Refers to the service of William David Patterson No. 3795952. N.S. Vietnam War. 1 A.R.U. 2-4-70 - 20-5-70. 8 R.A.R. 21-5-70 - 12- 11-70. 6 PL B Coy then HQ B Coy.Military Issue kit bag. Two carry handles made from cotton webbing. Long metal zip. Printed on one side are two large brown rectangles. 1. Top rectangle painted in orange paint is 3795952. Pte W. D. Patterson. 2. The bottom triangle is painted brown as well. On that is painted numbers 1473 in red paint. Under that are 3 trapezoid shapes - green, red, yellow. Under these is a red Kangaroo with apparent letters A.M.F.vietnam war, 1962-1972, army kit

Two Badges. One round Vietnam Veterans Association of Australia; black border, gold center with Map and Australian Flag. Crown on top. I've been there VIETNAM with Medal in center. Gold coloured rectangle.badges, vietnam veterans' association of australia

Sepia images of men and women i front of Sam Hand's Boarding house, W. Melk Joer's Restaurant, a cottage, and James Eacan's Shamrock Hotel. Each is mounted onto a rectangle of black wood

Banner comprising individual signed panels with embroidered signatures surrounding a central rectangle with "From St Andrew's Branch Church to Settlement House" and the Latin motto of Labor Omnia Vincit (Work Conquers All) and a representation of a badge. Photo was in a collection of St Cuthbert's Presbyterian Church Ballarat photographs, but the title of the group (Senior Girls Missionary Union) has connections with the Baptist Church as well.B & W photographst. andrew's church, ballarat, settlement house, senior girls' missionary union, presbyterian, st. cuthbert's

Letter paper used by staff at the Royal Blind Society of New South Wales. A cream A4 sheet with the words 'ROYAL BLIND SOCIETY' at the top of the page, and 'ROYAL BLIND SOCIETY A VISION TO SHARE' around the RBS logo as a background in the middle of the page. Around the edge are four lines (3 thin, 1 thick) which form a border with two rectangle boxes in the corners of the page.1 x A4 letterhead with RBS logoroyal blind society of new south wales, office equipment

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard, looking east on the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The photo was taken after the Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Sepia image of main path of Gardens, looking east towards the Osborne Street gates and three people. The path is lined with grass, shrubs and palms. Reverse: ‘POST CARD / CARTE POSTALE / Communication – Correspondence Address – Adresse’. Top right corner: a rectangle with a logo in the centre and ‘STAMP / HERE’. In pencil ‘AUSTRALIA / 50p / 1920s’postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, palms, osborne street, 1920

House captain's badge provided by Ballarat Clarendon College for the Captain of Garbutt House.Gold-plated badge with House name in black lettering. Rectagular name plate sits on black circle. Decorative gold border to rectangle and plain gold border to circle. Pin fastening fixed across rear. Front: GARBUTTgarbutt-house, ballarat-clarendon-college, house-captain

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen rectangle has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat

A block and tackle is a simple but highly effective lifting device, thought to have been invented by Archimedes. These systems were used extensively for construction in the ancient world, and continue to be used today for various applications, especially at sea, where non-motorised lifting systems are highly useful. A basic block and tackle includes a single fixed pulley or block, and at least one additional pulley, linked with rope, to form a complete set. Depending on the size of the load being lifted, additional sets may be used to further distribute the weight.A mid-twentieth example of a wooden block that shows advances in the design of the marine block compared to late 19th century blocks, with hook and pin and its compliance plate meeting the marine standards of the time.Two sheave rope block; two metal sheaves in polished wooden block with a metal inner pin with a ring on top and a bucket on the bottom. Rectangle carved into one cheek with inscriptions on the attached compliance plate with inscriptions. Stamped within a lozenge: "2 ↑ CS"flagstaff hill museum, flagstaff hill village, shipwreck coast, flagstaff hill, block & tackle, rope, lifting heavy weights, ship rigging, cargo lifiting, two sheave block, compliance plate, marine technology

Cream patterned card with pattern cut edges. Retangle shaded with grey in the centre. 'Best Wishes' printed in gold inside the rectangle. Some scrollwork around the letters. Card & insert held together with a brown ribbon.person, greeting cards, malone collection, malone collection, greeting cards

Purple and Mauve Study Mate 48 Page Exercise Book Feint ruled 8mm White rectangle bottom middle of front page. Minutes of General and Annual meeting from November 2005 to August 2008.annual meeting, general meeting minutes

Cardboard Cover: with a watercolour painting of bushland with a figure in foreground to the right. Picture Painted by Georgina McCrae . at the top is a black rectangle with White writing at the bottom is a logo in green below which is "National Trust in Black PrintAt The top Over a Black Background in white print 'Our Mountain Home' 'The McCraes of Arthur's Seat'. Ath the Bottom in Black Print "National Trust"stawell, victorian history, journal

