This Victorian railways constructed turntable is used for turning around locomotives. It is 16.2 meters long and is hand pushed either direction. Originally broad gauge (5 foot 3 inches) and located in the Newport Locomotive workshop area it was relocated to emerald and 2-foot 6-inch railway track fitted to it and is used by the Puffing Billy Railway to turn their locomotives and carriages Historic - Victorian Railways - Turntable used at Newport Narrow Gauge Turntable made of metal and steelturntable, victorian railways, puffing billy, emerald, newport

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

A soft covered booklet with a picture of a Scottish band on the front. The words above it are, ' Australian and New Zealand Tour, 1951, THE BLACK WATCH BAND. Direction J. & N. Tait.' Souvenir Programme.' On the inside is the ' Programme of Music by the Band of His Majesty's 1st Battalion, The Black Watch Royal Highland Regiment. By kind permission of Lieutenant-Colonel G.P. Campbell-Preston, M.B.E.' Apart from the 14 programmes of the tour the programme includes many advertisements.program, music, black watch band, lydia chancellor, collection, music, bands, royal highland regiment, entertainment, leisure, program, programme

A cream program with blue print. On the front cover are the words, ' In a Chinese Garden. A Musical Comedy, under the direction of Mrs. A. E. Sayer. In aid of the Bendigo Hospital Women's Auxiliary. Presented in the Capital Theatre, April 30th., May 2nd and 3rd, 1932. Costumes loaned by the Bendigo Chinese Association. Ballet Mistress Miss Mercia Wright.' Cambridge Press, Bendigo. On the back of the programme is a full page advertisement for 'Suttons The complete music house.'program, theatre, 'in a chinese garden', lydia chancellor, collection, event, music, comedies, theatre, entertainment, program, programme

Black and white photograph of SEC trams No. 38 outbound along Albert St. Sebastopol, just prior to the intersection with the Hamilton Highway. Tram showing destination of "Sebastopol". Has large reflective triangles on the cabs panels. Hamilton direction sign alongside tram. Photo taken after the tram has passed the Photographer. Photograph by Jim Seletto. On Agfa paper. Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06In black ink "In the leisurely days of 1956 (wot again) Ballarat 38 trundles out to Sebastopol on a midweek service - despite CRB notices trying to entice it out to Hamilton" and in a purple ink stamp Photograph by J. Seletto".trams, tramways, sebastopol, albert st, hamilton highway, tram 38

Rubber stamp and wood stamp holder for use on official opening day for trams operated by the BTPS. Rubber casting with words "Ballarat Tramway Official Re-opening 1st February 1975". Red wood stamp hold and black wood handle with black direction pin. Second one added 17/09/2009 along with SEC stamps at the same time - btm352i1. See Reg item 4776 and 6430 for sample tickets stampedtrams, tramways, btps, reopening, ballarat tourist tramway, opening, tickets

Ticket - or Trip Slip - cable tram Bell Punch type - green card, 1d fare, has been punched or nipped three times in the down direction. Printed for the Tramway Board. Has space for 15 journeys. On the up fare side, has space for name Line, Date, Badge, car, time of starting and signature if a student conductor. Name - "Bond", Line "CHill" - Clifton Hill, date "21" - all in pencil.See abovetrams, tramways, tickets, cable trams, bell punch, clifton hill, tb

Set of two Agfa Colour slides, cardboard mounts, by Keith Caldwell dated 16 March 1962 of: .1 - W6 951 using a cross over in Victoria St between Swanston St and Elizabeth St in a different direction to that normally. Tram showing Special. W2 530 is arriving, showing route 5. .2 - W5 800 as above with 951 behind. In the background is the City Baths, Redmond Inglis printers, and Olympic Tyres.Both slides have in ink "Victoria St 16.3.62"trams, tramways, victoria st, special trams, w6 class, w5 class, tram 951, tram 800, tram 530

Black and white negative, by Wal Jack, of SW6 854 turning from Church St into Swan St. Note the other curves for the opposite direction at the intersection. In the background is M Ball & Co. building, drapers, men and ladies clothing advertising war savings certificates and 5/- National Savings Stamp. Also an advert for Persil soap? Photo dated 23-7-1944 in the Wal Jack album along with details of the location and the tramcar.trams, tramways, church st, swan st, sw6 class, richmond, world war 2, tram 854

Plan, in two sections, on heavy parchment coloured paper. Printed across top in black ink 'Underground Survey of Mines New Chum Line of Reefs' a. Shows cross section of mine, b. longitudinal section. Drawn by Arthur Everett, Mining Department, Melbourne 1884. Surveyed by Caleb Thomas under the direction of Charles Langtree. Plan found in George Lansell auction items. Plan found in George Lansell items sold at auction.bendigo, mining, new chum reef

Sister Rocks. Looking North c1860's. This photo is of a well known land mark along the Western Highway. They take their name from 3 sisters named Levy, who camped there with their parents during the early days of Stawell. In 2011 photos were taken to update and add to our "Sister Rock" collection. Direction of photos has been identified and are catalogued as on the updated index card. Black & White print of a photograph depicting large granite boulders with trees in foreground. c1900Looking North from Western Highwaystawell scenery

Theatre programme with director's notes for play presented at Artspace At Realm, Ringwood, 24 September to 5 November 2023.Project Direction and Playwright - Sharyn Mullens Taylor OAM, Creative Director - Eva McEntee, Cinematographers - Bobby Dong, Finn Clarke, Hugo Stevens, Composer and Sound Design - Andrew Becaller, Cast - Bridget Sweeney, Jordan Chodziesner, Paul Armstrong, Phoebe Anne Taylor, Peter O'Brien, Adam White.

