Boyd questions the current rules of architecture, as do the young architects of the period - the idea of usefulness, firmness, delight and beauty in the visual environment. He says we will only get a more exciting architecture if we ask the question posed in the title.Typewritten pencil edits, quarto, 7 pagesReferences Morris Lapidus and an exhibition at The Architectural League of New York occurring "late last year". URL reference says it occured in 1970.usefulness, firmness, architecture's purpose, role of architecture, robin boyd, manuscript

August 1977 Third Year Photos - Six sepia photos- Nurses have red stripes on Cap this means finals passed but still time before RN captails worn. 6 Photos of Nurses in hospital environment in various activities6 Sepia Photos - 1st Nurses checking medication 2nd Group of Nurse some seated and some standing. 3rd Nurse with patient in bed with broken leg. 4th Nurse holding child. 5th Nurse standing over bed with equipment. 6th Nurse with patient in red robe. nursing history, nursing training

This publication is a joint project between Heritage Victoria and the Building Commission to celebrate the Year of the Built Environment 2004, and our built heritage. It includes a timeline when styles emerged, details of styles including paint colours and tips for sustainable renovation.It includes a timeline when styles emerged, details of styles including paint colours and tips for sustainable renovation.architecture, domestic, dwellings, houses, built environment, heritage victoria, building commission

This bowl was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electric Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed which relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge scope, isolated and time consuming nature, the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants and specialist recruited from England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic State Electricity Commission of Victoria bowl. It is made in England and is of strong and durable ceramic. The 5mm thickness of the ceramic suggests this bowl (cereal/soup) belongs to a commercial kitchen environment and not domestic. The indent bottom of the bowl is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (B to D) for other ceramic crockery. The seal of the State Electricity Commission of Victoria is imprinted on the top outside rim within a curved scroll and a raised fist with electrical "charges" extending out.. Snuggled within the borders of the scroll is a banner with the five stars of the Southern Cross . On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"ceramic crockery, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) 1A Service Dress Uniform 1A - Tie (Blue blue). This uniform tie was worn in the period 1966 - 2001 as the primary uniform. Service Dress was approved for wear as either ceremonial dress or working dress when employed in office or business type environments. The tie was dark blue of medium width and has a tetron lining inside the wide end and no lining at the narrow end. Maker: Austal

Issued by Jude Kenny, Artist in the Community and Co-ordinator of the creative projects of the parade covering information for Eltham Shire Banner makers, Eltham Parade entrants Theme for the Eltham Festival held 7-8 November 1987 was "Our Living Environment"3 x A4 photocopy, (one cut in half) various coloured paper1987, artist in the community, eltham community festival, eltham festival, jude kenny

This plaque commemorates the opening of the restored Old Lower Plenty Bridge, opened on 14/03/2001 by the Minister for Environment and Conservation Sherryl Garbutt MLA and Mayor of Banyule Cr Dale Peters. The project was jointly funded by Banyule Council and Parks Victoria.Digital copy of colour photograph of memorial plaquelower plenty, lower plenty bridge, sherryl garbutt, dale peters, banyule council, parks victoria

Biographical notes on Infant Welfare Sister Alma Brown, who lived and worked in Greensborough. She was also passionate about protecting the natural environment. After her death, her property was established as Brown's Nature Reserve to stop development of the area.News article, black and red print, sepia photographalma brown, browns nature reserve greensborough

Pamphlet for "From shopping to relaxing we're bringing Melbournians closer to their City" - promoting Yarra "Trams vision, route 109, new tramcars, superstops and a better pedestrian environment. Published c2000 following the awarding of the Franchise to Transdev / Transfield in August 1999.Yields information about the plans of Yarra Trams c2000.Pamphlet - 3 fold DL full colourtramways, yarra trams, melbourne, superstops

Originally built 1859 as the Eltham Police Residence, the Police moved intio new premises in Pryor Street in 1961. It was then occupied by the Eltham Shire Council Department of Parks and Environment from c.1985. In 1998 it became home of the Eltham District Historical Society.35mm colour positive transparency (1 of 23) Mount - Kodak EktachromeProcess Date MAY 88Meltham, local history centre, main road, parks and environment, police residence, shire of eltham

Primary school aged children attend a school camp in regional Victoria. Some images are of a riverboat and others at Sovereign Hill heritage park. Other images were taken in a forest environment as students cook on bbq. For inquiries or access contact [email protected] side of some of the photographs have 'grade 4 camp' or 'g4' inscribed in blue pen. 1990s, 2000s, camp, school, jewish school, bialik college, photographs.