Portrait of George Jennings "Mayo Park" Lubeck. George Jennings was elected to Old Roads Board in 1863. Except for the years 1882 - 84. He served on the Council until 1891 - 1874 Shire President. From County Galway in Ireland. Jennings arrived in Pleasant Creek in 1858. For many years he owned "The Western Turf Hotel at Quartz Reefs. Selected land on the Ashens Run - settled there in 1870.Black and white photograph of a male in a oval setting with decoration in corners making a rectangle. Photograph in brown folder. The male is dressed in a suit, tie at neck of shirt, short hair and with a beard. Also an enlargement of studio photograph.George Jennings Mayo Park Lubeck written in biro.lubeck stawell shire president

The item is a hard cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page records the customer orders by date, name and goods supplied. Some entries include more detailed descriptions and small drawings. The cardboard cover is green with red and brown marbling on both front and back with some wearing at the corners. "B S GOODS" is hand drawn in black on the front cover, with a paper rectangle stuck over the top on which is handwritten the type of book and dates. The pages are bound together with string. The book includes the date range of 20 August 1894 to 12 November1895. All pages have been used. This item is part of the Margaret Roberts Collection. "B S GOODS" is hand drawn in large black capital letters across the front cover, with a brown paper rectangle stuck over the top on which is handwritten "Factory Order Book From Aug 20/94 to Nov 12th 1895". Also, on the front cover there are some ink spots between the D and S and other pen marks around the G, including mathematical workings (18 +13 = 31). The back cover also has ink spots and two groupings of mathematical workings.margaret roberts collection, ironmongers, forest street, bendigo businesses

Presentation plaque made of varnished wood. Located centrally is a large gold and silver Royal Victorian Regiment badge. The badge is made up of crossed gold SLRs a queens crown and a banner with " Victoria" located in front of a large silver "V". Located in the top left corner of the plaque is a 20mm x 15mm gold bordered red square with the numbers "5/6" embossed on it. In the top right is a small 5th battalion Colour patch. This is made up of a black rectangle laying atop of red rectangle.5/6rvr, infantry, plaque, colour patch, hat badge, wark vc club

The dead man's penny is a commemorative medallion which was presented to the family of soldier s who were killed in the First World War. The images of Brittania the dolphins and the lion represent Brittain and the eagle represents Germany. The name of the soldier is presented without rank to signify the equality of all sacrifice. This medallion was to commemorate Daniel Nicol Peters who came from Scotland but enlisted in the AIF in Blackboy Hill Western Australia. His regimental number was 3200. he was Killed in Action on 26 August 1918. His father was John Peters of Greenside Fifeshire Scotland. From a country with a population of approximately 5 million people, there were more than 60000 soldiers killed. This object represents but one of these soldiers. It therefore has historical and social significanceCircluar brass plaque with figure of Brittania and a lion in low relief. There are two dolphins around the figure of Brittania and and image of a defeated eagle below the lion.To the right of the figure is a small rectangle with the name of the soldier. Text around the edge.He died for freedom and honour. Daniel Nicol Petersdead man's penny, daniel nicol peters

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen rectangle has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, needlework, fine linen

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen rectangle has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, needlework, fine linen

8307.1 - 'Rounded rectangle' shaped piece of highly weathered bluestone/basalt. Yellowish-green; criss-crossed by prominent white veins of secondary quartz mineralisation. 'Bandage' bearing the words "miss Western" stuck on one side.- miss Western

Three empty tobacco tins. One square Country Life cigarette tin (reddish colour). One rectangle Erinmove Flake Murray's Yellow/red. One round Erinmove Mixture Murray's Yellow/red writingtobacco tin

The hanging was handwoven by Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and hand woven items. She was a gounding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year.A tightly woven brown wall handing with a geometric design of rectangles and squares and a bamboo rod at each end. There is a length of undyed wool on each rod to hand the piece, but on one end it had been cut and hangs loose.handicrafts, geelong handweavers and spinners guild inc., weaving, mann, ms lilian joyce, geelong, victoria

Green yearbook with a yellow rectangle on the cover, and black and white images of students, as well as the indigenous Australian symbols for comet and sun. Black text above and below these images reads GERONIMO Wangaratta Technical School Album 1989GERONIMO Wangaratta Technical School Album 1989

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Characteristics of Maltese lace. Maltese lace usually has the following characteristics which are useful for identification. It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch.The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace. Camisole, made of silk thread Maltese bobbin lace that is constructed of lengths of lace forming two rectangles with a hole for the neck. Shows the characteristic Maltese cross and wheat ears. Fabric is made of tape lace joined togethercamisoles, maltese lace, bodices

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in KenningtonFramed black and white head and shoulder portrait of Councillor Hargraves. Profile slightly to right with walrus moustache. Cut rectangle brown mount decorated with coloured text and scrolls. Hand written title top and lower centre.Strathfiledsaye Shire Council / Cr John Hargreaves / President 1919 - 20 1928 - 29 / Presented by his Wife & Familystrathfieldsaye shire council, president of strathfieldsaye shire, councillor hargreaves