Bendigo Charing Cross, looking east towards railway station, with SEC No. 7 about to depart for Eaglehawk. A Birney tram in background heading for Quarry Hill. Photo shows 'Ezywalkin' and 'Fountain Plaza' buildings, has large white with black lettering road signs on left. On centre pole in front of tram is smaller road direction signs (yellow with black letters) for Echuca, Heathcote and Melbourne. Tram has dash canopy lights, early 1960's.niltramways, trams, bendigo, charing cross, quarry hill, eaglehawk, tram 7

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of (L. to R.) Marion Smith, Maureen Lynch, Denise Lynch, and Marion Tilley in a performance of A Country Girl by Lionel Monckton. The performance was produced and directed by Graeme Cust with musical direction by John Trotter. The sets for the production in the Kew Recreation Hall were sourced from Melbourne Little Theatre, will the costumes came from the Princess Theatre. During this production, Marion Tilley acted as wardrobe mistress as well as being a member of the 'Chorus Ladies'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Marion Smith, Maureen Lynch, Denise Lynch. Me, Marion Tilley".marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia

This model clinometer used in both WW1 and WW2 for checking artilllery and mortar barrel anglesPrecision instrument widely used by Alliied forces in two warsMetal with some parts painted black. Device comprises a segment of a circle with an adjustable radial arm with bubble level on a slide attached"Clinometer Field Mark VI No. A.221" Noblet and Forrest 1941" "Direction of Target" with arrow. "Use this Base for 0° - 45°" "45° - 90° Target" with arrow Circle segment graduated with 0 - 44 degrees on side, 45 - 89 degrees other side. Arm graduated 0 - 60 minutes both sides clinometer, artillery instruments

Theatre Program, Cherniavsky Concert Recitals: Australian Tour 1928 Jan,Pianist, Leo,Violinist, Michel, Vioncellist. Allan E.Martin Manager and Tuner. Price 6D. Program No.6. Peerless Press, 558a George Street Sydney. Under Direction of Mr. Edward Branscombe. Contralto: Madame Marie Hooton, Baritone: Mr. Percival Driver. Manager Nigel Brook, Touring Representatives: Mr. F.G.Robson & Mr. W.J.Smith. Concert Program: Leo, Jan & Mischel Cherniavski Recital.Peerless Press, 558a George Street,Sydney.program, theatre, cherniavsky concert, cherniavsky

Yellow paper with black print. On the front cover are the words 'AUSTRALASIAN TOUR 1908-1909. Direction J.C. Williamson MADAME ADA CROSSLEY Mr. John Harrison Tenor. Mr. Hamilton Earle Baritone. M. Leon Sametini Solo Violin. Mr. Percy Grainger Solo Pianist. Accompanist Mr. Harold Whittle. Manager : Mr. H. Bracy. Syd. Day, Print.' There is also a photo of Madame Ada Crossley. On the inside is an outline of the programme. On the back cover is an advertisement for Dunlop Rubber.program, music, madam ada crossley, lydia chancellor, collection, ephemera, madam ada crossley, music, singing, event, person, individual, entertainment, female

Copy of a colour slide showing Tram 17 in Lydiard Street North, at the terminus. From the direction of the trolley pole and the sign on the destination board, it is preparing to return to Sebastopol. One of the crew can be seen leaning on a fence in the background. Three brick veneer homes can be seen. The photographer says this was taken on the last day of trams in Lydiard Street in 1971. (More likely 17/9/1991 based on A Cook notes, 17 was not used on the last day, all bogie trams)trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, tram 17

A thick brown hardcover book titled - Sacred Songs & Solos revised and Enlarged with Standard Hymns 1200 pieces compiled under the direction of Ira D. Sankey written on the front cover in black text and script. The spine has the title at the top and the publisher Morgan & Scott Ltd at the bottom as well as decorative plain lines across it. The spine is broken and the covers are loose. There is a Metrical Index and Index at the back. Four hymns and their page numbers are written on the back endpaper in grey pencil.non-fictionA collection of 1200 pieces of Sacred Songs and solos compiled by Ira D. Sankey who sang most of the old favourites in the great Revival Meetings together with a number of new recently popular pieces published for the first time. The book was used at Conventions, Evangelistic and Fellowship Meetings, in Places of worship, Sabbath schools, and Mission halls.hymns, religious books

