Yields information the appearance and details about SEC Tram No. 36 in the late 1950's and the railway level crossing at Ballarat station.Digital scan from the Ben Parle collection of SEC No. 36 crossing the level crossing at the Ballarat Railway station with the signalling mast and Reid's Coffee Palace in the background. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, lydiard st nth, railway, level crossings, tram 36

Yields information the appearance and details about SEC Tram No. 30 in the 1950's in bound along Ripon St on the View Point Line.Digital scan from the Ben Parle collection of SEC No. 30 in Ripon St, in bound to the City of the View Point line. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, ripon st, view point, tram 30

Yields information the appearance and details about the depot and trams 20 and 36 in the late 1950's.Digital scan from the Ben Parle collection of SEC No. 36 on No. 2 road at the depot and No. 20 on 0 road at the depot. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, depot, tram 20, tram 36

Yields information the appearance and details about 27 at the Sebastopol terminus in the late 1950's.Digital scan from the Ben Parle collection of SEC No. 27 at the Sebastopol terminus, with the pole turned and ready for the trip back to Lydiard St North. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, sebastopol, tram 27

Yields information the appearance and details about No. 30 and the Albert St road crossing in the late 1950's, in particular the road surface and the buildings.Digital scan from the Ben Parle collection of SEC No. 30 crossing Albert St Sebastopol, with the destination of Sebastopol - in particular the road surface and the buildings. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Has the houses either side of the street in view. Photo received with the Ben Parle slides 09/2004. trams, tramways, sebastopol, albert st, tram 30

Yields information the appearance and details about No. 38 and the intersection at Drummond St South and Sturt. St.Digital scan from the Ben Parle collection of SEC No. 38 turning from Sturt St into Drummond St South, with the destination of Sebastopol. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, sebastopol, drummond st sth, sturt st, tram 38

Yields information the appearance and details about Bridge St shopping area late 1950's and the motor cars in the street at the time.Digital scan from the Ben Parle collection of SEC No.41 in bound in Bridge St, with the destination of Gardens via Drummond Nth. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, bridge st, tram 41

Yields information the appearance and details about city terminus, south side with the Town Hall in the background in the late 1950's.Digital scan from the Ben Parle collection of SEC trams 26 and 38 at the City terminus, south side with the Town Hall in the background, advertising the Begonia Festival. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Note the SEC termination box on the corner of the pavement. Photo received with the Ben Parle slides 09/2004. trams, tramways, town hall, begonia festival, sturt st, city, tram 26, tram 38

Yields information the appearance and details about the Grenville St intersection in the background in particular the shops on the corner in the late 1950's.Digital scan from the Ben Parle collection of SEC trams tram 30 in the loop and two other single truckers at the Grenville St stop. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Note the SE Dickins store on the north side, with the hotel on south side. Dickins later moved to the south side. Morsheads sign in photo as well as Grey's cigarettes. Photo received with the Ben Parle slides 09/2004. trams, tramways, grenville st, sturt st, bridge st, city loop, tram 30

Yields information the appearance and details about No. 35 crossing the railway level crossing.Digital scan from the Ben Parle collection of SEC 35 crossing the railway level crossing, south bound with the destination of Sebastopol . Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, lydiard st nth, level crossings, tram 35

