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Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Pool' by Graeme Drendel, 1974
Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Etching by Graeme Drendel, 2011
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Etching by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'The Ballad of Dr Scabie' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Memories' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking -
Canterbury History Group
Article, Progress Press, Marking 70 years of schooling, 5/10/1999
Article from the Progress Press 5 October 1999 on the 70th birthday of the Canterbury Girls' Secondary College. Includes a black and white photograph of the students in 1928 when the school opened as East Camberwell Domestic Arts School.canterbury, canterbury girls' secondary college, east camberwell domestic arts school, east camberwell girls' school, camberwell girls high school, canterbury girls' high school, tait> minnie, teachers, students, cory> suzanne.(prof.), secondary schools, primary schools, mangarra road, mangarra society -
Canterbury History Group
Book, Margaret E. Rumbold, These our school days : Mangarra Road revisited, 2000
A history of Canterbury Girls' Secondary College, highlighting some of the teachers and students who attended180p.; ill.; ports.; includes indexnon-fictionA history of Canterbury Girls' Secondary College, highlighting some of the teachers and students who attendedcanterbury girls secondary college, high schools - victoria, schools - history, education -
Mont De Lancey
Book, Dorothy M. Giles, Dainty Dishes for Children, Invalids and Convalescents, c.1930's
A useful third edition text book for Mothers and Nurses originally compiled by Miss Lucy Drake (Trained Cookery Teacher of the Education Department, Melbourne, Victoria) in the 1920's. Lucy trained as a Cookery teacher in London, England. This edition was revised and enlarged by Dorothy M Giles (Diploma of Domestic Economy, Trained Teacher of Domestic Arts, Melbourne, Victoria) and was used as a text book for Nurses' Cookery Certificate required by The Royal Victorian Trained Nurses' Association in Victoria. Both sometimes Head of Cookery Section of Swinburne Technical College, Glenferrie, Victoria.A slim brown badly damaged paperback book with the title, Dainty Dishes for Children, Invalids and Convalescents printed in black lettering inside a black lined patterned square shape which has full details of the author and her qualifications as well as other titles available in the series. Price 1/-, 1/1 posted is listed too. There are many advertisements supporting the use of ingredients throughout the book as well as on both sides of the covers. There is a Preface and Index to Recipes. Pp. 46.non-fictionA useful third edition text book for Mothers and Nurses originally compiled by Miss Lucy Drake (Trained Cookery Teacher of the Education Department, Melbourne, Victoria) in the 1920's. Lucy trained as a Cookery teacher in London, England. This edition was revised and enlarged by Dorothy M Giles (Diploma of Domestic Economy, Trained Teacher of Domestic Arts, Melbourne, Victoria) and was used as a text book for Nurses' Cookery Certificate required by The Royal Victorian Trained Nurses' Association in Victoria. Both sometimes Head of Cookery Section of Swinburne Technical College, Glenferrie, Victoria.cooking, recipes, textbooks, mothers -
Melbourne Legacy
Slide, Dressed for the Royal Ball 1959, 1959
Slide photographs of two Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in 1959. The ball was held at the Melbourne Town Hall. Elizabeth Brown (on the right) was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta gown and was accompanied by a Legacy boy, Julian Hyde. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of of a Legacy girl being chosen to participate at an important event.Colour slide x 4 of two Stanhope ladies in ballgowns, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope -
Melbourne Legacy
Slide, Dressed for the Royal Ball 1959, 1959
Slide photographs of two Stanhope residents and their dates, prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in September 1959. The ball was held at the Melbourne Town Hall. Elizabeth Brown (on the right) was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta ballgown and was accompanied by a Legacy boy, Julian Hyde. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of of a Legacy girl being chosen to participate at an important event.Colour slide x 4 of two Stanhope ladies and two men in evening outfits, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope -
Mordialloc College Alumni Association Inc (MCAA)
Photograph, 1978 - Wyperfeld National Park - Mordialloc-Chelsea High School annual biosciences camp
MCHS students visited the Mallee annually camped at Wyperfeld National Park. In this photo students and a teacher carry quadrants for field experimentation. Image digitised from negativewyperfeld national park, mchs camp -
Canterbury History Group
Document - Summary of the history of the Canterbury Girls' High School, c1961
