There are 17 opal fields in Australia. This opal bearing stone was found in Lightning Ridge, NSW over what is known as the Great Australian Basin. This basin was formed and covers an area of 1.7 million square kilometers in eastern Australia in the Cretaceous period. This basin used to contain an inland sea, which provided an environment where silcrete eventually formed when water levels changed. This eventually seeped into other structures, and eventually hardened and formed opal. Lightning Ridge has a population of around 2000 people, with about 80 000 visitors every year. It is a historic mining town, and is known for its deposits of a rare black opal. Mining started in the area in the late 1800s, early 1900s when the black opal was discovered. This opal-bearing stone is of social and historical significance. It is from Lightning Ridge, which is well-known for being a large producer of opal stones, most famously black opal. The history of the period dates back to 140 million years, with the discovery of black opal in the early 1900s causing interest in the area. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.***A palm-sized solid mineral specimen in shades of beige and light orange*** silica based? burke museum, beechworth, geological, geological specimen, opal, opal fields, australia, lightning ridge, new south wales, great australian basin, cretaceous, silcrete, black opal, mining

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

This image of a man on horseback is thought to have been taken in Beechworth in approximately 1900. The man pictured may be Chinese. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details a rapid increase in the Chinese population beginning in 1856 that led to Government discrimination and hostility from other miners. Many Chinese people who came to the Victorian goldfields had formerly worked as merchants, mechanics, farmers and shop-keepers. The pictured individual is wearing Western-style clothes indicating prosperity, such as a top hat, so may have held an official position or provided services to the community rather than working as a miner. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese people. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, immigration, racism, classism, social groups, cultural groups, horse riding, horses, equestrian, horseback

Panning dishes were used for washing fine gold from river sediments or from the residue trapped in cradles and puddling tubs. They were often used on the edge of streams/rivers to sift gold from alluvial soil or crushed quartz. This simple pan would have been filled with sand and gravel which might have contained gold. The pan was submerged in the water and shaken to sort the gold from the gravel and other material, with the lighter material gradually being washed over the lip until only the heavy deposits, such as gold, remained at the bottom. (ref. Museum Victoria) This pan was used by George Henry Douglas Russell Snr. As a young man prior to his enlistment in WW1 he panned for gold using this dish. During the war he became a vet sergeant in charge of horse lines.Gold panning is the oldest and simplest method of extracting gold. Gold pans had widespread use in alluvial gold fields where water is available. This item is an example of the type of pan commonly used on Victorian gold fields.A circular dull metal panning dish which has a wide rolled top lip which tapers down to a smaller diameter for the base which is flat. The pan has been made from ironmetal which has a coating of another metal with a matte grey finish. It has a small hanging hole and a reinforcing ring all around the top.russell-doug gold-panning mining

This medal was presented to J.G.Ralston by the Orbost Cricket Club in 1929 for Fielding. John Gavin Ralston was born 26 July 1914 at Eden, N.S.W. and came to Orbost in the early 1920's, with his parents and siblings. They lived at the corner of Tennyson and Salisbury Streets. Jack was educated at Orbost Higher Elementary School before being apprenticed to William Ross at the Snowy River Mail as a lino-type operator. He married Jean Cameron. After WW11 when he served overseas in the islands) He resumed his trade at the Snowy River Mail until 1949 when began J.G.& J.M. Ralston, Seed & Produce Merchants. Jack Ralston was very involved in the Orbost sporting community, the Presbyterian Church and the Orbost Municipal Band. He also served in the Orbost sub-branch of the R.S.L. He died on April 15 1967. (ref. Margaret Smith O.D.H.S. Newsletter)John Ralston was a prominent Orbost citizen.A 9 ct gold shield-shaped medal with a small hanging hoop. In the centre is an embossed picture of a batsman at the wicket. This is inside a circle. The bottom edge is decorated with leaves. The medal is inside a thin leather look wooden box which is hinged and has a push button metal latch. The box is brown and the inside lid is padded.on back - OCC At bottom - 9 ct Presented to J.G. Ralston Fielding Trophy 1928-1929cricket-orbost sport ralston-john-gavin medal

