Gran Wearne was born in Cornwall and married a miner, Thomas Wearne. They migrated to Bendigo And has six children of which three survived. She lost her husband and had to rely on charity to maintain her family. She earned a little money by selling goat's milk. She died in 1936 and was the last person who spoke English with a Cornish dialect. Also contains some information about William 'Clubs" Wearne, her son, who also became a miner. He was a member of the long Gully Fire Brigade , and was one of the team that was successful in 1914.bendigo, history, long gully history group, the long gully history group - gran wearne & william "clubs' wearne, sarah lawry angwin, thomas wearne, white hills cemetery, bendigo cemetery, sarah lawry wearne, william wearne, john wren, long gully fire brigade, town hall, george ellis

A group of children stand around Annette Myers and her pet Shetland Pony.Verso "Star of the Pet Parade August 20th 1963 Annette Myers was the envy of the school yesterday with her pet Shetland Pony 'Curly Sue'. She took it to Brown Hill State School where she is a student and entered it in a pet and doll parade. The kids raised 74 pounds for the day"brown hill, brown hill state school, annette myers, shetland pony

This is a plain brown book with small diagonal squares pattern on the covers. La Nourriture De L'ame, ou Recueil De Prieres pour les Principales Fetes de L'annee which translates to - The Food for the Soul or Collection of Prayers for the Main Holidays of the Week. The author is Jean- Rodolphe Ostervald, pastor of the French Church of Bale. There is a drawing on the frontispiece of Jesus talking to men. At the back is a Table of Contents. Some pencil markings inside, foxing and tanning. There are two bookmarks included - One has Federal printed on it in red lettering with a rising sun pattern at each end with a French handwritten message written on the front and back. Another paper used as a bookmark has Y Foy and Gibson, Melbourne. 545p.non-fictionFood for the Soul - a collection of prayers for every day of the week and for the main holidays of the week. religion, prayers

This book tells of the mounting sea power of the Allies told by men of the RAN who with their ships have added the weight of their blows to the common effort. It tells stories of which the Royal Australian Navy may be proud.This volume is a further unfolding of the story of WWII which because of its nature as a world wide conflict, is so largely the story of sea power and its influence on the final outcome HMAS MK III - The RAN's Third Book. Green hardcover with black text and Navy insignia on front cover, text on spine. Inside front and back cover green sepia drawing of a fleet of Navy ships. Graphs, drawings, photographs, maps, poems.Tribute - Grey she is and stately Young alive and shapely Lissome, yes, and graceful, With perfect lines of elegance and dignity Her noble, lovely head She nods and shakes, With confidence to face Whatever may come. She nurses me And nourishes; Shields me, gives me courage. Alone I have been with her, when afraid. And in a crowd of friends, both hers and mine. Through conflict tense, with element or foe; through danger from above and from below. Through anguish keen Of loss, of death, of pain. Through gaiety, through joy victorious and safe She is my life, my only love, My ship.wwii, royal australian navy, sea power, germans, europe, japanese, communications, rear admiral v.a.c. crutchley, v.c., d.s.c, destroyers, corvettes, frigates, escort duties, motor launches, aircraft carriers, battleships, battle cruisers, cruises, armed merchant cruisers, sloops, submarine sweepers, mediterranean, warspite, valiant, pacific, american forces, dneiper bend, solomon islands, makin, tarawa, h.m.a australia, h.m.a shropshire, h.m.a arunta, h.m.a warramunga, h.m.a.s westralia, arctic, h.m. jamaica, h.m.saumarez, u.s. marines, h.m.a.s benalla, h.m.a.s shepparton, royal australian navy reserves

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Robert Ingram and his family were very early settlers in Bonang - possibly the first at Bonang House.This item is associated with the Ingram family early settlers in the Bonang district.A small black / white photograph of an elderly lady, wearing a dark dress, sitting against a wall. She is wearing a bonnet and has glasses.on back - Mr & Mrs Robt Ingram were the first settlers at Bonang at Bonang House.ingram-bonang

Small head and shoulder portrait of a lady. Her dress has a lace collar and embroidery. She has curly hair with a decorative comb in it.Atelier, 69 Stephen St., Melbourne. J. R. Tannerphotograph, portrait, female, portrait of a lady, atelier, j r tanner

Black & white photo of a young woman wearing a high neck white dress, mortar board and gown. She is holding a rolled paper.Bartlett Bros Bendigophotograph, portrait, female, foster & wilson collection, photograph, bartlett bros

Coloured studio photograph of Gloria Mullens as a debutante in 1964. She is carrying a posy of pink and blue flowers which are replicated in her hairmullens. gloria debutante balls

Black and white photograph of Mary Helen Davin in front of the door to the dairy. She is wearing hat, coat and fox fur, December 1939.davin, mary helen, mitcham model dairy

Kay is sitting on the path described in previous photo. She is holding the handle of a pram with a doll in it. The front wheels of the pram are lifted off the ground.

Almost sepia photo of Andy and Marj Rodoni sitting in a garden. He is seated on a stool playing an accordion and she is sitting on a bale of hay.photo, group, couple, peter ellis collection, andy & marj rodoni

In 1974 Ms. Val Douglas was appointed as the first Social Worker at RDNS. This photograph is taken in her Office at RDNS Headquarters, 452 St. Kilda Road, Melbourne. Ms Douglas graduated with her Degree of Social Work from the Columbia University in USAThe Melbourne District Nursing Society (MDNS) were the first in Melbourne, in early 1928, to recognize some patients leaving the MDNS After-Care Home, and many at home, needed further social care. They set up ‘Almoners’ from their Committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. In December 1934 the first full-time trained district Almoner, Miss Una Riall, was employed and carried out a great deal of work with the Society’s Midwifery patients. In 1935 she resigned as she felt the amount of work required needed more than one person. The Society were unable to obtain a replacement due to the shortage of trained Almoners so a Social Service Department was set up and a Social Service Officer, Sister Tupper, was employed at the After-Care Home; she successfully gained better housing from the Housing Commission for families living under unsuitable conditions. By 1941 conditions had improved with full employment of breadwinners and Sr. Tupper was appointed the Matron of the District Nursing Division of MDNS. In 1974, now as Royal District Nursing Service (RDNS), it was recognized the Service needed allied health workers and Ms. Val Douglas was employed as the RDNS first Social Worker.This black and white photograph shows Royal District Nursing Service (RDNS) Social Worker, Ms. Val Douglas, sitting behind her desk. She has short wavy dark hair; is wearing dark rimmed glasses, and is wearing a V neck, short sleeve, white, which is patterned with small grey oblongs, dress. She is smiling as she looks at the camera. She has a pencil in her right hand which is poised over a quarto sheet of paper which contains writing. A large blotter, clipboard and larger notepad are under this, and other sheets of paper, a notebook, and a receptacle holding several pens also sit on the dark wooden desk. Only a small section of the padded black chair she is sitting on is seen. On the right behind this, is a tall dark grey filing cabinet. On the left is a white shelf with a few books standing vertically on it and behind this part of a window is seen. To its right an open long dark curtain is seen.Barry Sutton LY 65 nameroyal district nursing service, rdns, rdns social worker, ms val douglas

This RDNS Liaison Sister is reassuring a lady who is being discharged from Mount Royal Rehabilitation Hospital regarding the visits she will receive from RDNS Sisters in her home. The Liaison Sister had previously visited the lady in the Ward to ascertain the care she would require at home and this information had been passed to the appropriate RDNS Centre and to the Sister who would be visiting the lady in her home. The RDNS Sister is wearing her RDNS winter uniform of a blue/grey skivvie under a blue/grey winter material herringbone V neck tunic style frock. She is wearing her blue/grey herringbone winter material hat.Liaison had occurred between doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS), Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District field staff and Doctors when patients were referred by General Practitioners and did not attend a Hospital. Rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by the RDNS Sisters.On the right of the black and white photograph is a Royal District Nursing Service (RDNS) Sister, who is wearing her uniform hat over her short curled hair, and a pale skivvie under a V neck tunic style grey dress. She is leaning forward with her left hand on the arm of a wheelchair, and is smiling at a lady, who has short curly hair; is wearing glasses and grey frock with a belt, and is sitting in wheelchair. She is holding the tops of walking sticks with both her hands; the foot of the sticks are resting on the ground. The footplates of the wheelchair are open and the lady has her feet on the ground. To her left stands a gentleman who has short dark hair and is wearing a buttoned up dark cardigan over a light coloured shirt, peaks showing, and light trousers. He is holding a 4 prong stick in his right hand and is looking at the lady. A Hospital Sister, who is wearing a dark cape over her white uniform and a white veil over her short dark curly hair is standing behind the wheelchair looking down at the lady. In the background, part of a brick wall can be seen on the left and to the right of this an open glass door and to its right is a closed glass door with writing on it.Barry Sutton Photographer's stamprdns, royal district nursing service, rdns uniform, rdns liaison, rdns rehabilitation

