This small, slim case was manufactured to contain reading spectacles in a secure but yet "manageable pocket or purse" environment. It was manufactured to contain reading glasses that would not exceed 12mm in thickness. The product was targeting the "professional" reader ie. accountant, lawyer, business and property managers. Because it was made for a "eyesight" specialist to contain "prescription" reading spectacles the quality had to be of a higher level than cheaper "off the shelf" ones. This case was made and used in the late 1800's and early 1900's.This case, for spectacles, holds a significant position in that it points to a time in history when rural Australian families required to travel long distances to obtain professional "eyesight" treatment which, on the whole, were only available in the capital cities (in this case Melbourne). In the pre 1960's, the greater the distance from capital cities for Australian rural folk to seek professional medical, dental, nose ,eye and throat specialists the greater the time involved resulting in the greater expense. This "isolation" brought about increased costs not experienced by city residences. The quality and durability of this case was a pre-requisite for the Kiewa Valley based resident.This slim spring lid spectacle case has a body of light steel over layered by a fine skin dyed(dark brown) leather coating. The inside, of the case, has a 1mm lip opposite the hinged end (to secure the reading spectacles within the case). The inside is fully covered by a "royal" purple felt (to provide the spectacles with a scratch free enclosure).At the outside base in gold lettering "H.B. BISSELL" underneath "EYESIGHT" underneath "SPECIALIST" underneath "BARKLY st", underneath "FOOTSCRAY"personal effects, spectacles, eye fashion, reading glasses

.1) & .2) Troops onboard included 7th Reinforcement to the 5th Battalion AIF. Re G R FREEMAN No 2485 & A MACKAY No 2486. Refer Reg No's 2057P & 2058.3P..1) Photo, original, black & white showing a group of soldiers onboard transport ship Demosthenes on 16.7.1915. .2) Photo, original, black & white showing transport ship Demosthenes with troops lined up on deck on 16.7.1915. .3) Photo, original, black & white showing soldiers in a built up trench system of sandbags. .1) On rear: "Demosthenes 16.7.1915" .2) On rear: "Demosthenes 16.7.1915" .3) "G R FREEMAN Barkly Place Bendigo"photographs, 5th bn, 57th

Fold out Election Brochure.Dodger - Alec Craig for Barkly Ward (Bendigo City Council. Dated 25th August (post 1966- $$ are mentioned, no printed date).bendigo, council, elections, bendigo city council. barkly ward. alec craig

Two extracts from Advertiser re John Murray (Council Barkly ward candidate 1971). Also - advert for Bill Nicholls, Darling Ward candidate.Bendigo Advertiserperson, individual, john murray, barkley ward candidate.

May 18th 1868. I hereby certify that ? Luffsman of Iron Bark is unable to follow his usual employment. Signed H. L. Atkinson. M.D.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, ? luffsman, h l atkinson

Some residents - Bill Giles, early 1920's, Mick and Doll Hobson, Colin and Ruby Watson, 1956's, Redenbach, Dan and Robyn Joiner, 1999.|Also one other colour photograph similar.Colour photograph of a timber dwelling a 6 Barkes Avenue. House has corrugated iron roof. Front veranda partially enclosed. Lakes Entrance Victoriahouses, fences, heritage study

Yields information about Ballarat's trams during 1968 and Barkly St Mt Pleasant.Kodachrome cardboard mount, colour slide of No. 31 in Barkly St Mt Pleasant, with the destination of Gardens via Drummond North. Has a Twin Lakes advert."5/68" in ink.tramways, trams, mt pleasant, barkly st, tram 31

Bogie Tram No. 41, with Gardens Via Drummond North, travelling towards City in Barkly St. Ballarat. Has two 'Johnnie Walker Ads' on sides.trams, tramways, ballarat, barkly st, mt pleasant , tram 41

Still located on Barkly Street.ballarat east library, barkly street, builiding, public

