. Belt - 2 inch. Blue with metal buckle (dark).1. Written on inside Rt arm = 2E MOORE. Written on label inside Rt collar = 4032 LAC MOORE. 2. Written inside = LAC MOORE. Written inside = 3477 2E MOORE. uniform, raaf, passchendaele barracks trust

The Flying Dogtor and the bush children found out where a bushranger had hidden treasure 100 years ago. Unfortunately, Crafty Carson Carpetbag and Old Man Redback found out just a little sooner, dug up the treasure first, and disappeared with it. But there must have been a hole in the chest, for the children found a gold coin on the ground, and then another and another. They set out to follow the trail with their faithful friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows two children wearing grey, yellow and purple knitwear, one child is using a yo-yo.front: [printed] ALBANY / KNITTING WOOLS / Girl's Sweater and Windcheater / ALBANY SCOTCH KNIT / CHEST .... 24 26 28 30 ins. / SWEATER ... 10 11 13 15 ozs. / WINDCHEATER . 10 11 13 15 ozs. / PRICE 3d.knitting, pattern, fashion, knitwear, albany woollen mills

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl

This plaque is a memento of the famous Victorian jumps jockey, Tom Corrigan. He was Australia’s best-known and best-loved jockey of the 19th century. Born in County Meath, Ireland, son of Thomas Corrigan and his wife Bridget, née Carney, he came at the age of ten with his parents to Woodford, near Warrnambool. He was apprenticed to racehorse owner, Francis Tozer of Wangoom and quickly built up a fine reputation as an accomplished horseman, especially in jumps racing. From 1866 until his death from a racing fall in 1894, he won 239 races with 135 seconds and 95 thirds from a total of 788 mounts. This included seven Grand National race wins and four Warrnambool Grand Annual Steeplechase wins. Corrigan, very small in stature with a huge handlebar moustache, was a popular, genial person. This plaque is an interesting memento of the Woodford-raised jockey, Tom Corrigan. His name is now on the Australian Racing Hall of Fame.This is a silver-coloured metal image (bust) of the jockey, Tom Corrigan. The chest section of the image is attached to the two ends of a horseshoe- shaped frame. The bottom of the horseshoe frame has representations of the reins and two feet of a horse with a jockey cap in the middle. The name of the jockey is embedded into the metal at the top of the plaque. One section of the horseshoe on the edge has been broken. The plaque is slightly stained. ‘Tom Corrigan’tom corrigan, jockey, history of warrnambool

John Allan FLEMING enlisted on 19.1.1916 age 26 years 6 months in C Coy 38th Bn Regt No 873, appointed Cpl 5.3.1916 then Sgt 6.3.1916, appointed CSM 20.4.1916, embark for England 20.6.1916, he was appointed Lieutenant as he was hospitalised with fever on 18.8.1916, rejoin unit 24.8.1916, embark for France 22.11.1916, 28.11.1916 attached to 10th LTMBattery, discharged from the AIF on 5.5.1919. Post War he had a career in the CMF ending in 1945.This is a B & W photo of a boxer in bare fisted fighting stance. He has a tattooed chest which appears to be of a dragon. He is wearing dark coloured trunks and wearing a Championship belt. See Cat 6634, On the rear of the postcard, written in pencil, are the words Championship Boxing Belt (?8) BN 1st AIF. John Flemming. Donated by May John A Flemming.boxing, 38th battalion, 1st aif, passchendaele barracks trust collection

This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in band uniforms. One is displaying his war medals on his chest and is resting his tuba on the ground. The other, in a different uniform is standing to the right of the first man. This man is Frank Wright the conductor and the uniform is from the St Hilda's Band. Behind the men are folding seats, a hedge and two floors of a large building.frank wright, st hilda's band, conductor, tuba, brass band uniform

Sepia photograph: male portrait, man is dressed in uniform, wearing tie and Sam Browne belt across chest. Badges on both shoulders. Short haircut, with moustache. Written on back in print: ' to the memory of our friend Maldwyn Leslie Williams, Lt. Col. MBBS, who died of wounds received in France, March, 3rd. 1917.' See Research field for more information.Bartlett Bros.person, individual, m.l. williams, williams, maldwyn leslie. medical practitioners. bendigo base hospital. world war 1. bartlett bros.

Mannequin of SAS soldier fitted out for patrol wearing - US Army camo uniform, replica armalite rifle, replica 40mm grenade launcher, spare 40mm replica grenades, ammo pouches, water bladder on chest, M26 grenade, compass pouch, smoke cannister, bayonet, water bottles, , backpack with rations, sleeping gear, sweat rag on head, GP boots.sas, sas soldier, mannequin

Vietnam conflict.Vietnam conflict00128.1 USA Camouflage jacket 2 chest pockets, black buttons with black buttons down the front. Has Vietnam cloth badge on left shoulder. 00128.2 Medal. Inscribed United States of America (reverse), and Republic of Vietnam service (front) Colours are green, red & yellow. 00128.3 Medal Only inscription, National Defence. Colours, red, white & blue and yellow.