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A scrapbook compiled by the historian Dorothy Rogers comprised largely of 15 articles that she wrote for the Eastern Suburbs Standard between January and August 1964. Only one of the articles has additional typed material that was cut at the time of publication. The author notes that the scrapbook is covered with wall paper from her now demolished family home.dorothy rogers, local history (kew), newspapers -- eastern suburbs standard

Mrs Winifred Fotheringham who helped launch the 1990 Legacy week as she was the oldest Legacy widow and had reached 101 years of age. She was taken to the new building at 101 Collins St to promote Legacy Week. She arrived in a Rolls Royce with Legatee Peter Boulter and was given flowers and chocolates. Photos show them on a tour of the building which at the time was going to be the tallest in Melbourne. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo x 4 of Mrs Fotheringham being taken to 101 Collins St and a white paper label about the event.White paper label with black type ' 101 year old Legacy widow, Mrs Winifred Fotheringham received star treatment from . . . 101 Collins St. Arriving in a rolls royce (with her Legatee Contactor, Peter Boulter) Winifred received a bouquet of flowers, a huge box of chocolates and was given a VIP tour of what will be the tallest building in Melbourne. In her inimitable style, once back at the nursing home, she passed the chocolates around for all to share and gave the flowers to the front desk so that, again, all the residents could enjoy their beauty.'widows, fundraising, legacy week

Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography

The painting was commissioned by ANZCA to mark the presidential term of Dr Lindy Roberts from 2012 until 2014. The artist Robert Hannaford has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Dr Lindy Roberts seated in front of a plain brown background. She is facing front on with legs crossed, one hand over the other resting on her knee. She is wearing the Presidential medal which is slightly covered by her multi-coloured jacket of pink, grey and white. The painting is set in a wide timber frame.[artist signature and date, lower RHS] HANNAFORD ' 13painting, anzca president, roberts, lindy, hannaford, robert

Mary Akers leads the 2001 University of Ballarat Graduation. She was guest speaker at the event. Kerry Cox is on the right, and Val Runyan carries the mace. mary akers, graduation, academic procession, kerry cox, val runyan

Port of Portland Authority archivesPhotograph of a woman packing cutlets of fish into cans on a stainless steel bench top. She is wearing a protective apron and white cloth protective hat.Back: This is a Peter Bage Photograph. When re-ordering please quote Negative No. GMISE. (l. right, ink stamp, grey) 11 LOIS COURT, EAST BENTLEIGH. PHONE 57-6869

In 1987 the Halls Gap Flower Show ran a procession for the opening.The photo shows a woman holding a small terrier in her arms. She has a sprig of flowers in her hand and is wearing a hat and sun-glasses."1987 (1) H.G.F.S." written in ink on back.events, wildflower show

Small portrait of a lady standing beside a stone fence. She is wearing a long, high neck dress with puff sleeves and a seven layer skirt.Paterson Brothers, 8 Bourke St. East Melbournephotograph, portrait, female, portrait of a lady, paterson brothers

Photograph - black and white. Portrait of a young woman, dressed in a white coloured dress with lace and puffed sleeves. She has tight curly hair.Mendelssohn, View St., Bendigo.person, individual, female portrait, photograph. portrait of a young female. unknown family collection.

BHS CollectionPencil sketch of a young lady sitting on what looks like grass. She is wearing a long sleeves dress. Untitled. William Delecca collection.Signed by the artist: W A Deleccawilliam delecca, sketch, young woman

Black and white photograph of a woman measuring the width of a coat. She is working at a table and there is a rack of garments visible in the background. Taken at the Hanro factory in Switzerlandorganization, business, hanro, hanro, clothing manufacturers, handschin and ronus