Black and white postcard showing slab bark house belonging to Northrope family. Photograph shows Mr Northrope sitting in front reading a newspaper, Mrs Northrope sitting in a chair, young mother and baby in doorway, boy with dog on grass. Climbing rose over window. Bark roofing overhanging wall held down with logs. All glass windows. Lake Bunga VictoriaThe Homestead Lake Bunga Vicgenealogy, historic site

Yields information about the tram track and trams using the Grant St Loop on the Mt Pleasant line.Digital image of No.14? leaving the Grant St loop, on the Mt Pleasant line, Barkly St. The tram has the destination of City. Photo by Chris Phillips, c1970.trams, tramways, grant st, barkly st, mt pleasant, tram 14?

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Two men sitting outside a wood and bark miner's hut at Felltimber Creek near Wodonga.wodonga pioneers, haeusler family, glass negatives, dry plate photography, felltimber creek, mining victoria

L. Kelly Boot Repairer was located at 308 Barkly Street, Ararat, now the current site of Ararat Tyre Power (272 Barkly Street, Ararat). Old site in the early 1940s was Mr H. McMillan Garage for motor repairs. The boot repair section was rented by Laurie Kelly, then 308 Barkly Street. After World War 2 it became home of PMGBlack and white photograph of two men wearing aprons and standing at a work bench with tools. A docket featuring a shoe and a business address for L. Kelly Boot Repairer is beneath the photo.Ron Kelly, Laurie Kelly

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "A view near Ballarat." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A few trees at bottom right-hand and a couple of houses in the background. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "A view near Ballarat" phone 36420. Address: 14 Barkly Terrace, Bendigo. In red chalk within a circle No. 22. norman penrose, artist, teacher, ballarat

A Barkly Street business built in 1857Black and white photograph of W.G. Turner Cash and Grocer Store. Four men and a woman stand in front of the store with a horse hitched to a cart. The photo is printed on cardboard.Written on back: Formerly Fred Thompson's Grocers Shop. And: Bill Bowker, Bill Grant, Joyce Treven, Bill Turner

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

Yields information about tram services during the reconstruction of the Canadian Creek bridge on the Mt Pleasant line during 1955.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 35 at the Barkly St bridge work at Canadian Creek bridge in Barkly St, Mt Pleasant during the reconstruction of the bridge, during June-July 1955, Has No. 35 providing the connecting service to the City and Drummond St North. No. 32 waits on the other side of the bridge. See Reg items 5157 and 5305 for other associated photos.trams, tramways, mt pleasant, canadian creek, barkly st, bridges, tram 32 tram 35

Small wooden frame of a Lithograph showing a river scene with 2 paddle steamers, a sailing boat and an Indigenous bark canoe on a river, with a town and a wharf in the background. The sky is cloudy. LADY AUGUSTA & MARY ANN at Swan Hill, September 1853. (By courtesy of South Australian Archives)

Bendigo Advertiser "The way we were" from 1999. Elegance: Kisbou Court at 93 Barkly Street, Bendigo, was built in 1869 for Davis Stuart, investor and newspaper owner.newspaper, bendigo advertiser, the way we were

Coloured - Members of the Art in Bark Association displaying their craft at Whitehorse Historical Society's Heritage Day 2003 held at Schwerkolt Cottage and Museum Complex on 13 April 2003art in bark association, whitehorse historical society, heritage day 2003

Some residents - Nurse Stewart, midwife, 1920's and 1930's, Christina Smith, dressmaker (daughter of Nurse Stewart), Con Coveoulos, Bill Barkas and family.Colour photograph of a weatherboard cottage, corrugated iron roof, front veranda partially enclosed at 16 Barkes Avenue. Brick fence a recent addition. Lakes Entrance Victoriahouses, heritage study

Yields information about Ballarat's trams during 1971 and the Mt Pleasant line.AGFA blue / white plastic mount, colour slide of No. 18 inward bound in Barkly St Mt Pleasant. Tram has the destination of Gardens via Drummond North."11.4.1971" in ink.tramways, trams, mt pleasant, barkly st, tram 18