This is a certificate of indenture, a legal agreement, between George Beattie of Forest Creek, near Castlemaine in the colony of Victoria, and Peter Christian Smith of the same place. Both were miners. Beattie was the vendor and Smith paid twenty-five pounds for a land parcel. The contract was witnessed by John Hedderwick, a law clerk in Castlemaine. There is a record in the Mount Alexander Mail, dated Wed. 22 April 1857, of George Beattie purchasing land for three pounds, sixteen and sixpence in Castlemaine and that it was withdrawn. Records also show that a Peter and Thomas Smith farmed in Sandon near Castlemaine.This item is a useful research tool as it a hand-written record of part of the history of the gold fields region of Victoria.A white paper certificate of conveyance with black print and hand-written details from George Beattie to Peter Smith. There is a wax seal on the second page.beattie-george smith-peter-christian castlemaine-certificate-conveyance

Isaac Watts is most well-known as a Nonconformist hymn-writer. Many of his compositions are still in common use today and his Divine Songs, first published in 1715, is considered the first hymn-book for children. Watts’s non-hymnal writings include catechisms composed for children of various ages: the first set for children under seven years of age and the second set for children from seven to twelve years of age. Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and made it his home for the remainder of his life. Watts died November 25, 1748, and was buried at Bunhill Fields. (Ref: hymnary web-site)This item is an example of an early religious text book for children.A small brown covered paperback book. Text on the cover is black - Improved Edition With Excercises ; The Second Catechism ; With Prayers and Graces for Children. There is also a gold paper bookmark.religious-text watts-isaac catechism

In WWII New Guinea, GUINEA GOLD presented news to all troops "in the field". It avoided editorial comment. It published for 1320 continuous days, without missing a single edition. The front and back pages concentrated on current world news, including major sporting events. Page 2 was generally devoted to extracts from Australian and US newspapers. Some news was obtained by taking shorthand notes of short-wave radio bulletins from Australia, the U.S. and the B.B.C. At its peak, distribution was 37,000 to US forces and 27,000 to Australian forces, daily. The daily version had four pages and the WEEK-END SUPPLEMENT edition contained 8 pages (with extra pictures & cartoons).Guinea Gold" daily brought to the news-hungry men of the Australian and American forces serving in the steaming jungle, topics of interest to allay their boredom and boost their morale. It was able to do so because US General Douglas MacArthur, Supreme Commander of Allied Forces in the South-West Pacific, gave it permission to publish his communiqués 20 hours before the release time for the rest of the world's media. The newspaper contains Australian, American & world news (military, political, sports & tabloid).Seven editions of "Guinea Gold" from 1943 and 1944. 2103.1 is edition 7/6/1943. 2103.2 is edition 8/6/1943. 2103.3 is edition 12/6/1943. 2103.4 is edition 27/2/1944. 2103.5 is edition 26/3/1944 and is the Weekend Supplement. 2103.6 is edition 26/3/1944 and 2103.7 is dated 9/4/1944 and is the Weekend Supplement.guinea-gold newspaper ww11 pacific-campaign new-guinea

Depicted in the photograph are ten miners standing at a cliff face using a high pressure hose, in Beechworth, Victoria. The miners are located in the Three Mile Creek division, in the Beechworth Mining District established January 4th 1858 under An Act for Amending the Laws Relating to the Goldfields by the Governor-in-Council. The Ovens Gold Rush began at Beechworth in February 1852 and was followed by Yackandandah and the 'Indigo Goldfield'. The strategies applied to mining in Beechworth were distinct in comparison to other goldfields in Victoria such as Bendigo and Ballarat. The miners in Beechworth utlised 'hydraulic sluicing' to remove washdirt, the long water races and deep tailraces constructed through solid rock with an estimated 900 miles of water races cut through the Beechworth fields by 1880, demonstrating great engineering feats. The photograph taken is significant as it is a visual representation of the mining strategy, 'hydraulic sluicing' that was particularly unique to the Beechworth mines, particularly in Victoria and an engineering feat.Black and white rectangular photograph printed on matte photographic paper, unmounted print.beechworth mining district, mining, three mile creek division, three mile creek

