Showing 347 items
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Ballarat Tramway Museum
Photograph - Bendigo Birneys 28 & 30 Charing Cross, Robert Wallace Studios
Photograph shows Bendigo SEC Birney trams 28 and 30 at Charing Cross in Pall Mall, prior to the closure of the SEC operated system in April 1972. Photograph by Robert Wallace Studios. Has The Behive buildiing in the background. No. 28 has a SEC Briquettes roof advertisement.Yields information about the operation of SEC Birney's in Bendigo prior to closure.Photograph - Black and White mounted onto heavy card.Photographer's studio stamp on rear - Robert Wallace Studiosbendigo, tramways, trams, birney tramcars, tram 28, tram 30, charing cross, pall mall -
National Vietnam Veterans Museum (NVVM)
Photograph
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Sergeant Fred J Roberts 22, Nowra, NSW, of 3rd Special Air Service (SAS) Squadron 1st Australian Task Force Base. At the time he was advised of his receipt of the Distinguished Conduct Medal (DCM). Sergeant Roberts, was married with one daughter.photograph, sgt fred roberts, 3rd special air service squadron, 1st atf base, distinguished conduct medal, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, mid to late 1950's
Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 17, loading passengers at the intersection of Sturt and Lydiard St, City, late in a summer evening. Tram has the destination of Gregory St. Many passengers are or waiting to boarding. Has the Post Office in the background and Robert Burns statue. Note most of the passengers are women. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, city, sturt st, lydiard st, tram 17 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Bob Lilburn, c1961
Black and white photograph of two single truck trams (No. 26 being the rear tram nearest to the photographer) at the City terminus in Sturt St. at the intersection with Lydiard St. Robert Burns statue in the background. Both trams in the intermediate scheme of lights but no large white strip under the dash canopy lights. This places the photog as being taken during the early 1961's onwards. Both trams have Briquettes roof advertisements. A bogie tram is on the other side of the road. No. 26 showing "Gardens via Sturt St. W". Two copies held.trams, tramways, sturt st., city terminus, tram 26 -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 2, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Eltham District Historical Society Inc
Photograph, The Allan Studio, Thomas Edmund Fielding in his IOOF uniform, c.1901
Independent Order of Odd Fellows (IOOF) https://en.wikipedia.org/wiki/Independent_Order_of_Odd_Fellows Thomas Edmund Fielding (1874-1957) was a significant member of the Diamond Creek Footbal Club during the early 1900s. Son of Robert Fielding (1820-1891) and Jemima Whatmough (1840-1926) and grandson of Plenty River pioneers Robert Whatmough (1815-1887) and Mary Hill (1813-1881) Photo: The Allan Studio, 318 Smith Street, Collingwood Mark Joshua Allan, Photographer operated fropm 318 Smith Street Collingwood from 1887 to 1901thomas edmund fielding, tom fielding collection, independent order of odd fellows (ioof), m.j. allan photographers 318 smith st collingwood -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 10, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 6, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 9, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 7, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 8, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 5, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL CLUB 1930, HORNBY PHOTOGRAPHER BALLARAT. (COPIES IAN PYMM), 1930
PHOTOGRAPH KEPT AT CLUNES FOOTBALL CLUBPHOTOGRAPH OF CLUNES FOOTBALL CLUB 1930 - MOUNTED ON GREY CARD WITH DARK GREY BORDER .1 ORIGINAL PHOTOGRAPH MOUNTED .2 MOUNTED PHOTOGRAPH WITH NAMES AND 'CLUNES FOOTBALL CLUN 1930' .3 PHOTOCOPY OF .2.2 LIST OF NAMES : BACK: BRIT JONES, (PRES).L EXELBY, L THOMAS,M ROGERS, M MITCHELL, R MCKENZIE, N SPARK, A CLARKE, MINTY ROBERTS, (TRAINER), CENTRE: M O'DONNELL, R DUNN, R ADAM, L CARTER (V.C)., D WRIGHT( CAPT), G LEISHMAN, G DUNN, J LEISHMAN. FRONT: S DUNN, H PETTIT, J PASCOE(BOUNDARY), E BROWN, G RICKARD.photographs, football, football club 1930 -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL CLUB 1921, THORNTON - RICHARDS & CO. PHOTOGRAPHER, 1921
PHOTOGRAPH KEPT AT CLUNES FOOTBALL CLUB 1921.1 Black and white mounted on buff card - photograph of players and officials of the Clunes Football Club 1921 .2 Black and white copy of the above photograph .3 BLACK AND WHITE PHOTOGRAPH OF MOUNTED PHOTOGRAPHOn Front: Printed "Clunes Football Club Season 1921" Printed below image; W Vorbac, J Tyers, A Davies, F Barry, A Mead, A McLennan, C Sparks, W Fawcett, W Barry, A Pickford, C Steart, J Keogh, J Roberts, L Exelby, H Williamson, R Sparks, H Holmes, J Dohertylocal history, photographs, football, football club 1921 -
The Beechworth Burke Museum Research Collection
Card (Series) - Index Card, George Tibbits, 14 Ford Street, Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
The Beechworth Burke Museum Research Collection
Card (Series) - Index Card, George Tibbits, Ford Street, Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
The Beechworth Burke Museum Research Collection
Card (Series) - Index Card, George Tibbits, Ford Street, Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
Ballarat Tramway Museum
Photograph - Black and White photograph - laminated, Richardson, c1910
Laminated Black and white print from a copy negative of a group of ESCO employees (officers, drivers (motormen), conductors and inspectors) in a room - c1910? - 43 people. Print from a copy negative (N13), made early 1997 for display purposes and laminated. Has six Velcro dots on rear. In bottom left hand corner has name of Photographer "Richardson, Ballarat". See also Reg. Item 2238 for a mounted image of this photograph with date 1915 on rear of photograph And Reg. Item 2703.1 for a colour photocopy showing Robert Exon. (added 29/4/2004) Scan of copy negative added 4-5-2020 as image i2trams, tramways, esco, employees, group photo -
Bendigo Military Museum
Photograph - A Section, 1st Topographic Survey Troop, Nui Dat, Vietnam, 1969
This is a photograph of A Section, 1st Topographic Survey Troop taken at Nui Dat, Vietnam in 1969. A nominal roll of personnel and their trade as of the 30th of September 1969, accompanies this photo. Their trades in this photo were as follows - Surveyors Topographic: WO1 Darby Munro, SGT Paddy Strunks, SGT Graeme Birrell, CPL Brian Knight, CPL Colin Laybutt, SPR Roderick Gilbert and SPR Rodney Offer. Draughtsmen Topographic: SGT Terrance Linz, CPL Robert Kay, SPR Peter Aukstinaitis, SPR Lloyd Patterson and SPR Ian Wark. Photographer Cartographic: CPL George Graham. Clerk Admin: CPL Oreste Biziak. Helioworker: CPL Geoffrey White, SPR Lance Percey. Cook AACC: PTE R. Johnston. The first Royal Australian Survey Corps troops arrived in South Vietnam on the 10th of June 1966. This was a detachment from 1st Topographic Survey Troop, which was to give cartographic support to the Australian Task Force. Their main tasks were to establish a Theatre Grid, map compilation and map revision. Engineer Survey Support in the camp and to the civil community and give assistance to the Cordon Search Missions by producing large scale plots from aerial photos with every house and fence etc plotted and then reproduce these by silk screening usually, within a 24-hour period. This support concluded with the withdrawal of Australian troops from Vietnam in 1972. For more information on the career of A Section’s OC MAJ Peter Constantine AM, refer to item 6159P or 6092P. He was the CO of the Army Survey Regiment from 1975 to 1976 and CO of the School of Military Survey (SMS) from 1976 to his retirement in January 1982. His memoirs of active duty in Vietnam ‘Surveyor - Printer Behind the Lines’ was published in 2022. 2IC CAPT Frank Thorogood SB St J’s career culminated at the rank of LTCOL as the CO Army Survey Regiment from 1980 to 1981. More information on the A Section, 1st Topographic Survey Troop and the Army Survey Regiment’s supporting role is provided in pages 89 to 94 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a photograph of A Section, 1st Topographic Survey Troop taken at Nui Dat, Vietnam in 1969. The black and white photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, black & white, 1969. Back row L to R: SPR Lance Percey, SPR Bruce Grisdale, SPR Rodney Offer, SPR Roderick Gilbert, CPL Geoffrey White, PTE R. Johnston, CPL Colin Laybutt, SPR Lloyd Patterson. Centre row L to R: SPR Peter Aukstinaitis, SPR Ian Hanna, SPR Ian Wark, CPL Robert Kay, CPL George Graham, CPL Oreste Biziak, CPL Brian Knight. Front row L to R: SGT Terrance Linz, SSGT Gordon Haswell, 2IC CAPT Frank Thorogood SB St J, OC MAJ Peter Constantine AM, WO1 Darby Munro, SGT Paddy Strunks, SGT Graeme Birrell.An A4 nominal roll of personnel and their trade accompanies the photo, as of the 30th of September 1969. A torn paper identifies the personnel in the photo. Annotated on back of photo – ‘Unit Photo – 1 Topo Svy Tp 30 Sept 69’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Rudd, c1890
Black and white print from the State Library of Victoria, June 1999 of a horse tram crossing the intersection of Sturt and Lydiard Street Ballarat c1890. Tram is travelling east to Grenville St. on the south side of Sturt St. (wrong side these days). Has the Ballarat Post Office building in the background with buildings on the north east side of Sturt St. as well. Has a number of horse drawn cabs in photo and women in white clothing holding umbrellas over their head indicating a hot day. In the right hand side of the photo is the statue of poet Robert Burns. Has number "530" in the bottom left hand corner of photograph. State Library Multimedia Source Catalogue gives the photographer as Charles Rudd, 1849 to 1901, date of photo 1889-1891. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. State Library Permission required to reproduce the photo.On rear in pencil in bottom left hand corner "Copy of H39358/10" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, lydiard st, horse trams, post office, two way traffic -
Eltham District Historical Society Inc
Photograph - Digital Copy, George Murray, Eltham State School, Grade 2, 1958
Back Row (L-R): Russell Smart, John Mead, Peter Norman, Kim Hunter, Richard Lynch, Stephen Short, Gilbert McGloughlin, Don Muir, Jeff Steele, Geoffrey Thorpe, Ian Murray, Marcus Skipper, Ray ( ? ), Robert Spencer Third Row (L-R): Bruce Martin, Neville Myers, Nelson (Smart?), George Sutherland, Robert Dowdell, David Campbell, Ken Dickerson, Kit Hill, Wayne Brodford, Martin Fowler, Michael Kilpatrick, Colin Graham, Ken Brown, David Boss, Greg Lewis Second Row (L-R): Bora Meredith, Heather Dyke, Linda Morris, Janne Miles, Biddy Quinlan, Cheryl Croft, Terry Croft, Margaret Box, Shelley Barker, Wendy Bradley, Sandra Black, Lynette Pitcher Front Row (L-R): Sally Lewis, Faye Harris, Elizabeth Jolley, Wendy Rainsbury, Helen Corrie, Bronwen Cavistock, June Skippington, Gloria Oldfield, Anna Jacka, Ruth GangellNames written on reverse and photographer's stamp1958, anna jacka, biddy quinlan, bora meredith, bronwen cavistock, bruce martin, cheryl croft, class photo, colin graham, david boss, david campbell, don muir, elizabeth jolley, eltham state school no. 209, faye harris, faye walker (nee harris) collection, geoffrey thorpe, george sutherland, gilbert mcgloughlin, gloria oldfield, grade 2, greg lewis, heather dyke, helen corrie, ian murray, janne miles, jeff steele, john mead, june skippington, ken brown, ken dickerson, kim hunter, kit hill, linda morris, lynette pitcher, marcus skipper, margaret box, martin fowler, michael kilpatrick, nelson smart, neville myers, peter norman, richard lynch, robert dowdell, robert spencer, russell smart, ruth gangell, sally lewis, sandra black, shelley barker, stephen short, terry croft, wayne brodford, wendy bradley, wendy rainsbury -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Leon Marshall Wood, Mar. 1947
Black and white photograph of Geelong No. 23 at the Geelong Railway Statin with one of the crew leaning on the bumper bar of the tram. Appears the tram has the destination of Depot. Photographer - Leon Marshall-Wood, March 1947. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019 - two copies added. On rear in pencil "March 1947, S/S, L M-W" and in ink within a red ink stamp "Traction 5566" Also cropping marks along top edge. On rear of small copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, railway station, tram 23 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Leon Marshall Wood, Mar. 1947
Black and white photograph of Geelong No. 14, Birney, with apparent destination of Eastern Park. Photographer - Leon Marshall-Wood, March 1947. Dave O'Neil confirmed June 30/2009, photo at the Western Park terminus. Up to 1951, Eastern Park was only operated by City to Eastern Park services, after 1951 through routed to Newtown. No. 14 was in Bendigo by then. See related documents. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil "3?, S/S, L M-W" and in light green pencil, "PWD" and "Owned JR". On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, eastern park, birney, tram 14 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Leon Marshall Wood, Mar. 1947
Black and white photograph of Geelong No. 26. The tram has the destination of East. Photographer - Leon Marshall-Wood, March 1947. The tram has a number of passengers on it. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil "S K, 3/47 L M-W, Owner J.R"?, On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, east, tram 26 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Leon Marshall Wood, Mar. 1947
Black and white photograph of Geelong No. 4 at a terminus, with the destination of Chilwell? Photographer - Leon Marshall-Wood, March 1947. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil " S/S, L M-W" and in light green pencil, and "Owned JR". On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, tram 4 -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Light of the World, 2013
THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse -
Robin Boyd Foundation
Slide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Bell tower, Malmo eastern cemetery, Malmo, Sweden, 1935 - 1943. (Architect: Sigurd Lewerentz.)slide, robin boyd, sweden -
Clunes Museum
Negative - NEGATIVES
LEONARD CARTER WAS A PHOTOGRAPHER. HE ORIGINALLY LIVED IN CLUNES AND LATER IN APOLLO BAY. FAMILY HOME WHERE ROBERT CAMPBELL NOW LIVES.4 NEGATIVES OF LEONARD CARTER'S FAMILYlocal history, photography, photographs, negatives, , leonard carter -
Clunes Museum
Negative - NEGATIVES
LEONARD CARTER WAS A PHOTOGRAPHER. HE ORIGINALLY LIVED IN CLUNES AND LATER IN APOLLO BAY. FAMILY HOME WHERE ROBERT CAMPBELL NOW LIVES.1 NEGATIVE OF CLUNES RIFLE CLUB TROPHY.local history, photography, photographs, negative, -
Clunes Museum
Negative - NEGATIVES
LEONARD CARTER WAS A PHOTOGRAPHER. HE ORIGINALLY LIVED IN CLUNES AND LATER IN APOLLO BAY. FAMILY HOME WHERE ROBERT CAMPBELL NOW LIVES.8 NEGATIVES OF VARIOUS HOUSESlocal history, photography, photographs, negatives,