Showing 1527 items
matching threaded
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Tennis Australia
Attire, Personal items, Circa 1930
Yellow silk sleeveless tailored dress with two purple buttons on front. Materials: Silk, Thread, Plastictennis -
Friends of Westgarthtown
Clay pipe
White clay pipe, hollow tubular shaped with small drip catchment and threaded end for bamboo attachment.personal effects, smoking accessories, pipe, clay, smoking, china -
Tennis Australia
Davis Cup cap, Circa 1999
Cloth baseball cap branded with Davis Cup NEC. Green and white. Materials: Cloth, Thread, Cardboardtennis -
Mont De Lancey
Underwear combination, Female
Made by Esther Johnson (Mrs Cooper) for trousseau which was never worn as the groom died in action in WW1. Circa 1914. "Melrose" Queens Road no longer exists.Ladies white cotton with lace trim combination underwear with trapdoor. Blue ribbon threaded around the neckline. combinations, underwear -
Harcourt Valley Heritage & Tourist Centre
Masonic Apron, circa 1960
Awarded to Lindsay Warren of Harcourt , November 1967, upon his progression to the Sovereign Rose Croix ChapterVery ornate and costly emblem, attained at a high degree of membership.RED CLOTH, CREAM SATIN AND GOLD THREAD MASONIC APRON WITH BELT WITH METAL CLASP, BLACK LINING -
Melbourne Legacy
Memorabilia - Ephemera, Legacy 90th Anniversary 1923-2013, 2013
An example of a souvenir issued to commemorate Legacy's 90th anniversary. It says: "90th Anniversary of Legacy 1923-2013" It is not known how widely the souvenir handkerchief was distributed or if it was sold as part of Legacy Week. It was part of a collection of Legacy items from Valma Hutchinson (nee Wigg), who was a former junior legatee. Valma was accepted into Junior Legacy club in 1940.A record of an item produced by Legacy to celebrate the 90th Anniversary and owned by a former Junior Legatee.A white handkerchief with the Legacy torch and text 'Legacy 90th Anniversary 1923-2013' stitched in blue thread.Legacy 90th Anniversary 1923-201390th anniversary, junior legatee, reunion -
Montmorency/Eltham RSL Sub Branch
Weapon - Fuse cap for 18 pounder artillery shell
Found in Somme Area by donor.Circular steel cap, with threaded base to attach to top of 18 pounder shell (Air burst fuse).Numerical scale (see photo above) with gradations up to 9.5 for setting range at which fuse would ignite. -
Federation University Art Collection
Artwork, Lynne Makings, 'Thirteen time eight equals one zero four zero (by two)' by Lynne Makings, 2015
Lynne MAKINGs (1950- ) Artist Lynne Makings is an instigator and member of the Soldiers Hill Artist Collective, an eclectic group of artists from all various disciplines, residing within the region of Soldiers Hill, Ballarat. When this work was undertaken Lynne Makings was enrolled in a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy. The work was awarded a Deputy VIce Chancellor's Award, and was acquired from the 'End of Year Exhibition' (EYE).Double sided artwork comprising of numerous Indian Bean Tree seeds (Catalpa Bignoniodes). The seeds have been placed between to sheets of perspex. Artist's Statement: 'continuity by a thread' A loose line and a tight grid Continuity by a thread, [the makings of], represents a body of work exploring the overarching grid that links a fragile thread, the mortal coil, that binds and unites the disparate forces of continual change underpinning human existence. The thread symbolises the connecting life force that has been a constant companion working within the formal boundaries and structure of living my being. and so it goes... it will take me where it may.lynne makings, artwork, artists, indian bean tree seeds, catalpa bignoniodes, dvc award, end of year exhibition, eye -
Flagstaff Hill Maritime Museum and Village
Domestic object - Match Safe, after 1830's
This match safe was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The match safe was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. Pocket match safes or match safes were small portable boxes, or containers made in a great variety of forms and shapes, each with lids or covers to contain matches and retain their quality. Matches came into use around the 1830's and were produced extensively between the years 1890 and 1920. During this period everyone carried strike anywhere matches, so they could ignite stoves, lanterns and other devices. Early matches were unreliable and prone to ignite from rubbing on one another or spontaneously. Accordingly, most people carried a match safe to house their matches. Wealthy people had ‘match safes made of gold or silver, while common folk had ones made of tin or brass. They were made throughout the world including the United Kingdom, in the U.S.A., continental Europe and Australia. Significant English makers of cases were, Sampson Mordan and Asprey & Co. Significant American manufacturers of match safes include Wm. B. Kerr, Gorham, Unger Brothers, Battin, Blackington , Whiting, George Scheibler and Shreve & Co. Different patterns and types run into thousands as well as plain and decorative examples. They were also made in a wide range of materials, including pressed brass, pressed tin, gunmetal, nickel silver, gold, bone, ivory, the wood of varying types, early plastics like tortoiseshell