The Open Air School in Laurel Grove Blackburn was established by the Education Department in 1915 to give poor children from inner-city areas who were of 'delicate' health a chance to take advantage of the healthy bush environment of the Blackburn area. The school was closed in 1964.Four Black and White views of Open Air State School, Blackburn showing 1. View of the school 2. Bowl of soup at midday 3. Open air class 4. Interior of school. See History. From Weekly Times. See NP779 in Album 13 - Robyn DeCosta.open air school, no. 3850, blackburn, education department

As part of Environment Day observation, the students from Bulla Primary School enjoyed a tree-planting excursion to nearby Woodlands Park, a nature reserve situated close to Melbourne Airport. While they were there, the children were taken for a drive in a fire truck around the park.The excursion was aimed to give the students an awareness of their natural environment and the importance of the native vegetation in their area.A non-digital photograph of a number of children on the back of a fire truck waiting to be taken for a ride around the parkland. An aeroplane is flying overhead.

Commemorative plaque for the funding of the Master Tape area by the Helen M. Schutt Trust. As an audio library, master tapes were created so that titles could be duplicated multiple times. Preserving these master tapes required a temperature controlled environment and minimal dust or dirt.Metal plate attached to wooden plaqueThis Master Tape area was funded by the Helen M. Schutt Trust (followed by brailled version of above)nameplates, royal victorian institute for the blind, association for the blind

This bowl was used by the SECV in their mess rooms for workers during the construction of the Kiewa Hydro Electric Scheme. The imprint of the year '1921' was to identify the year that the SECV was formed which relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge scope, isolated and time consuming nature, the feeding of its workers was quite demanding of cutlery and crockery. (See more KVHS 0113)This bowl was used by SECV workers working on the Kiewa Hydro Electric Scheme (1938 - 1961) in camps and mess halls and at the Mt Beauty chalet. (See more KVHS 0113)This item is a white ceramic State Electricity Commission of Victoria bowl. It is made in England and is of strong and durable ceramic. The 5 mm thickness of the ceramic suggests this bowl (cereal / soup) belongs to a commercial kitchen environment and not domestic. The indent bottom of the bowl is 5 mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (workers' mess). See also KVHS 0128 (B - D) for other ceramic crockery.The red printed seal of the State Electricity Commission of Victoria is imprinted on the top outside rim within a curved scroll and a raised fist with electrical "Charges" extending out. Snuggled within the borders of the scroll is a banner with the 5 stars of the Southern Cross. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem. Made in Englandcrockery; state electricity commission of victoria; dunn bennett pty. ltd.; bowl

This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC(Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants or English and European specialist. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (A,C and D) The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall

This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local/European expertise in dam construction and water management in alpine terrain came from migrants and specialist recruited from England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 ( A,B&D)The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall

This item was used by the State Electricity Commission of Victoria in their mess huts/rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tied to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local and European expertise in dam construction and water management in alpine terrain came from migrants for England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world. These saucers were used in the mess huts including later in the Bogong mess hall and the Mount Beauty Chalet.This item is a white ceramic saucer (tea /coffee). It is made in England and is of strong and durable ceramic. The bottom cup indent is for either tea or coffee cups of a similar ceramic structure. The 5mm thickness of the ceramic suggests this saucer belongs to a commercial kitchen environment and not domestic. The indent bottom of the saucer is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (worker's mess). See also KVHS 0128 (A to C)The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery, mt beauty chalet, bogong mess hall