History of the Canterbury Girls' High School from its foundaion in 1928 to 1961canterbury, canterbury girls high school, canterbury girls secondary college, mangarra road, secondary schools, teachers, principals -
Mont De Lancey
Book, A.L. Maher, National Mathematics for Elementary Schools Part 1, 1937
... . The author A.L. Maher (Head Master Teachers College Rural Training... (Head Master Teachers College Rural Training Schools, Melbourne ...A National Mathematics textbook for Grade V11 in Elementary Schools Part 1 with lessons, diagrams, charts and examples of workings for students.Beige coloured paperback textbook National Mathematics for Elementary Schools Part 1 Providing work for Grade V11 in Elementary Schools. The title is written in black lettering below the round symbol for the publisher R&M - Robertson and Mullins Ltd. The author A.L. Maher (Head Master Teachers College Rural Training Schools, Melbourne) along with the Introduction written by James. W. Elijah, M.A., M. Ed. (Inspector of Schools) is printed on the cover too. There are lessons, diagrams, charts and tables. On tha back cover is a list of The National Series of School Books. 170p. The covers are torn and marked.non-fictionA National Mathematics textbook for Grade V11 in Elementary Schools Part 1 with lessons, diagrams, charts and examples of workings for students.mathematics, schools -
Melton City Libraries
Photograph, Revenant James Lambie, Unknown
Photo is from Werribee District Historical Society and Susan Oliver, descendent of Lambie. Information from Alec Cameron: July 28th Alec Cameron article Late Rev James Lambie came to Melton in 1863 from Paisley, Scotland. He was married the second time. By the first marriage he had one son and two daughters. By the second marriage, one son and three daughters. The second son was Mr William John Lambie. When Rev Mr Lambie took charge of the Presbyterian church it was held in a wooden building. He was a good preacher. He and his family took great interest and commenced to form a committee to collect funds to build a new bluestone church. The collected the rent money for the building. Mr Lambie lived for several years in Melton before he went to Wyndham Church to take charge there, and the family went to live there also. The reason was that the Melton Congregation could not provide the stipend he required. He came from Wyndham on a Saturday and preached to the congregation on Sunday morning and then went back to Wyndham to continue his services in the afternoon and evening. After a few years, Rev Lambie retired from the ministry and purchased a house in South Yarra where he and Mrs Lambie died. The eldest daughter Jessie, married James Scott a teacher at the Melton School. They left Melton and while teaching near Melbourne he got his BA and other degrees. He then purchased the Warnambool College for L5000 and resided there for a number of years. His wife predeceased him. There were two sons and two daughters. He was a brother-in-law of the late Mr Lang wine and spirit merchant Collins street, who was the Mayor of the City Council. His brother Mr Robert Scott was the licensee of the hotel at the corner of Bourke and Russell St and one of Mr Scott’s daughters married Mr Smith, solicitor, a nephew of the late Mr Smith of Toolern Vale, and another one married Dr Officer of Warnambool. They went to Western Australia to reside and Mr J Scott with them. He died abour 6 years ago. Miss Lambie the second eldest daughter, married Mr Samual McDonald, JP, butcher and Clerk of Courts, Melton and late correspondent for the Bacchus Marsh Express. He also acted as the Shire Secretary for the Melton Shire, and got an auctioneer’s license while here. He then left Melton to go to Shepparton, where he became the President of the Shire and the Clerk of Courts. Before he left Melton he was presented with a purse of sovereigns from the residents. The late Mr Lethbridge, Shire, was chairman. Mr McDonald left Shepparton and went to reside at Warnambool and is still living there. He had two sons in the bank. His wife died a few months ago at Boxhill, at the nursing home of her daughter, Sister Jessie McDonald, who was peronsally invested with the Royal Red Cross by the King a Buckingham Palace, for good work done at the front in the recent Great War. Mr William John Lambie, a brother was war correspondent for the “Age”in the South African war, where he was killed. The “Age” proprietary gave a shield in his memory to be shot for the Williamstown rifle competitions, called the Lambie Shield. The last time I was speaking to Mr Donald McDonald, war correspondent for the “Argus” in South Africa he said he thought the next war would be with the whites and the blacks. He said he saw some fine looking well built blacks while he was away. It looks like his words are coming true. Portrait of Revenant James Lambiechurches, local identities -
Melton City Libraries
Photograph, 'Wendy Barrie with cousin Lynette, 1960