and Bakelite, and ceramics. A distinguishing characteristic of match safes is that they have a ribbed surface, usually on the bottom, for lighting the matches. The item gives a snapshot into the social development through it's application in every day use match safes were used at a time when there were no safety matches and the early use of matches was a dangerous affair given they were easily combustive if rubbed together in a pocket for example. The item is also an example of the shipwreck artefacts gathered along the southwest coast of Victoria.Match Safe; hollow brass cylinder with ribbed match striker texture on base and screw thread around top. Fitted brass lid has an internal screw thread, and the top's flat surface has concentric circles design, with a twisted rope pattern grip around the edge. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, match container, match safe, matches, fire lighter, fire safety, heat, fire, portable match safe, 19th century -
Wangaratta Art Gallery
Textile, Kate Just, SAFE Banner, 2014
HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just -
Woodend RSL
Uniform - Apron
Apron manufactured for military purposes. This item has significance as an example of uniform likely worn ny nurses and/or other medical staff, associated with Australian military campaigns. White fabric apron. One piece comprised of fabric square, white cotton bib, convex shaped side flaps, and square shaped lower apron with rounded corners. Fabric edges are folded over and hemmed with white thread in straight stitch, 5mm distance from edge of apron. Underside is overlocked with white thread. Top of bib is attached to a white fabric neck loop near bib corners by machine sewn white thread, with a criss-cross shape enclosed in a square; stitching is visible on front of apron. Apron has a white fabric tie on each side, attached in similar fashion to neck loop. Bib features red fabric red cross, stitched onto bib using zig zag stitch in red thread, edges of cross are raw fabric. Both ties and neck loop are hemmed with straight stitch and overlocked in white thread. military, war, apron, uniform, medical, hospital, women, female, outfit, nurse, fashion, textiles -
NMIT (Northern Melbourne Institute of TAFE)
Photographs - CTS 1940-1943, Collingwood Technical School. Defence Training Scheme, 1940-1943
Collingwood Technical School trained apprentices in many trades. CTS was also invlved in Training Schemes during the late 1930s and during World War II. These photographs depict some of the machines and machine parts built in class. These are high quality professional photographs taken circa 1940-1943. At this time , CTS was part of the Defence Training scheme. These photographs are a visual record of this scheme.6 black and white photographs mounted on brown card. Photographs depict various aspects of lathe work undertaken during the Defence Training Scheme, 1940-43. Also a smaller photograph of a Moultar Thread Milling Machine 1941.Each photograph has a hand written caption on the back. Captions: 1. Finished surface plates for R.A.A.F. / standing on trestle after scraping. Stack of / others in background waiting for scraping. 2. Lathe bodies in foreground, with machined / parts of lathes in middle distance, and milling / cutters, gauges and bearings in background. 3. Frames of glass splitting machines, thread / rectifying machines, and two types of milling / machine vises made in technical schools. 4.View of engineering machine shop. Carbon dioxide / freezing box in foreground, and stack of / surface plates for RAAF in middle / distance. 5.Fan geared lathes, 6 inch centres, with / self-contained motor drives, made for / cartridge factory. To be used for making / this 6.Freezing of cast iron surface plates / in layers of solid carbon dioxide / blocks. Smaller photograph has a handwritten note on the reverse: 'this photograph shows how, with the aid of a 3ft. extension mounted in front of the tool box, on which Mr. Grubb sen. is seated, these large milling machine bases ... machinists at Collingwood Technical School. A Strang, Principal 21.4.1941'. collingwood technical school, cts, apprentices, students, defence training scheme, lathes, machinery, machine parts, nmit, -
Beechworth RSL Sub-Branch
Badge - Badge Hat
This hat badge was typically threaded through the puggaree of a slouch hat Stainless steel round hat badge, featuring the English Crown above two crossed rifles with a kangaroo in the foreground, framed by oakley leaves and a boomerang with an engraving. On the back features two round eyelets Engraved: DUTY FIRST / Boomerang Engraved: ROYAL AUSTRALIAN REGIMENT / hat badge, puggaree -
Orbost & District Historical Society
ink bottle, first half 20th century
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A squat clear glass ink bottle which is square-shaped. It has threaded top and is seamed on both sides.on base - AGM F823 M P50container bottle ink-bottle -
Orbost & District Historical Society
jar
A small round opaque white glass jar. It has a threaded top and a mould seam from the rim to the base.jar white-glass container -
Lara RSL Sub Branch
Picture, Ode Tapestry, MId 20th century
