A plastic moulded yellow Labrador puppy in white harness with raised nose sits on a blue hollow drum, waiting for coins to be inserted into its head. On the drum, a paper label reads "please help me become a .... seeing eye dog 1800 037 773". A golden Labrador puppy and the Seeing Eye Dogs Australia logo of a paw print with an eye in the middle completes the wraparound label. This type of fundraising tin is designed to stand on counters and be secured to a desk via the metal chain at the back of the collection box. 1 plastic money collection box with metal chain attachedseeing eye dogs australia, fundraising

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966. Bendigo Institute of Technology, Engineering School, Applied Science. 1st floor well under way. An ESSO standard oil drum lays on it's side amongst the rubble.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966. bendigo institute of technology, engineering school, applied science. 1st floor well under way. esso standard oil drum rubble.

Black and white photograph of Heather Reeves (nee Pain) at her first Easter Band march 1955. All equipment had been paid for - Pipes, Drums and uniforms. Heather was the Pipe Major of the Bendigo Ladies Pipe Band. See 11400.966.photograph, person, heather reeves (nee pain)

Studley Park Road, like most streets in Kew, was originally a dirt road. Street works during the Great Depression included bituminising major roads in the district. This photograph of Council works originated in the City of Kew Engineers Department as a record of works undertaken. It was given to the collection by a Mrs Fisher in 1998.Well provenanced photograph of Council-funded public works in Kew during the Great Depression. Original sepia photographic positive of Studley Park Road, Kew while resurfacing of the street was taking place. The Kew Junction is just visible in the distance. Boys sitting on a drum at right. Behind them is the brick fence and front entrance to Tara Hall.Typed reverse: "B4 / Kew C.C. / Studley Park Road showing drag spread surfacing with premixed material, unrolled material on the right, March 1934"roadworks -- kew (vic.), street works -- kew (vic.), public works kew (vic.), studley park road -- kew (vic.), city of kew -- engineers department, city of kew -- public works -- great depression -- 1930s

Land, bordered by Brougham, Havlin and Mundy Street was purchased in 1911 and the distillery onsite was modified to suit the needs of the Rosella Company. Renovations and additions, including a 21 metre high steel chimney, were completed in time for the 1911/12 tomato season. First manager was Owen WIlliams (1883-1948), a Welshman. He was married to Amy Price (1882-1949). Full history available "Bendigo's once flourishing tomato industry" by James A Lerk. Item 5985sepia photograph. Interior at workshop - anvil at back left., centre, drum standing on bench, used as small furnace ? Portion of man wearing work apron at back right. On back in ball point pen 'Rosella Preserving Factory, Brougham St. 'organization, business, rosella factory

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph North West of the 1st Australian Task Force Base, 05/09/1970, 44 gallon drums of high octane fuel exploded into a fireball as Australian troops clear NVA/VietCong rice paddies and vegetable gardensphotograph, 1 atf, nva/vc, rice paddies, gibbons collection catalogue, fire ball, nva/vietcong, denis gibbons

Horse driven Mining Whim used to raise and lower cages containing men and dirt up and down the shaft. The rope winds around the drum and is attached to a pulley over the shaft then goes down the shaft.Wooden Barrel of whim over round track with horse at front. Whim raises and lowers kibbles of dirt or cages of men up and down shaft. Four men standing in picture looking at camera. Shaft is on right of photo.stawell

Faded colour photo of the St. Arnaud Historical Society Bush Band. They are all sitting on chairs playing their instruments. A sign in front of the drum has - St. Arnaud Historical Society Bush Band - printed on it. Written on the back is:- the original Historical Bush Band Formed Dec 1979. Players from left to Right - (Ted) John Wallace- 5 String Banjo; Alf Johns- Button Accordion; Keith McDonald-Piano Accordion Bass drum & symbol; Jim Pritchard-Button accordion. Taken at Australia Day ceremony at Pioneer Park St Arnaud 1980.photo, group, st arnaud historical society bush b, peter ellis collection, st arnaud historical society bush band, (ted) john wallace, alf johns, keith mcdonald, jim pritchard

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. Visual record of the club area in the 1950s (before Queen Elizabeth's coronation) ready for the dances.Black and white gloss postcard depicts the central club space facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards. Note: Possible heater at far right of picture frame.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right is indicated by the word 'KODAK' on four sides.stage, curtains, mission to seafarers, seamen's mission, main hall, dancing, events, concerts, band, flowers, drums, piano, paintings, royal portraits, flinders street, melbourne, mission to seamen, wood floor, writing room, heater, stairs, chairs, king george vi, queen mother