This image shows an unknown location in the area of Beechworth that was possibly used as a sluicing mining site for gold during the Victorian Gold Rush. This era saw an influx of Chinese immigrants and Australian prospectors hoping to strike it rich on the fields. Many companies such as the Rocky Mountain Extended Gold Sluicing Company Ltd and the Cocks Pioneer Gold &Tin Sluicing Company also set up mines in the area. This site may be the location of one of these company's mines. The wooden logs are reminiscent of known sluicing operations in the era from that time. Sluicing involved the use of high-pressured hoses to clear away soil from earth that had been dug up by miners and was a popular method of excavation in the area, although it had severe impacts on the environment.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done.A colour rectangular photograph printed on glossy photographic paperReverse: 6855 /beechworth, gold rush, sluicing, mining

This photograph depicts a large group of men in their work clothing situated in front of a large bank of earth. They are identified as miners working in an unidentified location in Australia. This photograph was taken by photographer Walter Thwaites sometime during the period of 1865-1908, likely c.1870. It is unsure where this image was taken since Thwaites travelled a lot over his photography career and the photograph is not annotated with this information. In addition, the identities of the men in the photograph are also unknown. These men are photographed in front of a large bank of earth where they had presumably been mining for gold or other precious metals. The men, with the exception of four, are wearing wide brimmed hats to protect their faces from the sun. They are also wearing loose fitting white shirts which are often worn beneath a darker coloured vest. They wear pale coloured work pants and boots. The men are mostly clean shaven with the exception of the moustache and a couple of beards. Two of the men have pipes in their mouth. Their clothing is basic and much less dramatic than the outfits worn by the gold diggers of the 1852 gold rush. These men, by wearing similar outfits, are expressing a sense of comradery or equality between them. It is likely that they are from the same, or similar, social status. They have an air of independence and share social equality in their stance and clothing. Walter William McLean Thwaites (1840-1908) was a professional photographer born in Sydney, Australia. He learnt the craft in his father's Hobart studio, but later embarked on his own solo career and toured every existing Australian colony between 1860 to 1888. The Thwaites family were a long line of photographers and artists with Thwaites' father Walter WIlliam Thwaites Sr working as an artist and photographer in Australia after moving from England in 1834. Walter Thwaites Sr's father, also named Walter Thwaites, was a British miniature portrait artist.Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts over 30 diggers standing in front of a bank of earth and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.Reverse: 1997.208 / MINERS. / W. Thwaites / Photography /australia, australian photography, photography, miners, gold rush, australian landscape, diggers, walter thwaites, thwaites photography, w. thwaites photography, social history

Taken in Beechworth 1865, this photograph depicts the view of the Spring creek with the Beechworth township in the background. This photograph was taken 13 years after the discovery of Gold at Spring Creek. Within eleven months of the discovery in 1852, over 8000 hopeful prospectors had descended on the region, transforming the seemingly undisturbed land into what a visiting journalist in 1880s referred to as; "A Titan's Field". Huge mounds of earth were churned by hundreds of miners in search for gold, almost every available resource the land had to offer was used for something; even the bark off the gums were stripped to line huts and shafts. By 1857 more than 20,000 people lived in Beechworth, and with this influx the town prospered with the building of numerous churches, banks, schools, shops and hotels along with a prison and hospital.Black and white rectangular photograph. Image is printed on matte photographic paper and is mounted on cardboard.Obverse: NO INSCRIPTION Reverse: BMM6925 / BEECHWORTH FROM SPRING CREEK 1865 beechworth, spring creek, gold rush, titan's field, 1865, prospectors

This image was taken in 1865 overlooking the diggings at Spring Creek, Beechworth. Gold was discovered in this area in 1852 and within eleven months of this discovery, over 8000 hopeful prospectors had descended on the region, transforming the seemingly undisturbed land into what a visiting journalist in 1880s referred to as; "A Titan's Field". Huge mounds of earth were churned by hundreds of miners in search for gold, almost every available resource the land had to offer was used for something; even the bark off the gums were stripped to line huts and shafts. By 1857 more than 20,000 people lived in Beechworth, and with this influx the town prospered with the building of numerous churches, banks, schools, shops and hotels along with a prison and hospital.Black and white rectangular photograph. Image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 7771 / BEECHWORTH / FROM SPRING CREEK / 1865 spring creek, diggings, beechworth, 1865

