A dirt road - telegraph polesRoad to the Back Beach, Cowes, Phillip Island, Victoria. The Rose Series P662The Rose Series P662. Road to the Back Beach, Cowes, Phillip Is., Victorialocal history, postcards, cowes back beach, dirt road, sepia photograph, ian reiher, rural, cowes, phillip island

Sepia Postcard of breakers near The Nobbies The Rose Series P 669The Rose Series P 669. Breakers near The Nobbies, Phillip Island, Victorialocal history, postcards, the nobbies, phillip island, sepia photograph, ian reiher, seal rocks

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia.A black and white photograph of Steavenson Falls, Marysville, Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. At 84 metres high, Steavenson Falls is Victoria's tallest cascading waterfall. The falls are split into roughly five cascades, with the last of these plunging into a small, picturesque rock pool. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.THE SOUTHERN CROSS SERIES 4990./ COPYRIGHT/ STEVENSON FALLS, MARYSVILLE, VIC. POST CARD. Correspondence/ Address Mt. Kitchener House/ Marysville Dear Dad,/ I'm having a/ great time up here,/ I don't suppose you/ remember, but we used/ to walk up to see these/ falls when you were up/ here with me. I hope you/ like being at No. 6./ However, it won't be/ much longer now - I'll/ be home on Saturday./ Love to you all,/ Marjoriemarysville, victoria, waterfalls, stevenson falls, steavenson falls, southern cross series, 4990, postcard, souvenir, john steavenson

Cockatoo's Tourist Track featured in many postcards that were produced. It was an important attraction for the many holiday makers that came to Cockatoo in the early part of last century.The Tourist Track extended along the Cockatoo Creek, crossing the creek in various parts. It seemingly followed the creek until it ended in the vicinity of Mountain Rd and started near the swimming pool.Original Postcard - The Rose Series P 1619 cockatoo creek, tourist track, rose series postcard, cockatoo victoria

Photograph shows Moorabool Street looking north with the T&G building Mutual Life Assurance Society in the view. Tram 30, (Belmont) later Ballarat 13 in 1936. Photo early 1930s. Shows a scene in Moorabool St Geelong, early 1930s.Digital image of Rose Series Postcard No. P75geelong, tramcars, tramways, moorabool st, tram 30, t&g building

Postcard: On back of card 'Bendigo Pottery (Epsom) 1857, Australia's oldest pottery' Image shows brick kiln on LH side, building with kilns and chimneys in background. On back; Roser Series Colorview No. 887, copyright, published by the Rose Stereograph Co., Glen Waverley, Victoria'Roser Series, No. 887, Copyright'bendigo, buildings, bendigo pottery, bendigo pottery, rose series, kiln, pottery

Photo taken from the City Fire Brigade station at the corner of Sturt and Raglan Streets, looking east towards Mount Warrenheip. Has an eastbound ESCo tram. Photo shows the overhead structures, Harry Davies & Co. Drapers Importers, Ballarat Town Hall and the general view of the city. On the rear is a large Rose symbol and publisher details.Yields information about Sturt St during 1920sPostcard - Rose Series P 1717, Sturt Street looking east. Second copy - cigarette card size - 63mm x 87mmHas an address in Macarthur St, Ballarat on rear. Second copy has in ink "To Ken from Paul Kiwi4755"ballarat, sturt st, fire watch tower, harry davies

View of SS "Genista" leaving the pier, Cowes. The Rose Series P 655The Rose Series P 655 S.S. "Genista" leaving the pier, Cowes, Victorialocal history, postcards, ferry - genista, jetties, sepia photograph, ian reiher, ss genista, cowes, phillip island

View of Sassafras showing many dead trees c1920s.Sepia coloured Rose Series postcard P. 153 looking down across Sassafras.On reverse REAL PHOTO POST CARD. THE "ROSE' SERIES DELUXE. PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoriasassafras

Postcard, black and white. Image shows players dressed in white on croquet lawns, Barnard Street, Bendigo. Bowling green in foreground is empty of people. On bottom of card ' The Rose Series P 2864, Croquet Lawns and Bowling Green, Bendigo, Vic.'The Rose Seriesbendigo, sporting clubs, croquet and bowling greens, bendigo, croquet lawns, bowling green, barnard street

Photo shows Malop St Geelong after the closure of the tram system but before the removal of the tram tracks. The centre poles and overhead shown in item 9410 have been removed. In the background are the Carlton Hotel, Robbialac paints, Solomons stores, the National Bank buildings and the Grand Central Hotel,Yields information about Malop St Geelong.Rose series postcard No. P13827 - Real Photograph print.trams, tramways, geelong, malop st, tram tracks

Photo of two double deck horse trams, shortly after arriving at the Sandringham - Beaumaris Tramway terminus c1900, including the Sandringham House Private Hotel on the corner on the corner of Beach Road and Melrose Street. Has many well dressed people crossing the roadway.Shows a double deck horse tram on the Sandringham to Beaumaris tramway.Reproduction print of Rose Series postcard P952 on paper.trams, tramways, horse trams, sandringham, hotels, beaumaris

Photo of a double deck horse tram, at the Sandringham - Beaumaris Tramway terminus c1900. Shows a very loaded horse tram and the company's name on the side of the tramcar.Shows a double deck horse tram on the Sandringham to Beaumaris tramway.Reproduction print of Rose Series postcard P953 on paper.trams, tramways, horse trams, sandringham, hotels, beaumaris

Postcard: Central Deborah Mine, poppet head and buildings against red sky of sunset, cars in foreground. ( 1970's ? ) On back of card' Historical Central Deborah Mine at Sunset, Bendigo, Vic' ' Rose Series Colorview No. 888, copyright, published by the Rose Sterograph Co., Glen Waverley, Victoria'Rose Series, No. 888, copyrightbendigo, mining, central deborah mine, bendigo, central deborah mine, rose series

Postcard, coloured, showing Pall Mall taken from Charing Cross end. Image shows cars in Pall Mall, garden in foreground. Beehive building on extreme right of photo. On back of postcard ' Post Card, The Rose Series Deluxe, produced in Australia 'Rose Seriesbendigo, streetscape, pall mall, pall mall, bendigo, beehive

View of The Nobbies and Seal Rocks, Phillip Island, Victoria. The Rose Series P 665The Rose Series P.665 The Nobbies and Seal Rocks, Phillip Island, Victorialocal history, postcards, the nobbies, seal rocks, phillip island, sepia photograph, ian reiher

Black and white photograph of a building a verandah and striped awnings in front. A large sign above the steps leading onto the verandah reads "RICHMOND HOTEL". There is a garden with roses in front of the building.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre)portland bay hotel, richmond henty, postcard

Sepia Postcard of the southern coastline of Phillip Island The Rose Series P 670The Rose Series. P 670 The restless sea, Back Beach, Phillip Island, Victorialocal history, postcards, back beach, phillip island, sepia photograph, ian reiher, coastline

Rose Series postcard No. P 2788, titled "Main Entrance Flinders Street railway station, Melbourne", during a winter's morning. Photo late 1940s.Yields information about the main entrance of Flinders St station in the late 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, flinders st station, flinders st, swanston st

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

Black and white photograph. 6 female students tending to roses in the Rose Garden in front of the Shady Walk.. Names of roses on large labels.female students, rose bed, students working outside, labels, shady walk

Clovelly Guest House was formerly Braco Park Guest House, owned and run by Eliza and Grace Murdoch. The original Guest House 'Clovelly' , owned by Mrs. Techow, was situated in The Crescent at Sassafras. After it burned down in 1921, Mrs. Techow purchased Braco Park and renamed it Clovelly. The site was purchased by the Education Department c1985 and is now Sherbrooke Community School. B & W Rose Series Postcard showing Front/Side view of Clovelly Guest House (formerly Braco Park) in Sassafras.The Rose Series P. 3942. "CLOVELLY" SASSAFRAS, VICclovelly, techow, murdoch, braco park, sherbrooke community school, guest house

Rose Series postcard No. 63, "Flinders Street, Railway station, Melbourne" looking at platforms 9 and 10 showing track arrangements, signals and platforms with some people.Yields information about the Flinders St railway station platforms.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.flinders st station, platforms, railways

Rose Series postcard No. P 1523, titled "Collins Street Melbourne", with W2 class tram 388 (Kew Depot, route 47), climbing the hill to Russell Street. Yields information about Collins Street mid 1930s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, w2 class, collins st, tram 388, route 47

Bourke St from just east of Swanston St looking west with two cable sets (trailer 457) in the view along with many motor cars, including a number doing hook turns. In the photo are the Leviathan, London, Buckley and Nunn and Myer stores, Helmers Showrooms. Rose Series Postcard - P4765/ see Charles Craig series for original postcard - CC81Yields information about Bourke StBlack and white photograph of a Rose Stereograph postcard.Has "51260" on the rear in ink.trams, tramways, cable trams, swanston st, bourke st, tram 457

Postcard black and white: image shows boat sheds on shore of Lake Weeroona. Seat in foreground on near side of lake. On bottom: 'The Rose Series P 1630, a view at Lake Weeroona, Bendigo, Vic.'Rose Series/Rose Stereograph Co., Armadale, Victoriabendigo, parks and gardens, lake weeroona, lake weeroona, boat sheds, bendigo, sport, rowing

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street

Entrance to Gardens (1926) The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Photographgardens - entrance, botanical, gipps street

Black and white postcard of South Beach Bathing boxes and swingsbeach, sea, seascape, south beach, bathiing boxes, swings, pea soup