Andrew Reeves was charged in June 1920 with attempting to murder Gertrude Clara Sexton by shooting her and then attempting to commit suicide by shooting himself. Watson was a partner in Mr Sexton's farm at Turriff in the Mallee. Watson and Mrs Sexton were planning to run away together. Prison record for Andrew R. Watson, prisoner registered number 35611, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, andrew reeves watson, wounding with intent, attempted murder

Photograph from 1930 newspaper cutting taken of residents Celebrating Stawell Diamond Jubilee in Stawell Town Hall. The photograph taken of the interior in the town Hall showing the painting at the one end of the hall. Note the wooden door head decoration. The newspaper is dated October 18, 1930. The large crowd fills the scene taken of residents in the hall spilling over to the stage area. Black and white newspaper photograph of a large crowd inside a hall taken in 1930. There are 2 photographs of newspaper cuttings from The Weekly Times of the crowd scene.The WEEKLY TIMES Magazine section 6, October 18, 1930, Stawell Celebrates Diamond Jubilee by Entertainment of Old Residents. Happy Party at the Old Time Ball in Stawell Town Hall. Handwritten - X Grace where cross is near Stage on one newspaper cutting. On the second newspaper cutting is Belle Mcleod marked with an X.stawell

One of a collection of photographs donated by Bruce BennettColoured copy of a postcard showing the coastal cliffs on Westernport with The Nobbies in the distance"Coast Scene, Cowes, Nobbies in Distance."phillip island coastline, cliffs and shoreline westernport, bruce bennett

One of a collection of 15 photographs/postcards donated by Lois MullinsBlack & White photograph of the beach and fishing boats at San Remo"Picturesque scene, San Remo, Vic."san remo beach, fishing boats san remo, coastal scene san remo victoria, lois mullins

Black and white photograph of an APC and two Centurion tanks. APC is damaged and resting on the rear of a tank after being blown up by a 180lb shell, set as a landmine. Infantry and cavalry personnel climb all over APC and tanks assessing damage. Photo is in a black frame.Photograph description of scene as accompanment of photodenis gibbons, armoured personnel carrier, centurion tank, "nympho", operation massey-harris

Square tinChristmas scene on front. Red sides.

A wide range of souvenirs have been produced to commemorate Wodonga and its landmarks over time. These items document key changes in Wodonga and its heritage. The Water Tower and Soldiers Memorial have been key landmarks in the centre of the main street. The Water Tower was in operation from 1924 until it ceased operation in 1959. The original Soldier Memorial was dedicated on Tuesday 18th November, 1924.Small china and glass pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. These items have local and social significance as they reflect the landmarks or local features valued by the community over time.A square crystal dish with image of the Water Tower and Soldiers MemorialAt bottom of central image "Scene, Wodonga"wodonga, souvenirs, water tower, soldiers memorial

Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving

Street scene of Lower Main Street Stawell depicting J. Parry General Blacksmith Shoeing Forge surrounded by three weather board houses. Outside the Blacksmith Shop are people and 2 horses. This photographs records on of the major industries of the horse drawn era.Sepia photograph of a street scene depicting J. Parry General Blacksmith Shoeing Forge and 3 weather board houses with two horses and several males standing around Lower Main St Stawell. Lower Main St. Opposite G.H.R (G. H. Robson) Mon Yards (Monumental Yards)stawell business streetscape

Colour photographs of an art tram by Mark Lycette, a Graphic Design Student at Ballarat University College. The tram includes the words "Crime Prevention - A Shared Responsibilty"graphic design, art tram, melbourne tram, royal australian air force, anniversary, mark lycette, alumni, police, crime prevention, crime stoppers

Postcard (1) Beach Scene/ Postcard (2) Three local men on top of PyramidPostcard (1) The back of this postcard bears the inscription - " This is a scene on the beach. Just fancy a shell bursting among this crowd. They often do. The Turks have got a gun they train on this place alone. I have seen seventeen knocked one day with one shell. They can't fire too often as they are short of ammunition, they would get thousands here I suppose. The gun that does fire here has killed more than any other gun in the war. The Boys call him (possibly "bracky") Bill. Postcard (2) The back of this postcard bears the inscription "This is one of some niggers taken on the top of the pyramids"

This photograph is from the Ivy Child album and shows a scene across the Kalorama Valley. The roof of the Kalorama Homestead is right of centre with cultivated areas around it. Walter Jeeves would have been the owner at this time. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a sweeping scene across a lightly treed valley with hills in the background.Written below the photograph in the album: LOOKING INTO VALLEYkalorama homestead, kalorama, valley, ivy child, walter jeeves

