Yellow soft covered book containing Melbourne street scene sketches, photographs, and recollections contributed in 2021 by former pupils of Ringwood High School as a tribute to their well remembered art teacher, Harry Hudson (1910-1974). The images are reproduced from a folio of drawings that Harry made as a souvenir of Melbourne at the time of the 1956 Olympic Games. Contents and contributors: Flinders Street Station - Jeanette Fry Bourke Street - Graham Edney Collins Street - Michael Anderson, Thomas Guest, Eleanore Peeler Princess Theatre - John Wood, Thomas Guest Melbourne Town Hall - Thomas Guest Princes Bridge - Jeanette Fry StPaul's Cathedral - Ian McCleave Public Library - Gavin Fry Swanston Street - Peter Fry StPatrick's Cathedral - Gavin Fry.

This Venezuelan 1956 Olympic pennant was souvenired by Marlene Austin, nee Trenberth in 1956 when she was working as an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.White triangular pennant with a blue border. The pennant features the image of the Olympic rings, with the central ring replaced by the image of the Olympic flame burning in a cauldron atop a Grecian pillar. Inside each of the four remaining rings are images of athletes competing in sporting events: a hurdler, a shooter, two boxers and a cyclist.Above the Olympic flame, the word "MELBOURNE" is printed in black. To the right of the image, printed in yellow, red and blue, is the text "VENEZUELA A LOS / XVI / JUEGOS OLIMPICOS" At the far right is the year "1956" in yellow text on a black background.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, pennant, venezuela

Melbourne 1956 Olympic Games souvenirSmall souvenir metal bottle opener in shape of boot1956 Olympic and 4 ring Olympic logo olympic games melbourne 1956, bottle openers

This photograph was typical of the mid 1900's when photography was in the hands of the professional artist for important events, be they family or public occasions. This photograph holds and protects from ageing, part of a very significant occasion, the 90th birthday photograph of the matriarch Claire Roper, one of the founding grazier families from Tawonga within the Kiewa Valley This photograph therefore hold a very historical significance and has good exhibition value. This black and white photograph was professionally taken on Kodak paper in the time of the Australian Melbourne Olympics 1956. See KVHS 0092 for frame.On back of photograph "KODAK official sponsor of the Olympic Games" Underneath the symbolic rings of the Olympic Federationphotograph of early 1900's kiewa valley pioneer, the roper family, claire roper, pioneer family, cattle, bogong high plains

Lawn Handkerchief - Memento of Melbourne 1956 Olympic Games. In 4 sections: (1) Map of Melbourne, (2) Picture of Melbourne Cricket Ground, (3) List of Events and Venues, (4) Map of Australia, Olympic flame and kangaroosOlympic Games 22 Nov - 8 Dec 1956civic mementoes, souvenirs

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow long sleeved shirt with detachable floral collar. Double breasted pockets.Label - Pelaco1992 barcelona olympics, australian wool corporation, wool

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation

Set of 3 pre-decimal current MMTB tram tickets. All black printing unless noted otherwise. A variety of small size (58H x 26W) or large format (68H x 31W) tickets. .1 - 3d - large, orange paper, Jr 428475 with an advert for Stamina Trousers with a piece of marketing using shorthand on the rear (ask your girlfriend to tell you what this means" .2 - 3d - large orange paper, Sk 571109 with an advert for Bushels tea ad on the rear. .3 - 1/9 small on dark blue paper, Aw 681415trams, tramways, mmtb, tickets, pre decimal currency

Colour panroamic photograph of the Pre-Olympic Swimming Pool at Rokewood, Victoriarokewood swimming lagoon, rokewood pre-olympic swimming pool, rokewood

Colour photograph of a pre-olympic swimming pool in the river at Avoca, Victoria.avoca, pre-olympic swimming pool, avoca sswimming pool

Set of 5 decimal and 1 pre-decimal current MMTB or MTA tram tickets. A variety of small size (58H x 26W) or large format (68H x 31W) tickets. All on off white paper. All numbers in black ink. .1 - 1/- No. 904547, black printing on off white paper - now quite dirty. .2 - 15c - Pensioner with large capital P, black printing, No. A 221725. .3 - 35c - MTA ticket - pink - K250903. .4 - 60c, brown printing, Aa 810917 and Bh 640165 .5 - 70c - MTA ticket - green, B210073 - has dirt marks.trams, tramways, tickets, mmtb, mta, the met

1956 Olympic Games Melbourne1956 Melbourne Olympic Car badge - 5 Olympic rings with 'Melbourne' and 1956.Melbourne 1956olympic games, 1956, melbourne, car assessory

Three tickets to Athletics in Main Stadium, Melbourne Cricket Ground, for 28th November, 1956. XVI Olympiad. And one official Olympic Souvenir Cover.Olympic Logo and seat number.documents, tickets

Commemorative letter opener issued to celebrate the Olympic Games in Melbourne 1956.Metal letter opener, handle contains Olympic rings and Olympic flame.On handle "Melbourne 1956"letter openers, olympic games melbourne 1956, memorabilia

Photo Album - titled "TAP - Part A - Pre MMTB or W class – sheets A1 to A29 ", from Transit Australia Publishing. Photos used in the Destination City and other publications series. For a detailed list of photographs see htd4600i.pdf. For individual photo images see: \dbtext\hawthtramcoll\photo collections\htd4600-TAP-PartA, images TAP1 to TAP65. TAP01_Malvern Depot-assembling-trams.jpg TAP02_M1_Union Rd. Ascot Vale.jpg TAP03_Myer-Santa-tram_WilliamSt_MMTB.jpg TAP03_Myer-Santa-tram_William St_MMTB-obverse.jpg TAP04_8_Preston WS_Norm Cross.jpg TAP05_22-5_High St-Prahran_1910_CRC Field.jpg TAP06_31-36_High St-Armadale Rose Postcard.jpg TAP07_36_Dandenong Rd_c1917_Duckett Collection.jpg TAP08_Glenferrie Rd. Rose Postcard.jpg TAP09_52_Glenferrie Rd. Rose Postcard.jpg TAP10_53_Glenhuntly Rd_13Nov1913_Duckett Collection.jpg TAP11_93_Balwyn.jpg TAP12_163_Barkly St.jpg TAP13_177_Footscray_25Sep1953_W John Webster.jpg TAP14_177_Radiax Truck_Footscray_25Sep1953_W John Webster.jpg TAP15_181_Footscray_25Sep1953_WJ ohn Webster.jpg TAP16_185_Newmarket.jpg TAP17_197_SouthMelb_RJNowell.jpg TAP18_202_WilliamSt-late1920s.jpg TAP19_204_WilliamSt-late1920s.jpg TAP20_205_BowCollector.jpg TAP21_206_Preston_Mar1948_JackRichardson.jpg TAP22_ZooHorseTRam_TMSV-Postcard.jpg TAP22_ZooHorseTRam_TMSV-Postcard-obverse.jpg TAP23_16_Bendigo.jpg TAP24_456-others_Preston_Jul1947_JackStranger.jpg TAP25_180_WilliamstownRd.jpg TAP26_U_RacecourseRd.jpg TAP27_BoxHill-saloon.jpg TAP28_NMET-9-trailer_MtAlexanderRd.jpg TAP29_16_NicholsonSt-Coburgt_MMTB.jpg TAP30_26_CamberwellDepot_MMTB.jpg TAP32_47_MalvernDepot_MMTB.jpg TAP33_44-18_Bendigo.jpg TAP34_50_.jpg TAP35_60_KewDepot_MMTB.jpg TAP36_83_MalvernDepot_MMTB.jpg TAP37_275-6-93_Preston_RayPearson.jpg TAP38_99_KewDepot_Jan1937_RayPearson.jpg TAP39-122_McCraeSt_NormCross.jpg TAP40_137_HawthornDepot_MMTB.jpg TAP41_138_BourkeSt_20Oct1991_RayMarsh.jpg TAP42_140_PointOrmond.jpg TAP43_141_MalvernDepot_WJohnWebster.jpg TAP44_150_PointOrmond.jpg TAP45B_159_SwanstonSt_KSKings_14Mar1948.jpg TAP45C_159_SwanstonSt_KSKings_14Mar1948.jpg TAP46_171_SouthMelbourneDepot_MMTB.jpg TAP47_174_StGeorgesRd_JohnBeckett_1949.jpg TAP48_177_FootscrayDepot.jpg TAP49_177_FootscrayDepot_WJohnWebster.jpg TAP50_178_PointOrmond.jpg TAP51_178_ElsternwickRS_WJohnWebster.jpg TAP52A_179_LeedsSt-Footscray.jpg TAP52A_179_LeedsSt-Footscray_LCrow.jpg TAP52B_179_LeedsSt-Footscray_LCrow.jpg TAP53_187_SouthMelbourneDepot_MMTB.jpg TAP54_190_CamberwellDepot_GeoffGrant_7May1955.jpg TAP55_191_ElizabethSt-terminus_JohnBeckett.jpg TAP56_192_StKildaSA.jpg TAP57_200_MillerSt.jpg TAP58_205_LygonSt-into-BrunswickRd.jpg TAP59_208_EssendonDepot_MMTB.jpg TAP60_V214_MillerSt_1978_MMTB.jpg TAP61_15_EssendonDepot_MMTB.jpg TAP62_PrinceofWales-decoration_1920.jpg TAP63_EssendonDepot-PowerHouse.jpg TAP64_DoncasterTram_IllustratedAustrlianNews_9Nov1889.jpg TAP65_180_BourkeSt-at-SpencerSt.jpg Transit Australia Photos - Pre W class - sheets A1 to A29 -trams, tramways, transit australia, destination city, tramcars, depots, pmtt, htt, mbctt, nmetl, doncaster, bendigo, tram 1, tram 13, tram 9, 16, tram 8, tram 22, tram 5, tram 31, tram 36, tram 50, tram 63, tram 53, tram 93, tram 163, tram 177, tram 181, tram 185, tram 197, tram 202, tram 204, tram 205, tram 206, tram 84, tram 456, tram 180, tram 9, tram 26, tram 31, tram 36, tram 47, tram 44, tram 60, tram 83, tram 275, tram 93, tram 99, tram 122, tram 137, tram 138, tram 140, tram 141, tram 150, tram 159, tram 171, tram 174, tram 177, tram 178, tram 179, tram 187, tram 190, tram 191, tram 200, tram 205, tram 214, tram 15, tram 180

Cap used with jacket for the uniform of the Ringwood Primary School band.Navy blue woollen material cap with red material insert and cotton stripe sewn angled on side, cream coloured lining. +Additional Keywords: McDougall, Lawrence

Snow at Beech Forest, taken before 1910 approximately from Ditchley around to the train yards at Beech Forest. B/W. beech forest; snow; ditchley;

1946 Two shillings, 1952 One shilling, 1946 sixpence, 1951 threepence, 1961 penny and 1961 halfpenny, mounted on a card and labelled

One of a number hung in the City of Whitehorse for the Olympic Torch Relay prior to the Sydney Olympic Games.Blue rectangular, printed in white Sydney Olympic Games Symbol (Opera House) - man running with torch. Olympic rings symbol with wording: Sydney 2000 Olympic Torch Relay, presented by AMP - White printed in dark blue.Selby's Pty Ltd., Flags, Banners, Flag Poles and Marquees.|1800 241066: Melb, Sydney,Brisbane, Adelaide.flags, sporting, civic

Programme for Athletics in the Main Stadium, Saturday 1 December 1956. Melbourne Olympics.Olympic Games, Melbourne, Australia, 1956.|XVI th Olympiad, Melbourne, 1956.documents, programmes

Has a strong association with the Ballarat and Bendigo tramway system as being identified as being used on the system and for which trip on a specific date and demonstrates the ticket style prior to the time of decimal conversion in Australia.Set of 9 pre-decimal or imperial currency tickets used on the Ballarat or the Bendigo tramway system with three of them noted as to their use on the rear. 1 - 3d - orange ticket, over printed "City Section" - A 198391 - used "Charing Cross to Station - tram 23 - Sat 22 May 1965" 2 - 3d - orange - V437554 - on rear "Tram 34 Going to Mt Pleasant Easter Tuesday 31 March 1959". 3 - 5d - green - Q565064 - on rear in pencil "Quarry Hill to Charing Cross (No. 3) 4 - 5d - green - Q565055 - ditto, with addition of "2nd tram" 5 - 7d - black A987991 - on side in pencil' "Eaglehawk to Q Hill No. 3" 6 - 8d - red C209572 - "18 Drummond from L St N Sun 8 Nov. 1964" 7 - 8d- red - C209585 - "ditto" 8 - 8d - red - C582546 - "Q Hill to station tram 23, Sat 22 May 1965" 9 - 1/- purple - A 180987 - "18 decorated for Sebastopol Gold Cent. Sun 8 Nov. 1964 to Sebastopol" trams, tramways, tickets, secv, ballarat, bendigo, gold, sebastopol, quarry hill, mt pleasant, lydiard st north

This is a soft mud sand-stock moulded or semi-dry pressed brick bearing the 5 Olympic rings with the words "GLEN 1956 IRIS" across the bottom.5 Olympic Rings "GLEN 1956 IRIS"olympics 1956, glen iris brick works

Set of 13 different pre decimal and decimal MMTB tram tickets. All numbers in black ink, printed on off white paper unless noted otherwise. Two various sizes. .1 - 10d - black printing on red paper - Bj859105 .2 - 10c - brown ink, with Red P and diagonal stripe in red - A508245. .3 - 20c - blue ink, with Red P and diagonal stripe in red - B244641. .4 - 1/- - black ink on brown paper - Af243147. .5 - 1/9 - black ink on blue paper - Ay707793. .6 - 1/10 - black ink on green paper - Aa898467. .7 - 1/6 - black ink on yellow paper - Yo529926 - with a Royal Victorian Institute for the Blind advert on rear. .8 - 2/2 - black ink on grey paper - Ad032677 .9 - 7d / 6c - multiple currency ticket - black on orange paper - An523030. .10 - 4d - green - Ab426372 .11 - 7d / 6c - multiple currency ticket - black on off white paper, over stamped "City Section" - An596491 .12 - 6d - red - Ng965785. .13 - 7d - blue over stamped "City Section: - Ab688270trams, tramways, mmtb, tickets, concession fares

USED IN THE FREE PRESBYTERIAN CHURCH. GLENDONALD CHURCH, ONCE ON THE PROPERTY NOW KNOWN AS SNIZORT. CHURCH WAS PULLED DOWN ABOUT 1925 AND THE CONGREGATION TRANSFERRED TO ST. DAVID'S, COGHILLS CREEK.ROUND WOODEN COLLECTION PLATE ON TURNED COLUMN AND BASE, PRE 1884IN PEN ON BASE: COLLECTION PLATE GLENDONALD CHURCH PRE 1884local history, handcrafts, woodwork

Card has 'Special Clothing Coupon Issue (Pre-natal) No V41769 and name and address filled in . Coupons on rear have a red 'C'.A rectangular cream card with red printing. Coupons on 3/4s of the card making five lines of 13 coupons and three lines of 7 coupons with two rows of 7 coupons cut out of a 1/4 0f the card. Card has 'Special Clothing Coupon Issue (Pre-natal) No V41769 and name and address filled in S Clarkson. Coupons on rear have a red 'C'.Commonwealth of Australia, 1747. Rg.D.3/165|Special Clothing Coupon Issue (Pre-Natal)|No.V41769documents, cards, certificates, identification

Used by Whitehorse Council in its display on poles along the Olympic Torch Relay prior to the Olympic Games.Orange banner. Marathon Runner in blue over the five Olympic Rings.A.M.P. Sydney 2000flags, sporting, events