Lynette Nee Butler Kutschewski 1942 –1987 As a young musician Lynette had beaten Roger Woodward in piano competitions, before deciding to specialise in singing she trained as an artist in Melbourne. Given the choice of distinction in three different careers Lynette chose the most difficult, that of a singer. The repertoire in which Lynette chose to specialise – the period of the Baroque and above all the works of Johann Sebastian Bach – demanded a high degree of technical virtuosity, fine musicianship and elegance of style, in all of which she excelled. Yet she equally at home in Grand Opera, Lieder, and Operetta and gave some of her most memorable performances in the most diverse aspects of the vocal repertoire. Her own special quality was one of inner radiance when she sang, which added to the beauty of her voice, made her performances especially moving, and which led to her being sought out as a performer of the great German works within Germany itself. It seems so fitting that Lynette’s last public performance should have been in Beethoven’s Ninth Symphony, with its magnificent “Ode to Joy”. This took place in Paris in the Salle Pleyel on October 25th 1985. In the series of Concerts that season, Lynette’s name stood beside those of Danial Barenboim and Jessie Norman, Rostropovich, Nicholas Harnoncourt and Zubin Mehta. At this last performance Lynette truly stood at the peak of her profession This was part of Lynette Nee Butler Kutschewski Eulogy by Mary Ryan 30 – 10 –1987 Family history of Lynette Nee Butler Kutschewski: Herbert Vivian Butler 1915 - 1999 Bert grew up living on the family farm at Rockbank. He walked three miles to school and was one of 12 students. He attended Essendon High School and after the culture shock of being a country bumpkin, he soon earned respect of his peers through his sporting ability and academic excellence. Bert became Head Prefect in his final year at Essendon High School. He became a Primary School teacher working in inner suburban schools while living in Hawthorn. During the war years he went to Melbourne University at night obtaining a Bachelor of Arts degree. His main teaching methods were geology and geography. In 1939 Bert married Marjorie G Myers of ‘Burnbank Melton. Marjorie was already a talented pianist in her teenage years achieving her L.Mus.A. her fourth qualification by the age of 18 years. She attended the Conservatorium of Music Melbourne studying pianoforte and later with a singing scholarship and won numerous competitions from Ballarat to Bendigo She started her teaching career after leaving Melton State School. She taught many students throughout district including Edna Butler, the young sister of Bert. While living in Hawthorn their children Adrian and Lynette were born. Their son Max was born in Bacchus Marsh while Bert was teaching at the High School and in 1950 was appointed to Numurkah HS. In 1953 the family moved to Frankston HS. In 1958 he was appointed foundation Principal of Ashwood HS at the age of 43, the youngest to achieve this level of seniority. He was also Principal at Huntingdale, Mordialloc/Chelsea, and Mornington until his retirement in 1975. Football - Melton aged 17 - 3 seasons. Carlton signed in1935. Played forward pocket 2nd rover in1938. During the war years Carlton 2nd s Captain, played his last senior game in 1944. In 1944 he was Captain coach of Bacchus Marsh Team, a President and Life Member. Club Champion for three years for Numurkah. Marjorie Gretchen Myers Born at Melton on the 21st of February 1912 Attended Melton State School No 430 1917 and left school to become a music teacher. A pupil of Miss Ross the Music teacher at Melton she advanced rapidly and achieved her A.L.C.M. (Associate of the London College of Music) at the age of 12 years. At 14 years she gained her L.L.C.M. (Licentiate of the London College of Music). At the age of 16 she was awarded a part scholarship in 1928 to the to the Melbourne Conservatorium of Music studying pianoforte under Miss Elsie Fraser. She gained her A.Mus.A. at the age of 17 and her L. Mus. A. at the age of 18 years. In 1935 she won a full scholarship given by Madame Elsie Ashton for singing. The “Australian Musical New” Mr Thorald Waters the adjudicator found her outstanding qualities as a musician an added reason for singling out Miss Myers with her voice being the most promising of those heard. Cousins Wendy Barrie and Lynette Butler in the backyard of Butler's houselocal identities -
Melton City Libraries
Photograph, Marjorie (Myers) Butler standing next to Henry Myers gravestone, 1992
Marjorie Gretchen Myers Born at Melton on the 21st of February 1912 Attended Melton State School No 430 1917 and left school to become a music teacher. A pupil of Miss Ross the Music teacher at Melton she advanced rapidly and achieved her A.L.C.M. (Associate of the London College of Music) at the age of 12 years. At 14 years she gained her L.L.C.M. (Licentiate of the London College of Music). At the age of 16 she was awarded a part scholarship in 1928 to the to the Melbourne Conservatorium of Music studying pianoforte under Miss Elsie Fraser. She gained her A.Mus.A. at the age of 17 and her L. Mus. A. at the age of 18 years. In 1935 she won a full scholarship given by Madame Elsie Ashton for singing. The “Australian Musical New” Mr Thorald Waters the adjudicator found her outstanding qualities as a musician an added reason for singling out Miss Myers with her voice being the most promising of those heard. She died on 10 September 2004 in Frankston, Victoria, Australia.She married Herbert Vivian BUTLER on 07 January 1939 in Victoria, Australia.Myer's gravestone is at Melton Cemetery local identities, pioneer families -