The photos depict post WW1 scenes.This is a cardboard covered booklet. Inside it are ten postcards of scenes of Tel Aviv. There are numerous holes stamped on the left side to enable the postcards to be torn out of the booklet and used. The photos are a low resolution black & white. The images on the postcards is of newspaper quality, cut and glued to the cardboard postcard. The front cover has an image of a building within a circle with the words " Souvenir of Tel Aviv on bottom left. Bottom right has two lines of Hebrew writing.ww2, tel aviv

The First Edition of the "The Reef" a Magazine for Local State Schools, Stawell, Black Range, Green's Creek, Illawarra, Pomonal, Glenorchy, Deep Lead, Morrl Morrl, Joel Joel, Concongella, Salt Creek, Great Western, Wallaloo East, Campbell's Bridge, Callawadda, Warngar, Frechman's, Landsborough West and Landsborough.733: Grey Card Cover with black Design Balck Text Inside 733A: Purple Card Cover with black Design Balck Text Inside 733B: Fawn Card Cover with black Design Balck Text Inside Badly Torn 733C: Brown Card Cover with black Design Balck Text Inside 733D: Brown Card Cover with black Design Balck Text Inside Cover torn Bottom Right Missing 733E: Brown Card Cover with black Design Balck Text Inside Cover torn Bottom Right Missing 733F:Brown Card Cover with black Design Balck Text Inside Cover torn top Right MissingOctober 1921 Vol 1 ...... No.1 The Reef 733A; No. 5 October 1927 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling 733B: No. 2 October 1924 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling 733C: No. 1 September 1923 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling 733D: No. 3 October 1925 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling 733E: No. 4 October 1926 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling (Cynthia Bodey Top Right Hand Written) 733F: No. 6 October 1928 The Pinnacle Stawell Inspectorate School Magazine. Not Failure But Low Aim Is crime R.L. Henerson Price One Shilling stawell education

Slate pencils were used extensively in primary schools throughout The Netherlands.These pencils may have belonged to a child who attended school either towards the end of or post WWII when there was a scarcity of paper and books. Rectangular light green cardboard container which slides open to reveal 7 slate pencils. The lid is busily illustrated with scenes of English Victories on Sea and Land including Trafalgar and Waterloo. The upper halves of the slate pencils are covered in paper decorated with various designs.In the left margin of the picture are the words: "Designed in England". Underneath the Trafalgar scene is the quotation: "England expects that every man this day will do his duty." Under the Waterloo scene is the quotation: "Up Guards and at them!" In the right margin are the words: Copyright ENT * STAT HALL. GES.GESCHUTZT. In the centre are the words The Box enclose a crown surmounting a coat of arms which in its turn surmounts crossed slate pencils, then the words SLATE PENCILS and Made in Germany. In pale ink the name Harold is written above the picture. education

This watercolour painting depicts a scene at Flagstaff Hill Maritime Village, showing some of the buildings and one of the vessels in the lake. The artist, Alfred A. Perry, lived in Victoria at the time of creating this painting. This painting is significant for its association with Flagstaff Hill Maritime Village. It shows a point in time, September 22nd, 1979, at which time the Ship's Chandler store was on the north of the lake. In 2022 the Ship's Chandler' is on the south of the lake and has been there for many years..Painting behind glass, framed in wood, black outline with watercolour. Depicting a scene of vessel at anchor on water, crane on wharf, buildings on track, valley and hills in background. Location is Flagstaff Hill Maritime Village. Artist is Alf Perry, painting dated 22-9-79.Signed "Alf Perry / 22-9-79" Handwritten on reverse "Alfred. A. Perry / 31 Vera St. / Bulleen / 850-3367"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, alf perry, watercolour, alfred perry, alfred a perry, flagstaff hill history, 1979, flagstaff hill village

Souvenir Photographic Strip photo envelope donated by Anne LucasBlack & White photographs in a Souvenir Folder. Photos of wildlife and coastal scenes at Phillip Island.On Cover: "Cowes, Phillip Island. Photographic Souvenir" 230-01. "Australian Native Bears (Koalas)." 230-02. "Bathing scene at Cowes." 230-03. "The Pier, showing Isle of Wight Hotel." 230-04. "The Beach at Cowes." 230-05. "Seals on Seal Rock." 230-06. "The Beach, Cowes." 230-07. "War Memorial and Pier". 230-08. "The Pier. Cowes (Phillip Island)" 230-09. "Rocks at Cape Woolamai. Cowes (Phillip Island)." 230-10. "The Nobbies." 230-11. "Sea Birds at Phillip Island." 230-12. "Rocky Headland, Cape Woolamai." 230-13. "Australian Native Bears (Koalas)." 230-14. "Forrest Caves."wildlife - koalas, wildlife - sea birds, coastline cape woolamai, the nobbies phillip island, seals on seal rocks phillip island, wildlife - seals, cowes pier phillip island, cowes jetty, cowes beach phillip island, forrest caves, phillip island, seal rocks phillip island, cowes war memorial, war memorial cowes phillip island, cenotaph cowes phillip island, anne lucas

Catalogue card reads, "Bush scene at Quamby".