This childhood sketchbook of the 1918 era details the emphasis placed upon a skill of brushwork that portrayed part of the students natural environment both in Tasmanian schools and Victorian schools, especially rural schools. The close bondage between students and their environment was a reflection on the early "hands on" approach in child education. Abstract art or teaching aids which could not be identified with physical properties available to students at this period in time were of lesser value. The ability of the student to identify the artistic value of local nature eg. local plants and flowers was especial important to rural based school children who had limited excursion opportunities available to visit town/city based botanical gardens and museums. This brushwork book is very significant to the Kiewa Valley as it demonstrates that childhood relocations from one State to another were not detrimental to the students overall scholastic development. The rural environment in Tasmania was not that far removed from the rural environment of the Kiewa Valley. The skills taught in both regions were still the same and the socio-economic factors and mores were also similar. This item demonstrates the relocation of one family from Tasmania to the Kiewa Valley. The expansion in population into the Kiewa valley was quite erratic and significant population growth only came after the increase in population brought into the area by the SEC Vic Hydro Scheme introduced to quench the demand for Victoria's electricity.This book has a brown cover with black print and designs on a 150 gsm cardboard. Each page is of the same thickness as the cover but is of paper.On the outside cover and contained within a thick boarder. "EDUCATION DEPARTMENT" and below this in smaller print "TASMANIA" below this "THE TASMANIAN BRUSHWORK BOOK". Below this "FOR CLASSES IV., V., AND VI" Below this "NAME" SCHOOL" At the bottom 2 1/2d1918's educational sketchbook, 1918 children's sketchbook

This glass is a souvenir of the awarding to Warrnambool of the title of Victoria’s Premier Town for the period 1979-1982. The Premier Town Awards were given by the Victorian Government to the town or city that best protected and enhanced its environment. Warrnambool won the award in 1958, 1979-1982 and 1988-1991.This glass is retained as an example of the type of souvenir sold locally to celebrate the winning of Victoria’s Premier Town Award. It will be used in displays. This is a glass in the form of a goblet with a circular base, a thin stem and a top with gilt edging around the rim. On the side of the glass is a Warrnambool logo and lettering in gold print.‘Warrnambool Premier Town 1979-82 Victoria Australia’ victorian premier town awards, history of warrnambool

This shirt is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in black thread on disruptive pattern backing. Shirt cuffs have adjustable velcro fasteners.Interior label has been removed. Two embroidered patches above the chest pockets read “AIR FORCE” (left of wearer) and “FARLEY” (right of wearer). Oval patch on left shoulder shows a kangaroo silhouette encircled by a black embroidered circle.camouflage, uniform, australian defence force, disruptive pattern, airforce

These trousers are part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern trousers in five colours of green and brown. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A13/ADA/VICTORIA 2008/(broad arrow)/SPECIFICATION ARMY (AUST)6542/NSN: 8415 66 152 1059/SIZE: 95 S/NAME/SERVICE NO/75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/MADE IN AUSTRALIA” The name “FARLEY” is also handwritten on the back interior waist band of the trousers. camouflage, general purpose uniform, airforce, uniform, australian defence force

This hat is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern Combat Uniform hat in five colours of green and brown in camouflage pattern. Broad brim hat with black plastic cord end fastener on a beige/brown cotton cord. A band, sewn at 35mm intervals around the crown of the hat may have been used for attachments. Cotton tag on interior of hat lining with illegible inscriptions. Hat lining at front brow and on crown of head is a towel-like material, presumably for absorbing perspiration.The name “FARLEY” can be faintly seen handwritten on the hat on both the left and right interior.camouflage, uniform, general purpose uniform, airforce, australian defence force, disruptive pattern