St Patrick's Old Collegians Association (SPOCA)
Photograph - History, SPJC, General
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St Patrick's Old Collegians Association (SPOCA)
Photograph - History, SPJC, General
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Lay
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Jesuits
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Jesuits
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Jesuits
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Teachers, Jesuits
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Students, 1920s
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Melbourne Legacy
Photograph, The happiest girl in Vic, 1959
A photo and newspaper clippings from a book compiled about the Legacy children's residence called Stanhope. Elizabeth Brown was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta gown and was accompanied by a Legacy boy, Julian Hyde. One colour photo and two black and white photos taken at Stanhope prior to the event. More photos of this event have been found as slides and are catalogued separately. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01827. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of a Legacy girl being chosen to participate at an important event. Colour photo of Elizabeth Brown preparing to meet Princess Alexandra, and 2 black and white photos and newspaper clippings about the event.stanhope, residences, royal visit -
Bacchus Marsh & District Historical Society
Map, Late the Property of Robert Lawson Esq. [Landsberg Estate Blackwood]
The date this map was created has not been identified. It was possibly created at the time the Landsberg Estate near Blackwood was subdivided and sold into smaller lots in December 1886. This land once belonged to Robert Lawson who died in 1869. Lawson was a well known school teacher who founded Scotch College in Melbourne before setting up a school near Blackwood. This map is similar to another map in the BMDHS collection titled 'Landsberg Estate Blackwood' Victorian Collections record 459 and was possibly produced at the same time.Single page map showing land allotments which made up the Landsberg Estate near Blackwood. Scale 20 chains to 1 inch. The map is pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. At the top of the map: 'Late the Property of Robert Lawson Esq.'bacchus marsh victoria maps, landsberg estate blackwood -
Federation University Art Collection
Painting - Acrylic on canvas, 'Glade of the Mystique Seductress' by Julie Watkins, 1971
This painting is one of my key early works incorporating the Baroque dualities of theatrical drama and inner emotional worlds. Interpreting the Baroque subject of the Sacred and the Profane, the swirling diagonal composition of crossed figures, transparent and billowing drapery in contrasting colours and dramatically tense gestures, in this work combine to suggest both religious ecstacy and physical sensuality. The glade is portrayed as white light. It is the open space for the drama. One face gazes ambiguously at the viewer, questioning, whether she is - the willing but (guarded OR mysterious?) seductress the title suggests. Julie Watkins, 2015 Julie WATKINS (1949- ) In 1969 Julie Watkins completed an Associateship Diploma Fine Art-Painting at RMIT, and a Fellowship Diploma of Fine Art-Painting the year after. In 1973 she was awarded a Diploma of Education at Hawthorn State College. Julie Watkins worked as a TAFE teacher from1973 to 1978, then as a tutor for the Faculty of Architecture and the Built Environment at RMIT between 1979 and 1992. Between the years 2003 to 2003 she was a tutor at the University of Melbourne (Victorian College of the Arts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic on stretched canvas art, artwork, julie watkins, watkins, painting, acrylic on canvas, available, julie meyer -
Federation University Art Collection
Painting, Robert Jenyns, 'Deux Cheveux' by Robert Jenyns, 2008
Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport -
Federation University Art Collection
Painting, Robert Jenyns, [Red Truck] by Bob Jenyns, c2008
Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available -
Bialik College
Mixed media (Item) - 2016 EISM Beach Carnival
Photographs taken for the Eastern Independent Schools (EIS) Melbourne Sporting Association, Beach Carnival in 2016 at Point Leo, Victoria. Involved were students and teachers from Emmaus College, Bialik College, Mount Lilydale Mercy College, and Kingswood College. Please contact [email protected] to request access to this record. EISM Beach Carnival 2016beach, carnival, 2010s, 2016, bialik college