This book by Carolyn Rasmussen contains biographical material on Maurice Blackburn and his wife Doris. Maurice Blackburn was the founder of the Melbourne legal firm with a business still operating today under that name. Maurice and Doris Blackburn were prominent 20th century independent Labor politicians and community activists, influencing conscription laws, benefits for working men and women, atomic bomb tests, civil rights and indigenous recognition. They had friends in Warrnambool and enjoyed visiting the city on a regular basis. This book is of historical interest as a biographies of two well-known Victorian politicians of the 20th century and is of minor local interest as the Blackburns were regular visitors to Warrnambool. This is a hard cover book of 400 pages. The black cover has red lettering on the spine and the dust cover is black, red and grey with photographs of a man’s suit and a man and a woman. The book contains fourteen chapters of text and black and white photographs.The Blackburns Private Lives Public Ambition Carolyn Rasmussen maurice and doris blackburn, history of warrnambool

Phot copy of Rose Series Post card no 4895 Titled Morningside GrampiansFront view of house, Woman and child on verandah, Man standing under tree, two people seated on deck chairs under tree Bungalow on right of photoThe Rose Series P 4895accommodation, guesthouses, morningside

B&W photograph of Baggeley's Confectionery shop, Mitchell Street with three staff members (two woman and one man). Damaged photo mounted on card Undatedphotograph, building

Photograph: black and white photo of man and woman posing in cable knit pullover. On top of photo '504 men's pullover, 0/212 ladies pullover no. 147'Hanroorganization, business, hanro, hanro, bendigo, manufacturing, clothing, samples

2 x Black and White Photo of a young man and woman possibly on their wedding day, mounted in a black wooden frame the photos with a gold pattern surrounding them,person, family, wedding photo, wedding photo, wedding portrait, man and woman

A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family

This item shows Vietnam serviceman Corporal Peter Sims of Headquarters, Australian Force Vietnam (Army Component), 1969-70 on R & R.Faded color photograph of two people-a man and a woman-seated with a crowd in the background. They are formally dressed and there is food on a table in front of the female. The photo is surrounded by a white border.On the back of the photo " Best hotel for R&R approved by the B&R Centre Bangkok Hotel: Tapei, Taiwan. No 76.........Road Taipei Taiwan. R.O.C. Tel 559589-9 (all in blue ink) R&R 1970 see receipt written in black pen.peter sims oam jp., nvvm, sims, r&r, vietnam war

Hardcover book, 283 pages. Front cover of book has a colour image of a man and a woman in an open top vehicle. A dark coloured sedan following them.fictionRomance novel.errol fitzgerald, romance, fiction

Pattern book produced by Patons and Baldwins.Knitting book, 16pp. Front cover is printed in black and white with a photo of a man and a woman wearing knitted cardigans. Contains knitting patterns for men's and women's garments.No. / 416 / Patons KNITTING BOOK / No. / 416 / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, design, style, fashion, wool

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

Ethel Bersey was born at Linton in 1882. She married James Wishart in 1910. George Bersey was born at Linton in 1887, and married Wilhelmina Collins in 1910.Black and white copy of original photograph which shows a woman seated slightly sideways on a chair, with her hand resting on a table, and a man standing behind her, one hand in his pocket and the other appears to be resting on the back of the chair. The woman is wearing a dress with a high collar, sleeves decorated with large buttons, and a spray of flowers on the bodice. The man is wearing a suit, with a fob and chain, and a buttonhole flower.ethel bersey, george bersey

Peter Jensen came to Martin's Creek (35 miles north of Orbost) in 1890 having been told that Martin's Creek would be on the railway line. He was a cooper who made the casks from silver wattles. He cleared the area for farming and then built an accommodation house, Danebo., which was well used by travellers to Bonang and Bendoc. . Gippsland was a relatively less developed part of Victoria in the nineteenth century. Danebo Hotel, Martin’s Creek, would have been an important stopping point for travellers to Bonang and Bendoc. The hotel is no longer standing A black / white photograph of a timber building - a house and another building at an angle. There are three people standing in front - a man. woman and child. On the left is a flag on a mast. In the background is bush.danebo-hotel-martins-creek jensen-peter

black and white photograph of man and woman wearing Victorian era clothing / old and stained / rear shows Logo - Wm Murray Photographer , 74 Broomielaw St Glasgowphotograph, person, male / female, black and white photograph of man and woman wearing victorian era clothing / old and stained / rear shows logo - wm murray photographer , 74 broomielaw st glasgow

Black and white photograph on card showing a very ornate Victorian weatherboard house with iron lace, brick chimney, picket fence and a woman a man & a boy standing of verandah.photograph, house, victorian, house-victorian

In 1960, the University's Student Representative Council produced a thirty minute colour film called 'Don't Send Your Daughter', designed to showcase the activities of first year students ("freshers") for high school students and their parents. The film starred Susan Stone and Christopher Carr as "two typical freshers", and some scenes were shot at International House, with the film played for a University audience in September 1960. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.film, residential college

The tenant lived at the mercy of the resident landlord. Home was a one-roomed house, a chimney of wicker work plastered over with mud or just a hole in the roof. The walls might consist of mud too, or sods of grass. Any windows, were rarely glazed and would be open to the elements all year round. The Pig, if any, was kept in the house, the most valuable possession. Sold for cash at local market. The main items in the house were a potato pot and water bucket. As well as mother, father and children, there could well be grandparents all living in the same cramped conditions. The family would sleep on rushes or straw lain on the floor. Most tenants were tenants 'at will ', which meant they could be evicted at the 'will' of the landlord. Some had a lease for the life of the father and the eldest son, and this meant they were relatively safe from eviction as long as they could pay their rent. There was a tradition of passing on a portion of your land from father to each of the sons, who would build a small dwelling, and in turn pass a portion onto their own sons. This cycle of subdivision meant that many families were surviving on a tiny plot of land from which to derive a crop of potatoes for the year. Women worked hard in this environment, rearing children, cooking, cleaning, tending to any animals such a pigs or chicken and when needed, helping in the potato field. Life was dictated by the annual rent due to the landlord. Other typical expenses could be the Hearth Tax (actually charged by the number of fire places in a house) Turf, Hay (for any farm animals) and tithes. A tax known as the tithes were calculated at one tenth the value of everything saleable. Tithes were a bitter issue. They were for the support of the Church of Ireland, Protestant Bishops and Ministers, and a cess tax for the construction and maintenance of Protestant Church buildings. The problem being that the vast majority of those paying the Tax were Catholic and paying to support something that was contrary to their beliefs. Potatoes were the staple diet from September through to the end of Spring of the following year. But the summer months were months of hunger and hardship as they waited for the following harvest to come in Autumn. During these months people had to resort to eating anything they could find; turnips, cabbage, even wild grass, nettles, wild berries and dandelions. Those who lived close to the sea would collect seaweed and use it spread on their land as a form of manure. The dependency of so much of the population on the Potato as their sole source of food was to prove disastrous during the Famine years. [http://www.youririshroots.com/irishhistory/tenant.php, accessed 14 December 2013]A woman spins wools, while another cards fleece in preparation for spinning. I man smokes a pipe by an open fireplace, while a cow takes shelter in the cabin for warmth. ballarat irish, cabin, spinning, wool, cow

Black and white photograph. White edges. Emu Creek Bush Band. Man on banjo. Woman at keyboard. Piano accordion. Violin. Back of photo reads: Emu Creek.entertainment, music, emu creek bush band