ill, p108.non-fictionA pictorial history of broad gauge 5'3" steam locomotives in the Victoria from the collection of Lindsay Crow. Featuring the very best of his photographs in their full sized versions rather than previously released images in an A4 format.steam locomotives - victoria- history, railroad operations - victoria

ill, maps, p.152.non-fictionDetails of diesel locomotives working in Australia on government and private railways in the year 2002.diesel locomotives - australia - history, railroad operations - australia - history

ill, maps, p.108.non-fictionDetails of diesel locomotives working in Australia on government and private railways in the year 1994.diesel locomotives - australia - history, railroad operations - australia - history

ill, maps, p.112.non-fictionDetails of diesel locomotives working in Australia on government and private railways in the year 1992.diesel locomotives - australia - history, railroad operations - australia - history

ill, p.96.non-fictionA photographic profile of the diesel electric locomotive of the New South Wales Railways in the 'Tuscan' color scheme.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history

Ill, p.96.non-fictionA photographic profile of the Blue & Gold diesel electric locomotives of the Victorian Railways from 1950 to 1979.railroad operations - victoria, diesel locomotives - victoria - pictorial

A number of plaster nativity statues photographed at St Brigid's Crossley. The staues are by Mattei brothers.mattei brothers and co., mattei, mattei brothers, plaster, nativity, st brigid's crossley

This photograph of miners at work on a shallow alluvial mine was taken around 1870 however the location, participants and precise date are unknownThis scene is typical of alluvial mining during the gold rush and up to the latter part of the 19th century showing gold miners and their equipment in actionSepia photograph of shallow mine with six miners location unknown c 1870Alluvial Mining late 19th centurygold mining, miners, tramway

Black and white photograph. One end of the ponds with a glimpse of the Pavilion on the right, looking in the direction of the Orchard.On reverse, "1913."ponds, pavilion, 1913, luffmann ponds, lily ponds

dusk, beach scene, landscape

mdhs

merbein township, murray river

merbein tonwship, trees

railway avenue merbein, commercial street, state savings bank of victoria, bus shelter

Art Collection Previously located in History HouseThe painting depicts a large body of water surrounded by hills. The body of water extends from the front right corner through to the centre of the work. Predominately depicted in shades of brown, the body of water has a white centre with three birds (swans) sitting on the surface. In the foreground to the left of the water is a riverbank with a large brown tree. The background consists of a large blue/grey hillside and brown cloudless sky. The work has a gilded ornate frame with a gold mount and exposed canvas.Front: A.S. Murray Back: W.HAMER, 189 Sturt Street, Ballarat, VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape, glenelg river

A fold out postcard of 12 colour photographs of scenes and landscapes in and around Marysville in Victoria.A fold out postcard 12 colour photographs of scenes and landscapes in and around Marysville in Victoria. These photographs were produced by Murray Views in Gympie, Queensland as a souvenir of Marysville.Marysville/ 12 VIEWS from Mrs Mary Keneally/ Marysville/ 28.11.91 PRODUCED BY MURRAY VIEWS./ GYMPIE./ Q COPYRIGHT SAMUEL LEE & CO., PRINTERS. STEAVENSON'S FALLS, MARYSVILLE, VIC. TOURISTS AT MARYSVILLE, VIC. "FRUIT SALAD FARM", MARYSVILLE MAIN STREET, MARYSVILLE, VIC. ROAD SCENE, MARYSVILLE, VIC. THE CROSSWAYS, MARYSVILLE, VIC ROAD TO CUMBERLAND VALLEY, MARYSVILLE PANORAMA FROM BLACK SPUR, MARYSVILLE ROAD, MARYSVILLE, VIC. NICHOLL'S LOOKOUT, MARYSVILLE, VIC. TREE FERNS, MARYSVILLE, VIC. THE BRIDGE, MARYSVILLE, VIC.steavenson falls (image 1), tourists in marysville (image 2), taggerty river (image 3), fruit salad farm (image 4), main street marysville (image 5), road scene marysville (image 6), the crossways (image 7), cumberland valley (image 8), black spur (image 9), nicholl's lookout (image 10), tree ferns (image 11), bridge (image 12), marysville, victoria, postcard, souvenir, murray views

Artwork. Norman Penrose collection: 7 drawings consisting of plants, trees and one of a scene drawn in pencil.N. Penrosedrawing, pencil, norman penrose collection, artwork, plants, scene

Stawell Alluvial Mining Scene. The Homeward Bound Mine Company puddling machine c1898Four well dressed men and women standing in front of a steam driven puddling machine. Two horses and carts are in front of the puddler and three men standing on the machineEarly Mining Scene Stawell. Mine Believed to be "The Homeward Bound'stawell

The international cards depict a range of view of items such as nature shots of America to photos of abbeys and cathedrals in Europe and views in England Scotland and Ireland. The views in Australia are a similar eclectic mix from shots of the Melbourne cemetery to images of statues in the Ballarat gardens. By placing the card with two images of the same subject, in the stereoscope, it provided a three dimensional view of the photo.Provides a snapshot of general interest items and views of early Australia and Australians.A collection of 76 cards with various scenes and topics. Each card displays two photos of the same view or item on various coloured card backgrounds. There is a mixture of sepia Black and white and coloured photographs.A number of the cards with international scenes have typed on the reverse “Photographed and published by Kilburn Brothers Littleton N.H. Others depicting scenes in Australia are stamped Theodor Bloch. warrnambool, stereoscope, stereoscope photographs

Bush scene of local area, painted by Greensborough artist, the late Doug Hall.Oil painting of a bush scene, in timber frame.On back of painting "The Bush, Doug Hall"doug hall

Daily Mail Official War Pictured, Series 2, No 10. Scenes WWI in Europe.Four by colour enhanced postcards with scenes WW1..1) “RAMC picking up wounded in a captured village” .2) “A fag after a fight” .3) “British mine exploding at Beaumont-Hamel” .4) “British Machine Gunners wearing gas helmets”photography-photographs, military history, passchendaele barracks trust

The four scenes are 1) Venus Baths [top left],2) Mackenzie Falls[top right],3) The Grand Canyon[bottom left],4)Bridge and Road at Halls Gap[bottom right]. A centre view in an oval frame is The Pinnacle and a scroll with 'Views of the Grampians' written on it appearing below the frame. A scrolled frame runs top and bottom of the four scenes.Photo is a copy of a postcard, depicting four scenes in the Wonderland Range.scenery, grampians ranges

Battlefield scene after charge Gallipoli 1915 Dead Turks on battlefield.A b/w photograph of a battle scene at Gallipoli during World War 1.JACKO - BATTLEFIELD AFTER AUSTRALIANS .................... ...FAMOUS CHARGES GALLIPOLI ...............15world war 1, soldiers, gallipoli, george evans collection

EARLY SCENE OF CLUNESCOPY OF STREET SCENE IN CLUNES, HOUSES IN CRESWICK ROAD, GOVERNMENT BRIDGE IN THE CENTRE, WITH BIBLE CHRISTIAN CHURCH IN BACKGROUND.local history, photography, photographs, buildings

This photograph is of historic interest because it shown some of the exotic plants favoured by nineteenth century gardeners.The photograph provides a different aspect of the Ballarat Botanical Gardens and provides further information about the plantings in the nineteenth century. Photocopy of a black and white photograph of palm trees, succulents and lawn. The original photo has age marks. In pencil written bottom lefthand corner, "Scene in Botanical Gardens, Ballarat and in the lefthand corner, January 3, 1883.ballarat botanical gardens, friends of ballarat botanical gardens, john garner, doctor, history, scene, plantings victorian era, john garner collection, gardens, ballarat

Water Supply Pipeline Grampians with workman at bottom of the scene.Photographic print of the water supply pipeline at a scene in the Grampians. Two workmen are working along the pipeline in the photograph. stawell

Black and white photograph of an unknown lock scene where 3 men are working from a hollow platform structure, with one person being a diver coming up or going down a ladder. Another person appears to have hold of a hose (could be oxygen) and the back view of the other person appears to be working with them watching what is happening. This could be part of lock construction as there appears to be cranes and a tripod in the distance.This black and white photograph demonstrates historical and social significance in that it gives a close up view of workmen in the process of lock construction. It appears that there is a diver suited up with helmet on, descending the ladder and a person holding what appears to be hose connected to the person diving. This scene is possibly from the beginning of the 20th century and could be about the development of the irrigation industry.Black and white photograph , portrait format, of 3 men on a hollow platform structure in a river. One man is a diver and is on a ladder which steps down into the water. Copy of an original photograph. On reverse in pencil: Price, Lock scene, location Unknown. lock scene, lock construction, price family collection, irrigation industry