Copied from postcard in possession of Mrs Vera BennettBlack and white photograph of cleared land on each side of the North Arm, showing white ring barked trees in front of dense bush on western side, cleared and fenced paddocks on eastern side. Lakes Entrance VictoriaPanorama scene at Seaview Tearooms - Lakes Entrancetownship, waterways

Copy same view but titled 'North Arm - Lakes Entrance' 11.5 x 18Black and white photograph of the North Arm. It shows the calm waters of the arm which twist and turn between high scrub covered banks. Distant view of township, two people in small boat in foreground. Lakes Entrance VictoriaLakes Scene North Arm Lakes Entrancevegetation, topography, waterways

Crowd Scene

Harbour scene

Scene depicted is believed to have been the Euston Lock. It shows various pieces of equipment in the foreground , with a pontoon names Bream on the left bank with a paddle steamer, sheds and cranes in the distance on the right hand side of the photograph. Original photograph from the Price collection. Historically and socially significant photograph depicting early 1920's life on the Murray river.Black and white photograph of river scene depicting , by the left bank a pontoon "Bream" and by the right bank a steamboat behind a shelter construction. There are various cranes on the right bank. Copy of an original photograph taken in the 1920s believed to at Euston Lock, N.S.W.In pencil on back: Price / believed to be Euston Lock.riverboats, paddle steamers, price collection

One page of the Victoria Police Gazette dated May 9, 1867, including extracts from Tasmanian crime report and extracts from South Australian Police gazette.essential services, police, victoria police gazette

Chain Khiang Wang's 2002 thesis used autobiographical figurative painting as a vehicle for conveying an understanding of Buddhism.Chain Khiang WANG In 2002 Chain Khiang Wang completed a Master of Arts at the University of Ballarat (later Federation University). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An artwork depicting a dark scene in a bar where a white shirted barman oversees the scene. art, artwork, chain khiang wang, alumni

An early colour postcard of a brook scene in Marysville. The original photograph was taken by Nicholas John Caire in 1906. This is one of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. An early colour postcard of a brook scene in Marysville. The original photograph was taken by Nicholas John Caire in 1906.POST CARD This Space may be used for Correspondence. (FOR ADDRESS ONLY) Postmark/ Geelong/ 22/ Rest is illegible Glad to know you/ are keeping better/ & trust you will go/ on so doing accept/ love & best wishes/ for a happy Xmas/ we will be all/ thinking of you/ Yours M.P. Philip Mip Rittocto/ "Hospital"/ Lt Ryrie St/ Geelongmarysville, victoria, nicholas john caire, brook scene, souvenir, postcard

This biscuit/tea caddy was probably targeting the "theatre going" family or those who liked looking at the colourful shakespearian scenes. This item however demonstrates that the rural (Kiewa Valley) appreciation of classic English plays was, in this time period (early 1900's), just as strong as in the larger towns and cities. This item also presents the period in which the "olde" Elizabethian phrases and words were taught in regional high schools. Although this speech pattern and phraseology was of a specific time period and going out of fashion when Australia was first settled it was an inherited form of communication(higher social/economical level). In the context of the rural Australia "scene" and in this time frame of the elite "boarding school" generation this item was a visual reinforcement of the education level and position of the family who owned this tin.This item is highly significant because it not only presents the social aspects of early life in the Kiewa Valley but also the variety of educational levels and economical variations of the rural population within the Kiewa Valley. The egalitarian perception of the inhabitants of the Kiewa Valley was still at the infancy of early Australian social interactions. This biscuit /tea container was however a leveling of the socio-economic playing field of the time.This biscuit or tea tin, has besides having an outer lid (hinged), it also has an internal lid(with a circular finger grip). Although the shape is rectangular it has a slight concave bulge at each side of the centre of each of its main frame. It is made of pressed light steel and has a raised floor. The corners are bevelled and the outer lid has a bevelled slope ridge in parallel to the extremities of the main tin frame. There are painted scenes from the following Shakespearian plays on each side of the tin; "As you like it", "Hamlet" and on each of the bevelled corners are the portraits of Shakespeare(in the middle), the caricature mask faces of "the theatre" above and on the bottom section the "Director's chair"food storage, kitchen table container, domestic educational storage, shakespeare illustrations