Diggers & Mining. The Digging - The Diggers. Slide: Sunday Camp Meeting (1853) The Sabbath was strictly kept on the early field; and church services were held . . . . Slide shows miners around a preacher on a soap box. Markings: 71 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Diggers and miners. From the middle 1850's on, there was a gradual development of gold mining in Victoria. (Remember that while the first stage of this, development was going on, tens of thousands of diggers were still working on old diggings, or rushing new fields. See earlier maps.) The first ''mines'' were small affairs, - - - Markings: 25 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining: The Digging - The Diggers. Slide; When a Gold field shows signs of permanency, the Government surveyed a site for a township on the field. The story of the rise of these towns is told in Unit II of this series. Smalll businesses - some of them conducted by diggers who had done well on the fields - were established in these towns. The following frames contain pictures of some of these early goldfields towns. Black and white side. Markings: 40 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: A common practice among shepherding parties was to sell shares in their claims when the probability of the lead trending into them rendered such shares valuable. The next frame contains an extract from a book, 'Victoria in 1857', by the early Victorian historian, William Westgarth. Markings: 56 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: Deep sinking was soon fairly general on the earlier fields, it was adopted immediately by more experienced diggers. Along with the development of deep sinking went the introduction of devices to allow of the treatment ''stuff'' in larger quantities. Markings: 42 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: In the early 1850s, Ballarat was the most important field for deep sinking. But in the later years of the decade, the diggers were working important leads on many other fields; e.g., Maryborough, Dunolly, Ararat, Indigo, Amherst, and McIvor. Markings: 39 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The Chinese on the Gold Fields. Slide: Chinese fishermen. Many Chinese fishermen were working at St. Kilda in the early 1860s Picture depicts Chinese fishermen hauling in the net. Markings: 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Diggers and miners. Walhalla - Gold Town. Some idea of the difficulties which faced the early inhabitants may be gauged by the following pictures, which show the nature of the surrounding country. Markings: 15 995 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. Markings: 38 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

The BCSV (see link under references below) records show that Walker's bought the services of R Houlden of Bendigo in January 1966. It is unclear just what involvement, if any, Walker had in buses before this time. We know that there were two Houldens in Bendigo, R and T. The first, R Houlden seems to have acquired the services of Johnston's Bus services around the early 60s. Walker's also acquired the services of J.L.Holland's BS in 1970 and W.E.Shaw in 1972. Here are some pics from the early 50s through to the late 70s:Walkers Bus line Buses in the depot and the Ordnance sign (obviously a mistake in the spelling at some stage) history, bendigo, bus, john theodore collection, houlden buses bendigo, walkers buses bendigo

Eaglehawk Road Bendigo Early Cottage - Exact address unlnownhistory, bendigo, national trust collection bendigo, eaglehawk road bendigo

No 63 Wattle Street Bendigo - Early cottage c1915 - Believed demolishedhistory, bendigo, national trust collection bendigo, 63 wattle street bendigo

No 145-149 Carpenter Street Bendigo Early cottage - current address unknownhistory, bendigo, national trust collection bendigo, 145-149 carpenter street bendigo

No 6 Brodie Street Quarry Hill Bendigo - Early Edwardian/Victorian - c1900history, bendigo, national trust collection bendigo, 6 brodie street quarry hill bendigo

Diggers & Mining. The gold licence. The Government Camp. As well as government escorts, there were a few private gold escort companies operating in the early 1850s. One of them carried gold from the Ovens diggings to Sydney. In 1852, the South Australian government established a gold escort service between Mount Alexander and Adelaide. Why? Markings: 25 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining: The Diggings - The Diggers. Slide reads: Nearly all of the early Victorians diggings (prior) to the widespread adoption of deep skinking on some fields) presented an appearance something like this. There was the stream, lined with men feverishly washing for gold; behind this was the field proper, honeycombed with claims; behind this again were the tents and huts of the diggers, what stores there were, and - perhaps - in a clearing, the headquarters of a Commissioner. The following frames show Tulloch's drawings of three of the diggings in 1851. Markings: 2 994.LIF 6. Used as a teaching aid.hanimounteducation, tertiary, mining

Diggers & Mining: Diggers & Mining.Slide reads: And nearly all of the illustrations we have been able to find depict only the three main fields of this early period - Ballarat, Castlemaine, and Bendigo. However, the picture they give may be taken as fairly typical of the other diggings of the time, and, in some respects, of the early stages in the development of other fields later in the gold era. Markings: 55/ 994:LIF 1. Used as a teaching aid.hanimounteducation, tertiary, diggers & miners

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising