See Cat 5192This appears to be a small, pressed tin badge. The pattern is that of the Rising Sun with a crown. There are two banners at the bottom with the words: - " Australian Commonwealth Military Forces". There is a small patch of corrosion on the crown. There is no sign of mounts on the badge on the rear, only a square piece of solder.badge, rising sun, australian army

This set of pliers was used in the planning and making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. AShip model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This pair of pliers is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This pair of pliers was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Pliers, flat nosed, metal. There is an inscription pressed into the metal near the hinge. This set of pliers is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”.Stamped into handles “OKYC” and within lozenge “YHS”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, pliers, tool, yhs, okyc, sovereign of the sea, ship model, hobby, ship model tool

This badge represents a period in time when a School Carnival was not only a major School activity but also had a community "spirit" attached to it. It represents the balance between the metal (learning) and the physical (body) development of the student body. This balance of the growing student has been in existence for centuries. Although some students excel in the academic side of schooling others balance this through the sporting/physical side of "school life" This balance is mirrored in the overall Australian society. From the late 1990's the highly lucrative "professional" sports have provided a highly monetary incentive for those excelling in the physical side of society.The Mount Beauty High School has not only provided outstanding academics but also sports professionals. It has and is still producing a cross section of outstanding Australian men and women. Although the local environment (rural) has limited opportunities for further scholastical and professional sporting achievements it is a vital facility in the student's development for the ever changing Australian society. This yellow coloured, round "lapel" badge is made from mild steel (tin). It has a safety pin shaped around a hole and running horizontal it can be pressed into a "U" shaped hole for fastening onto any material (blazer or shirt).On the front of the badge (in smaller green coloured print) and following the round shape of the badge is "MOUNT BEAUTY HIGH SCHOOL". In the middle portion of the badge, and in larger print "CARNIVAL". Below this in smaller print again is "21st MARCH 1970"high school education, metal school badges, school sports

Photo album organised by and dedication note signed by Montmorency-affiliated members Blanche and Jack Shallard, Opal Smith, Marjorie North and Sue Law. The album contains a number of images recorded under accession numbers 01819, 01820, 01828, 01829. Album consists of 30 photos mainly of Montmorency environs with an explanatory card, title cards and pressed flowers. Plastic construction with 16 leaves capable of holding three 10 x 15 cm photos per side in plastic pockets. 02076, montmorency (france) photo album

A chronicle of officials of the G.C.C. during 1909. This honour board has an important place in the history of the Geelong Cycling Club and signifies the high esteem in which the community held cycling in the early part of the 20th century. Decorative wooden frame around individual photographs on oval ceramic plates and mounted on a wooden background. These are surrounded by pressed metal floral decorations. Inscriptions are in cursive script and painted in blue and white against the wood. There is a gold trim to the wooden frame. "Geelong Cycling Club/R McGann/T. Jenkins/H.H. Barclay/C. Hobbs/A. Beaming, Club Trainer/C. Hudgell/G.A. Martin, Vice Capt/H.G. Cartriss, Captain/E.Kitchen, ICCA Delegn/W.C McEwan/C. Bartlett/B. Freedman,Auditor/Eli Phillips, President/H. Groves, Handicapper/A. Hyatt/H.W. Heath/J. MacPhee/J.McMahon/C. Farrell/C.A.Betts, Hon. Secretary/O. Rowlands/M. O Donnell, Com/J.Kilmartin/C.E.Hewitt, Treasurer/E.Walsh, Com/N.James, Com/G. Martin/H.Mills/L.Redman/A.Palmer/W. Loone/H.L. Kelly/W. Shields/R.Hobbs/Presented/Mr. Charles A. Betts/A token of esteem for valuable services rendered as secretary/Nov 9, 1909” geelong cycling club; r mcgann; t. jenkins; h.h. barclay; c. hobbs; a. beaming; c. hudgell; g.a. martin; h.g. cartriss; e.kitchen; w.c mcewan; c. bartlett; b. freedman; eli phillips; h. groves; a. hyatt; h.w. heath; j. macphee; j.mcmahon; c. farrell; c.a.betts; o. rowlands; m. o donnell; j.kilmartin; c.e.hewitt; e.walsh; n.james; g. martin; h.mills; l.redman; a.palmer; w. loone; h.l. kelly; w. shields; r.hobbs; mr. charles a. betts;

'Laurentino' red jacket, casual, with flap pockets & black buttons with brass colour stars pressed on. Sleeves have buttoned cuffs and jacket has a band at waist. Panels from jacket flaps down front .Style is denim jacket.'Laurentino'costume, female

Presented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26 August 1966. At one time, this model was located on the board room desk of the Latrobe Valley District Ambulance Service (refer to photograph inside AHSV1343)Pressed tin station wagon model on timber base with Ambulance Service Victoria logo mounted on poles behind car. Car has flashing lights, electrical mechanism inside car and on/off switch on right hand back doorPresented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26-8-66 latrobe valley ambulance service

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed tin fundraising badge showing an armed soldier advancing through a rocky landscape. The soldier’s head is bandaged and spots of red indicate that the soldier has sustained wounds to the head and hand. The badge bears the word ‘Copyright’ on the border.Lest We Forgetpatriotic buttons, first world war (1914-18), numismatics, lest we forget, world war one, wwi, memorials

Pressed, embossed sheet steel tin, with overhanging top. Dome on top for beans, hinged, with curved handle and wooden knob. Wooden drawer set into bottom, removable, sheet metal and sign of handle missing. Decorative embossing on each side.L 4' embossed on basedomestic items, food and drink preparation, coffee, grinder, beans, kitchen, drink, pressed sheet steel, embossed

Bushell's tea tin, octagonal shape, embellished with raised images of kookaburra, emu, kangaroo and koala on four of the sides. Written on lid: 'Bushells Tea of Flavor'. Pressed into metal on base is written: 'Bushells Tea of Flavor 1 lb. net'.domestic equipment, containers, bushells tea tin

"John Alexander Brown", No 372. Enlisted 14.8.14 in 9th Light Horse Reg. C. Squad. Embarked 11.2.15. Gallipoli 16.5.15. Discharged 23.9.19 at rank of Sergeant. WIA 26.8.15 in left arm and discharged from hospital 25.10.15. Transfer to PRO CORP 5.12.16. Hospitalised with pneumonia 25.7.17. promoted to Sgt 24.2.18.1. Sepia photo of John Alexander Brown in full uniform standing in a formal pose looking into the camera. Image in an oval circle on portrait photo. 2. Brown folded cardboard cover for photo with a woman's head pressed into the front cover.Scribbled on back "Cousin, Alex Brown, from Woodstock on Loddon, Married to L. Chambers (or L. Hambers).john alexander brown, ww1, photograph, baxter mc

Used by the company on the tramcar bodies it built for the MMTB in the 1920's. Second copy marked on rear "Ex W2 268"Yields information about the construction of W class trams.Builders Plate, sign - pressed brass sheet with burnished background around the raised letters - "Built by JAMES MOORE & SONS Ppty Ltd. City Rd. South Melbourne". Has screws holes in each corner. Two copies held.Has on the rear in black text pen "265"trams, tramways, signs, tramcars, tramcar bodies, james moore, new trams, w2 class, tram 268, tram 265

Used by the company on the W class tramcar bodies it built for the MMTB in the 1920's. Second copy ex W2 322. See item 2430 for another example. Demonstrates the method of recording who built the tramcar body.Builders Plate, sign - pressed brass sheet with burnished black background around the raised letters - "Coach Work by Holdens Motor Body Builders Ltd Adelaide & Melbourne". Has screws holes in each corner. Two copies held.builders plate, adelaide, tramcar, signs, tramcars, holdens, new trams, w class, tram 322

Biscuit dough was put into the forcer/case/cylinder and the wooden pin pressed down to force dough out as a shaped biscuit. This would have been used in use in an Orbost home in the mid 20th century.This item is representative of kitchen utensils in common use in working class kitchens in 20th century prior to the common availability of packaged biscuits.Biscuit paste forcer made up of a metal barrel with a ring for hanging at top and a wooden plunger with a knob handle on top. This is shaped like a rolling pin. Biscuit mix is forced through the end of the tube to create fancy-looking biscuits.domestic kitchen food-technology biscuit- forcer baking appliances

Wolseley, No.7 5591 N shearing handpiece with original parts and handgrip c.1916-1930's. 'N' indicates long one piece bush instead of shot pressed bush and shot bush.Wolseley. No.7 5591 N Wolseley No. 3 Wolseley Hardenedshearing

A pressed metal spectacle case with brass hinges and clasp and lined with blue moire taffeta. The lid is decorated with an inlaid floral motif and inside each section is a 1/2 pocket . Both top and bottom expand by 1cm with concertina folded materialfloral design inlaid on lidspectacles, optomotrists, moorabbin, cheltenham, bentleigh, early settlers

5/11/2009 recent edition of "Collectors" on ABC TV identified this genre, where silverpaper was placed behind degraded pictures in "craft" frames, as a form of Tramp ArtColoured print George V (1865-1936) and Queen Mary in mosaic frame. Frame has been overlaid with putty, painted gold, with pieces of broken china pressed into putty. Silverpaper has been placed behind degraded areas of paper.craft

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate button featuring a white map of Australia on a dark blue ground with the stars of the Southern Cross surrounding, all within a gold border. The phrase ‘I Will Help Until the War is Won’ is printed in red across the map."I Will Help Until the War is Won"patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed metal fundraising button that was produced at the beginning of World War 1. ‘Wattle Day’ was celebrated before, during and after the War. For each Wattle Day different designs were chosen. This design features sprigs of wattle on a brown background."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. . Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day.Small circular pressed tinplate button featuring a white map of Australia on a dark blue ground with the stars of the Southern Cross surrounding, all within a gold border. The phrase ‘I Will Help Until the War is Won’ is printed in red across the mapI will Help until the war is won

Built as the Colonial Bank of Australasia in 1889 at Meeniyan, it became the National Bank in 1914. It was moved to Old Gippstown in 1968.High local historic significance on account of integrity.A large rectangular-shaped timber bank building with a gabled corrugated iron roof. The front has a mock stonework design on the timber. The ceilings inside are of pressed tin. The interior display features a collection of old National Bank furniture and banking items.bank, meeniyan, southern gippsland shire, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, banking, national bank, pressed tin ceiling, old gippstown heritage park, latrobe valley, latrobe city council

The Claxton Memorial consists of a white marble bust and pedestal set on a cement rendered base with pressed cement dolphins, the whole being set on a basalt plinth in a rendered brickwork pond surrounded by a wrought iron fence.The F.M. Claxton Memorial is a significant memorial structure and is of primary significance to the Ballarat Botanical Gardens. It is one of the relatively few sculptures which recognise the work and dedication of one of Ballarat's leading figures in the nineteenth century.A coloured gloss photograph of the F.M Claxton MonumentOn the back of the photograph in blue biro is written, "Claxton Monument and Fountain. Photo taken by R.M (R.Mosman, very likely) after extensive restoration work and reopening on 15.8.1997.john garner, doctor, frederick moses claxton, ballarat botanical gardens, claxton memorial, friends of the ballarat botanical gardens, lake wendouree, public subscription, restoration, jude schahinger, george seddon., claxton, john garner collection, gardens, ballarat

James Leonard Woodroffe Sharland No 18455 a Medical Student when he enlisted on 2.2.17 aged 18 years 3 months in Army Medical Corp Reinforcements attached to No 2 Australian General Hospital. Embarked for Suez 21.11.17 and then England disembarking 31.12.17. Hospital 23.2.18 with Abcess, hospital 20.5.18 with Mumps, again on 11.9.18 with Influenza then Nephritis on 29.10.18. Discharged from the AIF on 11.3.19. .1) Medals, court mounted, set of (2) re J.L.W Sharland. 1. War Medal 1914-18 2. Victory Medal 1914 - 19 .2) Medals, miniatures, brass plate mounted, set of (2) re J.L.W Sharland. Same as .1) .3) Identity disc, round, pressed fibre board, brown colour with small hole. .4) Badge, Rising Sun lapel, pressed blackened brass, rising sun, crown centre, under scroll with "Commonwealth Military Forces". .5) Badge, "AUSTRALIA", blackened brass, curved shape. .6) Same as .5). .1) "18455 Pte J.L.W Sharland 2 AGH. AIF" .3) "18455 J Sharland 2 AGH Pres"medals, badges, identity, military

The origin of the badge is not clear.This is an oval shaped copper badge. The front has the outline of Australia with a styalised version of a Frill Necked Lizard n it. Under the map of Australia is the word “Australia”. It has been pressed into thin copper. On the rear are two lugs bent down for mounting purposes.badge, accessory

Pressed tin buttons were produced in large numbers between 1900 and the Second World War and being ephemeral have rarely survived. This button was produced for fundraising for local charities at Ballarat on Button Day in October 1925.Historically and socially significant artefact, revealing much about the attitudes and values of the period in which they were produced. Button days were a popular way of fundraising and commemoration that developed through Wattle Days and the First World War retaining their popularity into the early 1950s. Small tin badge with stylised rising sun motif in red with forget-me-nots in blue beneath a banner and on beneath the nosegay the words forget not. in blue. ballarat, charities, fund raising, button day, 1925, badges