This image was taken of the diggings at Spring Creek. In February 1852 gold was discovered at Spring Creek, Beechworth. Within eleven months of this discovery, over 8000 hopeful prospectors had descended on the region, transforming the seemingly undisturbed land into what a visiting journalist in 1880s referred to as; "A Titan's Field". Huge mounds of earth were churned by hundreds of miners in search for gold, almost every available resource the land had to offer was used for something; even the bark off the gums were stripped to line huts and shafts. By 1857 more than 20,000 people lived in Beechworth, and with this influx the town prospered with the building of numerous churches, banks, schools, shops and hotels along with a prison and hospital.Black and white rectangular photograph. Image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Reverse: BMM6926 / BEECHWORTH FROM SPRING CREEK 1865 spring creek, beechworth, burke museum, 1865, gold rush

This was taken in 1865 of Spring Creek, Beechworth. Gold was discovered in this area in 1852 and within eleven months of this discovery, over 8000 hopeful prospectors had descended on the region, transforming the seemingly undisturbed land into what a visiting journalist in 1880s referred to as; "A Titan's Field". Huge mounds of earth were churned by hundreds of miners in search for gold, almost every available resource the land had to offer was used for something; even the bark off the gums were stripped to line huts and shafts. By 1857 more than 20,000 people lived in Beechworth, and with this influx the town prospered with the building of numerous churches, banks, schools, shops and hotels along with a prison and hospital.Black and white rectangular photograph. Image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Revese: 97.22.95 / 7772 / 25/1 / beechworth, burke museum, gold rush, 1865

David Aloysius Patrick McKenzie-McHarg, L.I.B, O.B.E was born on 20th June 1918 in Albury, NSW to Hugh Patrick McKenzie-McHarg and Laura May (Dunne) McKenzie-McHarg. McKenzie-McHarg served on the Council of the United Shire of Beechworth for more than a decade during the 1960s-70s, including seven years as president. He was renowned as a public speaker and played a significant role in the community. In recognition for his outstanding achievements and services rendered to the Beechworth community he was awarded an Order of the British Empire (OBE) in 1976. David McKenzie-McHarg died on 6th June 1992 and is buried in Beechworth Cemetery. David McKenzie-McHarg’s wife, Marjorie Jean McKenzie McHarg, was well known to the Beechworth community as a brilliant pianist and played at all the balls and house parties. Apparently, she could play without sheet-music and would only have to hear a tune once to play it to near perfection. Together, they were a formidable asset to the Beechworth community over many years The British honours system has various orders, usually relating to the monarchy, military and colonial officials. An OBE (or order of the British Empire) is given for an outstanding achievement or service to the community. This will have had a long-term, significant impact and stand out as an example to others. This Order was established by George V in 1917 in response to recognising the thousands of men and women who served in a variety of non-combatant roles during the First world war who didn’t otherwise receive any formal recognition but were certainly worthy of acknowledgement. Recommendations for appointments to this Order were originally made on the nomination of the United Kingdom, however this soon became available to Commonwealth countries as well. However, Australia officially ceased to recommend the Order of the British Empire in 1989 with the establishment of the Order of Australia. Silver badge suspended from red ribbon with pearl-grey edges. The badge is in the form of a cross patonce (having the arms growing broader and floriated toward the end), the obverse of which bears the same field as the star pictures George V and Queen Mary. The reverse bears George V's Royal and Imperial Cypher. Both are within a ring bearing the motto of the Order: FOR GOD AND THE EMPIRE. The presentation case in which the medal is housed is of a black outer boarder edge leatherette finishing, block letters in gold OBE. The inside has a cream velvet base with a silk padded liner to the roof with the full set of Royal Mint Crest Mark. Obverse: FOR GOD AND THE EMPIRE / burke museum, obe, obe medal, beechworth, david mckenzie-mcharg, british honours system, george v, beechworth community, order of australia., order of the british empire, marjorie jean mckenzie mcharg