Victorian Symphony Orchestra: 1) Conductor: Kurt Woess, Soloist: Marjorie Conley, Soprano Town Hall, Bendigo, Wednesday 18th April, 8 p. m. Plaza Theatre, Geelong, Thursday, 19th April 8 pm. 2) Conductor: Alceo Galliera, Soloist: Morris Williams, Baritone, Royal Princess Theatre, Bendigo, 20th September 1951. Star Theatre, Shepparton, Friday, 21st September 1951 at 8 pm. Direction: Australian Broadcasting Commission. Programme 1/-.event, entertainment, music, victorian symphony orchestra x 2, kurt woes, marjoria conley, alceo galliera, morris williams, australian broadcasting commission

Eight page, Newspaper supplement to The Age, Monday October 29, 2001 titled "Moving Forward" - A passenger transport supplement - or "Why Melbourne's tram, train and bus network is travelling in the right direction. Features a photo of C 3001 travelling west in Collins St. Includes articles and statements on vision of the various operators, tram, train and bus, VicTrip, one link, Metcards, buses and the Camberwell Junction project "Let there be light". Adverts from Metcard, Karcher, Yarra Trams and Connex.Label on front page "The Age Monday, October 29, 2001".trams, tramways, yarra trams, m>tram, metcard, melbourne, public transport, camberwell junction, tram 3001

The History of the Formation of the Shire of Whittlesea chronicles the establishment of the Darebin, Epping, Morang, Merriang and Whittlesea road districts and shires, and their eventual formation into the Shire of Whittlesea. It also includes stories about early pioneers, local institutions, buildings and a brief account of the development of local government in Victoria. The history was compiled at the direction of the Shire of Whittlesea in 1961, by Mr. S.T.Grey. Several of the items in the manuscript were published as articles in the Whittlesea Post in 1961.Manuscript, paper, carbon copied typed text

Returning from Manila in 1856 with a cargo of rice, sugar and rope. Mountain Maid was wrecked after colliding with the Victorian steamer, SS Queen. No lives were lost but the ship sank quickly and the crew was forced to swim for their lives. The pilot onboard Mountain Maid was dismissed from the Pilot service, as he'd already run two other ships aground before changing direction and causing the collision with SS Queen (Lomdahl 1992:Mountain Maid). Pintle and Gudgeon Type Ruddermountain maid, shipwrecks, rudder

The Marine Safety Act, Victoria requires that lights must be displayed from sunset to sunrise and in times of restricted visibility during daylight hours. A vessel's lights should indicate: what type of vessel it is, what the vessel is doing, the direction that the vessel is travelling in. E.G. For vessels under 50 m in length, a second masthead light is optional. For vessels under 12 m in length, sidelights may be a combined lantern on fore and aft centreline. Every vessel at sea must show light to indicate type of vessel, directionof travel and speed.Three metal navigational lights; red port, green starboad and clear head light. S/N Side Light (red) Elect. S/N 432 Side Light (Green) Elect. S/N 433 Head Light Elect.navigation light, marine safety, navigation, safety equipment

This edition includes a report on the Progress Association's February 1975 meeting, Councillor's report, Growth and direction of community services... in the Diamond Valley, This and that, Public display... outline development plan and subdivision, Diamond Valley Repertory, Kinder news, Re-union... with the Morton family, Scout and Guide news (Scout hall to open), Supplement to "Community News". No. 2/75. Meet the natives. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 20 p., illus.greenhills and north greensborough progress association, greenhills

Used in Building Studies at Ballarat School of Mines. The sander used to sand rough timber smooth, remove old finish from wood, put a bevel on a door, reduce the thickness of timber, dress up a poor saw cut. Also used for back cutting miter cuts for neater joints and for polishing and cutting.Stainless steel with rollers and sanding plate. Hand held. Continuous loop of sandpaper would be mounted.Maker's Plate: MILLER FALL TOOLS CATALOG 830 3 INCH BELT SANDER MODEM "C" USE 3" X 21" BELT 230/250 VOLTS 3 AMPS 25-60 CYCLES MADE IN USA PATENT 2,991,595 MILLER FALLS COMPANY, GREEFIELDS, MASS. TO CHANGE BELT PULL LEVER DIRECTION OF BELT ballarat school of mines, building studies, david flintoff, timber, smooth, miter cuts, polishing, buffing, thinning

The telescope is original to the Wilsons Promontory Lightstation and was provided by the Department of Shipping and Transport in about 1900. The device magnifies images of distant objects through its curved interior mirrors, and lightkeepers used this telescope to monitor and record the names of ships, the time they passed, and their direction, as well as read meanings of flags and other visual signals communicated by vessels. The telescope is similar to Cape Nelson’s two metre long telescope, which is included in the VHR registration for the Cape Nelson Lightstation. It is particularly important for its good condition, completeness and confirmed provenance and has first level contributory significance to the cultural heritage values of the lightstation..1 Brass telescope, cylindrical tube shape with mobile interfolding sections. Middle section of tube has been covered with textile or leather and painted black. Narrow plaited rope fixed as a border to this section is also painted black. .2. The telescope is attached by a brass fitting to a wooden tripod on a three legged triangular ply wood base with three castors.

The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird