Black and white photograph new Ocean Rescue vessel, Tyrell, hanging in slings from Whiters St Cranes, being maneovered into water. Lakes Entrance Victoriacommunity services, emergency services, boats

1 same image 6.5x10.5 valentine Series donated by Keith West|1 other similar image 6.5 x 10.5|1 other similar image 9 x 14|1 other similar postcard, message on back in Spares BoxBlack and white small format postcard of the footbridge across the Cunninghame Arm, which is the access to the southern shore and ocean beach from the town. Lakes Entrance VictoriaFootbridge to Ninety Mile Beach, Lakes Entrance bridges, waterways, township

This is a scene of Cape Conran, in Far East East Gippsland .Orbost locals have been camping and picnicking at Cape Conran since at least the early 20th century. This photograph was taken at a time before Cape Conran Coastal Park a 11,700 hectare area was declared a coastal park under the National Parks Act in 1997. A black / white photograph photograph showing the rocks and ocean at Cape Conran in Far East Gippsland. There are three people on a rock with their backs to the camera.Two women are sitting and a man is reclining.cape-conran beach-east-gippsland

This lapel badge features the current logo of the Warrnambool City Council and is designed to be worn by Council employees and other residents of Warrnambool.This badge is retained for display purposes.This is a metal lapel badge of a city of Warrnambool logo. It has silver edging with images of green and silver sails/ trees and blue ocean/ whale. There is a squeeze metal clip at the back. Nil warrnambool city council, logo, lapel badge

Print of painting attached to black wooden backing. Print is of an ocean battle scene showing 6 ships with an aeroplane & battle flack overhead. Black, grey & orange colours.Printed in ink on back top L:” PAINTING BY FRANK NORTON AUST. W/MEMORIAL, CANBERRA”illustrations-prints, military history - navy/airforce, ran

Photograph showing Lord Stradbroke taken at the Opening of the Great Ocean Road 1922, Photo appears to have been taken from Eastern View looking towards Lorne. opening great ocean road 1922; lord stradbroke;

CEMA Art collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of seascape with pink flowers and ferns in the foreground. The centre of the image illustrates the ocean in shades of blue, pink, grey and black. In the background of the image is a large pink cloud.Front: 10/11(lower left) "Pink Hibisky" (lower centre) Signature (lower right) Back: 7

This poster was used to promote the Australian release of SOMEWHERE NEAR TAPACHULA February-April 2010. The film was shot on location in Tapachula, Mexico near the Guatemala border and tells the story of the orphanage Mision Mexico exstablished by two Australians Alan and Pamela Skuse. Surfing was introduced to the children at the orphanage in 2004 and surfing has now become an important part of the weekly program but has also played a key role in improving the lives of the children in the orphanage. SOMEWHERE NEAR TAPACHULA is a unique surfing documentary which explores the social impact of surfing on a community of children living in a Mexican orphanage run by two Australians. Through a series of interviews the film follows the lives of a number of the children as they struggle with issues of identity, family and the harsh economic reality of growing up in a poor Mexican coastal town. Surfing is their one physical and emotional 'escape' refuge.Full colour poster for the surf documentary film SOMEWHERE NEAR TAPACHULA. The poster features an image of a young girl with a surfboard at her feet standing on a beach staring at the ocean.Full colour poster featuring title, film sponsors and Australian tour dates (2010)surfing, somewhere near tapachula, surf film, mexico, jonno durrant, stefan hunt, mision mexico, alan skuse, pam skuse

Date made 23 May 1939Black and white photograph showing launch Bluebird at Eastern Wharf, Harbeck's Wharf, on Cunninghame Arm. Footbridge across lake to ocean beach in background. Lakes Entrance Victoriawaterways, boats and boating, tourism

Photograph of a framed lithograph showing building of entrance from Gippsland Lakes to ocean Bass Strait. Four black and white detailed drawings shown. Lakes Entrance Victoriaoccupation, waterways, public works, boats and boating

Black and white photograph showing piers and entrance to Gippsland Lakes from ocean - Bass Strait. Wooden pier has shed and machinery at end. Lakes Entrance Victoriaocean, jetties, machinery

Black and white photograph Lakes Entrance Ocean Rescue vessel, crew members onboard, during training exercise offshore, Westpac helicopter above. Lakes Entrance Victoriavolunteering, community services, emergency services

Cast bronze figurine featuring a reclining woman or meramaid in ocean waves. Her left arm is outstretched and she rests her head on the arm. Black velvet on base.

see page 23, Lakes Post Newspaper 8 December 1999Colour photograph, Chris Fenner from the Ocean Rescue Squad receiving donation of $1000 from President of Business and Tourism Association, Adrian Lalor. Lakes Entrance Victoriacommunity services, volunteering, emergency services

This photograph was used in the 150 year Lakes Entrance 1858 to 2008 display as the before picture paired with colour photograph number 03727.1 as the after picture size 10 x 15 cm road now paved with many buildings showingBlack and white photograph of Palmers Road looking south towards the sand dunes and ocean, teatree along the side of the road photographers shadow in foreground, Lakes Entrance Victoriatopography, sand dunes

The letter was written by Allan Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about travelling from South America to Canada, and the ship being fumigated.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in four parts. Part 0157 Envelope Part 0157.1-3 Letter Pages. The letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, This letter is very late..." and concludes with "Your ever loving son, Allan..." In the top right hand corner of the first page is "M/I Ariston, At Sea" and is dated 10/8/47.On front of envelope: MRS S QUINN / SAN LORENZO / 63 OCEAN BEACH / MANLY NSW / AUSTRALIA handwritten in black ink. VIA AIR MAIL is printed on the right hand side, and there are two Canadian stamps, both valued at 5 cents. There are three stamped postmarks, the first is round: MONTRAL / AUG 14 / 2 PM / 1947 / P.Q., the second is rectangle: -S / -OS / EPAR/ UTILISEZ LA POSTE AERIENNE, the third is also round: T / 60 / CENTIMES. On the back of the envelope: (indecipherable) / 7A6714 / OR 7AA6603 handwritten in pencil.allan-quinn, letter, handwriting, south-america, canada

Known to have run between London and New Zealand.small landscape sepia photograph of two vessels in the foreground a ferry or coaster moored at small wooden quay and in the distance moored at a pier an ocean going steamship with one stack or funnel.handwritten inscription on album page beneath image: Huntingdonss huntingdon, fan album, ships, port melbourne

Sepia photo showing the Portland Lifeboat on ocean. Crew of 12. Man using oar to push off from pier. Man holding tiller. Men wearing life jackets.portland lifeboat, rescue, ocean

Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls

Con Kroker Private CollectionBlack & white photo. Fisherman's Breakwater on right. Ocean Pier, Whaler's Bluff lighthouse in background. Salt Creek running into sea on lfet, three children fossicking in rocks in foreground.

On display at History House.Framed, black and white photograph of fishermen's breakwater Portland, showing breakwall crane and dinghies in foreground on breakwater. Fishing boats behind crane. Ocean pier, lighthouse bluff in background.Front: - Back: Mr. Barry Hocken Portland - in blue pencil