Henry Sutton was born in Ballarat into the musical Sutton Family. He is known as an important Australian inventor. This photograph was taken while he and his family were holidaying in Hastings, England. Photograph of a coastal scene..henry sutton, glass plates, photography, coastal scene, sea, hastings

Deck scene at Trafalgarpicture, rn

Made by Christine Ballard in 2002 who was a visitor to the Museum in late 2001. The Christmas Crib is from a Jean Greenhowe pattern. Christine originally made 4 sets of Mary, Joseph and Baby Jesus to sell at her church fete. They were so successful she received 7 orders.Knitted nativity sceneknitting christmas, christmas, hand knitting, jerusalem, knitting

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left)

Coastal scene at Mosmanmosman, sea, coast, ferry

Scene of Canberra, Australiacanberra

Items in the collection relating to Alexander Norman Cummin No 18, 38th Batt AIF. Refer Cat No 2535P for his service history.Book holding detachable postcards, black & white. Photos are from Armentieres. Two of the cards have detached.Each photo has a description of the scene written in French.photography-photographs, documents - postcards, armentieres

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment. This rural region (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap. The couple shown in this photograph would have been employed by the S.E.C. under the Kiewa Hydro-Electricity Scheme.This item is a scanned black and white photograph of a couple walking along a gravel street in Bogong Village in 1950. See 0480 (A) ,(B), (D) - (F) for other photos of similar postcards" SCENE IN BOGONG VILLAGE KIEWA HYDRO-ELECTRIC PROJECT"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth, bogong, secv

Black and white photograph of an illustration showing broken train railsScene where the train was to be wreaked. Australian I. Newskelly gang, ned kelly, edward kelly, glenrowan, police murders

Colour photographs (16)Various street scenes within the Melbourne Street Mall

This glass slide captures the driveway into Mayday Hills Mental Asylum formally known as the Beechworth Lunatic Asylum circa 1900. The slide depicts the driveway lined with an elevated landscape featuring tall trees, shrubbery of different varieties and well shaped bushes. The Mayday Hills Mental Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD). The decommissioned Asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The Asylum was predominately inhabited by long-stay patients but there were active out-patients. The Asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the Asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The Asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner.This glass slide captures social and historical significance as it represents a one small part of a much larger and pivotal location within Beechworth history. This lantern slide stands testament to a special place in Beechworth’s history and its significance continues to be remembered today.Thin translucent sheet of glass with a square image printed on the front and framed. It is held together by metals strips to secure the edges of the slide.NOW SCENE / ASYLUM AVENUE/ R.P.B. HALL/ BEECHWORTH.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, mayday hills

The internal decorative scheme of Villa Alba is significant as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration. The frieze in the Dining Room of Villa Alba was painted by Hugh Paterson in 1883-1884, and depicts scenes from Walter Scott's novels 'Rob Roy' and 'The Heart of Mid-Lothian.'High quality photographic record of 'The Heart of Mid-Lothian' section of the frieze with annotations by Robyn Riddett and Andrew Dixon. Photographs were taken by Trevor Mein.Panels 11 to 17 of scenes from Sir Walter Scott's novel 'The Heart of Mid-Lothian'. Positioned below the architrave, each panel or lunette is separated by tromp loeil columns. The Heart of Midlothian section of the frieze is located on the east wall, continuing clockwise from above the door. [The panels on the north, west and east walls depict scenes from Scott's 'Rob Roy'.][The captions on each image were created by Robyn Riddett and Andrew Dixon using the text of each novel as a reference]villa alba museum, domestic interiors -- 1880s, hugh paterson, the paterson brothers, walter scott, the heart of midlothian, the heart of mid-lothian

Crime statistics indicated an increase in thefts in Banyule and Nillumbik.News clipping, black text. banyule

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography

Main street scene, Town Hall Hotel on the right. Horse drawn vehicle on left in the street. People standing under verandah on footpath. Showing W. Shorts Hotel also known as the Town Hall Hotel. Looking East up Main Street. Visible Post Office Hotel, Spragues Sporting Depot. Town Hall Hotel was erected in 1873 by W Candy the owner and holder of the first license. Some of the early licensees were W.H. Richards, Davies, W. Short & Hugh Menzies.Sepia photograph of a scene of Main St Stawell. Town Hall Hotel on the right. Horse drawn vehicle on left in the street. People standing under veranda in foot path. Trees in Street.Miss E. Moulden 54 Dawson St Stawell stawell shops businesses streetscape

Diggers & Mining. The Digging - The Diggers. Slide: (Continued) In such a crowd, one half utter strangers to the other and to the colony, met together in a wild tract of broken, forested country, full of secluded hollows, honeycombed with hundreds of thousands ready-made graves, under such strong inducements to cupidity, disorder, and crime, the imagination is free and unrestrained to picture the extent to which crime may prevail in secret without the prospect of discovery; . . . But I can assure our Lordship that what ever crimes may really be perpetuated, no indifference to it on the part of the authorities could have existed, and that no such general disorder and rejection of law and order and rejection of law and constituted authorities has ever been observable . . . Markings: 68 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A photo with the 5/6 unit badge in bronze, it noted "The 300" 5/6th Battalion, The Royal Victoria Regiment, ANZAC Day 2007, presented by LTCOL Neil Crimes CO, 5/6

The photograph shows road works on the corner of Para Road and Main Street Greensborough in 1993.The view also includes the Greensborough Hotel, the valley Buildings and the group of shops on the Para Rd corner named as Greensborough Valley Market. In the foreground it shows the Greensborough railway station car park as unsealed.A colour photograph of a street scene.Nilpara rd, main st, greensborough, road works, valley buildings, greensborough hotel, greensborough valley market

Sheet music Scenes of Childhoodflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Scanned from "Australia, her heritage, her future"A Street scene in Alice Springs.alice springs

Framed Asian scene on textiles indian art, textiles, framed, available