Diggers & Mining. Diggers and Miners. This is how Walhalla was supplied with milk. The country was too hilly to allow the use of milk carts. Picture shows man on horseback, with another horse carrying drums of milk. Markings: 49 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A coloured photo of Peter Stainthorpe sitting astride a cut down drum in the jungle of South Vietnam, also an article about Peter and his mate Rowan Marsh in the Fourth Field Regiment. They said their cameras were more important than thei rifles.photograph, peter stainthorpe

The 'Blind' Orchestra on stage at Ormond Hall, surrounded by potted ferns. Instruments included drums, piano, banjos, trombone, saxophones, double bass and violins. Unfortunately no information on names at this stage. In the background, the organ is also visible.Seventeen musicians dressed in tuxedosrvib orchestra, ormond hall

This collection of 19 photos was most likely taken in 1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6122.20P, 6410.24P, 6184.20P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 19 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1979. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1979, Gradicon edit table, SSGT John Bennett. .2) - Photo, colour, c1979, Gradicon edit table. .3) - Photo, colour, c1979, HP21MX computer General Purpose Sub-system. .4) - Photo, colour, c1979, HP21MX computer General Purpose Sub-system. L to R: CAPT Graham Baker, SPR Ian Belmont. .5) - Photo, colour, c1979, Gerber verification drum plotter. 1130 System administration, unidentified. .6) - Photo, colour, c1979, Gerber Optical Line Follower (OLF). .7) - Photo, colour, c1979, Gerber OLF .8) - Photo, black & white, c1979, Programming and system administration, L to R: WO1 Don Taylor, Robert Cox, Tony Spurling, SSGT John Bennett, SGT Alan Toogood. .9) to .14) - Photo, black & white, c1979, .15) - Photo, black & white, c1979, Gerber OLF, unidentified. .16) - Photo, black & white, c1979, Gerber verification drum plotter, unidentified using Gradicon edit table. .17) to .18) - Photo, black & white, c1979, - Photo, black & white, c1979, Programming and system administration, SSGT John Bennett. .19)- Photo, black & white, c1979, - Photo, black & white, c1979, HP21MX computer General Purpose Sub-system..1P to .19P No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 1

The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles

Colour photograph of various vehicles in corrugated iron shedding at Narre Warren orchard. A barrel drum can be seen in the extreme left side of frame. The driveway heading to the sheds has a plough-like device resting there. The section to the left is the first coolstore built on the property.

Black & white photograph, Bert Graham Collection, 18 October 1969, Jubilee Year Presentation Night, a table full of trophies, flowers, two shields, a drum kit and a picture of the Queen on a wall.On the reverse are 18/10/69, Jubilee Year, Presentation Night.bendigo, clubs, bendigo east progress association

Black and white photo of The Ellesmere Brass Band. Most of the men have a brass instrument. At the front are two drums. Stuck to the back is a yellow sticky note with Ellesmere written at the top. Under that is Irish connection? Trad - - gear. Harp on lapel. - La Trobe Collection.photo, group, musicians, peter ellis collection, the ellesmere brass band, la trobe collection

This is a document requesting a donation for the Fortuna Pipes and Drums for the update of some of their equipment. The members of the band are shown and named in the accompanying photo. Information about the Fortuna Pipes and Drums is also in Valerie Loyejoy's book " Mapmakers of Fortuna, A History of the Army Survey Regiment" ISBN 0-646-42120-4 and included in the Victorian Collection as item 6000. The Band was originally formed in 1993 from members of the local Masonic Lodge and first played for the Survey Corps Day Parade in 1994 after a request from the then RSM WO1 Phil Meagher. The Army was able to provide the original "Black Watch" tartan kilts. Using an original Survey Corps Badge c. 1915 provided by former WO1 Keith "Aki" Barber, a number of replica metal Survey Corps theodolite badges were struck and used along with the purple Survey Corps lanyard by the band. The Fortuna Pipes and Drums continued to actively support the Army Survey Regiment until its disbandment in 1996.A 4 x Page letter, A4 Pages, Typed document, PhotocopyAddressed to Mr Tony Spurling, Manager Technical Services, Army Svy Regt, Fortunaroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Proposal for horse drawn vehicles at the 1980 parade and expression of thanks to the people who assisted in the 1979 float; Geoffrey Loftus Hills, Mark Gough. And ideas of drumming up greater members, possible partnerships with Nillumbik Historical SocietySingle page, typed on Ebeli and Associates letterhead1979, 1980, eltham festival, geoffrey loftus hills, joh ebeli, mark gough, nillumbik historical society, opal smith, peter bassett-smith, rie ebeli, victorian folk music club

This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. Gestetner” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, office machine, copying machine, gestetner machine, duplicating machine, duplicator, stencil machine, gestetner cyclograph company, cyclograph, cyclostyle, d. gestetner ltd, gestetner durotype stencils, gestetner cyclostyle, printing machine, office technology, durotype stencils, david gestetner, raymond loewy, roneo, rotary duplicatorten, mimeo, mimeograph machine, roneograph copier