This book was compiled in 1983 by Chris Smyth, Isabel Baltvilks, Lorelle Roberts and Maurice Roberts for the Friends of Mallacoota as a guide to Victoria's eastern corner. Friends of Mallacoota is a group of volunteers, established in 1983, aiming to sustain the character of Mallacoota and its surrounds by protecting and caring for the natural environment. This book is a useful guide to Mallacoota's history and environment.A stapled, 40 pp, paperback book, titled "Stepping Stones A Guide to Mallacoota". The cover is green with a background drawing of a beach and river at Mallacoota. It is priced at $2.50. It contains descriptions, history, maps, black/white photographs and drawings.Stamped on inside cover - MAREEBA LODGE 59 MIRRABOOKA ROAD MALLACOOTA 3983 It has telephone details. mallacoota friends-of-mallacoota stepping-stones

As the current Mission to Seafarers was originally called "The Missions to Seamen", this photograph shows an original flag with the Flying Angel Club logo on the front. The Flying Angel Club has been a universal environment for seafarers at every major port, and a place they can recognise as a place of respite from the seas.This is an example of an original Missions to Seamen flag dated between... and ... Partially faded black and white photograph of The Missions to Seamen flag. The photograph has a white border, and the pictured flag reads "THE MISSIONS TO SEAMEN" with the Flying Angel logo in the centre.On the reverse side of the photograph is a stamp which is positioned at the top right and is upside down; it reads "H353". The photograph has discolouring around the edges (on both the front and reverse sides of the photograph), which is more extensive on the left side. There is also a large tear to the bottom left of the photograph which has taken away part of the image.flag, mission-to-seafarers, missions-to-seamen, flying-angel-club

This hat is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) hat in Airforce colours of blue and grey in camouflage pattern. Broad brim hat with black plastic cord end fastener on a blue cotton cord. Plastic tag on interior of hat lining with printed inscriptions.Inscription on tag: “Hard Yakka/AUSTRALIA/AUGUST 2015/PO No: CC2XZ8/LAY No: 10609/SQNCOR FARLEY/(broad arrow)/[Mobile Phone Number]/NSN: 8415-66-161-4051/SIZE: M 56cm/NAME:” Inscription on reverse of tag: “PM KEYS No:/75% COTTON/25% POLYESTER/CARE INSTRUCTIONS/HAND WASH IN COLD/WATER WITH MILD/DETERGENT RISE/WELL DO NOT WRING/TUMBLE DRY OR/DRYCLEAN (X)/DRIP DRY IN SHADE”camouflage, airforce, uniform, general purpose uniform, australian defence force

This shirt is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) shirt in Airforce colours of blue and grey in camouflage pattern. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in white thread on navy backing. Shirt cuffs have adjustable velcro fasteners.Inscription on interior label is worn and illegible, halfway down the tag reads “PM KEYS NO.” Throughout (on shoulder seams, above left pocket and on back of collar) is the Australian Airforce badge/motif which features a circle with the words ‘Royal Australian Air Force', the Imperial Crown, and a Wedge-Tailed Eagle in flight though this detail is inferred not physically visible. Two embroidered patches above the chest pockets read “AIR FORCE” and “FARLEY.”camouflage, general purpose uniform, airforce, uniform, australian defence force

These trousers are part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) trousers in Airforce colours of blue and grey in camouflage pattern. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A193/ADA/MADE IN AUSTRALIA/JUL 2015/ PO: CC2X91/NSN: 8415 66 161 4017/SIZE: 95 R/(broad arrow)/NAME:............/PM KEYS NO:............./75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/DRYCLEANABLE (P)”camouflage, general purpose uniform, airforce, uniform, australian defence force

Winner of Expressions 2004 Wool Quilt prize. The stitch as a measure of time is explored in this quilt. It is from a series i have been working on about my local environment. Shaped by time and the elements, Bow Wow Gorge us visited by more than 150 bird species.Quilt is a combination of silk, wool, baft, linen, and rayon thread. Two halves of the quilt have been hand sewn together and are a rusty red and grey in colour with small blue patches using plant dyes. Machine stitched, hand sewn, and applique, the quilt has long pockets and panels added to the back.Bow Wow Bowerbird 2004 Pamela Fitzsimonhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile