Photo of Sketch - loading wheat for export to England. Australian Sketcher. 26-02-1881piers and wharves - waterside workers

John Fawkner was an early settler of Melbourne, Victoria.Sketch of John Fawkner's house in Melbourne. The sketch shows a sailing vessel in the Yarra River.john fawkner, melbourne, yarra, yarra river, sailing boat

The book is published by the U.S Government. Alan Mason collection, refer cat No 3979.2.Book, “Army Song book”, cardboard light fawn colour covers, front has cartoon character depictions in black, 63 pages, all print in black.Inside front cover, “ hand drawn sketch believed to be a Japanese”army songs u.s, 1941.

Ticket to a return complimentary ball at the St Kilda Town Hall on 16 August 1933.Cream card, discoloured with age, printed in blueStamped number 497 Some faint sketches and notes in pencilst kilda balls, st kilda mayoral function

Black and white photograph of Ballarat No. 27, pre 1985, running in Wendouree Parade, about opposite the Floral clock. Taken from the Botanic Gardens looking north west. Tram has blinds drawn, Twin Lakes sign.On rear has a biro and felt colour sketch of a wooden box.trams, tramways, ballarat, btps, wendouree parade , tram 27

Printed sheet with sketcheseureka, ballad, the bard, pikeman's dog

Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 1. Aerial perspective (same as item PL136 but watercolour and pastel)Sketch, Watercolour on dyeline

Sketches of a POW in Koreadocuments, korea, general

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil sketch.art, artwork, sybil craig, australian war artist, kitchen

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed sketches of plantsSigned lower left side "Sybil Craig"art, artwork, sybil craig, craig, flora, plants, flowers, available

Original coloured sketch.canteen, recreation room, burnley school of horticulture

Andrew ANTONIOU (B 1951- ) Born London, United Kingdom Arrived Australia c1985 Painter and printmaker Andrew Antoniou completed a Bachelor of Fine Art at the Winchester School of Art and a Master of Art at the Central School of Art, London in 1974. He was awarded an Australian Print Council Commission in 2004 and 2014. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour sketchavailable

Copy of original sketch

The Strand, Williamstown, Tarneit, House Sketch by R.Clark 1981

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'Southesk' (demolished) in Cotham Road, Kew by the artist Joy Stewart. To see the image at the next stage as an image created with watercolour, pen and ink on paper, see 1980.0013.Inscription: "Southesk". Signed lower right: "JStewart". c.1978ordsall, cotham road (kew), southesk

Pamphlet contains three sketches of patrol, ambush and sea mines. The reverse is identical but the quality of the sketches are poor.pamphlet, psycological warfare, propaganda, nva/vc, viet cong, 7th battalion, 1st battalion, the royal australian regiment, terry michael collie, 2790361

This is a book of 82 pages. It has a red cover with gold printing, scroll work, heraldic flags and the official British crest. The pages contain printed text and sketches of military and naval uniforms, hats, badges and other accoutrements. A colour photograph of the Duke of York has a tissue covering. The spine is partly damaged.non-fictionA Guide to the Making of British Military and Naval Uniformsbritish military and naval uniforms, t h holding, 1894 british uniforms

Copy of a sketch of Moke-Billy. Mr. Rose’s Station Grampians 1844 by R.H. Bunbury Previous to Mr. Rose, Charles Browning Hall early writing suggests Hall was a stock Herder this lead him to the Grampians district. Hall held two runs in the Wimmera district La Rose and Moke-Billy (Pille). 1841 - 42 - Hall's Gap is named after him. Phillip Davis Rose - Leased La Rose and Moke-Billy (Pille) 1842-43Original In National Gallery of VictoriaBlack & white photograph of a sketch of a log home and chimney. Lean-to on back, veranda on the front. Bark roof. Log fence. Building surrounded by tall trees with outline of mountains in the background. On the left is what looks like a back shelter. National Gallery of Victoria. Artist or School R. H. Bunbury 1814 - 1857 Title Moke-Billy, Mr. Rose's Station, Grampians. December, 1844. Medium drawing Dimensions 16.6 x 24.6 cm Accession No. Credit Line Presented 1954 To be reproduced only by written permission of National Gallery of Victoria 180 St. Kilda Road Melbourne Vic., Australia 3004.

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours This ship depicted by B. C. G. Burnett in his pen and wash sketch labelled "The White Ship" exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This artwork (one of a set of three small artworks) is significant as an example of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. It is also important as its creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.An ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. The back of the sketch is black card with faint pencil marks (overwritten in red ink) that appear to read "1842 A". A page from an album belonging to Beni Burnett displays five black and white photos including three photographs of ships. The photograph on the bottom right is an exact match for the pen and wash drawing. front - "THE WHITE SHIP / B. C. G. BURNETT" back - difficult to read "1842 A"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall

"Dennys, Lascelles Limited Annual", third issue, August 1927. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics. On the front cover is a fine printed reproduction of a 1927 sketch by the artist Victor Cobb depicting the Dennys Lascelles wool store (cnr Moorabool and Brougham Sts; now housing the National Wool Museum).Three copies of the report. Front cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927. The sketch is the Dennys, Lascelles wool stores (now NWM) and is by Victor Cobb. Detail from the back cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927.wool brokering, wool growing, agriculture, dennys, lascelles limited

Small print of a sketch of a port "Troedel & Cooper PTY LTD"

Sketch of the German Club in Belgravepicture, ww2