The Ode is a verse from a poem Ode Of Remembrance by Laurence Binyon. The Poem first appeared in the Times of London on 21 September 1914. This particular verse is used in ANZAC and Remembrance Day ServicesThe verse of the Poem has been used in ANZAC and Remembrance Day Services from their inception. The verse is pertinent to all service persons who have lose their life in conflict.Oblong, Black Frame, Matt Surround, Glass, Cross Stitch, various colors, cotton thread on aida fabric. Hand sewn the ODE, picture of military Bugler, dark military figures in the back ground. Words LEST WE FORGET, The Ode, seven lines of the ode poem. Framing by Frameline Picture Framing, tapestry work not known.ode, lest we forget, tapestry -
Bendigo Military Museum
Uniform - SLIDE SHOULDER BOARD
Part of the Reverend Chaplain Major thomas Bruce Williams, No 556101, Collection.Two jungle green coloured slide shoulder boards with captain's pips embroidered in light green and brown thread.army chaplain, rank insignia, uniform, major thomas b. williams -
Flagstaff Hill Maritime Museum and Village
Tablecloth
White linen tablecloth, fine Drawn or Pulled Thread Work design. H 70cm x W 70cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth -
Greensborough Historical Society
Container - Jar, Hoffman Australia, Sharpe Bros demijohn, 1930s
This demijohn was made for Sharpe Bros., brewers of non- alcoholic drinks such as Dandelion Ale, ginger beer and cordial. Sharpe Bros began in New Zealand and expanded to Australia in the early 20th century. The company was taken over by Cadbury Schweppes in 1972. The likely manufacturer of this demijohn was Hoffman's Pottery of Brunswick.This item was recovered from the abandoned barn of the Pope family in 1971, when the property was sold to the Shire of Diamond Valley. This barn was located on the northern side of Pope Place and sketched by Ron Reynolds for the book "Greensborough and Greenhills".Glazed stoneware jar with dark brown glaze to top, narrow threaded neck with wire handle. Stopper missing.Transfer text on front: "This jar is the absolute property of and must be returned to Sharpe Bros. Australia and New Zealand"sharpe bros., hoffman pottery, stoneware jars -
Greensborough Historical Society
Container - Jar, Hoffman Australia, Sharpe Bros demijohn, 1930s
This demijohn was made for Sharpe Bros., brewers of non- alcoholic drinks such as Dandelion Ale, ginger beer and cordial. Sharpe Bros began in New Zealand and expanded to Australia in the early 20th century. The company was taken over by Cadbury Schweppes in 1972. The likely manufacturer of this demijohn was Hoffman's Pottery of Brunswick.Glazed stoneware jar with dark brown glaze to top, narrow threaded neck, wire handle and stopper missing.Transfer text on front: "This jar is the absolute property of and must be returned to Sharpe Bros. Australia and New Zealand"sharpe bros., hoffman pottery, stoneware jars -
Orbost & District Historical Society
cloth, Untitled et al, first half 20th century
Mrs Eaton was daughter of George and Granny Thomas. Respected Aboriginal couple at Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A canvas runner, unbleached, with two symmetrical designs in thick white thread on front. Fancy borders sewn on edge.cloth handcraft needlework eaton-julia manchester table-linen -
Orbost & District Historical Society
bottles, first half 20th century
Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. These bottles have an aesthetic element in that the shapes , colours and textures are visually appealing. They reflect the type of glassware that was in circulation in the first half of the 20th century.. Four glass bottles. Three are clear and one (1528.3) is brown. They have non threaded necks with molded rims.bottles -
Federation University Historical Collection
Equipment - Tripod, Surveying Instrument, early 1900s
Tripod with 3.5 cm male thread tiltable mount (to suit Level CS - 147, 4110.) Wooden legs.surveying, tripod -
Bendigo Historical Society Inc.
Tool - HAND CLAMP
Hand Clamp. Broken thread mecahnism Approx 15cm. (Previously in Box $45 from Mechanincs Institute Eaglehawk)business, mining -
Bendigo Historical Society Inc.
Accessory - SMALL BLUE CROCHET COTTON PURSE
Small blue crochet cotton purse with pink silk lining , press stud & embroidered with flowers of metalic thread.costume accessories, female -
Coal Creek Community Park & Museum
Tassles
Green, gold, mustard, rust coloured woven mat and top with tassles hanging from cross over threads -
Tatura Irrigation & Wartime Camps Museum
Hot Water Bottle, 1940's
Used by internees Camp 3 TaturaOval shaped metal hot water bottle with screw in thread. Removable plug and wire carrying handle attachedhot water bottle, oval, beck h, camp 3, tatura, ww2 camp 3, domestic, items, heating -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1916
Lace Trimmed White Lawn Camisole Round neck. Ribbon Thread lace at neck and armholes. Medallion Insertions.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Panties, c 1958
For the wedding of Dorothy Williams in 1958Lawn panties, cream colour with lace on leg area, threaded through with pale blue ribbon (bloomer type)costume, female underwear -
Whitehorse Historical Society Inc.
Decorative object - Doyley
White cotton rectangular doyley edged in blue blanket stitch. Thick embroidery thread is used in flower pattern.manchester, table linen