Headstone inscription: "In Affectionate Remembrance / EBENEZER JAMES / late Chaplain to the Naval Forces of Victoria / and / The Victorian Seamen's Mission/ This stone is erected / by Friends of all nationalities and creeds as a mark of esteem for his unselfish and consistent Christian efforts for the social and moral advancement of our sailors/ and / in recognition of.... his indefatigable and praiseworthy exertions the stamping out in Victoria of the cruel degrading maritime curse of crimping was mainly due. / Born 11th of March 1841 Died 14th of July 1901/ "A good deed is never lost. He who sows / courtesy reaps friendship and he who plants kindness gathers love." Basil. The Headstone was found at the Melbourne Cemetery, Carlton in 2016. Rev James worked at Port Melbourne and Williamstown Missions but was also a regular visit to Geelong and other coastal ports and beside encouraging fortnightly entertainments and Chapel services, actively shipvisiting to meet with Seamen.This image documents in full the inscription on this commissioned marble headstone marking the grave of a significant figure, the second Chaplain at Port Melbourne, and an important figure in the development and story of not only the Mission to Seafarers in Victoria but also in the life of the Naval Force of Victoria prior to Federation. Rev James was not only an influential figure in the stamping out of crimping, the exploitation of seamen, but also actively worked with government and community to improve the quality of life by active lobbying for the controlled licensing of hotels and liquor sources to limit the incidence of drunkeness rife in the Ports and Wharves of Victoria in the late 19th Century. See also MTSV 0030Large Sepia photograph on paper mount features an Inscribed marble Headstone and grave with a stone facing and surround supporting low decorative cast iron railing. There are flowers and ferns on the grave.Across edge of grave in White upper case: J ROBINSON CARLTON appears to be over printed, the Sepia image may be a copy of an original photograph. Inscription on the headstone can be read, see full wording below in History field. on the paper mount below lwr edge of Photograph: "T. TENNENT 'PHOTO-GOLD TS' COLLINGWOOD"ebenezer james, chaplains, seamen exploitation of, naval force, victoria, melbourne cemetery, carlton, maritime crimping, ebenezer james (1841 - 1901), carlton, mission to seamen, seamen's mission, mission to seafarers

1. Jacket - Khaki colour wool serge fabric, battle dress style, belted at the waist with metal buckle. Green colour plastic buttons. Collar, shoulder epaulettes, two front pockets with button down flap. Shoulder sleeve insignia, navy blue colour with gold embroidered lettering "ROYAL AUSTRALIAN ELECTRICAL AND MECHANICAL ENGINEERS". Rank Insignia - lower sleeve - Warrant Officer, Class 1. Manufacturers white cotton fabric label, inside left pocket. 2. Trousers - Khaki colour wool serge fabric. green plastic button, metal zipper fly, Fob pocket, two side pockets, one back pocket with button down flap. Manufacturers white cotton fabric label, back inside waistband.1. & 2. Manufacturers information - black ink print "BERENSEN PTY LTD/VICTORIA 1961/62/ NAME/ SERVICE NO./ DRY CLEAN ONLY/ PRESS IN ORIGINAL/ CREASE LINE/ USE DAMP CLOTH OR/ STEAM IRON/ MEDIUM TO HOT RANGE/ CREASE SET BY SIRO SET. Black ink stamp "DM FIELD/ WO2/ 313679".uniform, army, battle dress

Uniform issued to "W.O.1 D.M. Field" 313679 - Regimental Sergeant Major.1. Jacket - Khaki colour wool/polyester fabric. Service dress style old plastic buttons, Collar, shoulder epaulettes, four front pockets, top with buttons and two metal press studs on flap, lower button down flap. Sleeve insignia Australian Coat of Arms embroidered on patch, gold, green, blue, red, black and white for W.O.1. Buttons have raised emblem, globe, horse and crown R.A.E.M.E. Green polyester fabric lining with manufacturers label on inside left. 2. Trousers, Khaki colour wool/polyester fabric, service dress style, With fob pocket, two side pockets and one back pocket. Green polyester fabric waist and pocket lining with manufacturers white cotton label inside on back pocket.Manufacturers information on labels - black ink print. 1. "CARBONE APPAREL/ VICTORIA/ 6/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF/ LAPEL ONLY./ SERVICE NO/ NAME" Handwritten blue ink pen "2332/ FIELD" . 2. Print and information on label - illegible.uniform, army, service dress, wo1 d.m. field

Thomas Edmund Fielding (1874-1957) was a significant member of the Diamond Creek Footbal Club during the early 1900s. Son of Robert Fielding (1820-1891) and Jemima Whatmough (1840-1926) and grandson of Plenty River pioneers Robert Whatmough (1815-1887) and Mary Hill (1813-1881)diamond creek football club, thomas edmund fielding, tom fielding collection, sports

A history of the Dargo, Crooked River goldfieldPaperback. Cover has a black and white photograph of a couple of buildings surrounded by forest. Photograph is probably of Dargo. One building has a sign that says S. Frankenberg. Another has a sign of which only the letters PION visible. In the photograph there are a number of men standing around the buildings as well as what appears to be two children sitting on a bench outside a building. There is also a large wagon-like vehicle to which is attached are a large train of oxen. In the foreground of the photograph is another group of oxen which appear to be chained together. There is also two men standing near the second group of oxen, both appear to be holding whips.The stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold, gold mining, gold town, dargo, gold miner, gold field, gippsland, victoria, australia, history

A history of the Donnelly's Creek gold mine in VictoriaPaperback. Front cover has a drawing depicting two horses carrying packs followed by a man mounted on a horse. There is also two men on foot following with packs and walking poles. They are walking along a forest track that has some tree stumps alongside it.The back cover has two colour photographs. The top one is of an old wooden building with what appears to be an attached lean to. Both of the buildings have stone chimneys. There is a group of people sitting and standing outside the main building. The bottom photograph appears to be the ruins of a building and a fence. There are three people viewing the ruins.The captions accompanying the photographs are: History revisited - O'Sullivans Old Toombon Hotel Recreated and Remnants of a Bygone Mining Era.Stamp of the Marysville & District Historical Society Inc / P O Box 22 / Marysville 3779gold, gold miner, gold mining, gold field, gippsland, victoria, australia, history, fulton's creek, seaton, walhalla, aberfeldy, jericho, wood's point

A history of the Baw Baw and Walhalla country of the Narracan Shire, VictoriaHardback. Brown dust cover. Photograph on front cover looks out from the entry of a mine onto the front of a building which has a hill to the side of it. The back cover has a photograph of the side of a hill with some trees on it.G&V THOMAS Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold, gold field, gold miner, gold mining, gold town, walhalla, baw baw, gippsland, victoria, australia, history

A history of gold discovery in VictoriaPaperback. Gold front cover. Front cover has a drawing of a group of miners outside a shop. Back cover has a drawing of a group of mounted police riding roughshod through a group of people and dogs.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold, gold field, gold miner, gold mining, gold town, victoria, australia, history

Book prize awarded to Newton Wanliss for excellence in History by William Henderson Chair of Council. Newton subsequently donated the book back to the school for inclusion in the Weatherly LIbrary in 1937. Accession number 1812. The book was catalogued and call number 910.12 painted on spine. Socially significant item due to signature of William Henderson, founder of the school. Prizes were usually given in the name of the Headmaster. During Headmaster McCoy's time (1864 - 1874) the prizes were given in his name and at his expense. The school was between principals at Christmas 1876, hence the signature of William Henderson. Dark blue calf binding with gold borders to front and back covers, raised bands on spine with six compartments and gold title lettering; marbled endpapers; book plate on front cover verso; library plate on right endpaper; pages gilt-edged; black and white illustrations; left side of back endpaper missing; Book plate inside front cover; Ballarat College crest / 1st Prize for / History / AWARDED TO / N Wanliss / Xmas 1876 / W Henderson, Chairman. Book plate on right endpaper: Crest / Ballarat College Library / PRESENTED BY / Mr Newton Wanliss 1937 newton-wanliss, william-henderson, 1876, book-prize,

Guinea Gold Newspaper was produced for Australian & American Armed Forces Armed Forces Newspaper containing Local and Homeland News for the troopsGuinea Gold Newspaper Dated 4/12/`1942 - Hammering of Nazis Continuing in Russia - News In Brief From The Mainland.newspaper distributed to troops in the field., guinea gold, world war 2